#469

National Geographic photographer Jim Richardson has shot over fifty stories for National Geographic and Traveler and today shares the art of becoming invisible behind the lens, plus how he pitches photo stories to the world’s biggest publications.
Though his work has spanned the globe, his long-term storytelling in rural Kansas is just as profound, as he reveals. In this episode, Jim, once named the Photographer’s Photographer by his peers, reflects on why blending in, embracing the ‘boring,’ and quiet observation can lead to the most powerful photographic stories. Plus, we revisit his iconic High School USA essay, a classic of documentary photography.
From the mailbag, Mark Christensen feels inspired to start his own photography podcast, Sam Hopwood crashed his mountain bike last year, which in a twist of creative fate, never mind the twisted metal, has brought him back to photography, Kyle Attwood has been exploring the streets of Perth with film, making zines to celebrate the art of the print, and Dennis Linden has been revisiting the dangers we talked about when photographing wild-fires. Plus, there’s this month’s NEW one-word assignment, and I’ll announce the winner of last month’s challenge featuring the colour red.
Links to all guests and features will be on the showpage (photowalk.show...) , my sincere thanks to MPB (www.mpb.com/ch...) who sponsor this show and the Extra Milers (www.photowalk....) without whom we wouldn't be walking each week.
WHY: A Sketchbook of Life is available here (photowalk.show...) .