Louis Claudel Ok the y at the beginning of that sentence shouldn't be there... However i don't mind mate! Its not everyone's cup of tea and that's fine... However on a side note are you into to traditional or temporary Japanese music?
ARTalive01 Both but more temporary music I guess. I don't really like J-Pop or J-Rock or Visual Key, but actually 90% of my favourite musicians are japanese. I don't really know how to explain it but they have something... mystical... Whenever I hear a song that I like (no matter the style, classical, jazz, hip-hop, Bossa,) I'm always like : "HA ! That sounds japanese !" And 9 times out of 10 I'm right. Just need to feel the music for a few seconds to really understand the "japanese style" and I think it's awesome. If you go on my channel, you'll see I created a playlist called "Japan Spirit" with, of course, only japanese musics. The styles are very different : there's mostly classical, jazz, Hip-hop but also Rock, bossa and even a bit of J-pop and also a lot of anime musics. Maybe you'll find something you might like :)
@@diegosatori5718 Stride is a technique developed by the great jazz pianists of the early to mid-Twentieth Century, where the left hand jumped around the keyboard to try and imitate the full sound a band's rhythm section would do. The right hand was improvising all kinds of flourishes. It's a very virtuosic kind of piano playing. For reference, listen to Art Tatum and Oscar Peterson. Prepare to be blown away.
Czeyner La Mente Musical every time anyone comments on any classical piano piece saying it is hard, it is certain that you’ll reply listing czerny pieces you think are harder.
This is such a surprise find! What a treasure. Under what style music would you place this? I sense a Billy Mayerl grouping with wonderful melody and impulsive harmonic support. Well played, sir. Thank you! (I have favorited this performance)
Замечательная джазовая юмореска... с элементами Ragtime... и финальными пассажами в стиле О. Peterson... Чисто сыграно, почти с точностью до схемы движения маятника метронома... Немножко добавьте кокетства и легкого чувства независимости от классической школы исполнения... Больше раскованности, может быть даже шкодности... ... Очень "вкусная" пьеска... Слушаем сегодня различных исполнителей... В интернете и Real... ... В заключении коммента конечно же 💐💐💐💐 Всеволод
ive been trying to play this piece by my self. so i gots many qustions but i dont have place to ask.first of all using pedal thing..it sounds like never use it.but when i played i uh.. quiet hard to playing soft.someone help me ;(
Accidentals persist between octaves within the same bar, so the B natural from earlier in that bar means you need to play a B natural the octave below too :) However, at 1:45 I believe there is a mistake in the score... There's an A natural in the right hand in the first beat of the bar, but an Ab is played in both the left and right hand later in that bar, without it being notated as such! Had me confused for a bit!
@@charliemarlow647 It's not a mistake! Kapustin has many such cases. Here, the A natural is a play around B flat. But there is a mistake by the performer: in the second measure, the penultimate note should be with a flat.
@@user-ut2gc5jl8z Ahh, sorry, I mean the A natural at the beginning of the bar is correct, but later in the same bar the performer plays an Ab when the score doesn't say to. I'm pretty sure the performer's playing it right because it sounds good to me, but not sure why the flat isn't written in in the score. Also, which note is this you're talking about that should be with a flat? Do you mean the Bb as the penultimate note of the second bar on the page? It sounds like the performer's playing that right to me.
@@charliemarlow647 In measure at 1:45, which we are discussing, the next A is played by the left hand. A natural before A is absent in the left hand score, so A flat is played. As for the second measure of the etude, I meant the penultimate note of the right hand - F. The performer had to play F flat instead of F natural.
@@user-ut2gc5jl8z I spent this last weekend going through the score making sure I was playing it right and turns out there were several notes I was playing incorrectly! Apparently actually reading the score and not listening to the performer pays off! One of them was the Fb in the second bar, so thanks for pointing that out! With 1:45, I'm sure I learnt that accidentals persist between octaves and staves within the same bar, so it's written in the score as an A natural, but the performer plays it as an Ab, which sounds right to me. I'm still not sure about this note, so think I'll have to go off and listen to a performance by Kapustin himself to clarify...
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
+ferhuer89 It's about how the music feels good. Moderate or faster tempo jazz is supposed to be more in-tempo, since you are supposed to be able to feel the beat and groove with it. Even slower jazz, while incorporating more rubato, also introduces a sense of time. It's not about how metronomic it is or not. Either way, it was very expressive, so I have no clue what you're talking about. Furthermore, this is more jazz-influenced classical music, rather than the other way around.
I'll post a video when I'm ready to perform it. I'm a jazz pianist, this isn't classical music for me. Pure jazz, even if adapted into a format. Solo jazz piano with rootless, jazz left hand voicings, extensions of 9's, #11's and 13's.
Konstantin Semilakovs The way you play this piece is an absolute delight. I keep returning here to listen to you. Please ignore the comment from ferhuer89. He is only someone with a nasty mean spirit. I have listened regularly for the last ten years, to many performances of Kapustin's music. Your interpretation is full of variety with a perfect understanding of every phrase and the way one section of the music either contrasts or connects with another.
Видеоклипы
It feels like drinking wine while watching the night view of the city in Sky Lounge.
He died yesterday.. ): r.i.p.
Well, I never heard of Nikolai Kapustin before today, and now I want to hear everything he wrote. Loving that jazzy sound!
@@joeyblogsy Uhm, no?
instablaster.
also check out Etude 6 (and all of them)
the stride part at the end really seals the deal. well done.
sophisticated, camp, a bit crazy, above all: magic! - in two words: simply: wonderful!
what the fuck...amazing composition and interpretation
@Shostacovid-19 yes I also agree
柔らかい演奏で好きです！
Perfect tempo and touching!! Best interpretation of 40,7!!
Kasputin performed it better
fantastic an inspiring performance!
This is unbelievably good!
Beste version überhaupt!!! Well done!!!
Wonderful articulation!
I'm a new fan - for life.
Fantastic!!!
진짜 짱좋다 🥺🥺
beautiful...
Ich bin beeindruckt👏👏👏!!
This song is always the best.
OH my... I louve your play so much it is so amazing :O
Very nice. It feels like what I fly the sky :) I'm from korea
Such a wonderful and relaxing piece... fun to listen to while i study, which soon i will have to again.
ikr. Working right now and it does really fit :)
Louis Claudel
y calming kind of like listening to Planet Caravan by black sabbath late at night.
ARTalive01 mmmh I'm not that much in Black Sabbath stuff honestly, more in japanese music but yeah, i see what you mean ^^
Louis Claudel
Ok the y at the beginning of that sentence shouldn't be there... However i don't mind mate! Its not everyone's cup of tea and that's fine... However on a side note are you into to traditional or temporary Japanese music?
ARTalive01 Both but more temporary music I guess. I don't really like J-Pop or J-Rock or Visual Key, but actually 90% of my favourite musicians are japanese.
I don't really know how to explain it but they have something... mystical... Whenever I hear a song that I like (no matter the style, classical, jazz, hip-hop, Bossa,) I'm always like : "HA ! That sounds japanese !"
And 9 times out of 10 I'm right.
Just need to feel the music for a few seconds to really understand the "japanese style" and I think it's awesome.
If you go on my channel, you'll see I created a playlist called "Japan Spirit" with, of course, only japanese musics.
The styles are very different : there's mostly classical, jazz, Hip-hop but also Rock, bossa and even a bit of J-pop and also a lot of anime musics.
Maybe you'll find something you might like :)
nice work
what a beautiful and exciting flirt between classical music and jazz, performed in the right spirit.
손열음님의 카푸스틴과는 또 다른 느낌인데 좋다ㅋㅋㅋㅋ
This Intermezzo Etude = the mother of all stride piano pieces!
What is Stride piano pieces?
@@diegosatori5718 Stride is a technique developed by the great jazz pianists of the early to mid-Twentieth Century, where the left hand jumped around the keyboard to try and imitate the full sound a band's rhythm section would do. The right hand was improvising all kinds of flourishes. It's a very virtuosic kind of piano playing. For reference, listen to Art Tatum and Oscar Peterson. Prepare to be blown away.
This is one of my favorite pieces I wanna play but it’s not easy even to read music.
keep going bro. You can do it
wow
R.I.P maestro
Nice piece; I call it 'easy breezy. For short. Rip 2021 may 1
I'm studying this right now... the thirds fourths and sixth are so crazy but fun !!
study it, is amazing!
Crazy? Or fun?
Easy compared with Czerny Op.365 Etude 14, 15, And any Etude in this book
Czeyner La Mente Musical every time anyone comments on any classical piano piece saying it is hard, it is certain that you’ll reply listing czerny pieces you think are harder.
@@shivankmenon4722 It cracks me up everytime lol
대박 진짜 내 스타일 근데 못치겠네 어렵다 ㅠㅡㅠ
뒷부분 3도 연속으로 나오는 부분 좌절
Wow well done! I hope to be at the level to play this someday. Working on a few of his preludes now though :) #babysteps
How is it going? Hope you made it!
@@Filigraana I learned five of them! Pretty challenging but I got through em 😊 thanks for asking!
@@austinharris4 wow, that’s amazing! Congratulations 👏
This is such a surprise find! What a treasure. Under what style music would you place this? I sense a Billy Mayerl grouping with wonderful melody and impulsive harmonic support. Well played, sir. Thank you! (I have favorited this performance)
Formidable pianist!
Замечательная джазовая юмореска... с элементами Ragtime... и финальными пассажами в стиле
О. Peterson...
Чисто сыграно, почти с точностью до схемы движения маятника метронома...
Немножко добавьте кокетства и легкого чувства независимости от классической школы исполнения...
Больше раскованности, может быть даже шкодности...
...
Очень "вкусная" пьеска... Слушаем сегодня различных исполнителей... В интернете и Real...
... В заключении коммента конечно же 💐💐💐💐
Всеволод
It was wonderful, can you inform me where can I find a free pdf piano sheet of this work?
유튜브에 있는 카푸스틴 에튀드7번 중에 젤 좋은거 같아요
ive been trying to play this piece by my self. so i gots many qustions but i dont have place to ask.first of all using pedal thing..it sounds like never use it.but when i played i uh.. quiet hard to playing soft.someone help me ;(
karoline Kim Try to use a rithm pedal :) and also in someparts maybe, but always seeing the harmony (sorry my bad english i'm brazilian haha) ^^
この曲弾けるように頑張りたい
handsome guy XD
On the third and fourth measures at 0:45 in this video Kapustin forgot to add a natural accidental to the lower B notes but he plays B natural.
Accidentals persist between octaves within the same bar, so the B natural from earlier in that bar means you need to play a B natural the octave below too :)
However, at 1:45 I believe there is a mistake in the score... There's an A natural in the right hand in the first beat of the bar, but an Ab is played in both the left and right hand later in that bar, without it being notated as such! Had me confused for a bit!
@@charliemarlow647 It's not a mistake! Kapustin has many such cases. Here, the A natural is a play around B flat.
But there is a mistake by the performer: in the second measure, the penultimate note should be with a flat.
@@user-ut2gc5jl8z Ahh, sorry, I mean the A natural at the beginning of the bar is correct, but later in the same bar the performer plays an Ab when the score doesn't say to. I'm pretty sure the performer's playing it right because it sounds good to me, but not sure why the flat isn't written in in the score.
Also, which note is this you're talking about that should be with a flat? Do you mean the Bb as the penultimate note of the second bar on the page? It sounds like the performer's playing that right to me.
@@charliemarlow647
In measure at 1:45, which we are discussing, the next A is played by the left hand. A natural before A is absent in the left hand score, so A flat is played.
As for the second measure of the etude, I meant the penultimate note of the right hand - F. The performer had to play F flat instead of F natural.
@@user-ut2gc5jl8z I spent this last weekend going through the score making sure I was playing it right and turns out there were several notes I was playing incorrectly! Apparently actually reading the score and not listening to the performer pays off! One of them was the Fb in the second bar, so thanks for pointing that out!
With 1:45, I'm sure I learnt that accidentals persist between octaves and staves within the same bar, so it's written in the score as an A natural, but the performer plays it as an Ab, which sounds right to me. I'm still not sure about this note, so think I'll have to go off and listen to a performance by Kapustin himself to clarify...
🖒🖒🖒🖒🖒
0:07 START
0:07
Is it record version? or live?
I want piano synthesia
0.29 there is an error on the right hand of the score.
Oh my fucking god what i've just heard ??
カプースチンって弾く人クソ選ぶけどこの人は超選ばれてる珍しい
RUclipsで選ばれしものはこの人と韓国人みたいな女の人くらい
If the song were Mephisto, I would hand over my spirit!!
И вроде все ноты на месте'а не то
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
@@georgescancan7503 shut up
Педали там меньше на двойных нотах и бас ходить должен 'как контрабас
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
@@georgescancan7503 shut up
Педаль надо убрать
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
@@georgescancan7503 shut up
Не той манерой сыграл Константин сыграл'не джазовой в стиле Шопена'не хватает' остроты ритма' гротесковости'кача джазового нет'слишком академично ))
Hello Vanya! When will you finally play this work yourself? We will be pleased to evaluate and say whether you are a real pianist or you are a chatty theoretician!
@@georgescancan7503 ???
Awfully metronomic and without any kind of expressiveness.
Congratulations for slaughtering Kapustin jazz!!
Keep in mind, Kapustin is still classical, not jazz, even though he wrote very jazzy compositions.
+ferhuer89 It's about how the music feels good. Moderate or faster tempo jazz is supposed to be more in-tempo, since you are supposed to be able to feel the beat and groove with it. Even slower jazz, while incorporating more rubato, also introduces a sense of time.
It's not about how metronomic it is or not. Either way, it was very expressive, so I have no clue what you're talking about. Furthermore, this is more jazz-influenced classical music, rather than the other way around.
I'll post a video when I'm ready to perform it. I'm a jazz pianist, this isn't classical music for me. Pure jazz, even if adapted into a format. Solo jazz piano with rootless, jazz left hand voicings, extensions of 9's, #11's and 13's.
Konstantin Semilakovs
The way you play this piece is an absolute delight. I keep returning here to listen to you. Please ignore the comment from ferhuer89. He is only someone with a nasty mean spirit. I have listened regularly for the last ten years, to many performances of Kapustin's music. Your interpretation is full of variety with a perfect understanding of every phrase and the way one section of the music either contrasts or connects with another.
I find it perfect
0:07 start
0:07
0:07