Maria Callas - Lucia Mad Scene 1953 Studio with Sound Externalisation GREAT SOUND!
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- Опубликовано: 19 апр 2013
- Although the 1953 Lucia is vocally stronger than the 1959 studio recording, i had always prefered the latter for its beautiful stereo sound. Her high notes aren't as strong, but they are hauntingly fragile and beautiful.
But here, with this sound remix, that stereo quality is applied and the results are amazing! 
Видеоклипы
Maria Callas was and is second to none,she is Lucia di lammermoor
No, the world will never hear or see her like again, never again. As in her obituary in the Times when she passed, Maria Callas: She was opera!
I'd give anything to have two minutes face to face with her just to say how much I love and admire her. Tell how special she is. Maria CALLAS Voice is a World Treasure. The woman Maria will always be an example. Maria CALLAS to me is like an angel who blesses me with her magnificent voice. I love to hear her sing but mostly I love to hear her interviews so we can look into her eyes and see her soul that was so beautiful and sublime. I love you forever Maria Sophia Cecilia. ♥️🇧🇷
Um verdadeiro presente à humanidade
Very sweet post
oh my friend. Your 2 minutes is too expensive. I just wish I had 10 seconds to say hello and thank her.
She hypnotizes us with the very first "il dolce suono". Who else can do that?
Whatchu said!
Full disclosure: I have NEVER been a fan of her lower-middle timbre (with its often "clucking" glottal onsets) or her inconsistent vibrato (i.e. bleeting in the lower-middle, chewy-yaya up top)---BUT, goddammit, this woman could/would/did/does make anybody BELIEVE everything she sang!
helgeevju: JOAN SUTHERLAND
She IS Lucia! She doesn't merely sing Lucia's notes! She puts so much of her own soul into each and every note! BRAVA!! Love, Susan
soprano drammatico d'agilità!!! ......autentico!!!
La Callas aveva un timbro drammatico, ma era estremamente versatile. Una vera dea!
L'unico soprano drammatico in grado di cantare Lucia, e ovviamente la migliore Lucia di sempre.
Who can give such a remarkable outstanding rendition of Lucia like this but the Casta Diva?!
Answer: absolutely nobody.
I always loved and shall continue to love and treasure Callas’ unique voice as well as her ability to interpret the pieces she sang on stage in a highly dramatic fashion. But for this instance I am absolutely and totally stunned by her unimaginable ability to give me the dramatic effect with only her voice in such a flowing way like the flowing river: one moment so calm like a fresh cool stream, but another moment like a fierce river vehemently rolling!
The ease that she move with between highs and lows is phenomenal and unique which characterizes her between all sopranos of the world past and present! The amazing high E flat that she gives gave me goosebumps...only Maria Callas with her gift-from-god-voice can do so!
There was, is and shall always be only ONE Casta Diva that is Maria Callas...the envy of all Sopranos history has witnessed...
R.I.P. Callas ❤️❤️❤️
La scena della pazzia è una delle scene più terrificanti della musica lirica. "Il dolce suono" è un'aria molto dolce, ma considerate che è cantata da una che ha appena ucciso il suo sposo!
In questa scena Lucia è il volto della follia, dello squilibrio, dell'orrore. E la Callas l'ha resa in modo semplicemente perfetto.
Lei è 𝐃𝐈𝐕𝐈𝐍𝐀.
Non saprei con che altro aggettivo potrei descriverla 💫💫💫💫💫💫💫
I just love the sound of Callas. So distinctive and emotional ♥️
ΤΗIS IS A FANTASTIC RECORDING.. I URGE EVERYBODY THAT LOVES OPERA TO LISTEN TO THE END !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ITS A HONOR AND A TRIBUTE TO THE DIVA
Καλησπέρα σας, πως μπορώ να γίνω μέλος του Ελληνικού Calls Society; Ενδιαφέρομαι πολύ να γνωρίσω ανθρώπους με γνώσεις πάνω στην Κάλλας έτσι ώστε να μάθω και εγώ με τον καλύτερο τρόπο διάφορα θέματα τώρα που ξεκινάω να ασχολούμαι με τη συλλογή ηχογραφήσεων της Ντίβας μας. Ευχαριστώ θερμά εκ των προτέρων.
🥰🥰🥰
This interpretation is pure genius .I am left sitting here breathless at the sheer brilliance of this extraordinary , incredibly moving rendition. Callas characterizes her voice to sound just like a young girl , which in itself, is so moving , so tragic. Her vocal acting is unequalled here. All the coloratura phrases that singers just rip off,bring out in every contrasting phrase , the sheer horror, of this young girl's ordeal of being forced into a loveless marriage. One hears in every phrase, the fear, torment, and the sadness of having to give up a true love for her family.and society.. This is Callas at her vocal best . itself a stunning sound that penetrates the depths of our being., and coupled with an interpretation that i have just heard , makes this an unbeatable recording !
@rinassimiento2689💎💎💎💎
You have every reason to gush...no words can adequately convey the greatness of Maria Callas's epochal Lucia
Non ci sarà più nessuno come lei sublime intramontabile
I agree with you, completely! With her, she has the ability to make me feel like I have never heard true MUSIC before! Each and every note is from her heart!
Brava!!! DEFINITELY my go-to soprano! Her musicianship! BRAVA!!
There just aren't words...What a treasure!
Shes the mistress of opera
Holy lord those trills and stuff i cant name but im in awe off.
C est incroyable la beauté du chant, les differentes couleurs vocales, l'angelisme de la voix ( par rapport à Médée ou Norma). Technique parfaite, interpretation définitive. C'est parfait, c'est le miracle Callas.
So many wonderful Lucias. Callas’s range was unparalleled which made her best at anything. It’s more theatrical and more complex than any version.
From the Heart TO the Heart. none other pulls us into the pathos of a young woman totally destroyed by
the madness of HER world......
I was 13 years old -- & unaware of such beauty & power --- when Callas (as shown here) was at her peak......I can't help wondering how different life might have been, if only.....
Querida Maria, you finally blazed into my life as an 'overnight sensation' singing 'Tosca', & televised live from Covent Garden;
and here you stay, in my life & in my heart, for always.....thank you! 💔
from Lockdown Brighton UK 🌈
🙏🏼🌹🙏🏽. -- be well y'all! ❤️
The changes and mix of tone and color of voice was wonderfully, highly technically and yet accurately interpret the music piece and the mad Lucia. I am overwhelmed.
SHE IS GREAT !!!! Breathtaking ! Who can to repeat her today? What a soprano!!!!! Lovely Callas forever!
Sumi Jo
Questa voce palpita di vita, vita con tutte le varie sfumature. Non è certo il tanto acuto o il tanto grave che fanno grande questa voce, è piuttosto l' eccezionale versatilità di questo strumento, molto più più manipolabile di un pianoforte ad es. A molti non piace sentire registri così diversi ma questo è un semplice gusto personale che non ha diritto di smontare una interprete di questa grandezza, davvero irraggiungibile sotto più aspetti anche ad esempio scenici
The Supreme voice of all time😍
Pervasive madness, the gothic horror of a young girl's mind has never been better explored than what Callas does here. It is living theatre.
AMEN! :-)
And it’s done only with the voice.
I knew an attractive man who called me an a-hole for being gay but he married a beached whale as both of their parents promised them to each other.
Sutherland.
Very well said.
Il dolce suono
mi colpì di sua voce!...Ah, quella voce
m'è qui nel cor discesa!
Edgardo, io ti son resa,
Edgardo, ah, Edgardo mio!
Sì, ti son resa,
fuggita io son da' tuoi nemici.
Un gelo mi serpeggia nel sen!
Trema ogni fibra!...Vacilla il piè!
Presso la fonte meco t'assidi alquanto.
Ohimè! Sorge il tremendo
fantasma, e ne separa! Ohimè!
Ohimè! Edgardo! Edgardo! Ah!
Il fantasma ne separa!
Qui ricovriamo, Edgardo, a piè dell'ara.
Sparsa è di rose!...Un'armonia celeste,
di', non ascolti? Ah! L'inno
suona di nozze! Il rito
per noi s'appresta!...Oh me felice!
Edgardo, Edgardo, oh me felice!
Oh, gioia che si sente e non si dice!
Ardon gli incensi...splendon
le sacre faci, splendon intorno!
Ecco il Ministro! Porgimi
la destra...Oh, lieto giorno!
Alfin son tua, alfin sei mio,
a me ti dona un Dio.
Ogni piacer più grato,
mi fia con te diviso,
Del ciel clemente un riso
la vita a noi sarà!
Spargi d'amaro pianto
il mio terrestre velo,
mentre lassù nel cielo
io pregherò per te.
Al giunger tuo soltanto,
fia bello il ciel per me,
ah sì, per me,
ecc.
Ah! spargi d'amaro pianto,
ecc.
And they say perfection is not in this world ??
Jean Fourneau: JOAN SUTHERLAND
Maria is THE GOAT
Она волшебно поёт! Всю душу переворачивает её пение! Столько страсти, боли, силы в голосе передаёт, что сидишь и страдаешь всей своей душой вместе с её пением!!!! До слез.... Ах, Дива, что ты творишь?!!!! Браво!!!! Браво!!! Вечная и НЕЗАБВЕННАЯ и НЕДОСЯГАЕМА ДИВА - МАРИЯ КАЛАСС!!!!!
Земляне, ваша опера лучшее, что есть в радиусе 50 световых лет- поверьте старому пройдоха. Цените это и бросайте воевать друг с другом. Цените планету, таких планет единицы в этом секторе. Вы даже не понимаете что живёте в раю который становится адом. Благослови нас Всевышний и вразуми политиков!
The F-ing QUEEN of bel canto.
Bravo bravo bravo super brilliance vocal
Non ho parole per esprimere la grandezza di questa voce e di questa interpretazione...una vera rivoluzione, che spazza via tutti i bamboleggiamenti dei soprani cosiddetti leggeri, ma anche inespressivi, e che ridona a questo personaggio straordinario tutta la sua drammaticità. Una lezione irraggiungibile! Grazie Maria!
Und Sumi Jo !
La migliore Lucia, di sempre. Nessuna come lei.
I am amazed at some of the comments here... As someone said, if you don't like it, don't listen to it, especially if one has no musical background to be able to sustain one's arguments, which are epidermic. Anyone who knows about music will recognize the sublimity and musicality of this unsurpassed interpretation.
Esa voz no sólo es sublime y musical, es el súmmum de la perfección, que en el pasado y probablemente en el futuro podrá ser alcanzada por otra soprano, es decir, Maria Callas fue y será única.
Callas was and still is by far the mother of all divas!
"Lucia di Lammermoor: Act I,
(Lucia, Raimondo, Enrico, Chorus):
Il Dolce" Coro E Orchestra Del Teatro Alla Scala Di Milano
1959
stupenda grandissima magnifica unica
unequaled so far, the interpretation is awesome as in everything she did
Need millions viewers so beautiful and high quality!! 🙏 thanks!!
The fact that people have suggestions and comparisons to this great artist's interpretation completely misses the point of what art and artistic interpretation are all about. To all you frustrated music critics, stop flaunting your worthless opinions about and pseudo intellect. Stop trying to show off your musical astuteness (which only shows your ignorance by the way) by stating your preferences as to who sang what better. Simply appreciate the great artistry here or don't listen and certainly don't comment negatively. Who cares about your insight? This woman goes down as one of the greatest artist of all times. You are in the critics' box being a windbag.
I totally agree. I was never a Callas fan - her voice was far to "steely" for my taste...BUT, after working at 3 opera houses, having opera singers as friends and being surrounded by singers for many years, I have come to appreciate different artists' abilities and talents. Ms. Callas certainly goes down in history as one the most amazing singers the opera world has known. What she could do with that monstrously huge voice was truly astonishing. And we all have our own taste, so...
But sir, the whole value of comments is to remind everyone of how silly and petty we are. Imagine how little we'd know of ourselves without them!
Thank you Stuart, Maria is,was,and will be the phenomenon.She is that mysterious creature born from the Greek tragedies and from those Elefsinian mystical ceremonies, forbidden to all humans.Only a metaphysical approach to her artistry might provide an understanding of her true nature.
Stuart Papavassiliou , I adore you 😘
Of course she will dear S P she is greek after all and it was her destiny.
Whatever you have done to this, it sounds amazing!!! Absolutely our of this world. Great work. thanks a million!!!
O diálogo que ela mantém com a flauta é simplesmente impressionante!
Thank you CallasFan for uploading this beauty! It is so thrilling and amazing! Thank you!
Incomparable, unica.
Overall, my favorite soprano. Allegedly, others like Tabaldi, Sutherland, Sills, Ponselle, et al had prettier voices. But no one, and I mean no one could match the dramatic intensity of Maria Callas. And yes, she had a beautiful voice to go with it - a voice so unique and recognizable that you knew who it belonged to the instant you heard it.
Couldn't agree more.....
also the fact that Her voice is recognizable from the very first note and between thousands voices.
you prolly dont care but does someone know a trick to get back into an Instagram account?
I stupidly forgot my account password. I appreciate any help you can give me.
@Christopher Onyx instablaster :)
That's right!
Sills did NOT have prettier voice than Callas.
Quanta emoção expressa neste canto! Quanta dor e desespero! Só a Divina conseguiu tal feito com a sua arte e sua voz inigualável ❤
The Superiority of the Art of Callas...Thanks for sharing.
beautiful just like a heart wounded bird thanks
Has there ever been a greater artist in music? I don’t think so.
Yes, yes, yes! Listen to her 1959 recording with same Maestro Serafin.
lovely, beautiful, recording, nearly perfect and maybe the best rendition of the mad scene I have ever hear , when you evaluate vocally and dramatically.. Every word is understood as well. Unbelievable trills, high c's and e flats for days, and a beaufiul bottom and middle and yes it is dark, but lovely.
Thank you from the bottom of my heart, so good sound, thank you, so fragile crazy beauty !
Esta aria(e tantas) só Maria Callas lhe dá verdadeiro sentido Ela é Lucia deveras!E fica tão vazio ouvir outras!Chega até a parecer que as musicas foram feitas para ela! Só para ela!❤
How wonderful that you are carrying on the Legend for us all- Thanks for all you do!!
La meilleure période de la Callas....
Stupenda, incredible! Thank you sooo much for sharing this jewel!!!
A interpretação de Maria Callas neste papel, e sem sombra de duvida a melhor!Na sua voz, deixa transparecer a loucura que se apoderou de Lucia!❤🌷
Beyond verbal description~
Callas, as always, at its best!!
What a great technical accomplishment! To make Callas' voice sound even more enigmatic and pure with the help of a studio environment, with stereophonic special effects included. Probably very close to what these arias would sound like sitting on the four row of an opera house. A great recording of her unforgettable voice.
Самая сложная из всех оперных арий исполнена блестяще. Голос Абсолюта и бесконечного труда.
memorabile, divina
I prefer the 1955 live from Berlin performance above all. In addition to the many inimitable virtues Callas always brought to Lucia, there is, in addition, a feeling of spontaneity that brings the character to life as nowhere else.
❤ Say No More.
SOBERBIA - UNICA - LA CALLAS demuestra el esplendor d la Lucía d Donizetti!!
To the poster of this Lucia--I agree 100% with your overal assessment. The EMI '59 studio recording defines Lucia for me. Always has WAY before I clocked 37 years doing 2 dozen operas a season at City Opera and the Met. I've heard my fair share of Lucia's.
It's not the EMI/Angel stereo multi-track recording technology that won me over---it's EVERY SINGLE vocal gesture and nuance from La Callas. It's the most extraordinary performance by a Singer Totally in Character--totally understanding EVERYTHING the Aria requires. I wouldn't trade the 'flawed EMI '59 for 100 gorgeous, 'perfectly sung" Joan Sutherland renditions. Not for 1000 of them! There ARE many nuances in the 59 recording that aren't in this one. It's beautifully sung, in fact Callas is arguably MORE protected by her instrument here. In 59 she knows more has to wage a harder battle, vocally to get where she wants to go---but OH when she does--she frequetly goes to IMHO much deeper places. It's not a matter of overdubbing or enhancing. I have no issue with you making this stereo etc, but it doesn't satisfy (me) the same way.
If one LISTENS to the '59 mad scene and let's Callas sweap you away in her pathos and GOOD measure of STUNNING Coloratura (BTW), instead of WAITING for a wobble or a high note not quite perfect----Well "WHO CARES" (to quote Franco Zeffirelli. You're hearing an absolute Work of Performing Art from undoubtably one of the Operatic Vocal Geniuses of the 20th century. And D'acord with the poster below who commented that every word Callas sings is enunciated---You can follow her EVERY word in the italian--even through her most stunning coloratura--and beyond that--she gets so MUCH out of vocal line, every, trill, roulade, every descending chromatic--every opportunity Donizetti presented her with.
She absolutely breathes life (and ultimatey death) into this roll. Let her point the way--even if you don't 100% trust her to hit perfection. She'll make the trip more than worth while, I promise and I'll wager you'll NOT hear THIS aria sung as Callas does on the EMI 59 recording not if you live to the end of the 21st century!
Mine, to be sure is a minority opinion. The 53 version is nearly universally toted as the superior performace. S'ok! I can cope with marching to my own drummer (or Diva) in this case. And after reading much of the crazyness below I decided not to make this a "brief" post.
Paul Brown where can I find a recording? Id love to hear it.
Yes, this post was a complete chapter. But I've enjoyed it. Thank you!
Thank you for your thorough and in-depth and insightful analysis of Maria Callas Lucia's. I agree with you the first Luchia I heard was her 59 performance. Later I discovered her 53 Studio performance which is the Watershed Mark by which other Lucia's are evaluated I suppose? Her singing is much stronger and secure in the 53. Nevertheless I find her 59 studio recording to be delicately hunting and elegant much more so than the 53 recording.
@@davidmolina7543 Thanks for the positive feedback David. I write a lot. Nice to know I don't put everyone in a Coma. lol
Here's a blog post I made a few years back. You might find it worth a read--and also worth following along with Callas in the Italian. Not everyone is interested in even doing that. You strike me as someone who might make that effort and I promise you, Although an entirely different Tour de force than her Lucia's Her Lady Macbeth is Extraordinary. And to pay closest attention to every Callas detail is to BEGIN to appreciate her Genius. Every Italian syllable is perfectly enunciated and her detail is in her delivery of the libretto as much as the music. She just goes into character!
paulb47.com/blog/opera/callas-opera/
It is an old blog page so formatting may not still be right. If the text in the Italian -English side-by-side crashes together--just use cntl - (control minus sign) to resize it. Cntl + makes the text bigger.
Is the 59 on RUclips? I can’t give it.
FANTASTIC !!!1 VERY GOOD !!! I LOVE YOU MARIA CALLAS !!!!
A medida que vou conhecendo outras cantoras de ópera, tanto mais admiro Maria Callas!
Não vi pessoalmente a cena, mas só de ouvir Maria Callas dá para imaginar Só a Callas tinha esse poder!
Oh yes, the great Callas Lucia. She had a few others including the Berlin with HVK, but this is the great one. The EMI Lucia, I puritani, Tosca, and Cavalleria complete operas and the Puccini Heroines and Coloratura/Lyric solo albums captured her in her absolute youthful prime. Stunners, all.
Love it!
Callas fue refinando su arte conforme el paso del tiempo: fue entendiendo la psicología del personaje, cosa que se puede apreciar en su voz, en sus notas cargadas muchas veces de antes que "belleza" estaban llenas de intención, de sentimientos expuestos, traducidos para nosotros, de verdad. De manera que escuchamos a Lucia y no a Callas, a Norma y no a la Divina, Violeta Valery, más no así a la cantante, en todos los casos siempre son ellas y no La Callas.
SUPERHUMAN CALLAS !!! THE BREATH OF GOD!!!!
Let´s report as spam all those crappy comments mentioning Caballé or Sutherlad here.. this is Callas space, go take your crappy comments somewhere else, Brava la Divina !!!!!
OK I get your dedication to her and good for you. I also will defend such a beautiful artist but to ban people for mentioning the Great Ms. Sutherland isn't right either. We're talking about two great power houeses. Just Sutherland's Flows Duet gives her good credibility among the rest. Drops Chelo and walks of stage. Boom!
Willaim Rodriguez Ugh just desperate.. If you wanna talk about Sutherland (I am a huge fan) go to her videos.. and don't compare the two because its pathetic.. like comparing blsck and white.. or ice and fire...
What a small mind you have.
Brava Maria!
Emocionante en muchos niveles. El arte en su máxima expresión.
Se o timbr da voz de Callas não é o mais bonito, contudo é o unico que me fala ao coracao!E sim, é lindo e penetrante. Callas sempre será a minha rainha!A Divina!
La voix et l'instrument unifiés
She is the only Lucia
21 need to have their ears tested who did not like this. Who is Maria and who is Lucia? They sound like one person.
I did not press dislike and I can appreciate how perfectly polished her singing is, but it is boring. There is no Lucia there, just Maria showing off her polished skills. Perfect form but no content. Many people adore her, so you must be feeling her differently. But as much as I have tried to listen to her, I find nothing there and my attention just drifts away. Strange, but it seems different people perceive things wastly differently.
ongelooflijk mooi
!
Als je dit leuk vind, dan probeer met Suicidio - Gioconda- Ik heb nooit zo een stem gehoord. Callas in haar beste tijd, met ongelooflijk mezzosoprano en soprano prestaties.
amazing !
과연 인간의 목소리라고 누가 말할 것인가? 아름답고 유연한 초고음의 그녀는 전무후무이다.
여럿의 소프라노를 들어 보았으나 그녀를 도저히 넘어 설 수가 없다. 아니 근저리에 다가 가기도
어려운 처지이다. 놀랍다.
Great High E flats
Keine Sängerin hat ihre Perfektion je erreicht Sie ist und war das Non Plus ultra.
In Germany we call such comment "Korinthenkackerei"
The sweet sound of his voice hit me!
Il dolce suono mi colpi di sua voce!
Ah, that voice is here in my descending heart!
Ah, quella voce m'e qui nel cor discesa!
Edgardo!
Edgardo!
I have surrendered to you, Edgardo, mine!
io ti son resa, Edgardo, mio!
I have fled from your enemies.
Fuggita io son de tuoi nemici.
A frost snakes me in the sen!
Un gelo me serpeggia nel sen!
Every fiber trembles!
Trema ogni fibra!
The pie falters!
Vacilla il pie!
At the source with me you assassinate yourself to how much!
Presso la fonte meco t'assidi al quanto!
Ohime, the awful ghost rises and separates from it!
Ohime, sorge il tremendo fantasma e ne separa!
Here we shelter, Edgardo, at the foot of the altar.
Qui ricovriamo, Edgardo, a pie dell'ara.
Scattered and with roses!
Sparsa e di rose!
A celestial harmony, of, don't you listen?
Un armonia celeste, di, non ascolti?
Ah, the wedding hymn plays!
Ah, l'inno suona di nozze!
The rite is ready for us!
Il rito per noi s'appresta!
Oh, happy me!
Oh, me felice!
Oh joy that is felt, and not said!
Oh gioia che si sente, e non si dice!
Ardon incense!
Ardon gl'incensi!
Splendon the sacred faci, splendon around!
Splendon le sacre faci, splendon intorno!
Here is the minister!
Ecco il ministro!
Give me the right!
Porgime la destra!
Oh happy day!
Oh lieto giorno!
In the end I am yours, in the end you are mine,
Al fin son tua, al fin sei mia,
A God gives you to me.
A me ti dona un Dio.
Every pleasure more grateful,
Ogni piacer piu grato,
Let me be divided with you
Mi fia con te diviso
A laughter of merciful heaven
Del ciel clemente un riso
Life will be to us.
La vita a noi sara.
I agree with CallasFan...
ПРОСТО ЧУДО
Un dulce sueño.... es escuchar a la sublime María
divina .
what is sound externalisation? This is a wonderful sound remix...I always knew this recording first...
Дякую за насолоду!
It's a superstition that Lucia is all about high warbling. The long first part is nearly exclusively for the middle and lower register, one or two high c's are interpolated and the famous cadenza is by Ricci. It is not wrong to interpolate a couple of high notes and to dazzle in the cadenza, but it indeed wrong to neglect the telling, wonderful lower voice. Callas gives us everything, with emphasis on the horrendous drama.
I always wondered what kind of singing she used in this aria. It's so beautiful
helge just: “HIGH WARBLING”? That’s one Bel Canto term I’m not familiar with.
Well, where I live (Oslo, Norway) even music journalists seem to believe that bel canto mainly consists of coloratura in the highest voice register. I congratulate you for being better informed.
Callas forever!
Única!
Qui la sua VOCE è perfetta è musica canto interpretazione.
No other. 👏🏽
Sumi Jo is good but Callas is P E R F E C T, damn.
Sumi Jo is horrible. She lacks chest voice and her high notes are very screamy.
Суми Джо - Каллас, земля - небо.
Sì può dire quel che si voglia della Divina commedia.. lei rimarrà l.insuperabile💎💎💎💎💎💎💎💎💎💎👏👏👏👏👏👏🌠🌠🌠🌠🌠🌠💜💜💜💜💜💜💜💜💜the best King
It's only because she modeled her personal turbulent inner life into her opera/professional life. Everything is emotional about her. The problem is, everything, EVERYTHING, with her, was either, "Fuck, or FIGHT?!"Yes, her voice is OUTSTANDING. No common soprano nowadays, anywhere, can touch her, probably mostly for all the reasons I just stated previously
Chantait comme un oiseau
Это лучшая опера на мой взгляд несчастного Доницетти. Жаль, что его дебют в Париже не состоялся, ведь там уже прошли с блистательным успехом спектакли Беллини. Три спектакля не в счёт, это полный провал, а опера показательна в первую очередь в академическом плане - все в ней хорошо, прекрасное бельканто, развязка, колоратура, сиди и слушай, однако публика мягко выражаясь скучала, особенно французы, привыкшие к другой музыке и настороженно относившиеся к иностранцам. Но вот Беллини пошел а Доницетти нет. Почему? Эта тема хороша для обсуждения на уроках муз.литературы в школах, училищах.
Would anyone know where to find a copy of the words in English? Thank you kindly.
tuve que bajar el audio.....impresionante...
№1.
Супер
Yeah you feel this one in your stomach. 🥺