Dude I've been using compressors for 10 years and never known what I was doing, just turning knobs until things sounded right, and this video helped me immeasurably
Yes! These kinds of videos are invaluable. You are the guy to break this stuff down. Will really help countless people like myself who do these things at home with no formal training.
Rick has such an awesome way of explaining the different aspects of music. He’s straight to the point, but never patronizing. I love this channel, and it’s the most important channel on this platform.
I love your variety of videos, but for me these practical ones are my all time favorite. Tools of the trade, how-to, or how to use gear, etc. Love to learn all this.
FWIW, 33609 is a diode bridge compressor. TG12413/TG1 is also a diode compressor (zener diode). The Abbey Road RS124 (based on Altec Lansing 436C) is a varimu.
If I remember right, I found your channel by watching a previous version of this upload a few years ago. This kind of information is extremely helpful!
One of the best analogies of a compressor i heard was like using your finger to push or pull the fader up or down with the aim of keeping the output signal constant. A human can do this, but a compressor is basically an automated way to do the same thing. Once you get that idea in your head with a fader going up and down to adjust the level, it all makes sense. In reality, its a bit more complex than that but this gives you a feel for whats happening.
Can you get Ringo's drum sound riding a volume fader? Peter Green's guitar on the Supernatural riding a fader? Any "pump" sound riding a fader? Clearly you didn't watch Rick's video. 5+ parameters, 3 minimum for the simple. It's so simple heck I built one as a kid.. Craig Anderton's plans and $15 of parts fanciest being a cheap opto isolator cell that was $4. You gonna delete again snowflake???
Can you get Ringo's drum sound riding a volume fader? Peter Green's guitar on the Supernatural riding a fader? Any "pump" sound riding a fader? Clearly you didn't watch Rick's video. 5+ parameters, 3 minimum for the simple. It's so simple heck I built one as a kid.. Craig Anderton's plans and $15 of parts fanciest being a cheap opto isolator cell that was $4. You gonna delete again snowflake???
Great stuff! It’d be interesting to get demos of these which ones you think pair well with different parts of the mix - drum bus, mix bus, vocals, etc…
Just bought the Beato Bundle! I've been an avid follower of Rick, and am just getting back into guitar/band/music after a masters degree. I'm excited to learn from one of the absolute best.
Used to own an 1176 rev F. Liked it a lot. Unfortunately came to a place where financial pressures were making themselves known. Had a great tech go through it and sold it for around $2300 a few years back. I often wish I had it back, but I know I made the right choice for my situation.
Ricard, I’m very sorry I haven’t subscribed by now. You have blessed me and my church is live stream mix immensely. I still have a long way to go but I have learned a great deal from just your compression video alone. God bless you and your family.
Yes. What Rick is saying about compressors is right on spot. I think that the best thing that it does for an electric bass is that it makes the low notes louder and the loud notes lower.
Thank you, Rick. I got more out of this 'mini-lesson' than most of the 30+ minute compressor vids out there. Usually they start with, "think of the compressor as a volume slider", which seems to fall short of the power of a compressor.
you made a 30 min video about compression a while ago and that helped me a lot, that's when i finally understood compression, this video is also great, thank you a lot
I have found that the emulated version of a Fairchild 670 is incredible useful in live settings to separate the instruments in a band by compressing the sides/center differently per instrument channel. You don't need to ride the channel controls as much to hear different instruments and you can keep the volume at a reasonable level which makes the listening experience much more enjoyable. Can't remember where I got the tip from, but it was from one of the great live sound engineers.
Been subscribed to this channel for quite a while though but it never pops up in my RUclips feed so I tend to forget about it. The main channel appears in my feed all the time.
Spiff is the ultimate tool for bass and acoustic guitars. If you dial it in so you're catching any nasty high end smacks then use the mix knob to blend in half the original signal. You can then move on to doing some compression to finesse. Spiff is also amazing for lead vocals after you've done heavy compression (especially if you've used ITB compressors), It really helps to tame explosive consonants. Spiff really is the best transient controller, it sounds pretty invisible leaving you free to do vibey compression in a much more consistent way.
Thank you Rick. I did not realize you had 2 channels until you mentioned it in the middle. Appreciate you tips and ALL your videos and interviews. Merry Christmas!
This allows to make really great music that will get millions of plays that will pay you enough to make a fraction of your distrokid payment. Another great video!
Hey Rick! Great videos as usual! Just a small detail, technically speaking the Neve 33609 is a Diode Bridge type of compressor..not a VCA.. but it makes a great mixbus (and drums) compressor indeed! You should try the BAE 10DC, that’s also nice! :) You should push your own label and bring back, well made and played music..at least to some extent..! Keep coming with these videos! 👍👍👍 🙏🏻
just a bit of info... mu is not "emm-you" but rather "myou," a greek letter that symbolizes the voltage gain of a tube. the variable part is accomplished via a non-uniform pitch to the control grid winding inside the tube which causes portions of the space charge of electrons at the cathode to be exposed to different effective plate voltage field strengths.
Wow so logic has a emulator of almost all the popular compression hardware put there but ? I have never had a clear explanation of what they do what they are and what they can do best . Thank you Rick you are a legend
I think this is great, I dont know if you’ve done one but maybe also how to use a proper eq or when to use modulation like delays and reverb, a mix and master tutorial
to learn this in the past, you should go to sound engineer school and then work in studios.... now, just search Rick BEato Compression guide.... and that's it. Those are the settings for my SSL The Bus+ (Ratio 4 to 1, attack 6ms, release Auto 1) and sounds great as a glue mild colored. Thank you Mr. Beato!! 👍
Rereleasing information that is still educational in small bites is probably a good idea. I watched this vid back whenever but found this viewing useful.
I use really fast attack on overdriven guitar when I want the sound be a bit "crystallic" (I don't know if there's such a word). It is somewhat hard to play with that setting but it really brings out the lead guitar especially if you add delay into mix (and you probably don't want to add any other effect). You have to try everything since you might stumble upon sounds and effects you didn't even knew you needed! Actually, I think I have to buy a looper so I can test all the settings without having to hassle with the guitar all the time. Ps. I'm talking about effect pedals in amp's effect loop or before the amp. I believe Rick is talking about effects used in postprocessing. So there's a difference.
Rick Beato provides the world with further irrefutable evidence that a good teacher isn't a luxury or optional. It makes all the difference as to whether a student will actually learn anything from their time spent in class. Rick, with his experience as a bona fide professor earlier in life, is a very well-organized and well-spoken lecturer. Teaching is a skill and a profession and it's not just something that just anybody can do well off the cuff or even effectively whatsoever without proper preparation and training. Period. His explanations are fun to listen to because you actually learn something from it every time. It isn't just performative or going through the motions to appear to be teaching when all you're doing is wasting time rambling in front of the class and burning minutes from the hours. He is teaching, for real, as all good and qualified teachers tend to do.
The Neve 33609 is not a VCA compressor - it's a diode bridge compressor, which means that it uses a diode to control the gain reduction. Massive difference there! Another two staple VCA compressors, though, are the dbx 160 and the Empirical Labs Distressor. :D Otherwise, great videos!
Good job Rick !! Explaining how compression works is no easy task :). Plugin compressors suck because they re-quantize your tracks. I call "the groove thieves" LOL !! Especially on software instruments and the plugins that use a lot of CPU power. If you run them in low latency mode, they work better :). Digital music is fun and cheap but it sucks LOL !!
There are a billion videos about compression, but I was missing this. What about the difference when using VSTs, that can be made to play very if not too consistent?
in the beginning, is he talking about front end compression on the actual bass signal? like you would get from a compressor pedal? or the kind of compression you would put on perhaps as a plugin on the bass track as you're working in your DAW?
Can't watch too many of these types of videos!! my understanding of compression is miles better than it once was, but I've yet to break through and TRULY "get it"
I think that applies to most of us! I strongly suspect that even professionals use their awareness just to get into the "ball-park" of the sound they want but after that it's probably about experimenting with some variations and choosing what sounds good.
The problem I have when people say "fast attack time" , is there's a huge difference between 0 and 0.30ms for instance. Would 0 not be considered a fast attack time? However, 0 and 0.30ms sound vastly different, as 0.30ms starts letting transients through. I wish people would be more clear about this specifically.
Please could you mention the Vacuvox CL2 compressor. These compressors were found from old stock Rohde & Schwarz U-23 compressors from the late 30’s that became the Fairchild circuit. They sound phenomenal on drums, bass, vocals. Better than Fairchild, because of their input stage. Also a lovely sibilance control ❤
All the original units have sold, but Fairchild have nearly replicated this. Fairchild copied the design, but left out the punch and de-essing and double compression.
@Rick when you say "ride" in the context of not using a compressor, what exactly do you mean? I'm taking it to be manually adjusting volume (either by editing the audio, or by automation), but I could be wrong as I keep finding new topics I know nothing about 😆
Something interesting I think I can really trust your input on: It's 1979 and you walk into a favorite music studio, what single piece of studio gear do you most want to be there putting aside guitars, keys, and the desk? I'm asking because I want to create a vintage studio with mostly analog gear until it hits the computer, then also add in all the stuff I loved from the 1980s (synths etc, got a list) and a couple things from the 90s. Thinking an MCI JH542 for the desk, the Pink Floydiness, and the ability to automate, which are the same reasons for a Syntrx II in the list, it's an EMS VCS3 clone. I have the same question for 1989 and 1999 though too, because... more. Working on a wish list knowing if I write it all down I may have a chance at actually getting it. The heart of music died to me somewhere in the early 2000s and I think digital has a bit to do with that, so I'm pretty sure if I want to record music I love I'll have to do it on gear I love.
How does studio compressors play with my always on JoeMeek FloorQ? I've used it for years and years and won't part with it for love or money. I also use a Wilson Effects 6 position Q Wah for just a touch of flavor as well. Do these pose problems for engineers? Edit: I forgot to add, I play a passive 5 Bass.
Imagine you are watching a TV at your preferred volume. A commercial comes on and the volume is suddenly much louder. You reach for the remote to turn the TV down, only turning it back up again after a certain amount of time. You are essentially doing what a compressor does.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
Dude I've been using compressors for 10 years and never known what I was doing, just turning knobs until things sounded right, and this video helped me immeasurably
Yes! These kinds of videos are invaluable. You are the guy to break this stuff down. Will really help countless people like myself who do these things at home with no formal training.
bro theres a million of these on RUclips from far more qualified people than this fossil
Rick has such an awesome way of explaining the different aspects of music. He’s straight to the point, but never patronizing. I love this channel, and it’s the most important channel on this platform.
I love your variety of videos, but for me these practical ones are my all time favorite. Tools of the trade, how-to, or how to use gear, etc. Love to learn all this.
same here!
FWIW, 33609 is a diode bridge compressor. TG12413/TG1 is also a diode compressor (zener diode). The Abbey Road RS124 (based on Altec Lansing 436C) is a varimu.
If I remember right, I found your channel by watching a previous version of this upload a few years ago. This kind of information is extremely helpful!
Thank you! From a real hip hop musician, this is what you need to tell artists as a producer so they understand. Awesome video!
One of the best analogies of a compressor i heard was like using your finger to push or pull the fader up or down with the aim of keeping the output signal constant. A human can do this, but a compressor is basically an automated way to do the same thing. Once you get that idea in your head with a fader going up and down to adjust the level, it all makes sense. In reality, its a bit more complex than that but this gives you a feel for whats happening.
Can you get Ringo's drum sound riding a volume fader? Peter Green's guitar on the Supernatural riding a fader? Any "pump" sound riding a fader? Clearly you didn't watch Rick's video. 5+ parameters, 3 minimum for the simple. It's so simple heck I built one as a kid.. Craig Anderton's plans and $15 of parts fanciest being a cheap opto isolator cell that was $4. You gonna delete again snowflake???
Can you get Ringo's drum sound riding a volume fader? Peter Green's guitar on the Supernatural riding a fader? Any "pump" sound riding a fader? Clearly you didn't watch Rick's video. 5+ parameters, 3 minimum for the simple. It's so simple heck I built one as a kid.. Craig Anderton's plans and $15 of parts fanciest being a cheap opto isolator cell that was $4. You gonna delete again snowflake???
Great stuff! It’d be interesting to get demos of these which ones you think pair well with different parts of the mix - drum bus, mix bus, vocals, etc…
Just bought the Beato Bundle! I've been an avid follower of Rick, and am just getting back into guitar/band/music after a masters degree. I'm excited to learn from one of the absolute best.
Wow! this video make the whole concept of compression so clear and real. I was searching for this for years
Used to own an 1176 rev F. Liked it a lot. Unfortunately came to a place where financial pressures were making themselves known. Had a great tech go through it and sold it for around $2300 a few years back. I often wish I had it back, but I know I made the right choice for my situation.
Ricard, I’m very sorry I haven’t subscribed by now. You have blessed me and my church is live stream mix immensely. I still have a long way to go but I have learned a great deal from just your compression video alone. God bless you and your family.
I LOVE Variable Mu compressors on a mix bus. I don't know why and I know it's genre dependent, but for what I do, I love them.
Yes. What Rick is saying about compressors is right on spot. I think that the best thing that it does for an electric bass is that it makes the low notes louder and the loud notes lower.
Thank you, Rick. I got more out of this 'mini-lesson' than most of the 30+ minute compressor vids out there. Usually they start with, "think of the compressor as a volume slider", which seems to fall short of the power of a compressor.
There's literally a comment right in this comment section saying exactly that, lmao.
you made a 30 min video about compression a while ago and that helped me a lot, that's when i finally understood compression, this video is also great, thank you a lot
I have found that the emulated version of a Fairchild 670 is incredible useful in live settings to separate the instruments in a band by compressing the sides/center differently per instrument channel. You don't need to ride the channel controls as much to hear different instruments and you can keep the volume at a reasonable level which makes the listening experience much more enjoyable. Can't remember where I got the tip from, but it was from one of the great live sound engineers.
Been subscribed to this channel for quite a while though but it never pops up in my RUclips feed so I tend to forget about it. The main channel appears in my feed all the time.
Spiff is the ultimate tool for bass and acoustic guitars. If you dial it in so you're catching any nasty high end smacks then use the mix knob to blend in half the original signal. You can then move on to doing some compression to finesse. Spiff is also amazing for lead vocals after you've done heavy compression (especially if you've used ITB compressors), It really helps to tame explosive consonants. Spiff really is the best transient controller, it sounds pretty invisible leaving you free to do vibey compression in a much more consistent way.
Great! I love the clarity of your explanations. So much useful information. More of these please! Thanks!
Love your mixing videos Tick glad to see your doing them again. Probably not as popular as the interview but still very important. Keep em comin
Thank you Rick. I did not realize you had 2 channels until you mentioned it in the middle. Appreciate you tips and ALL your videos and interviews. Merry Christmas!
Field Effect Transitor? Fire that intern! 😀 Great video for people starting out, and also good reminder information for experienced mixers. Thanks.
Feel like I can't learn enough about compression
And the more I learn the better I (and my mixes) sound
Thanks Rick!!
Love the 'Two' channel. Thanks for the refresher Rick.
This allows to make really great music that will get millions of plays that will pay you enough to make a fraction of your distrokid payment. Another great video!
One of the best explanations! And I've seen tons of them😅
Thanks Rick. I've been subscribed to both channels for many years!
I've no idea what he is talking about and yet I love it.
Glad someone finally made RUclips video about compressors!
Thank you! My new go to video on compression…
Hey boss, thought I was already subscribed, because I knew that I was subscribed to you.
Fixed it.
Love your education, and thank you.
I’ve been looking for a tutorial/informative video like this for soooo long. Thank you for posting this!
the knowledge never ends with dr. beato!
This was super helpful, Rick! Appreciate your work!
This was my favorite video yet! I can’t wait to experiment more with them
Hey Rick! Great videos as usual!
Just a small detail, technically speaking the Neve 33609 is a Diode Bridge type of compressor..not a VCA.. but it makes a great mixbus (and drums) compressor indeed!
You should try the BAE 10DC, that’s also nice! :)
You should push your own label and bring back, well made and played music..at least to some extent..!
Keep coming with these videos!
👍👍👍
🙏🏻
Great point, I need some germanium love too!
just a bit of info... mu is not "emm-you" but rather "myou," a greek letter that symbolizes the voltage gain of a tube. the variable part is accomplished via a non-uniform pitch to the control grid winding inside the tube which causes portions of the space charge of electrons at the cathode to be exposed to different effective plate voltage field strengths.
what a great video TY Rick great to hear a person with so many years experience really cleared a lot of questions I had TY again man !!
Hiya , thank you so much . . A lot to take in , but so grateful 🙏💚💙
Merry Christmas, Rick! May your holidays be filled with joy!
Thanks Mr. Rick! Merry Christmas!
Saved for this weekend. Thanks Rick
Hey Rick, I see you using the Kush audio Compressor, I love that thing on horns bus
Love these vids Rick, and you guest list is insane!
BTW - Merry Xmas!
Merry Christmas. (Xmas and “gosh” do not exist).
Good info as always Rick.
This is so great. No one does it better.
4:53 Logic comes with a stock SSL compressor emulation along with 6 other forms of you got that 🎉
i knew you by this videos Rick, glad they are back
Wow so logic has a emulator of almost all the popular compression hardware put there but ? I have never had a clear explanation of what they do what they are and what they can do best . Thank you Rick you are a legend
I think this is great, I dont know if you’ve done one but maybe also how to use a proper eq or when to use modulation like delays and reverb, a mix and master tutorial
This is great! Id love to hear more of the side by side comparisons as you're explaining these
to learn this in the past, you should go to sound engineer school and then work in studios.... now, just search Rick BEato Compression guide.... and that's it. Those are the settings for my SSL The Bus+ (Ratio 4 to 1, attack 6ms, release Auto 1) and sounds great as a glue mild colored. Thank you Mr. Beato!! 👍
omg, I love this, Hooray RB!
very interesting, for a guitarist compressor is a delicate tool
Very valuable lecture !
Great explanation, easy to understand.
Quick question, what would you use on brass? trumpets mostly, solo or horn section?
I literally just finished reading a book about this exact topic, and then you pop up with this
Rereleasing information that is still educational in small bites is probably a good idea. I watched this vid back whenever but found this viewing useful.
Pretty helpful after getting the Walrus Audio Mira optical compressor pedal.
God Bless! thank you for sharing this at this time :) Merry Christmas!
This is great stuff. I love to continue learning more about it. Thanks for sharing your expertise in all this.
Best video about compression in RUclips,
I use really fast attack on overdriven guitar when I want the sound be a bit "crystallic" (I don't know if there's such a word). It is somewhat hard to play with that setting but it really brings out the lead guitar especially if you add delay into mix (and you probably don't want to add any other effect). You have to try everything since you might stumble upon sounds and effects you didn't even knew you needed!
Actually, I think I have to buy a looper so I can test all the settings without having to hassle with the guitar all the time.
Ps. I'm talking about effect pedals in amp's effect loop or before the amp. I believe Rick is talking about effects used in postprocessing. So there's a difference.
Nice. Just playing with Inserting some new compressors.
I'm here for every mixing/production video you got on RB2 - I'm covering *every job and instrument, so ...knowledge me sir.
Loving this video, Rick.
Rick Beato provides the world with further irrefutable evidence that a good teacher isn't a luxury or optional. It makes all the difference as to whether a student will actually learn anything from their time spent in class. Rick, with his experience as a bona fide professor earlier in life, is a very well-organized and well-spoken lecturer. Teaching is a skill and a profession and it's not just something that just anybody can do well off the cuff or even effectively whatsoever without proper preparation and training. Period. His explanations are fun to listen to because you actually learn something from it every time. It isn't just performative or going through the motions to appear to be teaching when all you're doing is wasting time rambling in front of the class and burning minutes from the hours. He is teaching, for real, as all good and qualified teachers tend to do.
Thank you for the lesson, Mr. Beato!
The Neve 33609 is not a VCA compressor - it's a diode bridge compressor, which means that it uses a diode to control the gain reduction. Massive difference there! Another two staple VCA compressors, though, are the dbx 160 and the Empirical Labs Distressor. :D Otherwise, great videos!
Good job Rick !!
Explaining how compression works is no easy task :).
Plugin compressors suck because they re-quantize your tracks.
I call "the groove thieves" LOL !!
Especially on software instruments and the plugins that use a lot of CPU power.
If you run them in low latency mode, they work better :).
Digital music is fun and cheap but it sucks LOL !!
Thank you for such great information. 🙏
This is an example of why engineering is as much of an artform as the musical performance.
This is educational. Thanx 🙏
The demo of 'When the Levee Breaks' made me suddenly realize that I've been listening with my compressor on all day.
Great explanation!
I've been subbed since day 1. The tricks in making canned music are interesting. 8)
There are a billion videos about compression, but I was missing this.
What about the difference when using VSTs, that can be made to play very if not too consistent?
Much appreciated! Valuable info, indeed!
1:39 I have those same monitors
TubeTech CL-1B… I miss her so much!
Awesome, thanks Rick!
'Great video, 'very informative!
in the beginning, is he talking about front end compression on the actual bass signal? like you would get from a compressor pedal? or the kind of compression you would put on perhaps as a plugin on the bass track as you're working in your DAW?
Great, amazing content and explanation about this, I love, thank you Sr.
Great info! Thanks!
Can't watch too many of these types of videos!! my understanding of compression is miles better than it once was, but I've yet to break through and TRULY "get it"
I think that applies to most of us! I strongly suspect that even professionals use their awareness just to get into the "ball-park" of the sound they want but after that it's probably about experimenting with some variations and choosing what sounds good.
The question is, what the hell is a distressor? Is it a VCA a fet or an opto? Don't really know but they sound great
The problem I have when people say "fast attack time" , is there's a huge difference between 0 and 0.30ms for instance. Would 0 not be considered a fast attack time? However, 0 and 0.30ms sound vastly different, as 0.30ms starts letting transients through. I wish people would be more clear about this specifically.
Extremely useful.
Hm was already in the upper 20% thanks for this video
Please could you mention the Vacuvox CL2 compressor. These compressors were found from old stock Rohde & Schwarz U-23 compressors from the late 30’s that became the Fairchild circuit.
They sound phenomenal on drums, bass, vocals. Better than Fairchild, because of their input stage. Also a lovely sibilance control ❤
All the original units have sold, but Fairchild have nearly replicated this. Fairchild copied the design, but left out the punch and de-essing and double compression.
Not sure about the new U-23 units made today
Fairchild on steroids
@Rick when you say "ride" in the context of not using a compressor, what exactly do you mean? I'm taking it to be manually adjusting volume (either by editing the audio, or by automation), but I could be wrong as I keep finding new topics I know nothing about 😆
You are correct. It means moving the fader in real time. Of course nowadays the "ride" could be automated.
@@MrAdopado Thank you. Yes, I guessed correctly then that "ride" came from the real time adjustment. That would require learning actual real skills!
Something interesting I think I can really trust your input on: It's 1979 and you walk into a favorite music studio, what single piece of studio gear do you most want to be there putting aside guitars, keys, and the desk? I'm asking because I want to create a vintage studio with mostly analog gear until it hits the computer, then also add in all the stuff I loved from the 1980s (synths etc, got a list) and a couple things from the 90s. Thinking an MCI JH542 for the desk, the Pink Floydiness, and the ability to automate, which are the same reasons for a Syntrx II in the list, it's an EMS VCS3 clone. I have the same question for 1989 and 1999 though too, because... more.
Working on a wish list knowing if I write it all down I may have a chance at actually getting it. The heart of music died to me somewhere in the early 2000s and I think digital has a bit to do with that, so I'm pretty sure if I want to record music I love I'll have to do it on gear I love.
How does studio compressors play with my always on JoeMeek FloorQ? I've used it for years and years and won't part with it for love or money. I also use a Wilson Effects 6 position Q Wah for just a touch of flavor as well. Do these pose problems for engineers? Edit: I forgot to add, I play a passive 5 Bass.
I don't even know what compressing really means in producing, not to mention attack time or other terms. Would love an even more beginner's guide!
If only there were literally hundreds of videos explaining these concepts on RUclips already.
Lol @@beekay4906
Imagine you are watching a TV at your preferred volume. A commercial comes on and the volume is suddenly much louder. You reach for the remote to turn the TV down, only turning it back up again after a certain amount of time. You are essentially doing what a compressor does.
Flattening a portion of a sound wave so that the quiet parts are loud enough to hear without the louder bits clipping.
@@VideoMovieChannel9000S-tier answer right here.
for the curious, I searched and found the analog (and tube driven) LA-2A from Universal Audio is 4700 USD (nice hardware...)
Thank you for this
Fat Back End is why I got into playing and recording music