Pour moi de tout les violonistes du 20 vingtième et de ce siècle Perlman est le plus talentueux, ses interprétations des ces suites et sonates, du premier adjoint du bon dieu, J.S Bach, sont tellement grandioses ...que je ne trouve pas d'autres mots...
This is one of the few recordings that go on in the background that make me stop doing homework and see who's playing. Perlman, of course it's Perlman xD The richest tone I've heard this piece performed with
Ria, thanks a lot for sharing the Sonatas for solo Violin No. 1, 2 and 3, they're as out of this world as well as Itzhak Perlman's performance. Thanks from my heart !!!
I agree. May I ask you if you know other beautiful interpretations of this andante? Which ones would you recommend? Thank you in advance for your kind reply.
@@deldoide all of them are good in their own way I love hilary hahn's interpretation, its quite similar to this Augustin Hadelich is also amazing but a bit faced paced Grumiaux is someone I always go to for bach then there is Daivd Garretts lol.......i dont like it that much but you should definitely give it a listen. maybe you will like it
@@pyotrilyichtchaikovsky9507 Thank you very much for your reply. I was listening to Hahn's interpretation the same day in which I wrote to you my first comment, immediately after publishing it. And, I must say, I like it maybe better, because it is slower than Perlman's.
I was watching a cute young Russian lady play it on guitar. And, she was smiling and acting cute, and her playing matched her mood. But this version is more like brain surgery -- played with fire.
The opening Grave section: I do not hear this really as "grave" (sad) - Perlman sounds more romantic, probably due to a very soft bow, and high usage of vibrato; sure it is a fantastic rendition, but I prefer Hahn's interpretation - maybe closer to Bach's intent ?
I think most players tune to 440 these days; I think that the movement pushing for a return to "classical" standards, meaning a slightly lower key by a few Hz, has largely died out. I could be wrong.
A = 440 is standard concert tuning, but he is tuned to A =431 or 432 . I play in same to get C =528, and when I play along with it its almost perfect. Not that its sounds nearly as nice haha.
Phil Tanics I think you made a typo. You mean he is tuned to A = 442 Hz. With A = 432 you will NOT get a C at 528 Hz Even if 440 is supposed to be standard, 442 is quite common ( New York Philharmonie tuning) 442 is also quite common in Scandinavia and Germany. In Vienna A = 443 Hz is standard. The we have to notice the difference between Equal temp scale (piano tuning), just scale and Pythagorean scale. Definitely when playing Bach violin solo sonatas, you would not use Equal temp. I tune my violin to 442, and it fits to this recording. A = 442. ==> equal temp. C = 526 A = 442. ==> just scale. C = 530 Please also note that in the Baroque time the tuning was much lower A = 415 Hz. ( a semitone lower than 440) Sometimes when you hear a baroque orchestra the strings tune down to that. (Wind instruments have to transpose)
Видеоклипы
There was only one Bach .... and One Itshak Perlman..... Beautiful music , beautifully performed ....
Technically there were two Bachs.
@@totalwar1793 Technically there were many more.
And the best one was Hilary Hahn’s😔
Grew up playing Bach's keyboard version of this brilliant violin sonata. Once more in awe of J.S. Bach.
The richness of that tone is just amazing!!!!
Pour moi de tout les violonistes du 20 vingtième et de ce siècle Perlman est le plus talentueux, ses interprétations des ces suites et sonates, du premier adjoint du bon dieu, J.S Bach, sont tellement grandioses ...que je ne trouve pas d'autres mots...
That Allegro is spicy af
Bach és la respota! i en Perlman ho comunica perfecte!
Bach is wonderful with Maestro Itzhak Perlman.He is amazing together!I like very much my favorite violinist 🎻❤️🌹
Thank you very much 🥰
イツァーク パールマンさん、
音楽とそのお人柄になんとなくあたたかみが感じられて癒やされます。
There is no other like Itchak. There are other great violinists, but none to equal him.
I love it. BWV 1003 is super composition. Itzhak Perlman is an incredible musician !
Thank you for kind words!
This is one of the few recordings that go on in the background that make me stop doing homework and see who's playing.
Perlman, of course it's Perlman xD
The richest tone I've heard this piece performed with
_right click_
_loop_
Bach as background music? I've heard it all now!
-.-
I can't listen to this as background music. I want to be fully immersed in this music.
I discovered this piece via Lost Girl ..What a beautiful excursion into pure emotion ..pure thought
Listen to Philippe Hirschhorn play this and you'll never want to look back
Преклоняюсь перед ВАШИМ ИСКУССТВОМ!!! Мое восхищение ВАМ!!!
Brilliant masterpiece and performance.
+guitarra8a Thank you for warm comment !
Absolutely amazing. Splendid. Both music and performance.
Beautiful, beautiful Maestro Ithzak Perlman! 🌺
Thank you very much 🥰
Гениальное исполнение , спасибо МАЭСТРо!!!
Best version of the Andante I've heard
4:50
Is your name gang ha ren
Fuga... fantastic!!!
Ria, thanks a lot for sharing the Sonatas for solo Violin No. 1, 2 and 3, they're as out of this world as well as Itzhak Perlman's performance. Thanks from my heart !!!
You are always welcome, dear Mia!
Thanks for being so polite !!!
Thanks for answering me, dear Ria !!!
Lovely performance and recording, thanks a lot for uploading.
Beautiful music glorius performance thank you very much prof Itzhak Perlman
Glorious performance! Thanks for sharing it.
You are always welcome, Maria!
Bach y Perlman la mejor convinacion!!
absolutely amazing!!!
The last half of Fuga reminds me so much of the first part of Bach's Concerto for Two Violins, especially Perlman's version of it.
Fugue at 4:50. So good
i remind myself when I try to play thru bits and pieces of the solo Bach pieces that my first instrument is drums......lol
Beautiful music , beautifully performed .
one of the best adante interpretation
I agree. May I ask you if you know other beautiful interpretations of this andante? Which ones would you recommend? Thank you in advance for your kind reply.
@@deldoide all of them are good in their own way
I love hilary hahn's interpretation, its quite similar to this
Augustin Hadelich is also amazing but a bit faced paced
Grumiaux is someone I always go to for bach
then there is Daivd Garretts lol.......i dont like it that much but you should definitely give it a listen. maybe you will like it
@@pyotrilyichtchaikovsky9507 Thank you very much for your reply. I was listening to Hahn's interpretation the same day in which I wrote to you my first comment, immediately after publishing it. And, I must say, I like it maybe better, because it is slower than Perlman's.
@@deldoide thats great!
I cant choose between Perman's and Hahn's, both are heavenly.
I hope I can play this piece even 1% like they do.
Excellent performance and interpretation.
Beautiful ! Thank you for posting :)
Muito lindo, bela execução 👍👍👍,esse é meu professor
a fugarama. 9:12, 12:07 and many moments more heartbreaking
ears61 yes you are
great performance
Precioso
Jeez, the 9 minute fugue!
I was watching a cute young Russian lady play it on guitar. And, she was smiling and acting cute, and her playing matched her mood. But this version is more like brain surgery -- played with fire.
Fantastico.
18:37
Absolutely fantastic ~ thank you Ria!
Hugs, Karin
Thank you very much for warm words, dear Karin! I wish you pleasant day! Big hugs, Ria
es muy virtuoso, no cabe duda. yo estaba intentando tratar de tocar la obra y parece muy difícil.
13:08 18:37
nice!!!
I'm performing the second movement this Saturday
굿!
Fantastic. The man who Charlie Daniels says is the best ever.
This is some good shit
nick manz don't say dirty words
郭聚亨 chill bro
Completely agreed- some godly good shit.
if a shit is good, does that mean you can eat or smell or keep it?
@Joseph: shit is very good, in fact my wife got a fecal transplant which improved her Crohns desease. You know where the saying originates: Eat shit!
18:36 allegro
Andante 13:07
Allegro 18:37
15:23
4:50
4:50
4:50
4:50
Perlman: 3Q TO YOU !
Those ads in between ... ughh
1:21 His violin sounds of an oboe.. ☺️
The opening Grave section: I do not hear this really as "grave" (sad) - Perlman sounds more romantic, probably due to a very soft bow, and high usage of vibrato; sure it is a fantastic rendition, but I prefer Hahn's interpretation - maybe closer to Bach's intent ?
"Grave" does not mean "sad" but "weighty, seriously".
can anybody tell me what frequency is the tuning at here?
Ahmad Suleiman ?
Around 440 Hz!
I think most players tune to 440 these days; I think that the movement pushing for a return to "classical" standards, meaning a slightly lower key by a few Hz, has largely died out. I could be wrong.
A = 440 is standard concert tuning, but he is tuned to A =431 or 432 . I play in same to get C =528, and when I play along with it its almost perfect. Not that its sounds nearly as nice haha.
Phil Tanics I think you made a typo. You mean he is tuned to A = 442 Hz. With A = 432 you will NOT get a C at 528 Hz
Even if 440 is supposed to be standard, 442 is quite common ( New York Philharmonie tuning) 442 is also quite common in Scandinavia and Germany. In Vienna A = 443 Hz is standard. The we have to notice the difference between Equal temp scale (piano tuning), just scale and Pythagorean scale. Definitely when playing Bach violin solo sonatas, you would not use Equal temp. I tune my violin to 442, and it fits to this recording.
A = 442. ==> equal temp. C = 526
A = 442. ==> just scale. C = 530
Please also note that in the Baroque time the tuning was much lower A = 415 Hz. ( a semitone lower than 440) Sometimes when you hear a baroque orchestra the strings tune down to that. (Wind instruments have to transpose)
Wie spannend ist es, Perlmans Interpretation mit der von Hilary Hahn zu vergleichen….. Was berührt Euch mehr?
not as poggers