Out Of Nowhere: Harmonic Analysis 11, Key Centres, Improvisation & Comping🎶Jazz Standard

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  • Опубликовано: 27 фев 2022
  • FREE 'Rethinking Jazz Guitar' course: bit.ly/RethinkingJazzGuitar
    Out Of Nowhere is an essential standard which every jazz student should have in their ear and under their fingers. Let's discuss...
    In this analysis video we will discuss key signatures, time signatures and structure before moving on to a full harmonic analysis of this jazz standard by Green/Heyman. We discuss major, harmonic minor and natural minor scales as well as talking about comping and voicing ideas informed by the melody. Finally I share some improvisation tips as we throw the scales we have already discussed straight out the window!! Good luck
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    💡 TOPICS IN THIS VIDEO 💡
    • out
    • of
    • nowhere
    • chords
    • lead
    • sheet
    • analysis
    • harmony
    • harmonic
    • analysis
    • scales
    • key
    • time
    • comping
    • soloing
    • improvise
    • how to
    • improvisation
    • lesson
    • tutorial
    • sheet
    • melody
    • jazz
    • fusion
    • real book
    • guitar
    • piano
    🔎 HASHTAGS 🔎
    #out
    #of
    #nowhere
    #chords
    #lead
    #sheet
    #analysis
    #harmony
    #harmonic
    #analysis
    #scales
    #key
    #time
    #comping
    #soloing
    #improvise
    #howto
    #improvisation
    #lesson
    #tutorial
    #sheet
    #melody
    #jazz
    #fusion
    #realbook
    #guitar
    #piano

Комментарии • 14

  • @josgroot9919
    @josgroot9919 3 месяца назад +1

    6:49: Db over E stems from the diminished scale. You can use that scale over the E7b9.

  • @musterionsurly
    @musterionsurly 2 года назад +6

    what a tune, here are those lyrics
    You came to me from out of nowhere
    You took my heart and found it free
    Wonderful dreams, wonderful schemes from nowhere
    Made every hour sweet as a flower for me
    If you should go back to your nowhere
    Leaving me with a memory
    I`ll always wait for your return out of nowhere
    Hoping you`ll bring your love to me

  • @jimdolinski8655
    @jimdolinski8655 8 месяцев назад +2

    I see the ii V in Ab as just a chromatic ii V

    • @CharlesHarrisonMusicTuition
      @CharlesHarrisonMusicTuition  8 месяцев назад

      Absolutely, and how do you play over it?

    • @jimdolinski8655
      @jimdolinski8655 8 месяцев назад

      Lydian b7 scale starting on the dominant-7th chord's fifth degree.@@CharlesHarrisonMusicTuition

  • @sixstringstudies5125
    @sixstringstudies5125 2 года назад +1

    Thanks for providing the source material.

    • @CharlesHarrisonMusicTuition
      @CharlesHarrisonMusicTuition  2 года назад +2

      I had this tune on my mind since doing this video and found a different version in I believe the 4th edition which does include the b9 on that E7 chord. Unsure whether the 6th edition is a typo (of which there are many others) or a deliberate amendment... Haven't seen any videos from you this week, all well? Cheers

    • @CharlesHarrisonMusicTuition
      @CharlesHarrisonMusicTuition  2 года назад +1

      @@sixstringstudies5125 We'll leave that one there 😂

    • @QuadriviumNumbers
      @QuadriviumNumbers 9 месяцев назад +1

      @@CharlesHarrisonMusicTuition If you are doing things that are respectful and honouring the great man Mr Barry Harris I cannot see why you would remove your channel. Your take seems like it would be clearly explained. I enjoyed your analysis. Huge admirer of Charlie Parker's renditions!

  • @stroudcurran3061
    @stroudcurran3061 4 месяца назад

    Please drop out Joe.

    • @CharlesHarrisonMusicTuition
      @CharlesHarrisonMusicTuition  4 месяца назад

      Apologies, I have no idea what this means? Clarification would be appreciated. Cheers 👍