Joni Mitchell - Urge For Going

Emerging artist Joni Mitchell moved to New York City in 1967, and took up residence in the arty Chelsea district. She met Elliot Roberts in the fall and he began to manage her career, helping to open up the circuit for her in New York City.
While performing at a club in Florida, Joni met ex-Byrds member David Crosby, who was quite taken with her. David was a great help in convincing the record company to agree to let Joni record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time.
His clout earned him a producer's credit in March 1968, when Reprise records released her debut album. She continued her steady touring to promote the LP, and that stimulus, in addition to the performers who were covering her songs and exposing her to bigger and bigger audiences as a major "songwriter," was causing a major buzz. At Elliot's suggestion, she moved to southern California late in 1967, and moved in with David, who became an enthusiastic promoter of Joni's and had her play at the homes of his Hollywood friends, where she got noticed by press and radio people, who in turn wrote and spoke of her talent.
She played the Troubadour in L.A., getting raves from the crowds and critics; she was also a big hit in London at the Royal Festival Hall in September, and at the Miami Pop Festival on the last weekend of 1968. Accompaning her at the fest was Hollies singer-songwriter Graham Nash, whom Joni had met through their mutual friend, David Crosby.
Also in December of '68, Judy Collins version of "Both Sides Now" peaked in the national music charts top ten, and brought Joni "lots of those little royalty pennies." This songwriting success helped create an eager anticipation for Joni's second LP, "Clouds", which was released in April '69. It contained Joni's own versions of songs already recorded and being performed by other artists; "Chelsea Morning,""Both Sides Now", and "Tin Angel."
Joni's concert at Carnegie Hall in February, and a later show in Berkeley, CA were recorded for a live album, but the project was shelved in favor of a third LP of original studio performances.
She made an appearance that summer on The Johnny Cash Show. The series was a U.S. summer replacement series that rated very highly on ABC-TV. Joni appeared 2 more times on Johnny's show, once more later in the first season, and once in 1971.
Joni toured as the opening act for her friends Crosby, Stills, & Nash, and while at the Atlantic City Pop Festival in August, she left the stage angrily due to the inattentiveness of the large crowd. She said she'd enjoyed the intimacy of the clubs and was now finding it difficult to concentrate and perform in front of huge crowds.
Reprise released Joni's third album, "Ladies Of The Canyon" soon after. It was an instant smash on FM radio, and sold briskly thru the summer and fall, eventually becoming Joni's first gold album (500,000 copies).
Reviewers and listeners began to note the confessional qualities in Joni's songs, and conjecture "who's that about?."
Joni made a decision to stop touring for a year and just live and write and paint, but after a few months she was persuaded to perform at the last minute at the Isle of Wight Festival. Held in August, this festival became a financial and logistical disaster, and the audience there had strong anti-performer feelings. When a stoned-out guy that Joni knew from her months in Crete jumped on stage and took over her mic ranting about how "Desolation Row is this festival...", he had to be dragged off stage. The crowd saw him as one of their own and booed his eviction until Joni chastised them tearfully about acting like tourists and not giving the performers the respect they deserved.
Joni struggled with a way to remain creative while dealing with the pressures of a career with a required touring schedule. The songs she wrote during the months she took off for travel & life experience would appear on her next album, "BLUE."
SOURCE: www.maplemusic....
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: john1948.wikifo...

[@montewright111]

We take it for granted that this genius has always been around, setting the pace, rules and tastes. But, back then?
The dudes on stage and attendees are watching the world shift. What a time!

[@Broonzied]

This is a magical moment. The guy in the glasses does not quite know what is happening, but he knows that it is significant. He is privileged in witnessing the future.

[@davisworth5114]

Other musicians in stunned amazement.

[@lawrencerasmus]

Love

[@vanbrabant1]

endless beauty

[@alexandrakennedy9059]

And bully winds did rub their faces in the snow

[@graeme49]

This is from Let's Sing Out, isn't it? Oscar Brand to Joni's right? I first heard this song on the Tom Rush album The Circle Game (1968)

[@dave26250]

Jimmy Driftwood to her left

[@maryspike8020]

What a wonderful thing to find here, this poignant shivery song, at this time of year, in this year of all years. I continue to hope that someone, somewhere, made a tape of that concert (summer of 69?) that was an hour each of Joni Mitchell and Arlo Guthrie. I saw it 3 times, on public TV, and afterwards went out as soon as I could to spend all of my 6th grade babysitting income on their albums. 😊

[@tulifuli]

Who did you steal video from?