Kempff was not among those proclaimed beauty´s lover. He was beauty´s son. He never allows passion above humility. And there lies his greatness. Sublime!
When he is at his best, he seldom looks at the keyboard as if he is possessed by the spirit of the composer. I listened to 21 recitals he held in Tokyo, Japan, in one of which he was at his best of playing this sonata in 1976. I can never forget that. Thank you for uploading.
Many years ago I had the privilege of attending a recital by Kempff in London's Royal Festival Hall - probably back in the 1970s. The musoc was Beethoven and I have an indellible memory of Kempff leaning back and gazing into the distance, as though communing with the spirit of Beethoven as he played,
I, too, listened to his playing Tempest in Tokyo in 1976, when he was at his best. I can never forget his performance then. It was like a revelation of spirit of music itself and also that of Beethoven. He left me an eternal carved seal which has continued to enlighten my life and spirit. He was an artist in a true sense of the word.
Großartig, einfach großartig, wie Kempff diese Sonate zum klingen bringt... Er spielt das Stück wie ein Gedicht... Für mich die schönste und natürlichste Interpretation des Stückes. Danke für das Hochladen.
Die beste Interpretation, die ich je gehört habe. Obwohl ich von Kindheit an einen anderen hervorragenden Interpretator von Beethoven kenne -- Emil Gilels. Kempff ist großartig, vielleicht steht er auch zeitlich noch dem Komponisten nah.
Ich stimme euch völlig zu. Wilhelm Kempff ist der beste Interpret von Beethoven. Sein Spiel ist einerseits beherrscht und anderseits voller Leidenschaft. Ihm gelang es die Laune des größten Komponisten zu finden. Leider werden wir nie genau wissen, was Beethoven mit seinen Meisterwerken sagen wollte, aber was die Aufführungen von W. Kempff anbetrifft sind sie sozusagen die Wörter des Gottes. Danke dem Inhaber für die Möglichkeit dieses schöne Video anzusehen!
There was Beethoven, then Czerny, then Listz, then Tausig, then Barth, and then Kempff. What is that? 6th generation Beethoven? If anyone has the call and right to play this music, it is Kempff! Few, if any, have ever done it as well. He set high standards that few if any could follow. Indeed we sit in the presence of greatness, of genius, of unspeakable beauty! Blessed are we that can hear this!
ruclips.net/video/s0V8ZE6-_Z8/видео.html Pianist & composer. Beethoven didn't perform recitals, and Listz usually didn't perform his own works. Others didn't compose music.
Che meraviglia...suona senza guardare la tastiera, è tutt'uno con lo strumento...anche l'espressione dei suoi occhi chiari è bellissima...sono stata tanti anni fa ad un suo concerto ma benché fossi in seconda fila lo potevo vedere solo di profilo...Adesso l'ho già guardato quattro o cinque volte...
Переслушиваю и переслушиваю. Господи, а лицо какое. Как проникнуть в мысли гения? О чём, о любви или смерти? О благодарности Всевышнему? А Бетховен-то каков! А какое прелестное лицо у женщины на 18.12 минуте. Чудо
Wilhelm Kempff (The most beautiful piano Sound ever!) Emil Gilels(The King Pianist!) Sviatoslav Richter(The Genius no 1) Maurizio Pollini(The Genius no 2) Grigory Sokolov( The Giant of Piano! The Titan of Piano!) Solomon Cutner(Best structure for music!) Mikhail Pletnev (The most powerful! Prokofiev piano concerto no 1 by Pletnev!) Radu Lupu(The most colorful piano sound!) Artur Rubinstein (The God!)
My favorite Tempest interpretation- tough choice, Gould brought a surprising amount of smooth richness and just an ever-so-slightly slower tempo to the sonata in his later recordings of it (which, I’m aware, sounds hard to believe given his trademark dry, crisp, and frequently speedy style of play) Even if it contrasts a bit with the thematic motif of a tempestuous storm, does make for quite the beautiful sound. Barenboim’s beautiful touch, rubato, voicing and articulation add so much thematically to the 1st and 2nd movements, but I have to hand it to Kempff for having my favorite overall. He always has such a remarkable, almost-metronomic sense of rhythm and tempo, which, combined with the particularly excellent phrasing he brought to the piece, makes for an absolutely outstanding interpretation. Also worth a mention, his No. 14 (Moonlight) Movement III is leaps and bounds ahead of any other recording I’ve ever heard of that movement, if anyone reading this cares to listen to it 🙃
Я тоже считаю, что это -- лучшее исполнение этой сонаты. Как будто при родах присутствуешь, и понимаешь это совершенное -- живое, вот даже пару раз в нужную ноту не попал.
"Je suis une homme était attaque, te attaquer une chose. Et après, je ne peux pas répéter une chose. C'est la difficulté pour moi aujourd'ri, nich wahr? Le soir, je suis une autre, romme, j'ai quelque minute peut-etre pour prouver le piano, ma (italian!), je, und dann, je peux vraimang et sentimang, c'est la premiére fois."
yes indead it's hard to understand. Because I understand both German and French, here the non litteral translation "I am a man who is exercising with any detail (of this music), but unfortunately after having analysed I cannot reiterate the way I understand how to play the piece... " The problem is that Wilhelm Kempff thinks German and translate his toughts by translating the german words out of the context. Anyway, Wilhelm Kempff is a brilliant pianist and a fantastic composer! Listen to "Menuett g-moll aus der Suite de pieces" this is composed by Georg Friedrich Händel and Wilhelm Kempf left a really really fantastic transcription of this wonderfull piece. Here the link: ruclips.net/video/NFv901vCo6M/видео.html&start_radio=1&t=132
@@danielvanlaethem6748 I believe he also says that when he plays, he feels the emotion as if it's the first time. And that i find really spectacular to watch here! Looks like we can literally see it on his face... as if 13 years after that horrible war, he were to offer his heart and soul with this piece of a german composer to reconnect to his french audience.
It's an interesting insight into an inadvertent aspect that made him great. I believe he says "I am a man of attacking a part, [but] afterwards I cannot [am unable to] repeat the part. That is the difficulty for me today [to this day]. In the evening you get to practice a couple of minutes in your room [he says "rôme", probably an attempted adaptation of the German word "Raum', i.e., room, to the French language, which doesn't exist; he probably means chambre], and then I go out [on stage] and really feel like it's the first time." It is unclear from the snippet whether he refers to playing on a different stage and piano every night or whether he refers to a general characteristic of his playing, i.e., a technical inability to repeat himself twice in exactly the same way. My sense, and my wish, is for the latter. If you are unable to repeat yourself with precision, you could be chaotic, but you most certainly cannot be boring.
Beethoven nicht etwa im Stil einer perfekten Übung seines Schülers Czerny (wie sie teilweise sogar auch ein Friedrich Gulda demonstriert), sondern als hoch empfindsame poetische Nacherzählung des rätselhaften Shakespear´schen Märchenschauspiels...
It's an interesting insight into an inadvertent aspect that made him great. I believe he says "I am a man of attacking a part, [but] afterwards I cannot [am unable to] repeat the part. That is the difficulty for me today [to this day]. In the evening you get to practice a couple of minutes in your room [he says "rôme", probably an attempted adaptation of the German word "Raum', i.e., room, to the French language, which doesn't exist; he probably means chambre], and then I go out [on stage] and really feel like it's the first time." It is unclear from the snippet whether he refers to playing on a different stage and piano every night or whether he refers to a general characteristic of his playing, i.e., a technical inability to repeat himself twice in exactly the same way. My sense, and my wish, is for the latter. If you are unable to repeat yourself with precision, you could be chaotic, but you most certainly cannot be boring.
Kempff was not among those proclaimed beauty´s lover. He was beauty´s son. He never allows passion above humility. And there lies his greatness. Sublime!
Sehr richtig!
Я смирения не вижу. Ум, гениальность, с богами разговаривает напрямую. Интересно, о чём? Страсти кипят, но хватает ума и силы и сдержанности.
When he is at his best, he seldom looks at the keyboard as if he is possessed by the spirit of the composer. I listened to 21 recitals he held in Tokyo, Japan, in one of which he was at his best of playing this sonata in 1976. I can never forget that. Thank you for uploading.
Many years ago I had the privilege of attending a recital by Kempff in London's Royal Festival Hall - probably back in the 1970s. The musoc was Beethoven and I have an indellible memory of Kempff leaning back and gazing into the distance, as though communing with the spirit of Beethoven as he played,
I, too, listened to his playing Tempest in Tokyo in 1976, when he was at his best. I can never forget his performance then. It was like a revelation of spirit of music itself and also that of Beethoven. He left me an eternal carved seal which has continued to enlighten my life and spirit. He was an artist in a true sense of the word.
The way he played that second movement. 🙏🏻 One of my favourite Beethoven recordings of all time.
Many thanks to RUclips for saving this unique recording.
Großartig, einfach großartig, wie Kempff diese Sonate zum klingen bringt... Er spielt das Stück wie ein Gedicht... Für mich die schönste und natürlichste Interpretation des Stückes. Danke für das Hochladen.
Die beste Interpretation, die ich je gehört habe. Obwohl ich von Kindheit an einen anderen hervorragenden Interpretator von Beethoven kenne -- Emil Gilels. Kempff ist großartig, vielleicht steht er auch zeitlich noch dem Komponisten nah.
Ich stimme euch völlig zu. Wilhelm Kempff ist der beste Interpret von Beethoven. Sein Spiel ist einerseits beherrscht und anderseits voller Leidenschaft. Ihm gelang es die Laune des größten Komponisten zu finden. Leider werden wir nie genau wissen, was Beethoven mit seinen Meisterwerken sagen wollte, aber was die Aufführungen von W. Kempff anbetrifft sind sie sozusagen die Wörter des Gottes.
Danke dem Inhaber für die Möglichkeit dieses schöne Video anzusehen!
What other joy can beat the experience of closing your eyes and playing the 3rd movement... sublime.
There was Beethoven, then Czerny, then Listz, then Tausig, then Barth, and then Kempff. What is that? 6th generation Beethoven? If anyone has the call and right to play this music, it is Kempff! Few, if any, have ever done it as well. He set high standards that few if any could follow. Indeed we sit in the presence of greatness, of genius, of unspeakable beauty! Blessed are we that can hear this!
Claudio Arrau could claim 5th generation! Interestingly Kempff was one of Arrau's favorite pianists.
ruclips.net/video/s0V8ZE6-_Z8/видео.html Pianist & composer. Beethoven didn't perform recitals, and Listz usually didn't perform his own works. Others didn't compose music.
Che meraviglia...suona senza guardare la tastiera, è tutt'uno con lo strumento...anche l'espressione dei suoi occhi chiari è bellissima...sono stata tanti anni fa ad un suo concerto ma benché fossi in seconda fila lo potevo vedere solo di profilo...Adesso l'ho già guardato quattro o cinque volte...
Spectral... 🌟 Thanks for the upload.
He is beyond the world while playing 😍😍😍
Quanta passione e poesia in questa interpretazione. Difficile da trovare tra i pianisti della nostra generazione.
Переслушиваю и переслушиваю. Господи, а лицо какое. Как проникнуть в мысли гения? О чём, о любви или смерти? О благодарности Всевышнему?
А Бетховен-то каков!
А какое прелестное лицо у женщины на 18.12 минуте. Чудо
French with his Berlin accent😄. Sublime. I like it. Maybe also the best way to play Beethoven. Very poetic.
Di un altro pianeta ... Che suono incredibile !!!!
A great Beethoven interpreter in top form.
Toujours merveilleux : quel équilibre !
Maybe the best video on youtube ;-)
The greatest pianist ever.
Wilhelm Kempff (The most beautiful piano Sound ever!) Emil Gilels(The King Pianist!) Sviatoslav Richter(The Genius no 1) Maurizio Pollini(The Genius no 2) Grigory Sokolov( The Giant of Piano! The Titan of Piano!) Solomon Cutner(Best structure for music!) Mikhail Pletnev (The most powerful! Prokofiev piano concerto no 1 by Pletnev!) Radu Lupu(The most colorful piano sound!) Artur Rubinstein (The God!)
HAPPY BIRTHDAY, W.K. ,BORN ON THIS DAY, NOV. 25, 1895. DIED 1991!
Thank you very much I couldn’t be better!!!
Wow, fantastic interpretation Mr. B would be impressed !
Master of this piece
Very nice , soft and strong at the sametime. best third movement played.
Each note drop from heaven!!! Especially 2 Movement.
Thanks!
Thank you !
French and Russian television produced much of what we have of these older generations musicians !
best part starts at 00:00 and finish at 19:19
いい映像だ！演奏も👍❤
Bravo!!!!!!!
A virtuoso makes us hear the music not as it is written, but as he feels it : Bresson
I love the change in his expression at 14:52.
Thanks for posting !!
Ему здесь 73 года. Не пойму, что больше восхищает, игра или лицо? Оторваться невозможно.
My favorite Tempest interpretation- tough choice, Gould brought a surprising amount of smooth richness and just an ever-so-slightly slower tempo to the sonata in his later recordings of it (which, I’m aware, sounds hard to believe given his trademark dry, crisp, and frequently speedy style of play) Even if it contrasts a bit with the thematic motif of a tempestuous storm, does make for quite the beautiful sound.
Barenboim’s beautiful touch, rubato, voicing and articulation add so much thematically to the 1st and 2nd movements, but I have to hand it to Kempff for having my favorite overall. He always has such a remarkable, almost-metronomic sense of rhythm and tempo, which, combined with the particularly excellent phrasing he brought to the piece, makes for an absolutely outstanding interpretation.
Also worth a mention, his No. 14 (Moonlight) Movement III is leaps and bounds ahead of any other recording I’ve ever heard of that movement, if anyone reading this cares to listen to it 🙃
thank you, superb
Nachdem ich Kempf und Backhaus gehört habe, muss ich alles daran messen.
Богоподобное исполнение. Никто никогда не сыграет 17ую сонату цельнее, правильней и в тоже время так чувственно.
Просто гениальное исполнение Бетховена! Трудно представить ничего более прекрасного
Я тоже считаю, что это -- лучшее исполнение этой сонаты. Как будто при родах присутствуешь, и понимаешь это совершенное -- живое, вот даже пару раз в нужную ноту не попал.
Его и наследником Бетховена можно считать в какой-то степени :)
Столько переслушал,а от этого исполнения аж мурашки по коже.Супер.
……….하나님 … 녹음으로라도 듣게 해주셔서 감사합니다… 좀 더 일찍 태어났다면 .. 직접 볼 수 있었다면….. 😢
Dignity and intelligence prevails...Nothing further required.
12:13 Eureka!
Gosh darn, that's a Really cool riff there, Mr. Beethoven.
Kempff was the master.
12:13
Очень хорошо. Спасибо.
transcendental playing
He is looking beyond... But the camera man is looking for female faces... Or taking films. Great job!
Yea imagine being his age and exciting the bits of fluff
"Je suis une homme était attaque, te attaquer une chose. Et après, je ne peux pas répéter une chose. C'est la difficulté pour moi aujourd'ri, nich wahr?
Le soir, je suis une autre, romme, j'ai quelque minute peut-etre pour prouver le piano, ma (italian!), je, und dann, je peux vraimang et sentimang, c'est la premiére fois."
❤❤
Great kempff @!! Rip
I wonder which is his favorite to play.
♥♥
Is it French at the beginning? Does anyone know what it says?
yes indead it's hard to understand. Because I understand both German and French, here the non litteral translation "I am a man who is exercising with any detail (of this music), but unfortunately after having analysed I cannot reiterate the way I understand how to play the piece... " The problem is that Wilhelm Kempff thinks German and translate his toughts by translating the german words out of the context. Anyway, Wilhelm Kempff is a brilliant pianist and a fantastic composer! Listen to "Menuett g-moll aus der Suite de pieces" this is composed by Georg Friedrich Händel and Wilhelm Kempf left a really really fantastic transcription of this wonderfull piece. Here the link: ruclips.net/video/NFv901vCo6M/видео.html&start_radio=1&t=132
@@danielvanlaethem6748 I believe he also says that when he plays, he feels the emotion as if it's the first time. And that i find really spectacular to watch here! Looks like we can literally see it on his face... as if 13 years after that horrible war, he were to offer his heart and soul with this piece of a german composer to reconnect to his french audience.
It's an interesting insight into an inadvertent aspect that made him great. I believe he says "I am a man of attacking a part, [but] afterwards I cannot [am unable to] repeat the part. That is the difficulty for me today [to this day]. In the evening you get to practice a couple of minutes in your room [he says "rôme", probably an attempted adaptation of the German word "Raum', i.e., room, to the French language, which doesn't exist; he probably means chambre], and then I go out [on stage] and really feel like it's the first time."
It is unclear from the snippet whether he refers to playing on a different stage and piano every night or whether he refers to a general characteristic of his playing, i.e., a technical inability to repeat himself twice in exactly the same way. My sense, and my wish, is for the latter. If you are unable to repeat yourself with precision, you could be chaotic, but you most certainly cannot be boring.
Kepff is the Goat. No, really.
Beethoven nicht etwa im Stil einer perfekten Übung seines Schülers Czerny (wie sie teilweise sogar auch ein Friedrich Gulda demonstriert), sondern als hoch empfindsame poetische Nacherzählung des rätselhaften Shakespear´schen Märchenschauspiels...
What is he saying at beginning?
It's an interesting insight into an inadvertent aspect that made him great. I believe he says "I am a man of attacking a part, [but] afterwards I cannot [am unable to] repeat the part. That is the difficulty for me today [to this day]. In the evening you get to practice a couple of minutes in your room [he says "rôme", probably an attempted adaptation of the German word "Raum', i.e., room, to the French language, which doesn't exist; he probably means chambre], and then I go out [on stage] and really feel like it's the first time."
It is unclear from the snippet whether he refers to playing on a different stage and piano every night or whether he refers to a general characteristic of his playing, i.e., a technical inability to repeat himself twice in exactly the same way. My sense, and my wish, is for the latter. If you are unable to repeat yourself with precision, you could be chaotic, but you most certainly cannot be boring.
Ein Botschafter !!!
Why just his face?!
Nowadays there are no even such pianos say nothing of such pianists...
Ma potevano far vedere un po' le mani nell'ultimo movimento ... Pessima regia