4 Powerful Ways To Use Sidechain Compression
HTML-код
- Опубликовано: 6 июл 2024
- Joey explains four different ways you can benefit from using sidechain compression in your mix. What are some of the ways you've used it before? Let us know in the comments!
Download JST Sub Destroyer: joeysturgistones.com/products...
0:00 Introduction
0:26 Kick/Bass
3:11 Snare/Guitar
4:24 Vocals/Guitars
5:28 Subdrop/Everything
7:39 Recap
Join the JST Forum: / joeysturgisforum
Learn how to mix: nailthemix.com
Get URM Enhanced: nailthemix.com/upgrade
Become a wizard of audio production: joeysturgistones.vip/join
Schedule your mix crit with Joey: joeysturgistones.vip/mixcrit
Tags:home recording,audio production,mixing tutorials
#homerecording #audioproduction #mixingtutorials 
Видеоклипы
I like to sidechain my vocal delay and reverb sends so they duck while the vocal is being heard, but come back up in volume in between phrases. Really fills in the spaces nicely without clouding up the vocal performance itself.
please teach me
I just use automation and a mix knob.
@@clintbeasthood9758 I used to do it that way, but when you automate the sends instead of mix knob, sometimes you hear the delay repeats of the previous lines that you don't want to hear. Sends automation are just more efficient, usually. Besides, I use reaper and sends automation is quicker to set up and makes things more organized than anything else. But hey, whatever works for you is just fine lol
how
genius
Today is my first attempt at sidechaining. Thanks for the tips! 🔥🤘
Dude your videos are the most practical, straightforward, and useful audio recording videos on youtube. Thank you for all the hard work you've put into your channel!
Definitely,!! No filler
This was the most useful side-chain video I've watched so far, and I've seen many. Also, super thankful it's showing real use-case scenarios, not some senseless continuous workout gym music pumping. Cheers!
Brother, you’ve been a huge help. You know how to speak in a way I’m hooked to keep listening and you’re easy to understand by the way you explain. I subscribed right away.
These recent videos have been great. Direct and concise info, no bs.
Thank you so much! I tried this snare / guitar sidechain thing after watching this video and it solved the problem I was struggling for a long time
Wow. This tutorial is game changing. Thanks JST!
Amazing video, huge thanks for your tips! 🤘🏻
This channel is so good. The video production is amazing, the ideas are great and I just love to see how beautiful Reaper looks with this theme haha. I just have to find the courage (and the time) to really train mixing (I can play, set the gain levels right, record and all... But mixing is another beast for me haha).
This is exactly what I needed as usual! Thanks Joey!
All of these tips literally just saved my mix. WOW. Thank you!
This was immensely helpful. Took me a bit to figure out how to do it in Reaper using Waves C4, but I got a much punchier snare now. Thanks!
I always look forward to this series!
i can say this was the best tip ever ,, changed my mixing completely
gold. i needed the reminder especially for sub drops.
Thanks for the explanation, very effective and useful!
Super helpful , thank you
Very very helpful, thank you！
Super informative!
Thank you will try that today on my mix
The snare and guitar trick really saved my mix!
This is one is my favorite sidechain tutorial hey
As much as I watch this, I still watch this when side chaining every song I create, just to make sure I’m doing things correctly. I love this tutorial and how you explain what to listen for. If you have any other side chaining tutorials besides these 4 that are commonly used, I would love to see them. I own just about all of your plugins and sound packs. Everything is the best I’ve ever used. I love things that let me get good sound fast so I can focus on creating. Your tutorials help so much! Thank you! Ever since I started using your plug ins, watching these tutorials, and joining NTM when I can, my songwriting has gotten better bc the complicated stuff has become much simpler. 🔥
Ps
The sub drop/everything one was a game changer. Sub drops can get ugly real real fast! Haha
AWSOME TUTORIAL, THANX
That's some advanced stuff right there!
This video saved my snare! Thanks Joey!
Thank you so much 😊
Great video. Total sidechain newb here, so I'm going to try some of this. I'm certain they'll help my mixes.
Joey I'm your fan, Big engineer and great teacher!
Thank you!
Thanx! So Very Well Explained!!!!!!
Your a genius Joey
Extremely informative video ❤️ thanks mate ☺️ love from India
I always love the extreme ducking of a mix, whenever I launch a drop, but I also double compress my master bus...
God damn it. I wasted a lot of time figuring out how to use and set this up, which I won't go into because it's ridiculously large and you explained it in under 1 Minute
This sub drop sidechain could be substituted with plain automatization.
I've been doing notch automatization that follows sub-note, probably overkill approach. I could do that because I automated synth and found spots for a notch cut then automated pitch fall and the same for notch cut.
Golden!
Great vid and song was dope! Is that song out?
With mixing extreme music, lots of fast double kick, blasting etc. what would you hpf to on your bus compression? I started messing with this and it made a huge difference
I don't use sidechain at all. But you actually gave awesome tips. I'll definitely try some of those! Thanks 🙏 🙏 🙏
Gold
thx!
Even when clarity isn't an issue, I still sometimes like to use sidechain compression to make elements sound more glued.
I've been using most of those featured sidechain tricks...good one on the snare/guitars. However! A sidechained gate would be much better than compression e.g. with vox? As when you use compression, soft vocal parts duck, let's say, the guitars only a little - but you want the opposite effect i.e. the softer the trigger, the more dramatic the reduction on the conflicting element. ReaGate has a built-in feature just for this use case. Summa summarum: a sidechained gate ducks the conflicting element more consistently than a compressor. Just what you need for clarity...
hey Joey or Miami, can i also use those sidechain ducks for high speed doublebass sections with Bass or do i treat those differently?
I use track spacer
vocals n guitar
Great video! BTW what Reaper skin are you using? Thanks
Smooth 6
Hehehe, in the vocal to guitars example sidechain isn't activated :) Great video as always 🔥🔥🔥
Side chain on a DeEsser or Multiband Compressor 1-3k on BGVs key source on the lead singer. Reduces messy sloppy Ts, Ps, Ss, etc.
♥
Tell me please, what is the song at 3:12 ?? Great!! Link please!!! :)
I am doing exactly what you're doing with the bass/kick, and the Fabfilter MB is still only showing the bass dynamics. I can't get it to duck when the kick hits.
i have the same problem with fab filter. bummer
🧐 ничего себе! спасибо за очень полезное видео! 🤗
So the subdrop goes on bass only usually?
Howw do i do that in FL Studio????
🤘🏻🤘🏻
what is the song used in this video?
Man I wish Reaper would let me sidechain it's multiband comp
Is there any plugins that take less cpu power to do this? Kind of annoying having it on every single track.
why dont you set your attack to as fast as possible when side chaining the kick and bass? i know its all personal taste, but dont you want it to attack as soon as possible?
bass frequencies take longer to develop, so it's not unusual to offset the sidechains. totally depends on the source and destination tones and tuning though :O
This band is called The Sons of Fear Factory?)
Anybody here have a reason to not sidechain Trackspacer instead of a multiband compressor for these use cases?
Not rally, trackspacer cope with this stuff so Well. But if you dont have trackspacer, your daw sure has a mbcomp
I side chain my wife's voice so when she speaks it doesn't interfere with my football game.
Absolutely Underrated comment 🤘🏻🤣🤣🤣
is this reaper? what theme are he using?
Smooth 6
Need name of guitar/vocal somg
Attavk attack! All my life ....song name..found it
I duck the OH when the snare hit.
is it bad that
i literally cant hear a difference