Really perfect and informative review . With this video, all aspects of this lens were reviewed and there will be no need to see any other reviews. I ordered a sample of this lens today and with this review I know all aspects of it.
I have two identical copies of the companion 35mm version made around the same time in the same Nikon factory in Japan. They are superb with a similar specification, including the said barrel distortion. I use them with very deep, very large lens-hoods, and thus able to control flare well enough to not be a problem. For landscape work I find them perfect. Used intelligently, they have an image quality that looks ‘etched’. I use them on an a Fuji X with a focal reducer, a Lightphase back with a Cambo body and Schneider shutter, and a Canon 5D adapted for IR work. These early Nikon shift lenses have great build quality, and for me they are keepers.
Hi William, Many thanks for your message. I have to concede your usage applications exceeds my skill level! Point noted on the deeper lens hood, I’ll look into this as an option. Also grateful for your confirmation on the distortion - I was somewhat nervous about making statements pertaining to a series of lenses based on tests of just one copy, however confirmed now from many sources that the complex distortion is an inherent design characteristic. As noted, it is a beautifully made lens - albeit with some limitations. However, if you know and work within these it renders beautiful images. From a tactile perspective, it’s one of my favourite lenses. I’ve bought and sold numerous modern lenses over the years, but agree with you on this one - it’s a keeper!
Wonderful review, best I've seen on this lens. I have the lens and agree with all your considerations. At f/11 this is an exceptional lens for perspective applications that do not require the straight lines needed for architecture reproduction. You nailed the main application of this lens, at least for me: street photography, and artistic purposes that emphasize its flaws (including the very nice flare).
Thanks for a great review. Years ago, I purchased the Nikkor 28mm f/4 perspective control lens to use when I did not want to use the rise/fall/shift features of my large format camera. However, I was shocked and disappointed by its poor image quality.
Brilliant, thank you so much for your reply. I was concerned my review may have been inconsistent with other users experience. Although seeing photos online the distortion was apparent in most cases. Grateful for your confirmation. Very much in agreement, 28mm shift is the ultimate street photography lens for my requirements. Very difficult to go back to primes.
Thank you for this review, this is really helpful understanding the character of this lens. Especially for who looks for some perspective control lenses. Waiting for upcoming another perspective control video. Thank you so much!
Thank you for your review, full of useful information! One note though; sometimes it was hard for me to follow this review, as there was so much information available to me. At times I was trying to make sense of a slide, trying to work out how what it represents, while at the same time there’s a technical verbal explanation which isn’t directly commenting the slide, but actually discussing something remotely related to it. While it is important to provide enough information to maintain the viewers attention, according to research humans’ multitasking skills are notoriously bad. When put into a multitasking position, they’re receiving on only channel, and you can’t choose which one 😂 Keep it up!
Many thanks for your message, the 35mm PC is on hand awaiting it’s turn for review. Expectations are low, stay tuned for an update. Of interest I’m currently testing a Nikon AI lens that as adapted provides a 28mm-49mm zoom range with PC functionality. A little bulky but performance is thus far impressive.
Best and a more complete review of this lens so far!
Really perfect and informative review . With this video, all aspects of this lens were reviewed and there will be no need to see any other reviews. I ordered a sample of this lens today and with this review I know all aspects of it.
I have two identical copies of the companion 35mm version made around the same time in the same Nikon factory in Japan. They are superb with a similar specification, including the said barrel distortion. I use them with very deep, very large lens-hoods, and thus able to control flare well enough to not be a problem. For landscape work I find them perfect. Used intelligently, they have an image quality that looks ‘etched’. I use them on an a Fuji X with a focal reducer, a Lightphase back with a Cambo body and Schneider shutter, and a Canon 5D adapted for IR work. These early Nikon shift lenses have great build quality, and for me they are keepers.
Hi William,
Many thanks for your message. I have to concede your usage applications exceeds my skill level! Point noted on the deeper lens hood, I’ll look into this as an option.
Also grateful for your confirmation on the distortion - I was somewhat nervous about making statements pertaining to a series of lenses based on tests of just one copy, however confirmed now from many sources that the complex distortion is an inherent design characteristic.
As noted, it is a beautifully made lens - albeit with some limitations. However, if you know and work within these it renders beautiful images. From a tactile perspective, it’s one of my favourite lenses.
I’ve bought and sold numerous modern lenses over the years, but agree with you on this one - it’s a keeper!
Which lens hood do you use for the 35 PC lens?
Great lens ❤️
Wonderful review, best I've seen on this lens. I have the lens and agree with all your considerations. At f/11 this is an exceptional lens for perspective applications that do not require the straight lines needed for architecture reproduction. You nailed the main application of this lens, at least for me: street photography, and artistic purposes that emphasize its flaws (including the very nice flare).
Thanks for a great review.
Years ago, I purchased the Nikkor 28mm f/4 perspective control lens to use when I did not want to use the rise/fall/shift features of my large format camera. However, I was shocked and disappointed by its poor image quality.
Brilliant, thank you so much for your reply. I was concerned my review may have been inconsistent with other users experience. Although seeing photos online the distortion was apparent in most cases. Grateful for your confirmation. Very much in agreement, 28mm shift is the ultimate street photography lens for my requirements. Very difficult to go back to primes.
Thank you for this review, this is really helpful understanding the character of this lens. Especially for who looks for some perspective control lenses. Waiting for upcoming another perspective control video. Thank you so much!
Such a great video. Cheers!
Thank you for your review, full of useful information! One note though; sometimes it was hard for me to follow this review, as there was so much information available to me. At times I was trying to make sense of a slide, trying to work out how what it represents, while at the same time there’s a technical verbal explanation which isn’t directly commenting the slide, but actually discussing something remotely related to it. While it is important to provide enough information to maintain the viewers attention, according to research humans’ multitasking skills are notoriously bad. When put into a multitasking position, they’re receiving on only channel, and you can’t choose which one 😂 Keep it up!
Quite authoritative and polished.
Great in-depth review. Have you tried the 35mm f2.8 version?
Many thanks for your message, the 35mm PC is on hand awaiting it’s turn for review. Expectations are low, stay tuned for an update. Of interest I’m currently testing a Nikon AI lens that as adapted provides a 28mm-49mm zoom range with PC functionality. A little bulky but performance is thus far impressive.
Wow I’m curious about this zoom lens, but cannot find info on this one. Do you mind giving the specs?
Lovely review. Thank you.
Many thanks, greatly appreciate your feedback. More videos coming.