Josh love the 32 notes your right it really helps propel the rythem to the next level of intensity. When we work on diffrent accents with notes of bass drum substitutions you can really create some very interesting rythems . Josh have you evey checked out the book Rick's licks very Interesting combinations of super imposed rythems . Love you lessons ty
Nice stuff as always Josh. I'm curious, i know you did it somewhat "jokingly" but what are you views on having these names established?? I mean there are so many "modern kit" stickings like RLRLLF, RLLF, RLLRRL-RL and the one you mentioned RLRRLF etc, that are nameless until an educator designates an arbitrary one in a lesson. i mean, of course we could just keep saying the entire sticking as per usual or do what you did....Anyways, just a thought
Yeah, I think it might be useful to have SOME universal "rudiments" that are specifically geared toward drum set. But at what point do we stop slapping names onto things? There are infinite sticking patterns that we can create and it's not practical to name every single one of them. There are hundreds of different hybrid rudiments already that all have unique (and often silly) names, but they're usually just different inflections or modifications of an "essential" rudiment. Ultimately, I think drummers should call patterns whatever makes it easiest to memorize and explain them, even if it's just saying the entire sticking.
Awesome little "didlee" lol Been playing a few of your exercises and they are fun and a good challenge, It's a joy to watch your videos and infind them very easy to follow. Keep up the good work my friend, Look forward to seeing more 👍👍👍
i’ve learned so much just by watching your videos. i recently transferred from marching band as a drum captain to being the actual drumset player and its been tough for me, since i never really found a way to connect all the rudiments i knew into something that sounds solid in the drumset (as weird as that sounds, i was just really used to chops without so much body independence besides while marching). but once i found this channel last week, i’ve been growing seemingly exponentially, and have been able to incorporate these grooves and styles into gospel, latin jazz, surf/indie rock, drunk-styled music and so much more. i am eternally grateful for you, keep up the amazing work!!!
![How to play triplets in septuplets - Nested Tuplets [Drum Lesson]](http://i.ytimg.com/vi/G9eI3ZB8fpQ/mqdefault.jpg)
![How to play triplets in septuplets - Nested Tuplets [Drum Lesson]](/img/tr.png)
![Impress your distant relatives with these hihat licks [Drum Lesson]](/img/1.gif)
Thanks Josh! I appreciate your drumming and your teaching style.
Thanks for watching!
Josh love the 32 notes your right it really helps propel the rythem to the next level of intensity. When we work on diffrent accents with notes of bass drum substitutions you can really create some very interesting rythems . Josh have you evey checked out the book Rick's licks very Interesting combinations of super imposed rythems . Love you lessons ty
Nice stuff as always Josh. I'm curious, i know you did it somewhat "jokingly" but what are you views on having these names established??
I mean there are so many "modern kit" stickings like RLRLLF, RLLF, RLLRRL-RL and the one you mentioned RLRRLF etc, that are nameless until an educator designates an arbitrary one in a lesson. i mean, of course we could just keep saying the entire sticking as per usual or do what you did....Anyways, just a thought
Yeah, I think it might be useful to have SOME universal "rudiments" that are specifically geared toward drum set. But at what point do we stop slapping names onto things? There are infinite sticking patterns that we can create and it's not practical to name every single one of them. There are hundreds of different hybrid rudiments already that all have unique (and often silly) names, but they're usually just different inflections or modifications of an "essential" rudiment. Ultimately, I think drummers should call patterns whatever makes it easiest to memorize and explain them, even if it's just saying the entire sticking.
Can't believe u haven't hit 30,000 subs yet. Great stuff 😎
Awesome little "didlee" lol
Been playing a few of your exercises and they are fun and a good challenge,
It's a joy to watch your videos and infind them very easy to follow.
Keep up the good work my friend,
Look forward to seeing more
👍👍👍
Wish I could learn from you in person.
Josh, you are amazing! Thank you for the free lesson and lessons. Sincerely, Donnie
damn that kick drum sounds sick
AMAZING!!!!
Love the lesson…!!! Thank you so much for inspiring me…!!!
Well this is fun. Looks like I've got something new to work on this weekend. Also what is that unknown/unseen crash on your far right? Sounds rad.
Hey Josh, can you please make a video about some of those tasty hihat licks you play in your grooves?
Thank you!
that is a great fill
Mannn!! Sick video, as always! You should maybe also teach us how to do those tasty grooves, man!! Love it!! 🤟🤟🤟🤟
I love this!
Nice, that's got Mario Duplantier written all over it. That's definitely a go-to pattern for him in fills.
Tap kick = Taki
do you use push pull technique for your doubles ?
: )
great teacher - keep it up 👍
Excellent 👍👍
Good Video, Nice Playing. I'll try this pattern. I like the ride/kick combo. Hats will come into it hopefully in my practice. Thanks Josh, God Bless
Your ride is literal perfection, I have to know what it is
It's a 22" Meinl sand ride!
jodh great job, bro, i would like to take some lessons, if that is possible, take care
Really appreciate the break down bruv !
Your kit sounds great!Thanks for the lesson.
i’ve learned so much just by watching your videos. i recently transferred from marching band as a drum captain to being the actual drumset player and its been tough for me, since i never really found a way to connect all the rudiments i knew into something that sounds solid in the drumset (as weird as that sounds, i was just really used to chops without so much body independence besides while marching). but once i found this channel last week, i’ve been growing seemingly exponentially, and have been able to incorporate these grooves and styles into gospel, latin jazz, surf/indie rock, drunk-styled music and so much more. i am eternally grateful for you, keep up the amazing work!!!