Great video chef, love how you showed that it's possible to add articulations in the Score Editor. Would have loved to see how that translated into the Expression map view in the Key Editor in the bottom panel. Also, what if we exported an XML file from Dorico into Cubase, might that keep the dynamics?
Missed the livestream AGAIN! With all the trouble I have wth channel switching I sure would like to what happens when trying this operation with Key Switching. I'm a little lost with this at the moment.
You were missed! Using key switches is very similar to what I outlined in this video. But, instead of setting a channel and CC 70 value for each articulation (in your Cubase exp. map), you’d set a ‘Note On’ message that matches the key switches you want that articulation to trigger.
Thank you for your videos. What about the delay per articulation? This is not transfered to Cubase since there is no delay per articulation fearure in cubase. Makes me wonder whether Dorico or Cubase is the right software to set up Big Orchestral Templates. Since you use so much both of them could you elaborate on that?
This is a really important difference between Cubase and Dorico expression maps. My ‘workaround’ is that importing MIDI from Dorico will have the actual MIDI notes offset based on the per-articulation delay that was set in the Dorico expression maps. IMO, Dorico is the best place to setup big orchestral templates. Others might disagree :). But, for me Cubase is suitable for the mixing and editing stage only.
Great video chef, love how you showed that it's possible to add articulations in the Score Editor. Would have loved to see how that translated into the Expression map view in the Key Editor in the bottom panel. Also, what if we exported an XML file from Dorico into Cubase, might that keep the dynamics?
Missed the livestream AGAIN! With all the trouble I have wth channel switching I sure would like to what happens when trying this operation with Key Switching. I'm a little lost with this at the moment.
You were missed! Using key switches is very similar to what I outlined in this video. But, instead of setting a channel and CC 70 value for each articulation (in your Cubase exp. map), you’d set a ‘Note On’ message that matches the key switches you want that articulation to trigger.
Thank you for your videos. What about the delay per articulation? This is not transfered to Cubase since there is no delay per articulation fearure in cubase. Makes me wonder whether Dorico or Cubase is the right software to set up Big Orchestral Templates. Since you use so much both of them could you elaborate on that?
This is a really important difference between Cubase and Dorico expression maps. My ‘workaround’ is that importing MIDI from Dorico will have the actual MIDI notes offset based on the per-articulation delay that was set in the Dorico expression maps. IMO, Dorico is the best place to setup big orchestral templates. Others might disagree :). But, for me Cubase is suitable for the mixing and editing stage only.