I believe anything from D5 - F5 was a mixed voice and above that was much more head voice than chest. I don't think that high A5 was in the chest at all but, eh, it comes down to how a singer feels it and is hard to tell just from hearing. Thanks for making this video!
Bobby Waters they are. He doesn't have a very well developed head voice and he pushes too much from his chest so he strains and whines above Bb4, where his tessitura lies.
@@superMacaulay1 It depends. I can hit a D5 with a more chest dominant or almost fully chested belt or with a more balanced mix or a head dominant mix. In my case it depends of the loudness. Most of my chest dominants mix above B4 tend to be forte or fortissimo. If I want to soften it up, I have to use a more balanced or head dominant mix.
@@NawiTheCore If you are a tenor I'm pretty you are talking S****t... Sorry. Fully chest with mix voice don't exist and much less after second passaggio/bridge that in Tenor's case are F4, F#4, G4 or G#4. You just need to realize the differece between your registers. For some people a strong head voice on the mask sounds like a chesty belt etc...
Not controllable. He sounded like he was about to drop out on this note. He barely sustained it. Also I don't know if it's just me but in Let It Go his voice sounded like it was a bit lowered or enhanced in some way on a computer. Almost whole video he sounds really light and high and suddenly out of nowhere on Let It Go he sounds like a higher bass. Weird.
I love how he can go so high in *chest that his falsetto only adds **1 semitone to his range. EDIT: *Mixed voice, not full chest **2 semitones, since his cover of Say Amen
Joseph Owens Pretty much anything past maybe Bb4 or B4 is mixed for sure. Almost everything in the 5th is heady especially past D5. No male can hit a freaking A5 in chest it’s impossible. None of this is a knock on him at all, moreso the uploader saying that. He still has a great range that sounds good throughout. Some of his higher chest mix stuff can sound rough but as somebody not trained he definitely has chops for sure
bubba lums Just because he doesn’t know what Head voice is doesn’t automatically mean he hit it in chest. That’s like saying a baby doesn’t fart because it doesn’t know what it is I’m sorry I don’t want to argue a bunch over something small. I don’t see why it can’t just be accepted that a male cannot hit an A5 with a majority of chest resonance. Even the greatest singers in the world can’t that’s a fact. It literally doesn’t matter at the end of the day, because singing a good A5 is not an easy note for many males to sing, we all know Caleb is a beast
Thats true, obviously, but even so i would hesitate to call it impossible. In any case it can be difficult to simply hear the exact technique being used and doesnt really matter as long as it sounds good. But yeah; Caleb is quite the singer.
id definetely say anything above a B4 for him was mixed, but he has amazing range and control, i can relate to him a lot, i have a high mixed note of G#5 and high falsetto of F6. im aiming for a high mixed note of B5 by the age of 21. im 15 now, so i got time. go big or go home😂😂😂 thanks for making this video
wow congrats thats a great range but i think its more likely the Eb7 is a whistle than a falsetto,, ive never heard of anyone going above a B6 in falsetto. also, are u a male or a female??
Very nice video! I'm not very sure, but I guess he hit a B5 in the "Livin' on a prayer"-cover by Jonathan Young and himself at about 3:30 (in the background).
This is why him anf Jonathan Young make great covers together. He's the saprano and Jonathan is the alto (I think I used those choir words right. I don't know anything about music)
They're male, so I think it would make more sense if you said "Caleb is the Tenor and Jonathan is the Baritone" but close enough. And yes, I agree, their collabs are amazing.
There no chest high notes in there even the G#4 was balanced and everthyng after that was head mix until something around B4 - C#5 when it become to be just head voice on the mask.
I think his F#5 is the highest mixed note... that G5 and A5 are not mixed voice at all... compare his F#5 and G5 and how see the color of his voice changes and turns lighter. Now the D2 and E2 sound like autotune, don’t sound natural, sound very artificial. However his voice is really high for a baritone. That is my point of view
A bass who can barely reach a D2 is no real bass. Or at least not yet, depends on your age. To be a bass you should at least be able to sing (sing, not hit. That's a huge, important difference) a powerful E2 (mezzo-forte or forte). And that's not the case if your D2s are only barely hittable. Sorry if I frustrated you but you're most likely no bass.
I don't know the loudness of E2 but I've performed with it, I can use it. And besides, my teacher, a professional singer, who is a low bass(I think he goes to C2 as I've heard him sing that low), told me that I'm a bass. Also I'm 18, in the upper range G4 is last usable but can get A maybe B
I think you're more like a baritone or a bass-baritone than a bass, however in a 4 voiced choir you would be a bass (but there are no further classifications like baritone, baritenor or bass-baritone). G4 is too high for a real bass (look at Avi Kaplan, his G4s are falsetto notes). I am an aspiring bass as well. My total range is G#1 - C#5 (I hit a G# in chest only once when I was really sick and every note above F4 is mixed voice, I neither have head voice nor falsetto [or at least I can't use it]). My average lowest note is probably C#2 or C2 and my average highest note is Eb4 or E4, I guess. Anyway, my lowest in choir usable and projectable note might be Eb or D2 (which is the lowest one I've ever had to sing). If I'm supposed to hit a low F, it sounds really full, dark, low and loud, same thing with an E2. But producing an equally sounding Eb2 is pretty hard, a loud D is almost impossible without some help of vocal fry. So I think our voices are pretty equal and I would consider myself as a bass-baritone
I'm not even sure where I sit with the mix voice. As I was doing my entry for the choir and I was put into second bass, I was told that I had natural mix voice in higher register somewhere aswell that I wasn' aware of. But I mean with like even singing without a microphone, the E2 is clearly hearable. Maybe a bass-baritone, but I know that I have the required range to be considered a bass. It seems like ameteur musicans have different ways of indendifying where bass range starts from. Some people have even said that you need to have C2 in your chest to be a bass. It's kinda all over the place. G4 isn't that high of a note for basses to hit. Tim Foust has sang a Bb4 or B4 from chest and Geoff a C5 I think? They can both sing down to F1 aswell. I think I've also heared my teacher sing a G4 but well he had to make his voice louder for it to support it.
In case you aren't joking, I'll explain you what is bass voicetype. The fact, that a singer can hit notes of bass academic tessitura (E2 and below) doesn't mean he's a bass. Any bass must be able to sing an E2 loud enough to be decently loud on this note in an opera hall without a microphone. Average trained Bass cantante full chest range (not workable range for operatic singing, which is E2-E4, but full range) would be around any given day B1-F4. Caleb Hyles is *really* far from having workable operatic E2, he is a high tenor, not even baritone, because of his tone of voice, which is the main factor when we are classifying a singer with wide range. My full range in any given day is ~C#2-F4 and B1-A4 on a really good day, but I'm a bass-baritone, not a true bass, because of my tone of voice
@@Kurdyukov87pianist Well, it depends. Every singer has a unique voice. Some have more wide range compared to others. This is why tone of voice is the main factor in classification, not range. My full chest range on any given day is C#2-F#4, but I'm not a bass, I'm a bass-baritone because of my tone of voice, which is the main factor, after range, when classifying a singer. Most of the time, lowest doable notes for voicetypes would be a bit lower, than the ice you wrote. About this (may be higher or lower depends on the singer): Tenor ~E2 - ~A2 Tenor-baritone ~E2 - ~G2 Baritone ~C2 - ~F2 Bass-baritone ~A1 - ~D2 Basso cantante ~F#1 - ~C2 Middle bass ~E1 - ~B1 Basso profondo Z-999 - ~A1 [ ~ ] means approximately
@@dmytrotsvyntarnyi799 Те ноты, которые я написал, действительно помогают определить тип голоса. Тембр бывает иногда не сформирован правильно, поэтому на него тоже не стоит опираться. Из меня пытались долго слепить лирического баритона, но увы и ах я высокий бас. Недавно тембр вылез, благодаря резонансной точке в твердом нёбе, которую я Слава Богу нашёл...
@@Kurdyukov87pianist если нельзя опираться на диапазон и на тембр... То на что опираться?) Если только на диапазон, то что делать с людьми, у которых диапазон достаточно широкий, чтобы покрыть несколько типов голоса?
@@cullenlee6461 Look up Chris Liepe. He is one of the only youtubers that actually teaches what they talk about instead of reffering you to their singing course. He has a full playlist explaining a lot of different vocal registers including mixed. Check it out, he'll def explain it better than I will.
@@Sheamuscz I’m going to be so for real, the octaves are all right. Highschool me was just 1.) blatantly wrong and 2.) kind of an ass. There’s my elaboration :) Thanks for giving me something to laugh at this morning 😂
You missed a fantastic solid A2 in the bells of notre dame which he did with Jonathan young.
n i c c yeetspacito
I believe anything from D5 - F5 was a mixed voice and above that was much more head voice than chest. I don't think that high A5 was in the chest at all but, eh, it comes down to how a singer feels it and is hard to tell just from hearing.
Thanks for making this video!
He starts to mix his voice around F4, though it's a chesty mix
Gerard _ He is belting lol.
Yup I also notice it
but incredible range though
No, already from C5 I feel the change
@@KajiVocals It's mixed, sounds like a very heavy and chesty mix
HOW IS HIS VOICE EVEN REAL, LET ALONE HIS RANGE???
Several of those high chest notes sound like a form of mixed or falsetto
Bobby Waters they are. He doesn't have a very well developed head voice and he pushes too much from his chest so he strains and whines above Bb4, where his tessitura lies.
Bobby Waters They're mixed notes, not falsetto.
Mix and falsetto are complety different things and all high "chest" note are Mixed
@@superMacaulay1 It depends. I can hit a D5 with a more chest dominant or almost fully chested belt or with a more balanced mix or a head dominant mix. In my case it depends of the loudness. Most of my chest dominants mix above B4 tend to be forte or fortissimo. If I want to soften it up, I have to use a more balanced or head dominant mix.
@@NawiTheCore If you are a tenor I'm pretty you are talking S****t... Sorry. Fully chest with mix voice don't exist and much less after second passaggio/bridge that in Tenor's case are F4, F#4, G4 or G#4. You just need to realize the differece between your registers. For some people a strong head voice on the mask sounds like a chesty belt etc...
I would say that his voice type is Dramatic Tenor. His E2's are very controllable. A bit weak, but still. Nice video tho!
Мирич He's a full-lyric tenor. Dramatic voices have metallic and huge voices. He doesn't have the tone, weight, or size of a dramatic.
Piano&VocalGuy89 wtf does that mean? A metallic voice? He seems to have a huge voice.
Привет
@@ThePianoguy89 that all just sounds like crap.
Not controllable. He sounded like he was about to drop out on this note. He barely sustained it. Also I don't know if it's just me but in Let It Go his voice sounded like it was a bit lowered or enhanced in some way on a computer. Almost whole video he sounds really light and high and suddenly out of nowhere on Let It Go he sounds like a higher bass. Weird.
I love how he can go so high in *chest that his falsetto only adds **1 semitone to his range.
EDIT: *Mixed voice, not full chest
**2 semitones, since his cover of Say Amen
Joseph Owens Pretty much anything past maybe Bb4 or B4 is mixed for sure. Almost everything in the 5th is heady especially past D5. No male can hit a freaking A5 in chest it’s impossible.
None of this is a knock on him at all, moreso the uploader saying that. He still has a great range that sounds good throughout. Some of his higher chest mix stuff can sound rough but as somebody not trained he definitely has chops for sure
You say impossible but my dad has hit an A5 on several occassions and I dont think he even knows what head voice is.
bubba lums Just because he doesn’t know what Head voice is doesn’t automatically mean he hit it in chest. That’s like saying a baby doesn’t fart because it doesn’t know what it is
I’m sorry I don’t want to argue a bunch over something small. I don’t see why it can’t just be accepted that a male cannot hit an A5 with a majority of chest resonance. Even the greatest singers in the world can’t that’s a fact. It literally doesn’t matter at the end of the day, because singing a good A5 is not an easy note for many males to sing, we all know Caleb is a beast
Thats true, obviously, but even so i would hesitate to call it impossible. In any case it can be difficult to simply hear the exact technique being used and doesnt really matter as long as it sounds good. But yeah; Caleb is quite the singer.
@@MichaelMcCloud29 it's not being accepted because you're talking shit. There are plenty of male singers that can hit A5 without using falsetto.
the f2 in lullaby for a princess is actually pretty strong for someone of his range considering how his other lows sound
What a incredible voice!! Nice job as always man!
id definetely say anything above a B4 for him was mixed, but he has amazing range and control, i can relate to him a lot, i have a high mixed note of G#5 and high falsetto of F6. im aiming for a high mixed note of B5 by the age of 21. im 15 now, so i got time. go big or go home😂😂😂 thanks for making this video
I currently have an Eb7 in falsetto, aiming for an F. Also mixed of C#6, aiming for also an F.
Male voices are just cheating.
wow congrats thats a great range but i think its more likely the Eb7 is a whistle than a falsetto,, ive never heard of anyone going above a B6 in falsetto. also, are u a male or a female??
Lemonshrike Catworthy Personally trying to reach for those notes in the 7th and 8th range is useless. I personally think they don’t sound good.
He has an amazing range!!!
This video brought me so much glee just listening. This man's voice is absolutely insane!
Awesome! He's such a beautiful singer!
His vocals legit bring me to tears! My favourite RUclips vocalist and even though I cant sing with that range, he is my biggest inspiration!
Love Caleb Hyles
Man it's been a long time lol
what about the monster growl note?
What an instrument!!
6:01!!!
Amazing work bro😁
Привет
@@user-fc7ti5vr4y привет, ты из Амино ня?
EileMonty
@@user-fc7ti5vr4y привет 💝💝
@@user-ss2fz9pc6u привет 💝💝
Time to ask if the wondrous Tomi enjoyed listening to the MLP covers, and better yet, if he's a brony!
Light lyric tenor, no doubts
You missed a B4 on when he says "Come *on,* baby, save me".
I practice high notes using this.
You should do one of Johnathan Young
Hey man, i thought you would make a brendon urie vocal range, i feel let down a little.
this is also great
Why do you?
Loon Men you shouldn’t Caleb is just as good
WOOOOOOOOOW
Very nice video! I'm not very sure, but I guess he hit a B5 in the "Livin' on a prayer"-cover by Jonathan Young and himself at about 3:30 (in the background).
How can I sing like Caleb Hyles without having to auto-tune my voice?
Every single eb2 and d2 is one octave higher (eb3/d3)
CracaCG the low notes are harmonies. If you listen closely, you’ll hear the Eb2 and D2
No
CEO OF MIXED BELT
Matt Sallee should be next!
This is why him anf Jonathan Young make great covers together. He's the saprano and Jonathan is the alto (I think I used those choir words right. I don't know anything about music)
They're male, so I think it would make more sense if you said "Caleb is the Tenor and Jonathan is the Baritone" but close enough. And yes, I agree, their collabs are amazing.
There no chest high notes in there even the G#4 was balanced and everthyng after that was head mix until something around B4 - C#5 when it become to be just head voice on the mask.
i heard c5 as what u said and e5 atm, but eb5 were mixed
This is very incorrect.
The E2s sounds like they have autotune
Yes
But that's not his highest note. What about his B5 in say amen?
His cover didn't exist at this point. He made it 2 months later.
Lots of those high chests are really just reinforced falsetto...
I think his F#5 is the highest mixed note... that G5 and A5 are not mixed voice at all... compare his F#5 and G5 and how see the color of his voice changes and turns lighter.
Now the D2 and E2 sound like autotune, don’t sound natural, sound very artificial. However his voice is really high for a baritone.
That is my point of view
Lol I'm a bass and I can barely reach D2. The lower end for him does sound quite weak and forced tho.
A bass who can barely reach a D2 is no real bass. Or at least not yet, depends on your age.
To be a bass you should at least be able to sing (sing, not hit. That's a huge, important difference) a powerful E2 (mezzo-forte or forte). And that's not the case if your D2s are only barely hittable.
Sorry if I frustrated you but you're most likely no bass.
I don't know the loudness of E2 but I've performed with it, I can use it. And besides, my teacher, a professional singer, who is a low bass(I think he goes to C2 as I've heard him sing that low), told me that I'm a bass.
Also I'm 18, in the upper range G4 is last usable but can get A maybe B
I think you're more like a baritone or a bass-baritone than a bass, however in a 4 voiced choir you would be a bass (but there are no further classifications like baritone, baritenor or bass-baritone). G4 is too high for a real bass (look at Avi Kaplan, his G4s are falsetto notes).
I am an aspiring bass as well. My total range is G#1 - C#5 (I hit a G# in chest only once when I was really sick and every note above F4 is mixed voice, I neither have head voice nor falsetto [or at least I can't use it]).
My average lowest note is probably C#2 or C2 and my average highest note is Eb4 or E4, I guess.
Anyway, my lowest in choir usable and projectable note might be Eb or D2 (which is the lowest one I've ever had to sing). If I'm supposed to hit a low F, it sounds really full, dark, low and loud, same thing with an E2. But producing an equally sounding Eb2 is pretty hard, a loud D is almost impossible without some help of vocal fry.
So I think our voices are pretty equal and I would consider myself as a bass-baritone
I'm not even sure where I sit with the mix voice. As I was doing my entry for the choir and I was put into second bass, I was told that I had natural mix voice in higher register somewhere aswell that I wasn' aware of. But I mean with like even singing without a microphone, the E2 is clearly hearable. Maybe a bass-baritone, but I know that I have the required range to be considered a bass. It seems like ameteur musicans have different ways of indendifying where bass range starts from. Some people have even said that you need to have C2 in your chest to be a bass. It's kinda all over the place. G4 isn't that high of a note for basses to hit. Tim Foust has sang a Bb4 or B4 from chest and Geoff a C5 I think? They can both sing down to F1 aswell. I think I've also heared my teacher sing a G4 but well he had to make his voice louder for it to support it.
Gaming4Justice He's a tenor. You can't expect him to have the best lower end.
I am Dramatic Baritone i can growl D1 and scream C5
EileMonty
He's a bass. Bass cantante/Bass-baritone/ High bass. The same voice had Fedor Chaliapin.
In case you aren't joking, I'll explain you what is bass voicetype. The fact, that a singer can hit notes of bass academic tessitura (E2 and below) doesn't mean he's a bass. Any bass must be able to sing an E2 loud enough to be decently loud on this note in an opera hall without a microphone. Average trained Bass cantante full chest range (not workable range for operatic singing, which is E2-E4, but full range) would be around any given day B1-F4.
Caleb Hyles is *really* far from having workable operatic E2, he is a high tenor, not even baritone, because of his tone of voice, which is the main factor when we are classifying a singer with wide range.
My full range in any given day is ~C#2-F4 and B1-A4 on a really good day, but I'm a bass-baritone, not a true bass, because of my tone of voice
@@dmytrotsvyntarnyi799 lowest doable notes and type of voice:
G#2-A2 Tenor
F2-F#2 Baritone
C#2-D2 (and below)Bass
C#3-D3 (and below) Contralto
F3-F#3 Mezzo
G#3-A3 Soprano
@@Kurdyukov87pianist Well, it depends. Every singer has a unique voice. Some have more wide range compared to others. This is why tone of voice is the main factor in classification, not range.
My full chest range on any given day is C#2-F#4, but I'm not a bass, I'm a bass-baritone because of my tone of voice, which is the main factor, after range, when classifying a singer.
Most of the time, lowest doable notes for voicetypes would be a bit lower, than the ice you wrote. About this (may be higher or lower depends on the singer):
Tenor ~E2 - ~A2
Tenor-baritone ~E2 - ~G2
Baritone ~C2 - ~F2
Bass-baritone ~A1 - ~D2
Basso cantante ~F#1 - ~C2
Middle bass ~E1 - ~B1
Basso profondo Z-999 - ~A1
[ ~ ] means approximately
@@dmytrotsvyntarnyi799 Те ноты, которые я написал, действительно помогают определить тип голоса. Тембр бывает иногда не сформирован правильно, поэтому на него тоже не стоит опираться. Из меня пытались долго слепить лирического баритона, но увы и ах я высокий бас. Недавно тембр вылез, благодаря резонансной точке в твердом нёбе, которую я Слава Богу нашёл...
@@Kurdyukov87pianist если нельзя опираться на диапазон и на тембр... То на что опираться?)
Если только на диапазон, то что делать с людьми, у которых диапазон достаточно широкий, чтобы покрыть несколько типов голоса?
That A5 is DEFINITELY head voice, not chest
heady mix
Probably reinforced falsetto or a heady mix.
You should do Matt sallee
Some of the high notes where mixed voice
I don't know how to sing higher than F4-F#4
I'm trying to do the same but an octave higher
@@wizard1370 I'm trying to do the same but nine octaves higher.
Annpan man Answer for all of you, mixed voice. But, practice your falsetto, having a untrained falsetto will get you a weak mixed voice.
@@miguelthekewlkid272 what is mixed voice and how do you find it
@@cullenlee6461 Look up Chris Liepe. He is one of the only youtubers that actually teaches what they talk about instead of reffering you to their singing course. He has a full playlist explaining a lot of different vocal registers including mixed. Check it out, he'll def explain it better than I will.
Thomas sanders range?
Is he a tenor ????
Most likely. Either that or a Bari-tenor
the G5 is mix, not chest
It's impossible to do G5 in chest lol
Liam Cuerquis yesss 😂
Liam Cuerquis if you don’t want to lose your voice, do a G5 in a mix register!!!! 😂
@@onelove8518 obviously...🙄🤦
But... that’s not how octaves work...
?
What are you talking about, man?
It's been 6 years, you could elaborate ya know
@@Sheamuscz I’m going to be so for real, the octaves are all right. Highschool me was just 1.) blatantly wrong and 2.) kind of an ass. There’s my elaboration :)
Thanks for giving me something to laugh at this morning 😂
Freakin yeet mine is D2-D#6
fckn yeet my lows go B1/C2 on a good day
@@eliasskaug1279 I went low on g#1 once
Liam Cuerquis damn boi
@@eliasskaug1279 wdym?
Liam Cuerquis like, shiit thats low