Support us on Patreon and get more content: / classicalvault --- Johann Sebastian Bach transcribed by Wilhelm Kempff Siciliano, BWV 1031 Evgeny Kissin, piano
Brilliant interpretation. He lets the melody (normally for flute) clearly stand out while the accompanying harmonies are duly muffled. Not an easy thing to do, certainly for the right hand.
Was wondering if he chose to play single notes at times instead of the chords to bring out the melody. I do this myself and it sounds much better. Kempff did a great job with this transcription, but some of it is a little overly complex to the extent of muffling the voice of this melody. Kissin interpreted this beautifully!
Прелестное исполнение.Звук какой чудный.Можно слушать бесконечно.Юный Евгений какой одухотворённый и светлый...Вечная музыка.Радостные слезы вызывает и ,в тоже время,какая- то щемящая грусть по чему- то ушедшему безвозвратно.Браво!
J’adore cette sicilienne de Bach et particulièrement cette interprétation qui s’inscrit de la manière la plus heureuse entre un Bach joué façon piano mécanique ou comme une pièce romantique . Merci à ce jeune homme qui sait y introduire juste ce qu’il faut de sensibilité .
L'interprétation de Beatrice Berrut vous plairait peut-être. Sur un Bösendorfer, qui, peut-être, pousse aux nuances... sans que jamais son jeu cède à l'outrance. ruclips.net/video/e9YhvkKt1zI/видео.html
@@jcwng9955 OK. I'm torn between learning William Kempff's transcription of this piece (as played by Evgeny) or Theodore Lack's transcription (as played by Valentina Lisitsa). Valentina plays this without the repeat sign so the video is only half as long.
@@jose4877 I think it is a very personal choice. I love this version Kempff keeps it very melodious with the legato throughout. To me, Kissin executed the piece superbly and left me yearning to hear it again and again. I haven't seen Lack's transcription but I watched the video of Valentina playing this composition. She is a great pianist but somehow her version was not as satisfactory. I can't put my fingers whether it was because of the tempo (faster than Kissin), the shorter transcription and/or her technique. Her fortissimo sounded harsh to my ears. Choosing between the two is really a personal preference.
@@jcwng9955 You made me pay closer attention to Lack's/Valentina's rendition of it, and you are right. Even though she plays it well, there are elements that are missing, such as the hauntingly beautiful introduction in Kempff's transcription. In Lack's rendition, the piece jumps right into the melody without delay. That was one striking difference that I think, is important. I think I'll go with Kempff's transcription. Thanks for your input. By the way, if interested or just merely out of curiosity, the sheet music for Lack's transcription is posted under Valentina's video, in the description. Nice talking to you! Take care!
Была первый раз в жизни на концерте Евгения Кисина. И вот думаю, а стоит ли вообще ещё куда-то ходить? После него невозможно никого слушать. Он проводник между божественным и людьми. ❤
Oooohhh sus manos danzan sobre el teclado con total Gracia Divina !!! Qué BENDICIÓN contemplar a LA DIVINIDAD manifestándose a través de este joven artista. Gracias 🌻 gracias 🌻 gracias 🌻
Um universo paralelo que essa música de Bach nos remete. Talvez em nosso próprio interior. Quem sabe? Obrigado, Bach! Por ter-nos delegado tamanha beleza!
20 мая был на концерте, Екатерины Мечетиной, где прозвучало, это прекрасное сочинение И. С. Баха. Это шедевр, и сейчас прослушал, таланты одним словом.
This piece reminds me of a baby still in its' mother's womb as it develops during the embryonic phases. I drifted off with each finger of the pianist's hand. No wonder the birthing process can be such a shock to the baby, as it 'awakens' to such a cold contrast. Love to each parent (s) who provides such a beautiful "introduction" to life.
Yeah, he said that he struggles with Bach. Its not because he can"t play Bach obviously, it's because he adds so much dynamics to his playing and he refuses to just mindlessly belt out a Bach piece. He's one of my favourite pianist's. Have you heard Grigory Sokolov play Bach's French Overture - live video 2011. If not, you must. It's on youtube.
@@shannonparatene1957 "He said that he struggles with Bach" That is a very wise approach. It speaks for Kissin, I think. I hope he will keep struggling, and eventually, find a way of dealing with it. Perhaps at older age. Then we will have something to listen at, I think. One of the greatest pianists alive. Dont rush Bach, good, very good! All in due time.
¿Alguien más nota la similaridad en el min 0:16 con el comienzo del 2do Movimiento del Concierto 23 para Piano y Orquesta de Mozart? Sin duda Mozart es el heredero espiritual de Bach.
Das Spiel von Kissing ist über allem erhaben. Meine Kritik gilt hier nicht seinem Spiel, sondern der Bearbeitung von Kempff. Die Bassführung in der Bearbeitung von Siloti (Video von Jaap Eilander) ist durchdachter und zwingender , als die eher unreflektierte von Kempff. Darüberhinaus ist Siloti mit Takt 28 und Takt 29 (ohne Einleitung) eine Übertragung gelungen, die die Stimmverteilung deutlich macht. Sie entspricht dem Original. Das ist Kempff leider nicht gelungen. Erstaunlich, das Kissin diese Stelle nicht abgeändert hat und hier stattdessen eine Mittelstimme herausfiltert, um die Schwäche der Übertragung zu kaschieren.
Da machen Sie hervorragende Argumente! Meiner Meinung nach hat Kempff dieser Transkription zu viel Komplexität verliehen und die Höhenstimme gewissermaßen gedämpft. Kissens Interpretation ist in der Art und Weise, wie er damit umgeht, herausragend.
Deshalb habe ich ihn bei meiner Interpretation als Vorbild genommen und habe dabei versucht, die Oberstimme deutlich von der Begleitung, die ebenfalls in der rechten Hand liegt, herauszufiltern. Das ist auf meinem Klavier ungleich schwieriger als auf einem Flügel.Die Bässe habe ich ebenfalls durchgehend der barocken Spielweise entsprechend Portato gespielt. ruclips.net/video/04SuCujdzTc/видео.html
Molto curata e calibrata l'esecuzione di Kissin, ma non è di Johann Sebastian questo brano. Si sente la scuola del genio di Eisenach, indubbiamente. Ma l'attribuzione a J.S.Bach è errata.
This piece. What can be said? The most beautiful piece written by Bach? To me, yes. I can never hear it enough.
Have you heard "Kommt, ihr Töchter, helft mir klagen" from the Matthäus-Passion?
Do you know where to find the sheet music
@@elenitapianohoy3114 You can find it on the web; I have downloaded the version for flute and harpsichord.
@@pascalxavier3367 si. Gracias
You ever heard organ sonata 4 II. Adante?
Brilliant interpretation. He lets the melody (normally for flute) clearly stand out while the accompanying harmonies are duly muffled. Not an easy thing to do, certainly for the right hand.
Yes. His right hand voicing is superhuman. Incredible control.
Yep, the voicing is so great, which I struggle greatly.
Well said. I fully agree. Beautiful phrasing. One of the best I have heard.
You have to Listen when Kempff himself played. I, 32, have to cry everytime.
Was wondering if he chose to play single notes at times instead of the chords to bring out the melody. I do this myself and it sounds much better. Kempff did a great job with this transcription, but some of it is a little overly complex to the extent of muffling the voice of this melody. Kissin interpreted this beautifully!
임윤찬의 연주 듣다가 비교해보려고 여러 연주자들의 연주 듣고 있는데.. 역시 키신이네.... 임윤찬하고 키신이 최고인듯...
my heart stops beating every time i listen to this celeste piece, by Kissin
Fantastic phrasing and style. So refined and well-thought out. Truly a great mind to go with great fingers.
Glad someone appreciates Evgeny as much as me.
Daniel Shumway I say the same!!
Прелестное исполнение.Звук какой чудный.Можно слушать бесконечно.Юный Евгений какой одухотворённый и светлый...Вечная музыка.Радостные слезы вызывает и ,в тоже время,какая- то щемящая грусть по чему- то ушедшему безвозвратно.Браво!
Бесконечно
So so so beautiful! Thank you so so so much maestro Kissin
J’adore cette sicilienne de Bach et particulièrement cette interprétation qui s’inscrit de la manière la plus heureuse entre un Bach joué façon piano mécanique ou comme une pièce romantique . Merci à ce jeune homme qui sait y introduire juste ce qu’il faut de sensibilité .
Olá,
Sim, está tão equilibrado.
L'interprétation de Beatrice Berrut vous plairait peut-être. Sur un Bösendorfer, qui, peut-être, pousse aux nuances... sans que jamais son jeu cède à l'outrance. ruclips.net/video/e9YhvkKt1zI/видео.html
Гениальное исполнение. Ровное и спокойное, остальное скажет Музыка. Спасибо Евгений.
Very beautiful melody awesome to listen to and perfectly played.
OMG. I could cry.
Beautiful interpretation, with much feeling and excellent technique!
I have this on repeat and I love watching up-close his finger techniques.
Do you play the piano? Do you play this piece?
@@jose4877 I do play. I am an amateur and learning this piece, nowhere musically close to how Evgeny did it.
@@jcwng9955 OK. I'm torn between learning William Kempff's transcription of this piece (as played by Evgeny) or Theodore Lack's transcription (as played by Valentina Lisitsa). Valentina plays this without the repeat sign so the video is only half as long.
@@jose4877 I think it is a very personal choice. I love this version Kempff keeps it very melodious with the legato throughout. To me, Kissin executed the piece superbly and left me yearning to hear it again and again. I haven't seen Lack's transcription but I watched the video of Valentina playing this composition. She is a great pianist but somehow her version was not as satisfactory. I can't put my fingers whether it was because of the tempo (faster than Kissin), the shorter transcription and/or her technique. Her fortissimo sounded harsh to my ears. Choosing between the two is really a personal preference.
@@jcwng9955 You made me pay closer attention to Lack's/Valentina's rendition of it, and you are right. Even though she plays it well, there are elements that are missing, such as the hauntingly beautiful introduction in Kempff's transcription. In Lack's rendition, the piece jumps right into the melody without delay. That was one striking difference that I think, is important. I think I'll go with Kempff's transcription. Thanks for your input. By the way, if interested or just merely out of curiosity, the sheet music for Lack's transcription is posted under Valentina's video, in the description. Nice talking to you! Take care!
너무넘 예쁘게 치는 것 같아요. 어쩜 저렇게 강약 조절하면서 물 흐르듯이 칠까
прекрасно и завораживающе. и это еще и терапия для души. Кисин forever!
Была первый раз в жизни на концерте Евгения Кисина. И вот думаю, а стоит ли вообще ещё куда-то ходить? После него невозможно никого слушать. Он проводник между божественным и людьми. ❤
На концерт Даниила Трифонова, например ..
Evgeny Kissin is the best.
C est merveilleux...merveilleux... C est frissonnant, c est absolument...merveilleux
Excellent Piano
Oooohhh sus manos danzan sobre el teclado con total Gracia Divina !!!
Qué BENDICIÓN contemplar a LA DIVINIDAD manifestándose a través de este joven artista.
Gracias 🌻 gracias 🌻 gracias 🌻
Um universo paralelo que essa música de Bach nos remete. Talvez em nosso próprio interior. Quem sabe? Obrigado, Bach! Por ter-nos delegado tamanha beleza!
Obrigado pelo seu comentário.
Eu também amo Bach.❤
I literally have no words. This might probably be my definition of happiness.
真是伟大的天才！恬静圣洁的旋律下埋藏着多么丰富的灵魂！
Bravo!!! Y mil mil veces más Bravo !!! Me lleva al cielo qué belleza qué interpretación tan maravillosa !!!
My daily medication and mental health hour.....love this man
Everytime i æistento This Evgeny video i can't but help imagine how satisfyingit would ahve been with strings played also.
Wonderful, totally into music.
beautiful and soft sound !!
bravissimo...thank you
연주 감사해요!. Thank you for your play!!
What an awesome music workout
Beautiful!!!!!
Un brano da dedicare solo a persone speciali. ❤
Maravillosa interpretación!
divine
If i were to cite an example of perfection in piano playing, this would be it.
Most beautiful
Да Божественно) Техника игры своя
Bach is a legend
Maravillosa música creada por el gran Bach e interpretada con gran sensibilidad por uno de los mejores pianistas actuales👌🎶👏👏👏👏👏
Amazing!❤❤❤
멋진 연주네요
brilliant.!! No need words
20 мая был на концерте, Екатерины Мечетиной, где прозвучало, это прекрасное сочинение И. С. Баха. Это шедевр, и сейчас прослушал, таланты одним словом.
Клас! Дякую!У мене цей шедевр на рінгтоні❤Браво Женя!👏👏👏💐
Божественно
bach number one
the beauty herself!
Closest to the music i heard in heaven.
Magic
Simplemente hermosa
A master performer
Bellísima interpretación de una de mis piezas favoritas
Очень тонко исполнено, а как написано! Великий композитор, прекрасный пианист. Спасибо!
This piece reminds me of a baby still in its' mother's womb as it develops during the embryonic phases.
I drifted off with each finger of the pianist's hand. No wonder the birthing process can be such a shock to the baby, as it 'awakens' to such a cold contrast.
Love to each parent (s) who provides such a beautiful "introduction" to life.
Prawda?????,
아 이거 음원으로 정말 갖고 싶다...
ВААААЩЕЕЕЕ исполнение супер
Paz ...! Y ,...belleza armónica.
Wonderful❤️👌🏻
Bach and Chopin for me are Gods
la delicadeza...
The best!
❤ genial!
los comentarios de los lectores lo dicen todo. belleza sin límites
Magnificent! How to find version of sheet music that Maestro Kissin is playing?
Very...soft...
Kissin es un genio!!!
good
Очень красивое произведение 😊
아!! 완벽하다
Maravilhoso!!!!!🤗
It's so difficult to do - Mr. Kissin makes his piano sing
Ради Баха в музыкальной школе я терпела элегии и вальсы.
노래 너무 좋다 이번에는 이곡 연습해야겠다
Breaking the waves
천상의 울림 !
Ещё рекомендую послушать этот шедевр в исполнении Ekseption
The beginning reminds me of the piano intro in Mozart's k 488 concert
bravo
Very strange, this is the first time I've seen him playing Bach
Yeah, he said that he struggles with Bach. Its not because he can"t play Bach obviously, it's because he adds so much dynamics to his playing and he refuses to just mindlessly belt out a Bach piece. He's one of my favourite pianist's. Have you heard Grigory Sokolov play Bach's French Overture - live video 2011. If not, you must. It's on youtube.
@@shannonparatene1957 "He said that he struggles with Bach" That is a very wise approach. It speaks for Kissin, I think. I hope he will keep struggling, and eventually, find a way of dealing with it. Perhaps at older age. Then we will have something to listen at, I think. One of the greatest pianists alive. Dont rush Bach, good, very good! All in due time.
🤧🎀~* how can this kind of beauty exist~? 🌸 this piece must have been composed by God before Bach~~ 🌼
Как прекрасно
Quelle beauté !
marie-édith
Celestiali: sia l’autore che l’esecutore
Είμαι στον Παράδεισο!
I' m in heaven!
❤
Партию для флейты перевели для фортепиано?
Tengo esta musica en mi galaxy pero como en versión flauta y piano
How old is he here? 15? 17? He looks - and plays angelic!
✨🎶🌼
Magnolia Lila. Café ☕😊
Ang ganda po kuya!!! 🇵🇭
SO FUCKİNG HARD!!
I play it on chromatic harmonica.
1:50
¿Alguien más nota la similaridad en el min 0:16 con el comienzo del 2do Movimiento del Concierto 23 para Piano y Orquesta de Mozart? Sin duda Mozart es el heredero espiritual de Bach.
Delicious ❤
Das Spiel von Kissing ist über allem erhaben.
Meine Kritik gilt hier nicht seinem Spiel, sondern der Bearbeitung von Kempff. Die Bassführung in der Bearbeitung von Siloti (Video von Jaap Eilander) ist durchdachter und zwingender , als die eher unreflektierte von Kempff. Darüberhinaus ist Siloti mit Takt 28 und Takt 29 (ohne Einleitung) eine Übertragung gelungen, die die Stimmverteilung deutlich macht. Sie entspricht dem Original. Das ist Kempff leider nicht gelungen. Erstaunlich, das Kissin diese Stelle nicht abgeändert hat und hier stattdessen eine Mittelstimme herausfiltert, um die Schwäche der Übertragung zu kaschieren.
Da machen Sie hervorragende Argumente! Meiner Meinung nach hat Kempff dieser Transkription zu viel Komplexität verliehen und die Höhenstimme gewissermaßen gedämpft. Kissens Interpretation ist in der Art und Weise, wie er damit umgeht, herausragend.
Deshalb habe ich ihn bei meiner Interpretation als Vorbild genommen und habe dabei versucht, die Oberstimme deutlich von der Begleitung, die ebenfalls in der rechten Hand liegt, herauszufiltern. Das ist auf meinem Klavier ungleich schwieriger als auf einem Flügel.Die Bässe habe ich ebenfalls durchgehend der barocken Spielweise entsprechend Portato gespielt.
ruclips.net/video/04SuCujdzTc/видео.html
@@LotsOfGuitarAndSomePiano Very nice interpretation! With thanks!
sanat budur
I can
Play this
Molto curata e calibrata l'esecuzione di Kissin, ma non è di Johann Sebastian questo brano. Si sente la scuola del genio di Eisenach, indubbiamente. Ma l'attribuzione a J.S.Bach è errata.
Ncy
这小伙子 ，陷进去了。