Beethoven - Piano sonata n°32 op.111 - Richter Rellingen 1991
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- Опубликовано: 23 июл 2024
- Ludwig van Beethoven
Piano sonata n°32 op.111
I. Maestoso. Allegro con brio ed appassionato 0:00
II. Arietta. Adagio molto semplice e cantabile 8:55
Sviatoslav Richter
Live recording, Rellingen, 25.X.1991 
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An aged Richter, physically diminished, and no longer able to fully match the punishing demands of the score. But digging ever deeper and soaring ever higher. There will never be one like him.
The second part, the "Arietta" reveals through the majestic playing of Richter all the "rooms", the colors, the innovation, the thoughts and feelings of Beethoven..You hear Richter and you feel every tone as if it is a part of a magical world, in which fantasy, feeling and reality amalgamate in one body.
In the first movement, quite contrapunctical, Richhter gives a maximum understanding of the various lines, and of the contrast of intensities linked to contrasts in writing. In the second movements, he understands perfectly how a decorative element, such as the trill, becomes a thematic one step by step. A masterwork of rendition and understanding !!!
thank you !
Une vraie merveille...
Überzeugende live Aufführung dieser einzigartig komponierten Klaviersonate im lebhaften Tempo mit perfekt artikuliertem Anschlag und völlig effektiver Dynamik. Unvergleichlicher Virtuoso im wahren Sinne!
.....and again..... i have no words....
Escribir sobre Beethoven es hacerlo con la propia sangre tanto cuesta dar sentido a las palabras sin malograr su música. Ponerse en el teclado para tramar un texto es saber que las yemas arderán y solo en carne viva se tramarán las letras. Precio nimio, contrapuesto al que él pagara. Media vida construyendo este ingente monumento, con acertado tino, hasta eximirle de toda contingencia técnica y humana. Aquí podemos sentirlo. En esta su última sonata, logra una libertad formal pasmosa. Redimido tras el primer tiempo de la sujeción propia a la sonata, ya en el segundo movimiento con el brío de la gran ola que en su ir y venir se crece y acaba. Recuerdo los versos de Octavio Paz que me susurrabas al oído: «el mundo sale de sí mismo/ y se contempla, puro, desasido del tiempo» . Así vivo esta elevación gigante, atemporal, labrada en el delirio y, a modo de trance, clavarse en el silencio. Según Borísov, Sviatoslav Richter decía que para tocarla «hay que lanzarse al piano directamente, casi in haberse sentado, ¡como si estuviera poseído!» . Remedando al poeta, tras la sonata concluías a sabiendas de que todo tiene un final: «Entrevisto secreto:/El mundo desasido se contempla,/ ya fuera de sí mismo, en su vacío ».
...c'è un accenno al tempo di regteim....in anticipo di un secolo ! Geniale!!!
TREMENDAMENTE GIGANTE
Thank you very much for this
Richter is Richter. No comments.
Imprescindible para mi Museo
Pennellate di suoni: qui si sta dipingendo un sogno...il sogno di una vita.
Arietta....it's unbelievable, unbelievable
and again ...... this is unbelievable, unbelievable.....!
There is a mysterious process in which the rythm accelerates to become a trill, a decorative feature which has actually a thematic value. This is a part of the alchemy of the last works of Beethoven, which we retrieve in the last quartets.
thank you !
I wish he'd allow himself to use some pedal in the third variation
As good as Novaes or Eisenzopf or Gilels or Backhaus. Each one a marvel. Hoomeyow!!
Ok, ok, this is also very good, but, not even close to his 1975 Moscow live recording. For me, that one , the 1975 Moscow version is the best ever heard version of this sonata.
Better than Leipzig in 1963? Why?
@@jamesnickoloff6692 Thank you for letting me know this recording! I Didn't know this recording. Great great!!. and yes, the first movement I like better in the 1963 version. 2nd mov. I still like the 1975 version.