Mozart apparently was encourag’d to write down this impromptu by his wife Constanza in early 1782 who us’d to hear him improvise in the AM as warmups for his regular morning composition which began at 7am according to his hairdresser- the last 24 bars of the final Allegro were added by Father Maximilian Stadler in 1796 (M. taught klavier & rudiments of counterpoint to his talented niece Babbette Ployer)
This is not the standard Mozart. The instrument, perhaps even the tuning, but certainly the performer bring the work of Mozart so refreshingly alive. Many thanks!
I would argue that given study of partimenti, you would no doubt realise this is what the intention of the music is, original manuscripts are closest to this. And having studied thoroughly the differences of french and italian baroque styles, the classical period did away with the country-isms of music and this is what comes from it, stylistically. As well the uneven temperament of this work showing off the original intention of what Mozart wanted, you can finally hear original sonorities. You're welcome. From the Masters student in musicology at the Université de Toulouse, Carey
@@sivanrottelman7224 'Fortepiano' was just the term they used back in the 18th century for what we call 'piano' now. It's the same instrument, but we just say fortepiano nowadays to denote a historical-style instrument as opposed to a modern one. (Edit: clarification)
Hes clearly getting ' high ' off this music ☝️👽 and this piece especially gives me the same euphoric effects it dies him and I'm sure millions of others .
I bought two discs in Salzburg some years ago in which someone played the actual fortepiano of M. himself (which is on display in the house where he was born). This sounds almost the same as Kristian's piano.
the fortepiano like this one sounds like a toy ! ..just as wolfgang loved it as I do too even though they are difficult to acquire. no modern piano sounds like this instrument, its small wunder he loved *playing* with his most beloved toys !
Very nice interpretation. I know this pianist is supposed to be the absolute best -- I still prefer Finghin Collins's version because it brings out the real spookiness of this piece, which is to me like Mozart having a nightmare about the future, and then recovering from it at the end. (I know lots of people will disagree -- before they hear Finghin Collins's Fantasie -- find that and then see if you sense what I mean about it.)
I've seen Finghin Collins play Mozart live- he's a great pianist to be sure. Wish he'd play on fortepianos though as I prefer the sound of them over Steinways.
IN your h onour I went to listen to Mr. Collins's version. Dark, no doubt, with a very strong legato, almost late 19th century Russian style, but, I find this version much more evocative and 'spooky'. This pianist, (I cannot type his name for fear of dropping off a cliff) accelerates and deaccelerates in such a manner as to bring out the real schizoid and gothick soul of it much more profoundly. Also, this piano's more glassy and edgy quality brings more vulnerability and suspense to the piece.
Yasin Aksit ..I wrote an ending in what I call ' the lighted part ' of this as much thought, dark -contrasted with-light-melodies original w.a. composition. My ending is about as much time as Uchidas [about 1 min 30 seconds ].I recorded it on a lighted keys keyboard and played it back so I could record it with my smartphone for my youtube channel . Check out the ending [ which I plan to play with w.a.'s beginning [ 5:30 min ] on a REAL piano ..the ones seen in this actual video, a Viennese fortepiano to which the piece was originally written for . ruclips.net/video/NhPEx8kNEi0/видео.html
what make of piano are you playing on? Must be one of the prototypes ? Baie mooi gespeel. Ek voel persoonlik dat dit n bietjie vinnig is op plekke, maar lieflik hoor!
this is a fortepiano which is the early version of the modern piano, used in Mozart's era check out more in wikipedia or somewhere else if you're interested
Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved. Romans 3:23 John 3:16❤❤❤😊
Tbh this guy ignores a lot of tempos and just ruins the effect. Tobias Sing did an amazing interpretation that's in my opinion the best arrangement of this I've ever seen and heard.
He plays wonderfully. He look like a young DR smith from the 1966 series (Lost in space). Dr smith says. “Will Robbins why are you dealing with that dumb robot, you bucket of bolts , you Ninny!!! Dr smith lost in space. Robinson family
It is an original Rosenberger ca.1800. I have played on it! I wonder how people jump and give totally false information when they don't know these pianos.
Kisdtian is undoubtedly a great pianoforte player, but in this performance, in my taste, he improvised excessively to embellish one the most beautiful works for piano solo by the great master. Soloists should follow the score by the letter and only improvise during a the cadenza while playing concertos. I know that many of you may not agree with my opinion, and it is fine, you have the right to yours. Thank you, Bert
Bert Kidder That's not being faithful to what Mozart would expect. Playing without embellishments in a Classical piece from the time period of 1720-1790, especially Mozart, is actually a bit of a disservice to the music. Sure, what's written on the page is fantastic, but goodness knows that no performer worth their salt would have ever played something the same way twice.
+MartyHasNoLife I'm pretty sure if Mozart heard someone play this exactly as it appears on paper, with zero embellishments, he would be very dismissive of the performer.
von Ditters Oh yes he would, and he'd probably be pretty sassy about it, like saying "I'm sorry, I didn't realise that this was a student recital," or something.
Bert Kidder ---- Hola, tu lengua materna es el Ingles? Pregunto porque nosotros en español llamamos "fortepiano" a este instrumento que invento Cristofori y que empleaba Mozart y Haydn; mientras que al instrumento con pedales que empleaba Beethoven, Chopin y otros le decimos "pianoforte". Cuestion lingüística supongo.
I'm slightly disappointed by this performance. He adds plenty of flourishes and ornamentation, even makes slight modifications, that sound very good and are very well placed. Yet when he reaches the end of the piece, the part NOT written by Mozart, he plays it with absolutely no modification.
Lets put it this way. Vrije Geluiden stands for interesting quality music eg. jazz-piano, quality folk (like flamenco) and quality classical music. The consequence is that this should not be published, because it has nothing to do with quality music.
Jazz? The rubbish VG consistently puts on is Dutch people playing pseudo-jazz or something with a slight reggae guitar riff. That's not to say there isn't good Dutch jazz, there is, but the classical performances are better performances on VPRO.
You are right, but there's no need to be rude or abusive. There was a mistake in the RUclips transmission when I watched this the first time. Strangely the description has a mistake, listing it as (KWV 545). I am well aware of the marked difference between the two pieces!
Mozart apparently was encourag’d to write down this impromptu by his wife Constanza in early 1782 who us’d to hear him improvise in the AM as warmups for his regular morning composition which began at 7am according to his hairdresser- the last 24 bars of the final Allegro were added by Father Maximilian Stadler in 1796 (M. taught klavier & rudiments of counterpoint to his talented niece Babbette Ployer)
I love how you use the contracted form of the -ed past participle, It was very much the norm in 18th century english
@@matteomagurno3068 I was about to comment such as well, it’s quite admirable.
This is not the standard Mozart. The instrument, perhaps even the tuning, but certainly the performer bring the work of Mozart so refreshingly alive. Many thanks!
I like that he dares to insert some stretched pauses. That makes his play very special and outstanding.
I would argue that given study of partimenti, you would no doubt realise this is what the intention of the music is, original manuscripts are closest to this. And having studied thoroughly the differences of french and italian baroque styles, the classical period did away with the country-isms of music and this is what comes from it, stylistically. As well the uneven temperament of this work showing off the original intention of what Mozart wanted, you can finally hear original sonorities. You're welcome.
From the Masters student in musicology at the Université de Toulouse,
Carey
Thank you very much for this upload. I love Mozart's Fantasy and rate Kristian very highly a a fortepianist. He's one of the best out there!
"Fantasie" ist echte Nahme für dies Stück und Kristian spielt es auch fantastisch am alten Instrument.
So pleased I found you tonight. This my third video. Thank you for keeping this sound alive.Wonderful performance.
wonderful clarity, and variety of color. The tone quality changes with the dynamic level. He has a very fine touch.
His playing is clean and clear! Beautiful!
Bellissimo con lo strumento che usava Mozart! Bravissimo Kristian Bezuidenhot
Questo è quello che volevo sapere! Grazie!
Super Wolferl !!!
CHE SUONO DOLCE!! BELLISSIMO FORTEPIANO!!!😄😄😄
lieflike interpretasie
Everything sounds so much better on period instruments.
I whole-heartedly agree!
Amazing!
i prefer the sound of older pianos :)
this isnt a piano its actually a fortepiano
sivan rottelman we all knew what he meant
@@sivanrottelman7224 'Fortepiano' was just the term they used back in the 18th century for what we call 'piano' now. It's the same instrument, but we just say fortepiano nowadays to denote a historical-style instrument as opposed to a modern one. (Edit: clarification)
Just tune a modern piano in meantonic temperament
This one is a real FILP (Fortepiano I'd Love to Play).
If only Mozart had lived longer. Lord knows what he would have achieved 😢
Genial interpretación.
Bravo!!!!
Belíssimo!!!👏👏👏
Absolutely beautiful
Played very Beautifully,Thank you Kristian. I am a listener from a far country,South Africa in North West Province. BAAAIE DANKIE.
Hes clearly getting ' high ' off this music ☝️👽 and this piece especially gives me the same euphoric effects it dies him and I'm sure millions of others .
I bought two discs in Salzburg some years ago in which someone played the actual fortepiano of M. himself (which is on display in the house where he was born). This sounds almost the same as Kristian's piano.
Is it my impression, or this piece almost seems romantic up to halfway through?
If so, wow.
What music would he have left us had he not died so young?
It's the fortepiano that's clear and beautiful!
Dat facial expression at the end O.O
When you forgot something at home before going to work
the fortepiano like this one sounds like a toy ! ..just as wolfgang loved it as I do too even though they are difficult to acquire. no modern piano sounds like this instrument, its small wunder he loved *playing* with his most beloved toys !
Beautiful and "fantastic"!
There is no "KWV". It's KV, for Köchelverzeichnis (Köchel catalogue).
sublime celestial!!!!
BRAVO!!!
Very nice interpretation. I know this pianist is supposed to be the absolute best -- I still prefer Finghin Collins's version because it brings out the real spookiness of this piece, which is to me like Mozart having a nightmare about the future, and then recovering from it at the end. (I know lots of people will disagree -- before they hear Finghin Collins's Fantasie -- find that and then see if you sense what I mean about it.)
I've seen Finghin Collins play Mozart live- he's a great pianist to be sure. Wish he'd play on fortepianos though as I prefer the sound of them over Steinways.
Collins is playing it on a modern piano, without ornamentation...
Glenn Gould did the spooky thing with this piece before everyone else.
IN your h onour I went to listen to Mr. Collins's version. Dark, no doubt, with a very strong legato, almost late 19th century Russian style, but, I find this version much more evocative and 'spooky'. This pianist, (I cannot type his name for fear of dropping off a cliff) accelerates and deaccelerates in such a manner as to bring out the real schizoid and gothick soul of it much more profoundly.
Also, this piano's more glassy and edgy quality brings more vulnerability and suspense to the piece.
It sounds much spookier on a fortepiano!
I think this is the closest version to the original (played by Mozart himself) so far
Yasin Aksit ..I wrote an ending in what I call ' the lighted part ' of this as much thought, dark -contrasted with-light-melodies original w.a. composition. My ending is about as much time as Uchidas [about 1 min 30 seconds ].I recorded it on a lighted keys keyboard and played it back so I could record it with my smartphone for my youtube channel .
Check out the ending [ which I plan to play with w.a.'s beginning [ 5:30 min ] on a REAL piano ..the ones seen in this actual video, a Viennese fortepiano to which the piece was originally written for .
ruclips.net/video/NhPEx8kNEi0/видео.html
Fabulous!
im speechless
Really superb. Thank you. But performers of Mozart might usefully experiment with meantone temperament which is often revealing.
thank you so++++
Blijft uitermate boeiend, hier de grote meester aan het klavier !
what make of piano are you playing on? Must be one of the prototypes ? Baie mooi gespeel. Ek voel persoonlik dat dit n bietjie vinnig is op plekke, maar lieflik hoor!
is this an original piano or a replica? it sounds great!
this is a fortepiano which is the early version of the modern piano, used in Mozart's era
check out more in wikipedia or somewhere else if you're interested
That still doesn't explain whether this is an original (made back then) or a replica (made recently)
This i think us a replica the original is in Nuremberg i think
I'm pretty certain it's a replica made by Paul Mc Nulty.
Jean François TOBIAS, it is an original Michael Rosenberger ca. 1800.
dem eyebrows do.
nice rendition!
Lovely!
I love it
Staggering --wholly new
My God!
incroyable
Great to hear on this piano! I just uploaded this piece too :)
Los primeros 20 segundos me recuerdan remotamente al segundo movimiento del otoño de Vivaldi, probablemente están en la misma tonalidad...
very ludwig van sonata like :D
eargasm
Perfect 'til the part at 1:37, then I heard the fast tempo and shut the video.
I wonder if he suffers from face cramps when he plays for a long time
Leave him alone hes a genius ..you couldnt play this half as well as he can
@@randobravo4335 i agree totally to your commentary !!! he is a genius , also as a conductor from the piano !!
This is not the fantasy in D minor, K.397, burt a movement of the piano Sonata in C, K.545.
How embarrassing! Obviously RUclips (or my computer) was playing up. This is indeed the Fantasy in D minor.
Delicious
Repent and trust in Jesus. We deserve Hell for our sin. Lying, lusting, etc, but God sent his son Jesus to die on the cross and ride from the grave to free us from sin. If you repent and trust in him youll be saved.
Romans 3:23
John 3:16❤❤❤😊
Tbh this guy ignores a lot of tempos and just ruins the effect.
Tobias Sing did an amazing interpretation that's in my opinion the best arrangement of this I've ever seen and heard.
You do realise this is how Mozart would have heard this piece with the instrument and dynamics in mind.
ㅎ ㅏ.... 넘 좋다...
He plays wonderfully. He look like a young DR smith from the 1966 series (Lost in space). Dr smith says. “Will Robbins why are you dealing with that dumb robot, you bucket of bolts
, you Ninny!!! Dr smith lost in space. Robinson family
Does anybody know the name of the piano's brand?
I think this is a Paul Mc Nulty Viennese style modern replica.
Thanks!
It is an original Rosenberger ca.1800. I have played on it! I wonder how people jump and give totally false information when they don't know these pianos.
Pooya Radbon Fortepiano Collection Wow it is? It's lovely
+Pooya Radbon Fortepiano Collection Original ca.1800?
I liked the performance but thats an andante for sonic the hedgehog
i love that but dont play the last notes which are not from Mozart !
I think his playing tempo is rather fast.
If I play, I play in more slower tempo.
Kisdtian is undoubtedly a great pianoforte player, but in this performance, in my taste, he improvised excessively to embellish one the most beautiful works for piano solo by the great master. Soloists should follow the score by the letter and only improvise during a the cadenza while playing concertos. I know that many of you may not agree with my opinion, and it is fine, you have the right to yours.
Thank you,
Bert
If you didn't know the piece, how could you tell he is improvising?
Bert Kidder That's not being faithful to what Mozart would expect. Playing without embellishments in a Classical piece from the time period of 1720-1790, especially Mozart, is actually a bit of a disservice to the music. Sure, what's written on the page is fantastic, but goodness knows that no performer worth their salt would have ever played something the same way twice.
+MartyHasNoLife I'm pretty sure if Mozart heard someone play this exactly as it appears on paper, with zero embellishments, he would be very dismissive of the performer.
von Ditters Oh yes he would, and he'd probably be pretty sassy about it, like saying "I'm sorry, I didn't realise that this was a student recital," or something.
Bert Kidder ---- Hola, tu lengua materna es el Ingles? Pregunto porque nosotros en español llamamos "fortepiano" a este instrumento que invento Cristofori y que empleaba Mozart y Haydn; mientras que al instrumento con pedales que empleaba Beethoven, Chopin y otros le decimos "pianoforte". Cuestion lingüística supongo.
I'm slightly disappointed by this performance. He adds plenty of flourishes and ornamentation, even makes slight modifications, that sound very good and are very well placed. Yet when he reaches the end of the piece, the part NOT written by Mozart, he plays it with absolutely no modification.
ruclips.net/video/qmokIN4g1kA/видео.html 3:43
Michael Rosenberger
Il en fait du cinéma celui-là 🙄
Lets put it this way. Vrije Geluiden stands for interesting quality music eg. jazz-piano, quality folk (like flamenco) and quality classical music. The consequence is that this should not be published, because it has nothing to do with quality music.
Jazz? The rubbish VG consistently puts on is Dutch people playing pseudo-jazz or something with a slight reggae guitar riff. That's not to say there isn't good Dutch jazz, there is, but the classical performances are better performances on VPRO.
What a bizarre comment.
he plays the piano with his eyebrows.
@Frank Pam, Sir this piece has nothing to the ear similar to KV545, go back to music school!
You are right, but there's no need to be rude or abusive. There was a mistake in the RUclips transmission when I watched this the first time. Strangely the description has a mistake, listing it as (KWV 545). I am well aware of the marked difference between the two pieces!
Have it your way, have a great weekend Sir. Greetings from North Dakota.
Allegretto much too fast.
Primero su biografía Quin sabe quién es.
Listen to Arrau instead. Or listen to adagio K.540 by Arrau, this way better than this little piece.
The guy moves too much, I understand that he's feeling the music or whatever , but It really distracts you from the music.
What edition you playing!!!!!!! You changed a lot👎🏻
He’s a good presenter and historian, but a poor pianist, with unnecessary theatric expressions and very stale playing..
What?