Eboli flirting with everything that moves made me very happy but this same production denies Carlo and Rodrigo almost any chance to touch and puts Carlo in a cage so he can't even hold a dying Rodrigo. It's really infuriating because Jonas and Ludovic have delightful chemistry if their Munich Forza is anything to go by.
certo non è questa l'ambientazione delle didascalie originali, ma è vero che la Principessa di Eboli (Anna de Mendoza per la precisione) era appassionata di scherma, e fu proprio durante un incontro di scherma che perse un occhio.
Resulta gracioso como para las coloraturas ha usado prácticamente el mismo recurso vocal que cuando canta la romanza de Carceleras de Las Hijas del Zebedeo de Chapí. La dramatización un poco vulgar, aunque supongo que no es iniciativa de Elina, sino del director de escena. Tuvo que ser un calvario actuar con esos trajes y decorados tan fuera de época y de estilo, que ni siquiera hacen mucha justicia al físico de Elina Garanca y de Sonia Yoncheva, que tienen buena percha.
Shoes too big for Elina. A singer has to be also intelligent to know which roles to sing… but of course all want the big roles, nobody seem to remember the lighter roles
ELINA was the STAR of the night. Her singing and acting was magnificent.
My favorite Eboli.Amazing voice, wonderful vibrato, very elegant legato
What a cast that was! Garanca, Kaufmann, Tézier, Yoncheva....
-- Une exceptionnelle performance de Elina Garanca Elle a illuminé ce Don Carlos. --
Amazing
Es magnífica la puesta en escena, la voz de la intérprete sin palabra.
Bellísima toda la obra.
Eboli flirting with everything that moves made me very happy but this same production denies Carlo and Rodrigo almost any chance to touch and puts Carlo in a cage so he can't even hold a dying Rodrigo. It's really infuriating because Jonas and Ludovic have delightful chemistry if their Munich Forza is anything to go by.
Elina un joli rossignol bravo !
Princess Lesboli.
Elina looks like Julie Andrews in Victor/Victoria. I hope she likes her beer cold and jazz hooOOOTTTTTT!
certo non è questa l'ambientazione delle didascalie originali, ma è vero che la Principessa di Eboli (Anna de Mendoza per la precisione) era appassionata di scherma, e fu proprio durante un incontro di scherma che perse un occhio.
Resulta gracioso como para las coloraturas ha usado prácticamente el mismo recurso vocal que cuando canta la romanza de Carceleras de Las Hijas del Zebedeo de Chapí. La dramatización un poco vulgar, aunque supongo que no es iniciativa de Elina, sino del director de escena. Tuvo que ser un calvario actuar con esos trajes y decorados tan fuera de época y de estilo, que ni siquiera hacen mucha justicia al físico de Elina Garanca y de Sonia Yoncheva, que tienen buena percha.
Shoes too big for Elina. A singer has to be also intelligent to know which roles to sing… but of course all want the big roles, nobody seem to remember the lighter roles
Туфли ей по ноге. Абсолютно .
Love Garanca, hate the production.
Sempre bela, linda voz, mas não me agradou ve-la com um cigarro.