@@JeydetaJosenOh no, the audio police!!! it doesn’t matter what it’s for, people come up with all kinds of weird things to do with plugins and if it sounds good - it’s good.
You have to be careful with the aliasing, because sometimes high resolutions can harm the track, making them sound darker. You just have to be very careful and always compare!
You kept the link setting to 100%, make sure when mastering to put this to 0% or adjust to taste. 100% means the left/right or mid/side signals are processed exactly the same.
The settings were a little sus, but soothe on your two track doesn't necessarily mean you have to go back to the mix. It can definitely be a useful mastering tool, and although I'm pretty early in my career, both of my mentors (30+ year industry professionals with some pretty wild credits under their belt) recommend soothe2 on the final two track.
it depends on what ur doing. I dont think it would effect timbre/tonal character on a single eq at the end of a master chain (I could be wrong though) but this 100% can happen with saturation / heavy compression
it would be more helpful if you demonstrated how this sounded on a track with a full arrangement like 99% of other masters. The music you have playing doesn't seem to correspond to the session you're showing us.
You should set the quality to the lowest for real time and the max for offline. That way it wont lose performance but the quality will be at the max on the export
@@alsoeris I see what you're saying. For some reason when I read "real-time" I correlated it to latency instead of CPU load lol. Luckily I have a 13900k so I don't have to worry about that.
@@queenpurple8433 If your project can handle it then yes sure go ahead and do it. Just that in most cases you might not be able to have a full project running simultaneously depending on its complexity
But I thought it did nothing? ;) Seriously, though, if it's removing "interesting vibes", it's likely either not the right tool for that particular project or it's user error. Neither of those stop it from having a use case, it's just a tool.
Y'all should check out Reid's studio. This guy owns everything and a c800g. You just heard the music he produces with it. Evidently we are all lacing our shoes wrong. I'm sure he's a lovely human tho.
I really stopped putting anything on the master that affects frequencies, only dynamics, because it usually ruins my kick/bass. How can I be sure that this will not happen with soothe?
That’s what the filters that resemble a high cut and low cut do. They’re input filters so you can force the plugin to ignore your bass and high end transients. 👍
Really? I'm obviously still learning how to mix and master and I am sure I will be doing the same in many more years going forward, but I wonder how you can be so sure concerning something like this if you're asking this question.. (you just have to A/B the change and listen and figure it out using your ears, listening for it, and for that sake use tools to analyze it as well. Test it) You're aware that compression with fast attacks kills transients right?.. eq'in every track seperately is good practice imo. Or doing some bus eq. And yeah compression per track and bus compression is nice too. Having a slow attack bus compressor on the master is nice to. But why not a final EQ shaping before the limiter? Seems like an odd thing to not do as a rule. Why would that ruin your kick and bass? Oh well.
its a resonance supressor, so it constantly reads the signal and kind of auto eqs at the various resonant frequencies, and turns them down dynamically and within the set control parameters. This "soothes" the sound.. hence the name. Can use it as a "de-honker" "de-esser" and so on, so on. Can even use it as a sort of frequency specific sidechained dynamic eq ducker.. In this case.. he didn't really give much of an example. But the settings he chose was with a fast/instant attack, so its instantly reacting to the signals, and with a lil bit of release, so its not letting go instantly. And with low selectivity and sharpness and depth, its very smooth and broad and subtle. Your mileage and usecases might vary. Its one of those tools that might help your mix, master, or individual tracks, or can even be used as a sort of "trackspacer". But the name is quite fitting, it soothes the sound, turns down resonances etc. Takes the edge of shit. :) Good on distorted guitars. And I find it good on vocals for the most part as well. And yes good on a mix/master usually too. But then again. Perhaps you'll find it screws with shit you don't want it to screw with. Who knows. Its one of those annoying tools which is also quite good imo. Really only something you should use in mix and mastering situations. Not during production tho' imo. Its latency heavy.
No! Don’t do that! My actual name is Harley James Benton (this account is a nom de guerre) and I did it first! Or at least, my parents did. We already have too many Harley Bentons on this earth if you consider guitars people, which I do. I wish they’d called me Lester Paul or Strat O’Caster or maybe Vox Continental but no. They give me a name later used on cheap (but good value) mass produced guitars. If I were a women or trans woman, maybe Tiffany Lamp or Chanel Numberfive. But not Harley Benton!
Again paid partnership and again zero explanation to let beginners understand the process. If there's no problem at all, you shouldn't look for it and drop soothe2 on everything yikes. Another worthless video, good job!
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
DU DUU DUUHH DUH DUI DOO DU
💀💀💀
All I heard the whole time & didn't even learn anything, du dudu du duuuuu
Goes hard
Such a hit 🔥
i was about to comment that but you already did that😂
Bros mixing for Charlie and the chocolate factory
Oompa loompa, loompity doo... I've got some audio tricks for you.
😂😂😂@@musicingflowing
😂😂😂😂
i put this shit on everything. secret sauce.
What’s you insta let’s work!
This hurts to read people don’t understand for what is soothe meant for and slap it on everything just because they think it sounds good
@@JeydetaJosenOh no, the audio police!!!
it doesn’t matter what it’s for, people come up with all kinds of weird things to do with plugins and if it sounds good - it’s good.
@@eyeslikeoceansyeaahh of course, i put autotune on my drums and ott on every channel
I sausage fatten everything x2, and then soothe 2 at full amount to round things off.. sounds great I promise
Another lil tip people forget about: make sure you adjust the “quality” to ultra & 4x oversample for offline bounces 😉
Offline bounces? Question also: can u reference a video that shows proper template usage for Logic Pro. Like Alex muley does. His old 2014 template
@@MAMAvsGOD offline bouncing is a thing in Pro Tools
@@MAMAvsGOD bouncing is pro tools terminology but it basically just means exporting a project into the audio file (whether wav, mp3, or whatever else)
You have to be careful with the aliasing, because sometimes high resolutions can harm the track, making them sound darker. You just have to be very careful and always compare!
Never use different export settings for offline vs online. It’ll change the sound when you export it. And maybe not necessarily better
I’m more of a slow attack faster release guy
All about that transients 🤜🤛
Im more of a splash and dash guy. Oh wait
Exactly. Same
pay and spray@@hupekyser
yeahh
From my old days of selling music gear that sounds like a Roland Keyboard Scat sound. The velocity sensitivity determines what skat sound plays.
Someone needs to brostep remix this dooh dooh dooh banger
You kept the link setting to 100%, make sure when mastering to put this to 0% or adjust to taste. 100% means the left/right or mid/side signals are processed exactly the same.
What about instruments and drum buss?
It’s probably my favourite plug in of all time
Yeah, it is the favourite plug for all noobs
@@ewr34certxwertwer so are you pro?
oke but mans didnt explain what it did for the master
Exactly
Dynamically responded to select frequencies and reduced amplitude. It’s called spectral processing. Think of multi-band EQ except way more precise
CPU cries at ×4 oversampling, ultra resolution lol
bro soothe2 looks so good
It is
wow its like changing nothing
One of my favs!!
Crazy setting. If you need this on your bus, you should just go back to your individual track and review your mix
then you clearly dont understand how soothe works lol but i personally ouldnt use it on the master
@@ketai3 kid, play with your mama
@@yangjiyangji how about you go and eat your pet dog
The settings were a little sus, but soothe on your two track doesn't necessarily mean you have to go back to the mix. It can definitely be a useful mastering tool, and although I'm pretty early in my career, both of my mentors (30+ year industry professionals with some pretty wild credits under their belt) recommend soothe2 on the final two track.
@@Lyuzewhat does it do on the master? I'm a bit confused
Careful with that, using too much it kills the some resonances that add to the feel of the song. It has happened to me few times.
My mind blown by a puppet 😂❤
I need to stop to see soothe content on yt, i can't afford 😮💨
It's on rent-to-own now. Worth considering imo.
@@SoDrumatic still a little expensive for me in Brazil, but yeah, worth
Just pirate it
pricey af
Thanks for this trick 😍
Can you explain what it is doing?
Jacob Collier type beat 😅, just got Soothe2 and i’m loving it
thank you
why would you switch to midside after processing stereo? dont follow him for mastering tips lol
I want smoothe 2 this year... hopefully
boy crack ts lmaooo sometimes we gotta trap till we get the money
Be careful with oversampling everything... It might change the sound in a wack way... LISTEN AND JUDGE BASED ON HOW IT FEELS TO YOU
it depends on what ur doing. I dont think it would effect timbre/tonal character on a single eq at the end of a master chain (I could be wrong though) but this 100% can happen with saturation / heavy compression
@@noThankyou-g5c it definitely can affect the tone of an eq on a master chain, oversampling CAN change the sound of anything.
"great for mastering".. proceed to master an acapella song💀💀
What about the mastering preset inside soothe ?
I have been playing du du du du du du, for the last ten minutes lol
it would be more helpful if you demonstrated how this sounded on a track with a full arrangement like 99% of other masters. The music you have playing doesn't seem to correspond to the session you're showing us.
How your arm bend like that?
You should set the quality to the lowest for real time and the max for offline. That way it wont lose performance but the quality will be at the max on the export
If it’s on the master fader it really doesn’t matter, since everything is being fed to the master before soothe anyway.
@@JakeLewisReal I mean, it does matter because if your project isn’t crashing yet it will do now. Good luck with the 50%+ increased CPU load on idle
@@alsoeris I see what you're saying. For some reason when I read "real-time" I correlated it to latency instead of CPU load lol.
Luckily I have a 13900k so I don't have to worry about that.
That can change the sound tho, so at least test what it sounds like on high quality, even if you have to freeze a lot of tracks to do ot
@@queenpurple8433 If your project can handle it then yes sure go ahead and do it. Just that in most cases you might not be able to have a full project running simultaneously depending on its complexity
Don’t forget to decrease the link % for the MS to work :)
You ever work with pro tools
Half of my videos us protools
is this will compatitable with dubstep music ?
Mid Side but still in 100% link 🤔🤔🤔
yeah i saw that too lmao
well he cant tell u what percentage to change it to for every potential song in the world
do you have a longer video on this? a/b-ing the before and after?
What about Spiff; works similar? 😊
S O O T H E
S T H E
T H E
4
I think that we don't do soothe lower than ~100hz
still have no idea how to hear compression nor mastering
Go heavy on compression till you notice a difference
Squash a kick drum with fastest attack and then start slowing the attack and you’ll hear how much impact it adds.
you boosting some random hz for what?
Secret sauce
And that did.... NOTHING congratulation !
Were you expecting soothe to write some fire adlibs over the beat?
Imo it does something, it removes interesting vibes from sounds...
But I thought it did nothing? ;)
Seriously, though, if it's removing "interesting vibes", it's likely either not the right tool for that particular project or it's user error. Neither of those stop it from having a use case, it's just a tool.
Worth the cop?
What I heard "soothe" it has a different meaning in our language Tamil😂 but what it actually does to vocals!?!
What about the 100% link ? Doesn't it affect the separate MS process?
i got 20 days to make the best beats i can! haha
its still soooo damn expensive
bro explain what it does
It reduces harsh frequencies in any sound
Result?
A great tool for people who absolutely suck at mixing and recording.
i mean i guess you can manually set 50 multiband comps instead?
Can you do one for Gulfoss?
I’ve ever used gulfoss beyond a trial demo
Y'all should check out Reid's studio. This guy owns everything and a c800g. You just heard the music he produces with it. Evidently we are all lacing our shoes wrong. I'm sure he's a lovely human tho.
What music software is this?
Ableton live
goated video
I really stopped putting anything on the master that affects frequencies, only dynamics, because it usually ruins my kick/bass. How can I be sure that this will not happen with soothe?
That’s what the filters that resemble a high cut and low cut do. They’re input filters so you can force the plugin to ignore your bass and high end transients. 👍
psssst… compressors and limiters will effect the spectrum too. everything does
Really? I'm obviously still learning how to mix and master and I am sure I will be doing the same in many more years going forward, but I wonder how you can be so sure concerning something like this if you're asking this question.. (you just have to A/B the change and listen and figure it out using your ears, listening for it, and for that sake use tools to analyze it as well. Test it)
You're aware that compression with fast attacks kills transients right?.. eq'in every track seperately is good practice imo. Or doing some bus eq. And yeah compression per track and bus compression is nice too. Having a slow attack bus compressor on the master is nice to. But why not a final EQ shaping before the limiter?
Seems like an odd thing to not do as a rule. Why would that ruin your kick and bass? Oh well.
Is this a troll video or
But what does it actually do in this case ?
its a resonance supressor, so it constantly reads the signal and kind of auto eqs at the various resonant frequencies, and turns them down dynamically and within the set control parameters. This "soothes" the sound.. hence the name. Can use it as a "de-honker" "de-esser" and so on, so on. Can even use it as a sort of frequency specific sidechained dynamic eq ducker..
In this case.. he didn't really give much of an example. But the settings he chose was with a fast/instant attack, so its instantly reacting to the signals, and with a lil bit of release, so its not letting go instantly. And with low selectivity and sharpness and depth, its very smooth and broad and subtle.
Your mileage and usecases might vary. Its one of those tools that might help your mix, master, or individual tracks, or can even be used as a sort of "trackspacer".
But the name is quite fitting, it soothes the sound, turns down resonances etc. Takes the edge of shit. :)
Good on distorted guitars. And I find it good on vocals for the most part as well.
And yes good on a mix/master usually too.
But then again. Perhaps you'll find it screws with shit you don't want it to screw with. Who knows. Its one of those annoying tools which is also quite good imo.
Really only something you should use in mix and mastering situations. Not during production tho' imo. Its latency heavy.
It's like Pro-Q dynamic EQ, except bigger and more automatic
OKay but why not take a proper track to showcase? Now you have it on a soloed vocal again...
just today I sold my license for this crap!!! at least some money recovered
This plugin has a lot of latency i don’t know why…
Whyyyyyy😂
I don’t think you say that word the way you say that word.
Soothe is an actual word, Sooth is a prefix but it’s not what this plug-in is.
Lemme guess, 19639250384938512330948 dollars?
Its £179. At that price 😳 probably no !
I just grabbed on sale for $130 😊
The sale has long ended. Soomth operator by baby audio works well.
😂😂😂
put it on your voxxxx
This is how you kill a mix guys… 😅
Don’t do this
No! Don’t do that! My actual name is Harley James Benton (this account is a nom de guerre) and I did it first! Or at least, my parents did.
We already have too many Harley Bentons on this earth if you consider guitars people, which I do.
I wish they’d called me Lester Paul or Strat O’Caster or maybe Vox Continental but no. They give me a name later used on cheap (but good value) mass produced guitars. If I were a women or trans woman, maybe
Tiffany Lamp or Chanel Numberfive. But not Harley Benton!
Again paid partnership and again zero explanation to let beginners understand the process. If there's no problem at all, you shouldn't look for it and drop soothe2 on everything yikes. Another worthless video, good job!
remove the puppet
Worst possible example song
Terrible advice.
Is this available on my iPhone with GarageBand
You’re never gonna make it
Not yet