Very intense piece, full of contrasts, great complex orchestration! I especially like gentle “fairytale-like” moments. Would love to play it in the orchestra.
Who are you to judge? I’m a professional classical musician and I find this to be a colorful, interesting and complex piece. You don’t have to like it, but no one asked for your opinion
@@ekaterinanokkert718 I'm a professional classical composer myself, so I think I have a little say in it. Basically I'm fed up with that kind of ill - conceived, at all cost "progressive" contemporary stuff like this one above, with no sense of basic musicality whatsoever. As a matter of fact, this piece shows nothing but a clear dead end contemporary music has been stuck at for a long time now. Oh come on, don't tell me you genuinely believe this piece to be "colorful, interesting and complex", as you stated above; assuming this to be your genuine opinion, I'm very interested in based on which qualities of this piece you would claim it to be any good? On contrary, I think you are leaning towards commonly accepted, "mainstream" opinion, and God knows why... Cheers.
@@elefteria88 I’m familiar with the composer’s work in general and have played some of her works myself (pianist). I know her musical language to be very varied and emotional, at least it is to me, as a performer. And yes, I do believe what I say about the piece. The use of playing techniques in the strings for instance, or some of the rhythmic structures. Tastes are different, but deeds are stronger than words. As you say, you are a composer - write your music as you imagine it, get it performed, make your opinions heard in the music you write, not by bashing other people’s work.
If you think your music is better, you can just present yourself to the competition. You know, opinions are like the butt - everybody has one, but it's not always a good idea to show it publicly.
Since Grieg, where your compositions seem to be stuck, there were 200 years of music, where lots of things happened - Stravinsky, Hindemith, Berg, Webern, Stockhausen, Ligeti, even Schnittke and Penderecki, so sorry you missed all that.
Lovely and highly entertaining - I love all the beautiful details. Never a dull moment!
Thank you!
Splendid work, great orchestration! Congrats!
Fantastic!Amazing! Very creative!
Fantastic orchestration and spiritual describe! Amazing working!
Very intense piece, full of contrasts, great complex orchestration! I especially like gentle “fairytale-like” moments. Would love to play it in the orchestra.
Very interesting and descriptive piece, full of imagination and featuring interesting soundscapes and rhythmical constructions.
quite good ...
OMG what a rubbish
Who are you to judge? I’m a professional classical musician and I find this to be a colorful, interesting and complex piece. You don’t have to like it, but no one asked for your opinion
@@ekaterinanokkert718 I'm a professional classical composer myself, so I think I have a little say in it. Basically I'm fed up with that kind of ill - conceived, at all cost "progressive" contemporary stuff like this one above, with no sense of basic musicality whatsoever. As a matter of fact, this piece shows nothing but a clear dead end contemporary music has been stuck at for a long time now. Oh come on, don't tell me you genuinely believe this piece to be "colorful, interesting and complex", as you stated above; assuming this to be your genuine opinion, I'm very interested in based on which qualities of this piece you would claim it to be any good? On contrary, I think you are leaning towards commonly accepted, "mainstream" opinion, and God knows why... Cheers.
@@elefteria88 I’m familiar with the composer’s work in general and have played some of her works myself (pianist). I know her musical language to be very varied and emotional, at least it is to me, as a performer. And yes, I do believe what I say about the piece. The use of playing techniques in the strings for instance, or some of the rhythmic structures. Tastes are different, but deeds are stronger than words. As you say, you are a composer - write your music as you imagine it, get it performed, make your opinions heard in the music you write, not by bashing other people’s work.
If you think your music is better, you can just present yourself to the competition. You know, opinions are like the butt - everybody has one, but it's not always a good idea to show it publicly.
Since Grieg, where your compositions seem to be stuck, there were 200 years of music, where lots of things happened - Stravinsky, Hindemith, Berg, Webern, Stockhausen, Ligeti, even Schnittke and Penderecki, so sorry you missed all that.