Levinson & Quasthoff Mozart's"Per Questa Bella Mano" w/ Muti
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- Опубликовано: 6 окт 2024
- Thomas Quasthoff and Eugene Levinson perform Mozart's "Per Questa Bella Mano" with Riccardo Muti conducting the New York Philharmonic in a Live from Lincoln Center Broadcast
![Bryn Terfel, Thomas Quasthoff - Don Giovanni - 2009 [1-4_34-12_42-57]](/img/1.gif)
Thomas, sei un mago degli idiomi: anche italiano e con la pronuncia PERFETTA..
Divine voice! Thanks for sharing.
che eleganza nel canto.....meraviglioso...
Un pur enchantement... Merci !
Superb singing,playing and conducting! Bravo! TY James.
Great muzik,Tommy the man!Levinson great bass playing!
Levinson's the man!
Great bass playing!
WHAT A VOICE! and mr. levinson is amazing
A beautiful voice!
Wonderful!Bravo!TY
impresionante, no tengo palabras
Stop reading comments and go practice there is no need to tell off Levinson! Theres a reason he was the principal of the New York Philharmonic and not you.
bella dizione e grande eleganza!
I was totally captivated the first time I heard Quasthoff performing this piece so much so that I didn't even notice his disability - what a voice! This is now my favourite Mozart aria.
I don't play double bass but I suspect that Mozart wrote this for a different size bass or perhaps, a different string set up.
Wonderful performance by Quasthoff but the video and sound are out of sync. This is quite easy to fix. I'd do it myself but then it would exist as another version and all these comments would not point to it.
Is there a video of the full performance? I'd love to hear both the "Così dunque tradisci" and "Alcandro lo confesso" from this performance)))
yeah, levinson's amazing, my teacher studied with him
Considering the piece, I think Mr. Levinson played quite well here.
Not one of Levinson's better moments.
I feel vertigo with his moving.
@AkhmedSync
If you are performer, than you know what live performance means! Also I'm sure Mr. Levnson wasn't very happy with this performance...but you can't give your best every time.
This obbligato is not written for Double bass but against Double bassists :) There are A LOT of pieces that are many, many times easier to perform but sound more virtuosic and at the end pay off much more!
@AkhmedSync
Let's hear you!
@jabsomdoc
Post your version!
Scarso il contrabbasso!!poco valorizzato!voce sempre bellissima
I am appalled by such mean comments, Mr "Jabsomdoc". Just go stand there and do the job, and let's see how good you're doing.
He sings like my old friend KERMIT
I love Levinson's Kol Nidre. This I don't love at all. Just not his piece.
By the way there are other wonderful bassists out there. Joel Quarrington for one. And I always liked Ludwig Streicher.
Tempo lentissimo....ronf ronf caro Muti
Scarso il contrabbasso!!
I am shocked by Levinson's playing here. usually, I just love what i here. It's not so much the intonation as the fact that he seems to be truly be struggling. He's just sawing away at it. And, sorry, but a performance that has your audience suffering with you is a failure. Better to not perform it at all.There was not a measure of Levinson's playing I could enjoy. Fortunately Quathoff's performance was radiant. I'm sure someone somewhere plays the bass obbligato in the 18c tuning.
He can do more with one lung then most can do with two.
very bad, for principal NY P.
My friend, we will have to agree to disagree. Mr. Levinson is a fine bassist for the Romantic repertoire, but this piece JUST DOES NOT SUIT HIM. The vibrato is too wide for Mozart and the double stops are handled to aggressively for the style and period, to say nothing of the lyrics! The fact that I don't like how Levinson plays this one piece does not mean I disrespect him as a musician, I am just reporting what hear.
more to follow. . .
the bass is so out of tune
uust a shitty recording the bass player is fine
Was für ein Geschwätz!!!!!!