Reed-making on tour in Tokyo /

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Follow us on tour with our blog! This Asian tour is the last in the Berliner Philharmoniker’s Rattle era. It also marks the 60th anniversary of the orchestra’s first concert in Japan. The guests soloists are the pianists Yuja Wang and Seong-Jin Cho.

[@RMutt-gw6uz]

Thank god I play clarinet.

[@voboe]

This video made my day !!! Can’t stop laughing 4.10 to 4.28
It’s that moment that you are expecting miracle but you get .......
I have the same experience very often as many many oboe players
I guess it happens to the best of us.
Great video and a fanatic player !!!!!!

[@zhengli5876]

Me too. Even with such an expensive machine... Oboe players' life is never easy...

[@petatap]

Yes, 4:10 is hilarious. So what did we expect... It's a commercial.

[@kennethgrant8845]

I have made my own reeds for years and the results speak for themselves. Long break in providing great consistency and longevity

[@jimwhite2541]

Thank you for the wonderful video.

[@symphoniacus]

Interessanter Einblick!

[@martaaliciabilbao3195]

Hermoso! Oboístas y artesanos. Bravo Christoph 🎶.

[@petatap]

Six players were angry because they don't own all these instruments and have to scrape with a simple knife ... :( :(

[@kawakamihitoshi]

this part of the oboe ist sehr cool

[@stanislawzelazny7515]

who is the machine building-specialist?

[@EGREEDS]

You can learn more about the machine here :
www.eg-reeds.com/mini-profiling-machine-willy-wettstein/

[@martaaliciabilbao3195]

Me quedé pensando...en qué ocasión Hartmann prefiere tocar con las cañas artesanales y cuándo con las Légere?🎶🌷

[@Xingqiwu387]

Ich dachte, Herr Hartman spielte ausschließlich Legere Kunststoffrohre???

[@miroes_]

wasn't this shot in Seoul?

[@GMahlerVerehrer]

Der handwerklich wirklich schwierige Part besteht in dem Schritt, der all dem in diesem Video Gezeigten bereits vorausgegangen ist, nämlich die zu Beginn mit einem Draht fixierten Fassons mittels Garn an den Hülsen so zu befestigen, dass sie zum einen fest sitzen und zum anderen mit der ovalen Form der Hülse übereinstimmen. Jemandem wie mir, der handwerklich eher minderbegabt ist, hat das regelmäßig alles abverlangt.

[@thomasflorence1702]

Mich würde ja brennend interessieren, welche Oboe, welche Fasson und welche Hülse benutzt wird. Das wäre echt toll 😊😊

[@Skvertven]

Interesting to know why Mr. Hartmann does not use Dupin Imperial oboe anymore.

[@obotobi]

toll Christoph. Wer baut denn eine Reisehobelmaschine?

[@EGREEDS]

You can learn more about the machine here :
www.eg-reeds.com/mini-profiling-machine-willy-wettstein/

[@patrickmurray3182]

If my reeds sounded like that I would just give up - after all the gadgets he just sounds like a kid still learning!!

[@walkernick86]

You really dont get it do you!? Yes the reed still needed finishing which he will do later once the reed settles. Profiling machines NEVER do all the work for you! You still have to finish by hand to develop a refined and focused sound on the reed. This video did not show the finished reed! Making a reed from scratch without the profiing machine would take hours instead of minutes!

[@matmatteo8238]

😂 Still finding people commenting nonsense under this video.

[@hudsoncampos5976]

👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽

[@rayzhang5551]

I'm glad I play clarinet now! I don't have to make my own reeds!

[@zhengli5876]

Indeed, the stuff on this table are more expensive than your whole clarinet. The profiling machine along is over 1000 euros...

[@hautbois2]

Chico pero vete a hacer turismo por Tokio y deja las cañas XD

[@Unga_Bunga_]

Not worth it.