You prolly dont care but does anyone know of a tool to get back into an instagram account?? I was stupid forgot the password. I would appreciate any tips you can offer me!
I had the issue that he talks about living from music. I'm a guitar teacher and now I'm starting to produce. At the beginning all was a game, I didn't feel that I was working. But with time I did start having students that don't have passion, that don't put interest, and a few amazing students, that put interest. This is where a lot of teachers frustrate. The thing is that in every job you have, you will have things that you enjoy and things that you will not enjoy. That's normal and people accept it for normal jobs. But when it comes to working on your passion, people have unrealistic expectations that this has to be a wonderfull experience where everything will be ok all the time. If you talk to normal people they will tell you that they don't want to go to work every Monday and that's normal. If you work on your passion you will have moments where you don't want to work as well. I think that the worse inconvenient about living from music, is just not having so much time for normal life.
grande Simone, grazie! Sono contento che nella seconda metà abbia parlato di cose più personali come l'approccio al lavoro, di cui spesso si sentono solo i lati positivi!
... going with two different players and different setups ... is interesting. I thought it would be cool if you can reamp first pair of performances through the same setup and second pair through completely different. This way the rithm gtrs stereo image would sound cohesive (?) I guess, if they have some tembres in common. Like a sunburst paint effect, but two sides have different colours with a smooth transition in the middle. The only thing I tryed so far is trying splitcoil sound on left guitar and full humbucker on the right. Sounds richer!
Never tried that approach but I guess you could do that! As long as the signals are different on the left and right channel, the stereo field will seem wider because they're less correlated. However, I'm not a fan of hearing obviously different tones on the two sides, so I personally do small changes only (or sometimes none, and compensate by creating space in the other tracks with careful EQ moves). I'll have to try more of this in the future tho!
It's more that for the most part the idea of the album as a top to bottom work of art is nearly dead... Especially for artists just starting out and building a brand... If you don't have new content every week people are going to lose interest... Which is why I set my goal at 52 songs in 52 weeks... Which is admittedly much easier for my instrumental electronic music than for my metal work... Mainly because I can't sing or write good lyrics in a quick and easily repeatable manner...
@@FedericoAscariAudio it definitely is, I went in to this a year ago with zero knowledge using a DAW or doing any kind of mixing, just mediocre guitar skills, I also taught myself lead guitar in the same time period... It's been a blast, and hopefully I'm just getting started
Thanks for having me on, Federico. And thanks for writing fantastic songs to help us demo the IR packs.
You're very welcome, thank you for sharing your thoughts with us!
You prolly dont care but does anyone know of a tool to get back into an instagram account??
I was stupid forgot the password. I would appreciate any tips you can offer me!
@Ronin Omari Instablaster :)
I had the issue that he talks about living from music. I'm a guitar teacher and now I'm starting to produce. At the beginning all was a game, I didn't feel that I was working. But with time I did start having students that don't have passion, that don't put interest, and a few amazing students, that put interest. This is where a lot of teachers frustrate. The thing is that in every job you have, you will have things that you enjoy and things that you will not enjoy. That's normal and people accept it for normal jobs. But when it comes to working on your passion, people have unrealistic expectations that this has to be a wonderfull experience where everything will be ok all the time. If you talk to normal people they will tell you that they don't want to go to work every Monday and that's normal. If you work on your passion you will have moments where you don't want to work as well. I think that the worse inconvenient about living from music, is just not having so much time for normal life.
Jens is an ANGEL! nice and kind guy .. god bless you Jens
Hey guys! Thank you very much for this great interview :D I'm really digging the new Lead and Clean IRs!
Thank you very much Antoine, enjoy the IRs!
Great interview. Congrats!!!!
I wonder if Submission Audio's new Flatline clipper would be worthwhile for you to check out, Jens.
Great interview! Lot of great info and nice chat.
Thanks for watching, happy you liked it!
Wonderful interview! Thank you so much Federico! Jens is a living metal legend!
He definitely is! You're welcome, and thank you for watching :)
Very interesting and stimulating interview with a legendary producer. Great job Federico!
Thank you very much!
Interesting interview! Grande!
Great interview!
48:59 Thanks for asking my question! His four year old seems cool
you're welcome!
Cool interview. Thanks for asking my questions by the way!
you're welcome! That one about clipping one was very interesting and Jens replied with tons of details. Thanks for asking!
You can get 15% off on the whole Bogren Digital website by using the coupon code "ASCARI". Enjoy!
bravo Federico! bella intervista, soprattutto sul discorso di essere "cotti" e di come mantenere la passione dopo tanti anni! :)
grande Simone, grazie! Sono contento che nella seconda metà abbia parlato di cose più personali come l'approccio al lavoro, di cui spesso si sentono solo i lati positivi!
@@FedericoAscariAudio si esatto! dopo quasi 20 anni di studio mi ci ritrovo in un sacco di cose che dice!
... going with two different players and different setups ... is interesting. I thought it would be cool if you can reamp first pair of performances through the same setup and second pair through completely different. This way the rithm gtrs stereo image would sound cohesive (?) I guess, if they have some tembres in common. Like a sunburst paint effect, but two sides have different colours with a smooth transition in the middle. The only thing I tryed so far is trying splitcoil sound on left guitar and full humbucker on the right. Sounds richer!
Never tried that approach but I guess you could do that! As long as the signals are different on the left and right channel, the stereo field will seem wider because they're less correlated. However, I'm not a fan of hearing obviously different tones on the two sides, so I personally do small changes only (or sometimes none, and compensate by creating space in the other tracks with careful EQ moves). I'll have to try more of this in the future tho!
@@FedericoAscariAudio sure, just wanted to share a thought on the subject :)
Ma grandissimo!!!!
year after year, Jens looks like he’s becoming Zakk Wylde...
This is not even my final form.
Ha mixato pure i Soilwork
It's more that for the most part the idea of the album as a top to bottom work of art is nearly dead... Especially for artists just starting out and building a brand... If you don't have new content every week people are going to lose interest... Which is why I set my goal at 52 songs in 52 weeks... Which is admittedly much easier for my instrumental electronic music than for my metal work... Mainly because I can't sing or write good lyrics in a quick and easily repeatable manner...
52 songs in 52 weeks is a great way to challenge yourself, you're going to learn a lot if you stick to it. Good luck!
@@FedericoAscariAudio it definitely is, I went in to this a year ago with zero knowledge using a DAW or doing any kind of mixing, just mediocre guitar skills, I also taught myself lead guitar in the same time period... It's been a blast, and hopefully I'm just getting started
I share a similar idea with electro music, keep rockin man!