This is My Clarinet Setup with Richard Hawkins

Richard Hawkins plays on a set of Backun Lumière Clarinets, Rovner ligature, Vocalise Mouthpiece, and Légère European Signature reeds.
🔵 Vocalise Mouthpiece: backunmusical....
🔵 Lumière Clarinets: backunmusical....
About the Vocalise Mouthpiece:
Outstanding artist. Renowned educator. Master craftsman. Words and praise that are often bestowed upon Richard Hawkins. After decades of collecting, observing and crafting mouthpieces for many of the world’s finest artists, Hawkins collaborated with Backun Musical Services to develop a series of mouthpieces with tonal ring and clarity that will change the course of mouthpiece history.
Designed at Backun using advanced CAD/CAM software and tested with 3D printing technology, the mouthpieces are crafted on a highly advanced nine-axis CNC machine and finished in a unique done-in-one machining program that combines the milling and lathing processes without the need for a second setup or recalibration. This results in an exceptionally consistent mouthpiece that stays true to the original design.
Each mouthpiece helps the player centre articulation, pitch and altissimo, with impeccable ease and consistency of voicing. It is the first mouthpiece of its kind specifically designed to play well on both synthetic and cane reeds, in strengths 2.5 to 4.5. Articulation Management allows players to capture the appropriate length of articulations for different styles without increased effort. Pitch Locking allows players with varying instruments to lock in on an even pitch range between 440-442 with little variation in barrel length.
Designed for all ages and experience levels, the Vocalise series of B♭ mouthpieces features a model for every player and occasion, all of which belong in your clarinet case. Complex resonance at a reasonable price.
R Model B♭ - Close/Short
Evenness and a focus of sound that sings with ease are two characteristics of this close facing mouthpiece. The R allows artists to articulate with reduced effort, while ringing true with fabulous clarity. This is Hawkins’s choice for young artists looking to step up to a more complex mouthpiece.
G Model B♭ - Medium/Medium
A medium faced mouthpiece that combines exceptional evenness and round tonal complexity. The G has a smoother influence on interval connections just where you need it. An all-around mouthpiece for those who prefer medium facings and lengths.
H Model B♭ - Open/Long
The most open facing in the lineup, the H is both smooth and dark, with ample cushion for those who need more robust flexibility throughout the registers. This mouthpiece gives as much as it takes, requiring balanced breath support and unyielding passion in performance.
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[@dlad128]

Would you be so kind as to compare the Shifrin signature versus Vocalise? Thank you.

[@backunmusical]

Great question! It depends on which Vocalise model you are referring to. The Shifrin is closest to the Vocalise R. The primary difference is that the Shifrin features an A-Frame baffle exit which improves airflow, intonation, response, among other things.

[@jimis3167]

I've tried the European cut on my BD5 but I have problem reaching the very high notes and on playing slowly and stable.. If I use It with a vocalise G, I'll have no problems? With BD5 I don't have these problems when playing with V12 3.5 cane reeds, I've also tried with European cut 3.75 but It's not ideal strength..

[@backunmusical]

It's worth a try. Remember that synthetic reeds require slightly different pressure and playing style. For best results be ready to experiment a bit!

[@jimis3167]

@@backunmusical Coming from BD5 mouthpiece, you suggest to try first the Vocalise G which has similar opening?

[@jerryhan4034]

Try the R model and maybe move up to a #4 euro cut. I find that closed mouthpieces work better with synthetic reeds because the material used by legere is stiffer than normal cane and thus does not vibrate as freely.

[@jimis3167]

@@jerryhan4034 I think I'm gonna try a G and/or a Vocalise CG because I already own a Legere European 3.50 and I don't want to spend on another one , they are somewhat expensive to not be sure If you'll have great results, I want to try what fits on 3.50 reed...

[@佛口蛇心]

I play G model with European cut strength 4 and it works very well. R model also works well but G have better sound.

[@fernie51296]

But which Vocalise model?!

[@musokid89]

I know right, useless

[@emjay2045]

He used the “G” model

[@dlad128]

@@fernie51296 close tip that might equate with a Van doren M13 or M15

[@enriquelasansky4412]

Good question Fernando

[@emjay2045]

He used the “G” model is what he said in a different vid