Gilligan's Island Season 2 part 1 of 4 Syndication Cuts
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- Опубликовано: 18 окт 2024
- The cut material from the MeTV version.
37, Gilligan's Mother-In-Law, 1:22, 38, Beauty is as Beauty Does, 2:51, 39, The Little Dictator, 4:19, 40, Smile, You're on Mars Camera, 5:24, 41, The Sweepstakes, 7:00, 42, Quick Before it Sinks, 8:38, 43, Castaway Pictures Presents, 9:48, 44, and Agonized Labor, 11:21, 45
![Chino Pacas - Modo Capone (with Drake & JOP) [Video Visualizador Oficial]](http://i.ytimg.com/vi/Zoc75M8Swhc/mqdefault.jpg)
I think the reason that the beauty contest episode is such a fan favorite is because it has such a relaxed, easy going vibe to it. The castaways all seem completely content being shipwrecked. No one is concerned about being rescued in this one. The Professor even refers to the contest as being the first-annual as though he anticipates not being rescued for at least another year. And the castaways don't face any serious problems either. There's no headhunters, no volcanoes, no food or water shortage, the island isn't sinking, no one has a vitamin c deficiency, and so on. They're just up in arms over a silly beauty contest.
My favorite episodes are the ones that are completely off-the-rails ones like "The Friendly Physician" and "Pass the Vegetables, Please" but I can see why there needs to be more grounded episodes like this one and "Love Me, Love My Skipper" to round things out.
The Beauty Contest episode was one of the best on Gilligan’s Island.
It was funny when Gladys the chimp won the beauty contest because she was a native of the island. From Ms. Harper Stacey.
The professor was good looking
i dont know why, but many people remember Maryann getting stuck in glue as one of the most iconic scenes of gilligans island and the beauty contest as one of their favorites, Dawn did a great job of struggling in the glue with her soft shoe and playing the embarrased and frustrated beauty contestant foiled by mr howell's devious prank.
Or mrs. Howell unable to finish paul reverse ride because of prank by the professor and ginger pranked on by both Thurston and the professor
In the Alf episode "The Ballad of Gilligan's Island" (a.k.a. "Somewhere Over the Rerun"), episode #28, Alf describes the scene in episode #37 of the native girl eating Ginger's lipstick to Kate and Willie. Apparently Alf wasn't watching MeTv.
==[ #40 ]================================== Smile, You're on Mars Camera ===
CUTS: 65 seconds GAINED: 120 seconds 21:22 / 23:22
~~~~~ ACT I (0:08) 2:53 / 3:01
~~~~~ ACT II (1:27) 7:56 / 9:23
Gilligan: Supply hut? Who said anything about a supply hut? I mean,
you told me to stand here and said I was just standing
here. And you said, listen to the radio and I listened and
a new song went "Yeah, yeah, yeah! Oh yeah..."
Skipper: (interrupting Gilligan) Gilligan!
The syndicated version fades here.
% Skipper: Now what it is the fact that he's probably got one of his
% famous collections in there, one of those banana skin
% collections or maybe it's a clamshell identification
% bracelet.
% Gilligan: There's noting in there but a bunch of feathers. (he
% slaps his mouth closed)
% Skipper: Feathers? What feathers?
% Gilligan: It's a secret.
% Skipper: What's a secret?
% Gilligan: The feathers I'm collecting for Mrs. Howell's secret
% pillow.
% Professor: Gilligan, will you get back and listen to that radio?
% We are trying to do something important here!
% Skipper: Exactly. We couldn't care less whether you had a feather
% off the goose that laid the golden egg.
% Gilligan: What goose?
% Skipper: The goose that laid the golden egg, you know, in the
% fairy tale.
% Gilligan: Laid a golden egg?
% Skipper: Yes, Gilligan. (begins to tell the story) Once upon a
% time, there was a goose, and this goose laid a golden
% egg. Now, this goose was very important to the town...
% Oh, Never mind Gilligan!
% Professor: Gilligan, Please, Please get back to that radio!
% Skipper: Exactly!
% Gilligan: You guys won't take any feathers when I'm not looking,
% will you?
% Professor: We have more important things to do!
% Skipper: Will you get over to that radio?
% Gilligan: Yes, sir.
%
% Gilligan walks away with sad music playing.
%
% Skipper: I wonder where that feather rolled. Where that feather
% rolled!... (catching himself) Where the lens rolled!
% Professor, one of these days, right there (imitates choking
% Gilligan).
%
% Fade to the Skipper and Professor walking into the hut.
%
% (11:44 - 12:49)
The syndicated version fades slightly later. Gilligan is listening
to the radio.
~~~~~ ACT III (0:25) 9:53 / 10:18
~~~~~ ACT IV (0:00) 0:40 / 0:40
==[ #41 ]=============================================== The Sweepstakes ===
CUTS: 91 seconds GAINED: 137 seconds 21:21 / 23:38
~~~~~ ACT I (0:04) 2:01 / 2:05
~~~~~ ACT II (1:41) 7:55 / 9:36
Lovey: Gilligan, when a lady approaches or enters a room, a
gentleman stands up.
Gilligan: Oh, I'm sorry, I...
He stands and knocks the tray off his lap. He awkwardly looks at the
mess.
Lovey: Gilligan...
% Fade to a shot of Howell sleeping in his lounge chair. As the camera
% zooms out Gilligan is besides him.
%
% Howell: (talking in his sleep) Yeah. Marvelous, isn't it? (laughs)
% Money. (laughs)
%
% Gilligan sits next to him looking bored.
%
% Gilligan: All this money, and nothing to do, and nobody to do it
% with.
% Howell: (waking up) Hmm, you were, uh, saying something, old boy?
% Gilligan: Mr. Howell, Now that I'm a member of the club, what can I
% do? I had more fun when I was a club steward.
% Howell: Well, you haven't got the knack of being idly rich. You
% see, you should do like me. Just snooze and dream, dream
% and snooze. The pleasures are unlimited.
% Gilligan: Not for me, Mr. Howell. When I go to sleep, I have
% nightmares about big crawly things and creature and big
% hairy monsters that grab you around the throat. (he chokes
% himself)
% Howell: Ohh, how vulgar. Your dreams are too ordinary. You should
% uh, upgrade them.
% Gilligan: Upgrade them?
% Howell: Well yes. You take my dreams, like the one just
% interrupted. It was marvelous. I was foreclosing the
% mortgage on a lifelong friend and I was creating a poverty
% pocket right in the heart of Beverly Hills. (laughs)
% Gilligan: I don't want to dream about making more money. I want to
% spend it.
% Howell: Eh, gad, you'll have nothing but nightmares. Now there's
% only one use for money, and that's to make more money.
% Gilligan: But, Mr. Howell, I want to spend it to make people happy.
% Howell: Well, that's a very noble sentiment. Very warm and
% generous, but stupid. Now let me finish that dream on a
% pleasant note. The wholesale arrest of the Supreme Court.
%
% He laughs and falls asleep. Gilligan looks annoyed.
%
% (7:42 - 9:03)
The screen rotates to the communal area.
Skipper: Me join the club?
Gilligan: Why not?
~~~~~ ACT III (0:32) 10:13 / 10:45
Professor: And that great American novel you keep starting.
Gilligan: Well, at least we did clean up the island.
The syndicated version fades to the next cut
% Skipper: Yes Gilligan. We cleaned up the island.
%
% Fade to a nighttime establishing shot of Gillian and the Skipper's
% hut, even though it then fades into an interior shot of the Howell
% hut. Lovey walks through the beaded doorway.
%
% (14:15 - 14:25)
The syndicated version fades to a shot of Lovey walking over to
Howell.
~~~~~ ACT IV (0:00) 1:12 / 1:12
==[ #42 ]========================================= Quick Before it Sinks ===
CUTS: 91 seconds GAINED: 137 seconds 21:20 / 23:37
~~~~~ ACT I (0:02) 1:31 / 1:33
~~~~~ ACT II (1:13) 9:22 / 10:35
The Skipper and Professor escort Gilligan away with their hands over
his mouth.
% Fade into the hut area. The Professor, carrying a big rock,
% approaches other rocks set in a circle as Ginger looks on.
%
% Ginger: Boy, that's a big one, Professor.
% Professor: Well thank you, Ginger. But believe me, the last thing
% this island needs right now is a rock garden.
% Ginger: But you will get me some more, won't you Professor?
% Professor: Well, Just how many more do you think you're going to
% need?
% Ginger: Oh, I don't know. About 20 or 30 or 40.
%
% She seductively strokes his hair as he sweats. She kisses him on the
% nose.
%
% Ginger: I don't know.
%
% He struggles to place down the rock and gets back up with
% difficulty. He walks off crouched down.
%
% (6:38 - 7:16)
The syndicated version fades into the scene of the Skipper plowing
and Gilligan pulling.
~~
Lovey directs the Skipper and Gilligan to move the tree.
Skipper: See what you did Gilligan?
The Skipper picks up the tree and moves it. The syndicated version
fades to the next cut.
% Fade to night time as the Skipper and Gilligan walk back-to-back
% exhaustedly carrying large palm leaves.
%
% Gilligan: Skipper, can't we rest for a minute?
% Skipper: Okay.
%
% They plop down on the ground.
%
% (11:36 - 11:49)
The syndicated version fades to the Skipper and Gilligan on the
ground.
~~~~~ ACT III (1:02) 9:33 / 10:35
The women move the table to find Gilligan underneath.
% Fade to the castaways walking through the jungle.
%
% Howell: It is sinking.
% Lovey: Well I wish I'd learned to swim.
% Howell: I know, uh, survival.
% Lovey: I never would have...
%
% (19:13 - 19:18)
The syndicated version fades to this point.
Professor: And that's why we didn't tell you.
~~
Gilligan stabs the Skipper in the hand with his fork. The Skipper
gasps in pain.
Gilligan: Sorry
% Skipper: Gillian, maybe we'll do better at the drinking.
% Gilligan: I'll get the coconut milk.
% Skipper: Do that.
%
% He hands the skipper a coconut shoot. The Professor continues to
% rock the ark from outside. Gilligan uncorks a coconut.
%
% Skipper: Hang on to the table, Gilligan. That's right.
% Gilligan: All right. Say when. Ready?
%
% Gilligan attempts to pour the milk into the Skipper's bamboo shoot
% but it spills all over the Skipper.
%
% Skipper: (annoyed) When, Gilligan.
%
% He looks at the camera annoyed.
%
% (22:07 - 22:42)
Fade to the Skipper and Gilligan in their hammocks.
~~~~~ ACT IV (0:00) 0:54 / 0:54
==[ #39 ]=========================================== The Little Dictator ===
CUTS: 85 seconds GAINED: 139 seconds 21:21 / 23:40
~~~~~ ACT I (0:01) 0:52 / 0:53
~~~~~ ACT II (1:51) 8:59 / 10:50
Rodriguez fires off a shot.
Howell: There goes brother number two.
Rodriguez: Do I hear a cheer for your new Presidente?... Hip hip...
All: (unenthusiastically forced) Horary.
Rodriguez seems to accept it. The syndicated version begins to fade
to the next cut
% Rodriguez: Eh.
%
% Fade into Gilligan and the Skipper's hut. Gilligan, wearing tassels
% on his shoulders, introduces guests to Rodriguez sitting at a table.
%
% Gilligan: Mr. Thurston Howell III
%
% Howell enters and he and Gilligan gesture awkwardly to each other
% before Howell sits down.
%
% Howell: How are you?
% Rodriguez: Please be seated.
% Howell: Oh, thank you. Thank you.
% Rodriguez: George here tells me that you are well-acquainted with
% money.
% Howell: Well, shall we say that money and I are on a first-name
% basis?
% Rodriguez: Good. Our country needs a strong economy. That is why I
% appoint you as secretary of my treasury.
% Howell: What treasury?
% Rodriguez: That is your first assignment.
% Howell: Well you see, to have a monetary system a country must
% first possess, uh, certain rare precious metals that
% you...
%
% He picks up Rodriguez's gun but Rodriguez pulls it away.
%
% Rodriguez: In my country, all you need is printing press and paper.
% Howell: (laughs) Well I'm afraid we don't have either of those.
% Rodriguez: But we do have tree bark and my signature.
% Howell: (laughs) Tree bark and your signature? Preposterous.
%
% Rodriguez pulls his gun on Howell.
%
% Howell: Suddenly it's very posterous!
% Rodriguez: (laying down gun) But don't overdo it. We want to stay
% underdeveloped enough so we can get an American loan.
% Next!
%
% Howell gets up and Gilligan ushers him out. He ushers Lovey in.
%
% Gilligan: Mrs. Thurston Howell III.
%
% She happily enters the hut.
%
% Lovey: Your Excellency.
%
% As she curtsies to him she falls on the ground. Gilligan and
% Rodriguez help her up.
%
% Lovey: Thank you.
%
% The screen rotates
%
% (6:16 - 7:30)
The syndicated version fades to the next scene. The Professor,
Skipper, and Howell sit around the picnic table
Professor: Gentlemen, are we going to submit?
~~
Rodriguez: (grabbing gun from Ginger) No stop! End of lesson!
(drawing gun on the others) And end of Plan A!
% Howell: Whatever do you mean? End of Plan A?
% Rodriguez: You don't fool Rodriguez. I have been through Plan A too
% many times. And forget about Plan B!
% Ginger: You mean you know about Plan B?
%
% (10:22 - 10:33)
Rodriguez: My Dear, you cannot have a revolution without Plan B!
! This was a sloppy cut as the dialogue makes little sense in the
! syndicated version.
~~~~~ ACT III (0:27) 10:23 / 10:50
~~~~~ ACT IV (0:00) 1:07 / 1:07
==[ #37 ]====================================== Gilligan's Mother-In-Law ===
CUTS: 81 seconds GAINED: 135 seconds 21:21 / 23:36
~~~~~ ACT I (0:01) 1:00 / 1:01
~~~~~ ACT II (1:38) 8:22 / 10:00
Gilligan chases the Skipper but knocks his head into a tree and he
falls on the ground. Fade to...
% ...the girls' hut. Ginger and Mary Ann do the native girl's hair and
% makeup.
%
% Ginger: Oh, I think we'd better try another hairdo.
% Mary Ann: Oh, It wouldn't help.
% Ginger: Wouldn't hurt.
% Mary Ann: Ginger, why don't you try some lipstick?
% Ginger: Oh, That's a good idea.
%
% The native girls grabs the lipstick and eats it.
%
% Ginger: No honey, don't eat it.
% Mary Ann: Is she eating it?
% Ginger: Yes. She's eating it.
% Mary Ann: Oh, well, try some eye shadow then.
% Ginger: No. If she eats that, she'll look awful with a black
% tongue.
% Mary Ann: Oh, Ginger, there must be something we could do.
% Lovey: (entering hut) Well, girls, how are you doing?...
%
% (5:28 - 5:56)
The syndicated version fades in here.
Lovey: ...Oh dear.
! In the Alf episode "The Ballad of Gilligan's Island" (a.k.a.
! "Somewhere Over the Rerun"), episode #28, Alf describes the scene of
! the native girl eating Ginger's lipstick to Kate and Willie.
! Apparently Alf wasn't watching MeTv.
~~
The Howells continue to search for Gilligan.
% Cut to a shot of some flowers and a reed in the lagoon. Ginger and
% the Professor walk onto the scene shouting for Gilligan.
%
% Ginger: Professor, Professor, look. Come here. Look, here,
% quick, look.
% Professor: What?
% Ginger: Look, the reed.
% Professor: What about it?
% Ginger: It's moving. It's moving again.
%
% Shot of the reed moving.
%
% Professor: Ginger, I don't care if they did do that in a movie once.
% Gilligan is not breathing through that reed
% Ginger: (disappointed) Professor.
% Professor: (grudgingly) All right.
%
% He walks into the lagoon to look at the reed.
%
% Professor: Gilligan?!
%
% Suddenly an alligator emerges narrowly biting the Professor. Ginger
% screams for him. He runs out of the water and they both run away.
%
% (8:14 - 9:01)
Cut to the Skipper looking for Gilligan. He finds a cave.
~~~~~ ACT III (0:35) 10:40 / 11:15
% At the very end of the act, the native chief chases Gilligan longer.
%
% (23:14 - 23:20)
~~~~~ ACT IV (0:01) 1:19 / 1:20
==[ #44 ]================================================ Agonized Labor ===
CUTS: 86 seconds GAINED: 135 seconds 21:21 / 23:36
~~~~~ ACT I (0:03) 2:02 / 2:05
~~~~~ ACT II (1:16) 10:02 / 11:18
Gilligan: I'm glad that's over. Want to go fishing Skipper?
Skipper: (angirly) Do I want to go fishing? I'll...
He chases Gilligan out of the hut.
% Fade to Gilligan and the Skipper walking to the Howell hut.
%
% Skipper: If you went to the Howells when I asked you to we wouldn't
% have to be running all over the island looking for them.
% Gilligan: Are you still mad at me?
% Skipper: You want the truth?
% Gilligan: No.
%
% The Skipper knocks on the door but gets no response.
%
% Skipper: Well, I guess they're not at home.
% Gilligan: Well, I guess they had to sell their hut.
% Skipper: To whom?
% Gilligan: Well, let's see, there's, um,... (thinking)
% Skipper: Oh, Gilligan, come on. (he pushes Gilligan away)
%
% (5:47 - 6:06)
The syndicated version fades to a shot of Howell's practice polo
pony.
~~
Howell screams from the bee sting. The syndicated version fades here.
% Howell: I've been sutured.
%
% Fade to Howell at the little waterfall collecting water with a cup
% on the end of a long stick. The Skipper approaches.
%
% Skipper: How are you making out, Mr. Howell?
% Howell: Not very well.
% Skipper: Here, Mr. Howell.
% Howell: What, what?
% Skipper: (taking the stick) Let me do that. You're gonna fall in I
% think. Put it right under the water.
% Howell: Oh yeah. Yes, I see.
% Skipper: (retrieving the cup) There we are, Mr. Howell. It's nice
% and full. I'll get this knot untied.
%
% He removes the cup from the stick and spills the water on Howell's
% pants.
%
% Skipper: I'm sorry Mr. Howell.
%
% With little reaction Howell accepts it.
%
% (12:31 - 13:02)
The syndicated version fades to a shot of Howell's practice polo
pony.
~~~~~ ACT III (0:56) 8:18 / 9:14
Ginger: Well, he walked to the top of this mountain, and there was
this roaring river below, jagged rocks and everything. And
bravely he walked to the edge...
Professor: Yes?
Ginger: And he took as deep breath.
Professor: Yes?
Ginger: And then...
Professor: He jumped.
Ginger: (annoyed) Don't be silly they used a stunt man.
% Cut to Howell trekking listlessly through the jungle.
%
% Howell: Uh, there must be a decent way to go. There must... (spots
% some berries) Uh, the dreaded wasubi berry. One succulent
% drop, your body's covered with hair, your teeth turn into
% fangs, your hands into claws. My mother-in-law must have had
% a batch of those. (he tosses the berries) Tomorrow and
% tomorrow...
%
% He continues on shouting incoherently.
%
% (15:53 - 16:20)
Fade to Howell walking towards the top of the cliff.
~~
Gilligan: Mrs. Howell, will you cook us up some real fancy dishes?
Lovey: Oh naturally, Gilligan. It'll be gourmet all the way.
Shot of Gilligan, the Skipper, and Professor.
% Fade to Howell in a butler uniform preparing the picnic table for a
% fancy meal. He rings the dinner bell.
%
% Howell: Le dinner is served. Sil vous plait.
%
% The other castaways approach the table.
%
% (21:45 - 21:54)
The syndicated version fades in here.
~~~~~ ACT IV (0:00) 0:59 / 0:59
@1:10...There were never any crocodiles 🐊 in the lagoon and other time.
Why did gilligan say he was afraid of girls in one episode
==[ #43 ]==================================== Castaway Pictures Presents ===
CUTS: 67 seconds GAINED: 116 seconds 21:20 / 23:16
~~~~~ ACT I (0:00) 0:40 / 0:40
~~~~~ ACT II (0:18) 6:34 / 6:52
~~~~~ ACT III (1:23) 6:52 / 8:15
The Skipper throws Gilligan in the lagoon.
Howell: (os) That's not in the script!
% The screen rotates. Howell, as director, is speaking to Gilligan as
% cameraman.
%
% Howell: Now remember Gilligan, while the Professor's emoting on
% the silver screen you are the cameraman.
% Gilligan: Right. Any time you're ready, C.B.
% Howell: Eyes and ears of the world, you understand?
%
% He walks over to the Professor and Ginger in the picnic table area
% as they prepare for the shoot.
%
% Howell: Now, in this scene, Ginger, the Professor has told you
% about his plan to make the movie so we can all be rescued
% from the island, and you show gratitude. You understand,
% girl?
% Ginger: Yes, sir. (to Gilligan) Don't forget to photograph me from
% the left, Gilligan.
% Gilligan: Right. I mean left. That's right. Left, right?
% Howell: Gilligan, will you stop the marching? (to Ginger) All
% right. Will you please make your entrance from the
% hibiscus bush and Professor... I mean, any time you're
% ready, rock, baby.
%
% The Professor goes to sit down at the table.
%
% Professor: Rock, baby?
% Howell: Show-biz talk.
% Professor: Oh...
% Howell: Understand pussycat?
%
% The Professor sits down.
%
% Howell: Ready over there? (looking upwards) Quiet! Quiet up there,
% you birds! (sitting down in director's chair) Lights,
% action. Camera, action.
%
% Ginger runs over to the Professor.
%
% Ginger: Oh, there you are, Professor.
%
% The Professor stands up and knocks down his chair.
%
% Howell: Stop! Cut! Cut! Cut! Son, you look so stupid. Can't you
% just stand up? You do it every day of your life.
% Professor: But Mr. Howell, the chair...
% Howell: Well you're not playing a scene with the chair. You're
% playing a scene with Ginger. Do you understand?
% Professor: Yes. Yes.
% Howell: I know you do. All right, (to Ginger) back in the bushes,
% my dear. (to Professor) And, uh, remember the signal.
% Okay, lets have some action.
%
% He walks over to the camera.
%
% (9:25 - 10:32)
In the syndicated version the screen rotates to a shot of Howell
walking towards the camera.
Howell: From the top, as we say.
~~~~~ ACT IV (0:15) 7:14 / 7:29
! This episode has an unusually long fourth act. It appears that the
! original intention was for the third act to have continued once the
! film was completed and ended when the castaways finished screening
! the film, with the fourth act starting when the castaways are
! listening to the radio at the picnic table. This would make the
! third act 14:22 and the fourth 1:23 with the full runtime of 23:17.
! The one second discrepancy is due to the time it took for the DVD to
! fade between scenes.
==[ #38 ]====================================== Beauty is as Beauty Does ===
CUTS: 84 seconds GAINED: 134 seconds 21:23 / 23:37
~~~~~ ACT I (0:25) 1:53 / 2:18
Skipper: Well, it seems there's a difference of opinion here but I
don't see any reason for argument...
% ...Lets's say that Ginger's the most beautiful. Uh, Mrs.
% Howell certainly is the most gracious and last but not
% least, Mary Ann is the sweetest.
% Gilligan: (standing to make a toast) Yeah, lets say that.
% Howell: Let's not say it! I said that Mrs. Howell's the most
% beautiful creature in the world and that is precisely
% what I meant!
% Professor: I beg your pardon, when I said that Mary Ann was the most
% beautiful in the world that is exactly what I meant.
%
% (2:41 - 3:02)
Gilligan: I know, I know. Let's have a beauty contest here on the
island.
~~~~~ ACT II (1:03) 6:27 / 7:30
Gilligan: You don't have to yell.
Skipper: Yes, I do! Will you go?
Gilligan runs off.
% The Skipper looks at the camera.
%
% Skipper: Now, Ginger, right where we left off.
% Ginger: (acting) I surrender to our passions, my love.
%
% (4:19 - 4:29)
Cut to a shot of the lagoon. The Professor, carrying a basket, and
Mary Ann, in a bathing suit, walk towards the water.
Mary Ann: Well Professor, I bet you never thought you'd be coaching
a beauty contest.
Professor: Mary Ann, the combination of your natural attributes and
my scientific approach will prove unbeatable. Look,
(referring to bottles in his basket) seaweed shampoo for
lustrous hair, crushed blackberries for darkening the
lashes, powdered hibiscus for ruby lips, and coconut oil
for a baby soft skin.
Mary Ann: Just add a little vinegar, and I can enter the contest as
a Caesar salad.
% Professor: You leave it to me. By the time science and I are through
% you'll make Ginger and Mrs. Howell look like dropouts
% from Boys Town.
% Mary Ann: Well what's the fishing pole for?
% Professor: Oh that's to provide you with a form of isometric
% exercise.
% Mary Ann: Isometric exercise?
% Professor: Yes, always remember that true beauty is the end result
% of the inner glow of good health. And isometric exercise
% provides for the interplay of muscle against muscle to
% improve the general physique.
% Mary Ann: Oh, but Professor, I just want to beat Mrs. Howell and
% Ginger, not Cassius Clay.
%
% (4:57 - 5:21)
Professor: I'll just attach this to your bathing suit.
~~
Skipper: Well I know but he has to vote for you. Well, you're the
obvious winner.
Ginger: Well thank you very much but sometimes the obvious one
doesn't win.
% Skipper: You've got a point there. Gilligan is kind of tender-
% hearted. He might vote for the underdog. That is, I mean,
% girl. (laughs)
% Ginger: That's right. So we're going to have to do something to
% convince him.
%
% (7:40 - 7:52)
Skipper: Yes, we do need Gilligan.
Fade to Mary Ann balancing a book on her head.
~~~~~ ACT III (0:47) 12:22 / 13:09
The music starts as Mary Ann begins her soft shoe dance number. She
walks out on stage and begins her routine. Gilligan smiles as she
starts her routine.
% Mary Ann keeps dancing to the music. Cut to a shot of the Skipper
% and Howell watching. Cut to a shot of the glue puddle.
%
% (19:27 - 19:36)
Cut to a close up of Mary Ann's legs. As she steps along, her foot
plops right in the middle of the glue puddle and gets stuck. Mary
Ann looks perplexed as she tries to free her foot. Gilligan looks on
in bewilderment. The Skipper and Howell watch Mary Ann as she
struggles. She knows something's wrong but continues to try and
dance. It's obvious that it's not working and she gives up. The
Professor runs to her aid.
Professor: Dear, what is the matter?
Mary Ann: Oh I've never been so embarrassed in all my whole life!
Look!
Cut to a close up shot of her foot in the glue.
Professor: (off screen) Wha... what what is that?
% Cut to a shot of the Skipper and Howell.
%
% Skipper: Something wrong Mary Ann?
%
% He walks onto the stage to help.
%
% Mary Ann: Oh I don't know my shoe...
% Skipper: What is it Mary Ann? What is...
% Mary Ann: Glue I guess!
% Skipper: Glue?
%
% (19:51 - 19:59)
Cut to a shot of Gilligan writing on a piece of paper.
Skipper: (off screen) For goodness sakes take your foot out of
your shoe.
Cut to previous shot.
Skipper: That's it.
The Professor storms off towards Mr. Howell.
! In the syndicated version the Skipper's "For goodness sakes take
! your foot out of your shoe," was re dubbed with "Something wrong
! Mary Ann?"
~~~~~ ACT IV (0:00) 0:40 / 0:40
I still say mary Anne was miss castaway