Liszt - Apparition No. 3, S155 (Michel Bourdoncle)
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- Опубликовано: 9 фев 2019
- It was in the summer of 1834 at La Chênaie that Liszt discovered himself as a composer; several significant compositions were born here which bear the unmistakable imprint of his mature style, including the Harmonies poétiques et religieuses and the three Apparitions. Even though the Apparitions are totally neglected in today's concert scene, it was these extraordinarily avant-garde works which forced the doubters to reconsider, and which, along with the re-examination of the late pieces, led to the re-appraisal of Liszt in the middle of the twentieth century.
The third Apparition is almost like a composer under some hallucinogenic drug, dreaming of a Schubert waltz (the basis of the piece being Schubert's Waltz in F Major, Op. 9, No. 33). Imbued with a fantastical energy, it is a unique contribution to piano literature (along with being probably the first ever Schubert transcription) and radically different from the later use of the same waltz in Liszt's Soirées de Vienne. 
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Absolutely intoxicating, the descend to hallucinatory madness (3:30) at the ‘quasi improvvisato’ section is incredibly gutsy, love this showpiece!
Потрясающе.
Early Liszt is epic! The apparitions are some of my favourites.
I love all three Apparitions, but No.1 is my favorite !
Will be uploading that next!
So fascinating to observe some of the for then truly radical notation Liszt used in these pieces. It really was pretty wild!
Habité inspiré à 23 ans !Liszt montre déjà son génie !
Amazingly 👏
Браво
he was 23 when he composed this?
Yes
Все лучшее приходит в молодости.
@@elmiramuradova561 oh yeah that makes a lot of sense. I totally understand Arabic 😆
@@FocusMrbjarke “All the best comes from youth”
@@FocusMrbjarke also I’m pretty sure that’s Russian
You should consider scoring illustrations du prophete
yup, amazing paraphrases
@@Liszthesis yoo
I think this piece was attributed to Franz Schubert.
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