you all probably dont give a shit but does any of you know of a way to get back into an Instagram account..? I was stupid forgot the login password. I would appreciate any help you can give me
@Garrett Kairo thanks for your reply. I got to the site through google and im trying it out now. Seems to take a while so I will reply here later when my account password hopefully is recovered.
I played the opening Fantasia my senior year of college in 1981 as the Recessional after a Sunday service. One of the College administrators said “ It was loud”. And I thought “ I HOPE so!”
That reminds me of the late Virgil Fox, playing at The Filmore East, telling the audience "...if you're not prepared to have a happening, MOVE BACK!" He played a Rodgers touring organ with, he said, 144 speakers.
I play drums, guitar, and some piano. Following two melody lines, near impossible, but three? And they just go on and on. The practice and discipline is commendable. Amazing.
His registrations are the best! He eliminates the mud. Each voice is clear. Great use of this wonderful organ! The best version of this piece on the internet perhaps.
My goodness, this piece sure did stir up the comments. As someone fortunate to have attended the performance let me say it was wonderful. The organ & acoustics complimented Jonathan's orchestral transcriptions as well as both German & French pieces. I was surprised myself that I selected this Bach as my favorite of the evening. On reflection I think the aforementioned acoustics as well as the registrations took it to new heights. Plus I'm quite fond of the chord progressions. Sometimes one just needs to hear the Master, played by a master, on a masterful instrument. Thank you for posting so I can relive the experience.
This is probably my fourth comment! I watched Mass from The National Shrine, Washington DC this evening and this G Minor Fugue was played as the postlude. I immediately felt that I needed to re-visit Jonathan's performance at St Mary's Cathedral - which is absolutely tiny compared to The National Shrine of the Basilica of the Immaculate Conception in Washington DC. Jonathan's performance (credit to Tom's audio/visual/recording skills) is my all time favourite recording of this majestic work. Of course, none of this would have been possible were it not for the great the organ-builder, himself - the late, Kenneth Tickell, RIP!
By far the best interpretation of this magnificent Fantasia and fugue. Every single theme in fuge was beautifully exposed so everyone could hear it. Chapeau bas!!!
Very good indeed ... but also see Hurford, van Doeselaar and Alain who to me capture the absolute uninhibited essence of this marvellous piece (the Fantasia in particular).
I love this little "symphony". I call it that because it is made of two movements that musically are quite distinct musically. Each, however, displays a thing that Bach was ingenious at making a pipe organ do. In the Fantasia, we get a marvelous display of the chords that can be made from the harmonics of the different ranks of pipes, and the Fugue, of course, demonstrates Bach's amazing skill at weaving of three parts together into a fugue. Also, this piece really shows how the feet can be used to play an intricate part of the fugue. Bach himself claimed that it took him some time to get good at playing the pedals, but by age 20 (!) he got good at it. And sure enough, you can hear the pedal parts get more complicated as he aged.
omG so magnificent, so beautiful. behold. who was it who invented the pipe organ with its resonant pipes controlled from a piano-like keyboard and pedals? what a gifted person indeed.
The only absolute response to the Scott brothers is humble gratitude to God for the providential opportunity to experience such genius wedded to such beauty.
@@Toobula No - its certainly catchy and it is the piece that got me into Bach organ music (and Bach in general) but having listened to the whole lot many times over - some 1300 odd pieces - may favourite free works are BWV 543,548,552,566,572 and favourite chorales too many to list but several in the Orgelbuchlein, Great Eighteen and Clavierubung Dritter Theil.
This organ handles Bach like few others I’ve heard. And the reeds? To die for! Great work Jonathan, and great choice for the instrument. I’d love to hear more from this instrument!
Jonathan, this is truly one of my favourite performances of the G minor Fantasia & Fugue ever! Thanks, as always, to Tom's brilliant audio/visual skills (and obviously his own musical talent), the sound and design of this relatively new organ by the late Kenneth Tickell can be heard and seen by so many people throughout the world. Will we see another performance from St Mary's Cathedral, Newcastle in the future? (I do hope so!)
What a magical piece Jonathan. I went there with my late father, and best friend, and videoed my friends impro. A marvelous British organ, played my the best organist I know of
Bravo. The fugue is amazing. Probably the best rendition I’ve ever heard. The organ has an amazing tone. Not like so many English cathedral organs. They deserve a prize for building that.
One of my favourite Bach's compositions; most often I like only first interpretation i heard and every next one is "not so good", but this one is so good :D
How wonderful it was to come from a doctor's appointment and listen to this work of art of composer and performer playing on an instrument with which Bach would have been thrilled to hear Jonathan S play! To the Glory of God to Whom Bach dedicated all his compositions.
This is one of the best expositions of this piece Ive heard or found anywhere!! I love it. -- you get the “rhetoric” of the piece and the drama JSB most certainly intended. I have learned and played it but the “edgy” somewhat aggressive even nature of the fantasy you absolutely nailed it! Ii wish more organists would play with “flair” like you - so impressed and kindred spirit musically!
Jonathan's only equal, in my humble opinion, is the Russian organist Daria Burlak. I dream of having these two give us a recital at Manchester's Bridgewater Hall!
Fantastic Jonathan! Now my favorite plating of this piece! Reason: you chose to resolve the coda in the fantasia in G Mol. L. van Doeselaar resolves in G Dur, then goes back into G Mol for the opening statement in the fugue. I don't believe Bach would have written this, although it has been recorded as such in the original literature. But Bach's students were taking dictation as he was loosing his eyesight (me also) at this period in his life. Thanks so much and God Bless, Jonathan!
Wonderful performance and interpretation! The relatively dry acoustics of the space help to keep the crystal clear lines so skillfully delineated by Mr. Scott from being muddied. Magnificent! And keeping the final chord of the Fantasia in the minor, unlike many other performances, felt exactly right. Beautiful instrument as well.
A grand performance and lovely to see the organ in all its glory too Many thanks for adding this to the You Tube mix so people can hear this organs' sounds and see how it fits into the building, Scott brothers. Dear Old Ebeneezer Prout, love the speed. Ken would have been delighted to hear this performance: crisp and clear.
I just love this performance - hence a second comment! I find the sound of this 'new' (2012) organ in relation to BWV 542 quite captivating - and keep coming back to it!
I’m full of admiration for your arrangements of orchestral works (in the Best tradition, one might say), but it was a great pleasure to hear you play one of my favourites from the organ repertoire. And the more so to hear it on one of the late, lamented Ken Tickell’s creations.
Already being quite sure that no rendition of this masterwork is bearable, other than the Herbert Tachezi in Dresden, I stumbled upon you in here... and what a great joy discovering it! Truly genius in all aspects, I say - standing equal to greatest masters! Thank you wholeheartedly for sharing here! Love from Romania!
Brilliant rendition of the Fantasia and Fugue Jonathon, loved it! And on a Northampton built organ as well! Great filming by Tom as usual. Brian Laywood
Thank you, Jonathan and Tom! You're a perfect team. 👍❤️ Both movements played with fine registrations - but the tempo of the Fugue seemed a bit frantic to me; I prefer a more relaxed approach... Mais c'est une question de préférence. A beautiful-sounding instrument with a generous and well-appointed/balanced stoplist. Please do present other works on this grand instrument. I'd love to hear what the Flutes & Célestes, etc. sound like. Merci bien!
Absolutely stupendous performances by Jonathan - one of our greatest organists and musicians (although I'm told that Sir Thomas Beecham could never understand how the two skills could ever be combined!). Clearly, Sir Thomas was very much mistaken. And what a perfect choice of instrument. The Tickell organ has everything in terms of clarity of speech, dynamic range and a superb full organ, which balances all voices with equal impact. The sound of the final few bars, effectively brought home on the pedal bombarde (plus I imagine a coupled en chamade Reed), was enough to blow one's socks off!! Glorious Bach.
This is one of the best fugues, and yes, I just played it cranked up with my desktop computer speaker system. Now to play it through my 75 watt system. When I listen to Bach, so do the neighbors.
unfotunatley many of ken's instruments are being revoiced nowerdays. Its lucky to think this organ has that beautiful sharp edge to it and hasn't yet been revoiced.
What a phenomenal performance! What a magnificent instrument! (It, from the key actions, would appear to be a very enhanced tracker - hopefully someone here will know for sure.)
@@bengunn99 How Right you are! When you have talent like Jonathan, you don't need to have flashiness to cover up defects. It's all in the brilliant playing and he can afford to be perfectly likable --- Excellent and delightful in every way.
Truly splendid playing and such a responsive instrument. It is so good instruments like this are still being made. Ideally suited for Bach but I suspect too quite fine for later repertoire.
Probably because Bach is timeless; they should have even included this one on the Voyager Golden Record! But wait, they should have included all of Bach`s creations then. Yet pity they missed shipping back into the Eternity what (in my opinion) is the most representative for human kind: the introduction of Matthäus Passion.
A wonderful piece of music by that great organ composer JS Bach played by a great organist . This organ is a magnificent instrument and shocked me as it is in a smallish provincial Roman Catholic Cathedral in the North East of England .
@@AsteroidTVGaming Indeed, Asteroid. I personally prefer this fugue played at this speed, maybe even a bit faster, but the slower interpretations are convincing a pleasant too.
@J. K. Es hat mit Arschlochsein nichts zu tun, wenn man ein Stück langsamer lieber mag. Und dass ich es nicht könnte ist ganz schlecht für dich, das Stück habe ich schon gespielt lol. Aber Hauptsache erstmal beleidigen, wenn jemand ne andere Meinung hat. Ich wette 100 €, das du selbst das Stück nicht gespielt hast, und du unterstellst mir wannabe zu sein. Ganz schön erbärmlich, was ? :)
Woof! Thats something to wake you up. Not a before bedtime piece. The visual design of the organ is impressive, especially how the window is framed. Wonder who did the color scheme.
![Twenty One Pilots - “The Line” (from Arcane Season 2) [Official Music Video]](http://i.ytimg.com/vi/E2Rj2gQAyPA/mqdefault.jpg)
Isn't the brain a remarkable organ? Both eyes, both ears, both hands, both feet, all going at the same time...incredible.
you all probably dont give a shit but does any of you know of a way to get back into an Instagram account..?
I was stupid forgot the login password. I would appreciate any help you can give me
@Ayaan Callan instablaster ;)
@Garrett Kairo thanks for your reply. I got to the site through google and im trying it out now.
Seems to take a while so I will reply here later when my account password hopefully is recovered.
@Garrett Kairo it did the trick and I actually got access to my account again. Im so happy:D
Thank you so much you really help me out!
@Ayaan Callan no problem =)
I played the opening Fantasia my senior year of college in 1981 as the Recessional after a Sunday service. One of the College administrators said “ It was loud”. And I thought “ I HOPE so!”
Its suposed to be LOUD. I remember reading that the church elders told Bach that it was too radical.
That reminds me of the late Virgil Fox, playing at The Filmore East, telling the audience "...if you're not prepared to have a happening, MOVE BACK!" He played a Rodgers touring organ with, he said, 144 speakers.
This and the performance by Leo van Doeselaar are by far the best renderings of this Bach masterpieces.
Hurford for me, or Johannssen
I admit I like the late 5:19 Ivan Sokol’s version the most as it is the tone of the organ but this is very good.
I'm and E. Power Biggs fan, but all are astounding.
I play drums, guitar, and some piano. Following two melody lines, near impossible, but three? And they just go on and on. The practice and discipline is commendable. Amazing.
And don't forget, also, the fourth line, which are the pedals. The organ is, without a doubt, a very complex instrument.
His registrations are the best! He eliminates the mud. Each voice is clear. Great use of this wonderful organ! The best version of this piece on the internet perhaps.
My goodness, this piece sure did stir up the comments. As someone fortunate to have attended the performance let me say it was wonderful. The organ & acoustics complimented Jonathan's orchestral transcriptions as well as both German & French pieces. I was surprised myself that I selected this Bach as my favorite of the evening. On reflection I think the aforementioned acoustics as well as the registrations took it to new heights. Plus I'm quite fond of the chord progressions. Sometimes one just needs to hear the Master, played by a master, on a masterful instrument. Thank you for posting so I can relive the experience.
This is probably my fourth comment! I watched Mass from The National Shrine, Washington DC this evening and this G Minor Fugue was played as the postlude. I immediately felt that I needed to re-visit Jonathan's performance at St Mary's Cathedral - which is absolutely tiny compared to The National Shrine of the Basilica of the Immaculate Conception in Washington DC. Jonathan's performance (credit to Tom's audio/visual/recording skills) is my all time favourite recording of this majestic work. Of course, none of this would have been possible were it not for the great the organ-builder, himself - the late, Kenneth Tickell, RIP!
By far the best interpretation of this magnificent Fantasia and fugue. Every single theme in fuge was beautifully exposed so everyone could hear it. Chapeau bas!!!
In baroque music you don't expose the fugue theme.
Very good indeed ... but also see Hurford, van Doeselaar and Alain who to me capture the absolute uninhibited essence of this marvellous piece (the Fantasia in particular).
I love this little "symphony". I call it that because it is made of two movements that musically are quite distinct musically. Each, however, displays a thing that Bach was ingenious at making a pipe organ do. In the Fantasia, we get a marvelous display of the chords that can be made from the harmonics of the different ranks of pipes, and the Fugue, of course, demonstrates Bach's amazing skill at weaving of three parts together into a fugue. Also, this piece really shows how the feet can be used to play an intricate part of the fugue. Bach himself claimed that it took him some time to get good at playing the pedals, but by age 20 (!) he got good at it. And sure enough, you can hear the pedal parts get more complicated as he aged.
You are talanted, sir!
Masterful playing!
Once again, one of Bach’s finest creations.
omG so magnificent, so beautiful. behold. who was it who invented the pipe organ with its resonant pipes controlled from a piano-like keyboard and pedals? what a gifted person indeed.
The only absolute response to the Scott brothers is humble gratitude to God for the providential opportunity to experience such genius wedded to such beauty.
This is my favorite Bach organ work. Brilliantly performed as always.
Yes, i think it's his best fugue
@@orgelfan1675 It's a fine fugue, but to me it is the Fantasia that is truly unique.
@@orgelfan1675 I prefer 543 Fugue
Busted. Toccata and Fugue in D minor s everybody's favorite, admit it. Perhaps the best piece of music ever written.
@@Toobula No - its certainly catchy and it is the piece that got me into Bach organ music (and Bach in general) but having listened to the whole lot many times over - some 1300 odd pieces - may favourite free works are BWV 543,548,552,566,572 and favourite chorales too many to list but several in the Orgelbuchlein, Great Eighteen and Clavierubung Dritter Theil.
This organ handles Bach like few others I’ve heard. And the reeds? To die for! Great work Jonathan, and great choice for the instrument. I’d love to hear more from this instrument!
Wunderbar gespielt,eine herrlich kräftig klingende Orgel mit viel Power.Super!!!
Ich stimme vollkommen zu!
Jonathan, this is truly one of my favourite performances of the G minor Fantasia & Fugue ever! Thanks, as always, to Tom's brilliant audio/visual skills (and obviously his own musical talent), the sound and design of this relatively new organ by the late Kenneth Tickell can be heard and seen by so many people throughout the world. Will we see another performance from St Mary's Cathedral, Newcastle in the future? (I do hope so!)
Jonathan Scott sei il miglior organista. Da quando ti sento faccio fatica a ascoltare gli altri
What a magical piece Jonathan. I went there with my late father, and best friend, and videoed my friends impro.
A marvelous British organ, played my the best organist I know of
Bravo. The fugue is amazing. Probably the best rendition I’ve ever heard. The organ has an amazing tone. Not like so many English cathedral organs. They deserve a prize for building that.
music: excellent (of course!). Instrument: excellent. Performer: excellent (let us say : brilliant).
One of my favourite Bach's compositions; most often I like only first interpretation i heard and every next one is "not so good", but this one is so good :D
I could fry sausages on those mixtures they sizzle so much!! Tickell - you did it again - and beautiful playing by Jonathan Scott too!
Just wonderful
WOW! everything's sooo first class... the organ, the playing... the video photographer... the audio... WONDERFUL!
How wonderful it was to come from a doctor's appointment and listen to this work of art of composer and performer playing on an instrument with which Bach would have been thrilled to hear Jonathan S play! To the Glory of God to Whom Bach dedicated all his compositions.
This is one of the best expositions of this piece Ive heard or found anywhere!! I love it. -- you get the “rhetoric” of the piece and the drama JSB most certainly intended. I have learned and played it but the “edgy” somewhat aggressive even nature of the fantasy you absolutely nailed it! Ii wish more organists would play with “flair” like you - so impressed and kindred spirit musically!
Jonathan's only equal, in my humble opinion, is the Russian organist Daria Burlak. I dream of having these two give us a recital at Manchester's Bridgewater Hall!
Michael Murray's Fantasy is INCREDIBLE.
@@bernardcromarty485Daria is incredible but I honestly think Jonathan is the man
Fantastic Jonathan! Now my favorite plating of this piece! Reason: you chose to resolve the coda in the fantasia in G Mol. L. van Doeselaar resolves in G Dur, then goes back into G Mol for the opening statement in the fugue. I don't believe Bach would have written this, although it has been recorded as such in the original literature. But Bach's students were taking dictation as he was loosing his eyesight (me also) at this period in his life. Thanks so much and God Bless, Jonathan!
Formidable ! La partition, l'organiste, l'extraordinaire orgue de St Mary, l'excellente qualité de la vidéo. Encore !
This may very well be THE definitive present-day performance of this monumental work. Bravo!
A superb interpretation on a lovely instrument. Please, could we have more from St. Mary's ?!
Listening to this with a glass of wine as I used to do with Led Zeppelin. This is on a different level. Fantastic bravo and thanks .
Beautiful piece, and great playing as usual!
Magical, magestic, masterfully played!!!! Wow.
Wonderful performance and interpretation! The relatively dry acoustics of the space help to keep the crystal clear lines so skillfully delineated by Mr. Scott from being muddied. Magnificent! And keeping the final chord of the Fantasia in the minor, unlike many other performances, felt exactly right. Beautiful instrument as well.
This was a truly memorable performance of BWV 542 on a fantastic - only 10 years old - organ by (the late) Kenneth Tickell !
A grand performance and lovely to see the organ in all its glory too Many thanks for adding this to the You Tube mix so people can hear this organs' sounds and see how it fits into the building, Scott brothers. Dear Old Ebeneezer Prout, love the speed. Ken would have been delighted to hear this performance: crisp and clear.
A magnificent performance of this masterpiece on a lovely instrument. Just perfect. 💜
Splendid performance. This is a marvelous JSB fugue
Spectacular! What a work-out!
Wunderschön gespielt. Grüsse aus der Schweiz.🇨🇭🇨🇭🇨🇭
bravissimo! very clear interpretation
Prodigious!!
This is very difficult!!
Masterly!!
Fabulous and Sublime performance of this timeless work. Thank you, Jonathan!
The northwest's best young organist by far 👊👍👌🧘♂️
SOME TIGHT PEDAL WORK! and beautiful stop choice as per usual. Nothing short of Amazing.
I'd say one if the world's best.
I finally have found the most loved version!! 😍
Simply wonderful!
I just love this performance - hence a second comment! I find the sound of this 'new' (2012) organ in relation to BWV 542 quite captivating - and keep coming back to it!
Verry nice registration on the organ which make life in the music piece and instrument. Well done.
Fantastic! Bravo! Wish you would tour the US.
Beautiful imagery; this is breathtaking!
I’m full of admiration for your arrangements of orchestral works (in the Best tradition, one might say), but it was a great pleasure to hear you play one of my favourites from the organ repertoire. And the more so to hear it on one of the late, lamented Ken Tickell’s creations.
Fantastically done, as always.
A truly masterful performance of an enormous piece
One of my favorite writings of JSB. As always, great playing and phrasing. Bravo, maestro!
Magnificent. Thanks
I think old Sebastian Bach would be smiling.
My favourite piece by Bach to play! Beautiful - and I'm SO pleased the fantasia didn't end in the major as some organists like to do!
Already being quite sure that no rendition of this masterwork is bearable, other than the Herbert Tachezi in Dresden, I stumbled upon you in here... and what a great joy discovering it! Truly genius in all aspects, I say - standing equal to greatest masters! Thank you wholeheartedly for sharing here! Love from Romania!
Хорошая!! И Бах и органист- молодци мальчики!! Александр Одессит
Brilliant rendition of the Fantasia and Fugue Jonathon, loved it! And on a Northampton built organ as well! Great filming by Tom as usual. Brian Laywood
Sublime!! Infinite grazie, per la perfetta interpretazione. A mio modesto giudizio, può considerarsi, l'erede del genio di Karl Richter.
Puoi dirlo forte amico
È divinamente fantastico nelle battute finali del preludio.
Che meraviglia.
Wow one of my favorite and had a hard time finding a good version, finally! Brillant.
Thank you, Jonathan and Tom! You're a perfect team. 👍❤️
Both movements played with fine registrations - but the tempo of the Fugue seemed a bit frantic to me; I prefer a more relaxed approach... Mais c'est une question de préférence.
A beautiful-sounding instrument with a generous and well-appointed/balanced stoplist. Please do present other works on this grand instrument. I'd love to hear what the Flutes & Célestes, etc. sound like. Merci bien!
This music brings us into communion with the Spirit of the one true God of all creation!
You are referring to Allah, of course. Praise allah and all the murder and wars he has caused along with that young Jewish boy, what's his name...???
Absolutely stupendous performances by Jonathan - one of our greatest organists and musicians (although I'm told that Sir Thomas Beecham could never understand how the two skills could ever be combined!). Clearly, Sir Thomas was very much mistaken. And what a perfect choice of instrument. The Tickell organ has everything in terms of clarity of speech, dynamic range and a superb full organ, which balances all voices with equal impact. The sound of the final few bars, effectively brought home on the pedal bombarde (plus I imagine a coupled en chamade Reed), was enough to blow one's socks off!! Glorious Bach.
This is one of the best fugues, and yes, I just played it cranked up with my desktop computer speaker system. Now to play it through my 75 watt system. When I listen to Bach, so do the neighbors.
*BRAVISIMO, THANKS A LOT!!!*
unfotunatley many of ken's instruments are being revoiced nowerdays. Its lucky to think this organ has that beautiful sharp edge to it and hasn't yet been revoiced.
Just amazing to listen to!!!!!
What a phenomenal performance! What a magnificent instrument! (It, from the key actions, would appear to be a very enhanced tracker - hopefully someone here will know for sure.)
Absolutely beautiful
Magnificent, as always. Lovd the transparency of the voices....no muddling. Must be great acoustics in a live performance. Again, congrats.
I always loved the E Power Biggs version of this composition and this is very similar. Nice job 👍
thanks for this Performance!
This is one of my favorite pieces composed by Bach. Excellent performance!
Jonathan Sebastian B....Bravissimo.
Jonathan Scott is the Greatest Organist of our time.
Yes and he's not flashy.
@@bengunn99 How Right you are! When you have talent like Jonathan, you don't need to have flashiness to cover up defects. It's all in the brilliant playing and he can afford to be perfectly likable --- Excellent and delightful in every way.
He's certainly up there with the best. I would love to hear him live. Maybe I'll get up north someday.
thanx God given Bach
Meraviglioso
beautiful performance in a magnificent cathedral
Oh wow I didn't expect you to be playing here, I live here
Truly splendid playing and such a responsive instrument. It is so good instruments like this are still being made. Ideally suited for Bach but I suspect too quite fine for later repertoire.
Wonderful - Bravo!
PURE POWER!!
THE DIVINE SPARK GLOWING!!
Thanks a lot for this master piece
Listen to you in France would be fantastic
1:40 Enharmonic modulations. This causes unusual chord sequences, extremely fresh and may be even a bit "crazy". This piece is way ahead of its time
Probably because Bach is timeless; they should have even included this one on the Voyager Golden Record! But wait, they should have included all of Bach`s creations then.
Yet pity they missed shipping back into the Eternity what (in my opinion) is the most representative for human kind: the introduction of Matthäus Passion.
BRAVO!!!!!
Absolutely fabulous! Thank you!
Buena interpretación, estupendo vídeo.
Mesterligt spillet på det store og flotte orgel.....
Excellent interpretation ;)
Just amazing. Thank you.
Fine instrument, fine playing, fine Bach!
A wonderful piece of music by that great organ composer JS Bach played by a great organist . This organ is a magnificent instrument and shocked me as it is in a smallish provincial Roman Catholic Cathedral in the North East of England .
6:10 for the Fugue, my favourite one
But he played it too fast
@@orgelfan1675 Each has its own preference, that's what music is all about
@@AsteroidTVGaming Indeed, Asteroid. I personally prefer this fugue played at this speed, maybe even a bit faster, but the slower interpretations are convincing a pleasant too.
@@AsteroidTVGaming True.
@J. K. Es hat mit Arschlochsein nichts zu tun, wenn man ein Stück langsamer lieber mag. Und dass ich es nicht könnte ist ganz schlecht für dich, das Stück habe ich schon gespielt lol. Aber Hauptsache erstmal beleidigen, wenn jemand ne andere Meinung hat. Ich wette 100 €, das du selbst das Stück nicht gespielt hast, und du unterstellst mir wannabe zu sein. Ganz schön erbärmlich, was ? :)
Hebat.. bagus sekali, Salam dari Indonesia.
I was blown away with Toms camera work at the opening of this video. The colors are so beautiful that I gasped! Good job you two. XX
That pedal part loud enough for you?😅
Woof! Thats something to wake you up. Not a before bedtime piece. The visual design of the organ is impressive, especially how the window is framed. Wonder who did the color scheme.
Чудесная музыка
Quand le ROI DES INSTRUMENTS SE METS A GRONDER,RUGIR,FEULE
NOTRE SPATIO-TEMPOREL SE MET en VEILLE
le PUR BONHEUR NOUS ENVAHIS