Right! Thats my weekend taken care of!!! Im not easing up until i have this DOWN PAT!! This WILL take me to the next level! What i've been yearning for! Thank you Elijah!
This is an excellent video! I got so much out of it. It's cool noticing how a Maj7b5 chord has the same notes as a rootless b713 chord and a b7#9#5. It happens at 6:14 where you have the rootless voicing moving chromatically. Ebmaj7b5-Dmaj7b5 equaling to Rootless F13-Bb#9#5. I love these simplifications of more advanced concepts because now I can memorize every voicing of Maj7b5 and use that chromatic movement on the fly. I think the next episode could be about rootless voicings, talking about them as shapes which can function in multiple ways depending on how you imagine them over the bass notes. Talk about why transposing them into every key and memorizing can help on the fly passing chords and movements with deeper harmonic context. Hope that makes sense!
Thank you sir for the teaching and lessons you give us here. Honestly speaking my playing have started sounding like urs 😂😅. I like the chromatic passing using diminish maj 7and dominant chords
Great Vid Elijah! Learnt something new. I was just wondering for the chromatic dominant movements, ik you play the dominant in the LH but what chords do you play in the RH or how do you form them everytime? Thanks a lot
Hey! You are right about that, the Diminished Major 7th chord can also be looked at as the dom13b9. The reason why I used the term dimMaj7th is because of the root note. If the root note matches with the first note of the diminished chord then I would call it by that name. If the voicing is functioning as a dominant chord or lets say I'm playing a CdimMaj7/D then I would call it a dominant chord. Thanks for pointing that out!
I have a question, I’m interested in the monthly membership but I want to know do you have to option to cancel after 6 months or 3 etc.. I didn’t see that on the site? P.s I appreciate all that you do & your teaching, you’re great! 👌🏾
Good morning Kim! When you sign up for the Academy there is a monthly option and an annual plan that you can sign up for. If you choose the monthly membership you can cancel at any time. Hope to see you in the academy soon!
Thank you sir for the teaching and lessons you give us here. Honestly speaking my playing have started sounding like urs 😂😅. I like the chromatic passing using diminish maj 7and dominant chords
Right! Thats my weekend taken care of!!! Im not easing up until i have this DOWN PAT!! This WILL take me to the next level! What i've been yearning for! Thank you Elijah!
I love how you break it all down!
Thank you for allowing God to use you to help gospel musicians all over the world. It would have been impossible to learn this on their own.
Is God = RUclips 😂
Man. what a gift. Best piano lesson I've ever taken. Thank you
This is an excellent video! I got so much out of it. It's cool noticing how a Maj7b5 chord has the same notes as a rootless b713 chord and a b7#9#5. It happens at 6:14 where you have the rootless voicing moving chromatically. Ebmaj7b5-Dmaj7b5 equaling to Rootless F13-Bb#9#5. I love these simplifications of more advanced concepts because now I can memorize every voicing of Maj7b5 and use that chromatic movement on the fly. I think the next episode could be about rootless voicings, talking about them as shapes which can function in multiple ways depending on how you imagine them over the bass notes. Talk about why transposing them into every key and memorizing can help on the fly passing chords and movements with deeper harmonic context. Hope that makes sense!
Thank you sir for the teaching and lessons you give us here. Honestly speaking my playing have started sounding like urs 😂😅. I like the chromatic passing using diminish maj 7and dominant chords
Great Vid Elijah! Learnt something new. I was just wondering for the chromatic dominant movements, ik you play the dominant in the LH but what chords do you play in the RH or how do you form them everytime?
Thanks a lot
appreciate your work. what you call the dimMaj7 is actually a dom13b9 chord. voiced from the b7 in the left hand.
Hey! You are right about that, the Diminished Major 7th chord can also be looked at as the dom13b9. The reason why I used the term dimMaj7th is because of the root note. If the root note matches with the first note of the diminished chord then I would call it by that name. If the voicing is functioning as a dominant chord or lets say I'm playing a CdimMaj7/D then I would call it a dominant chord. Thanks for pointing that out!
This is nice nice man..
What was your favorite passing movement from the video?
that was crazy
Do you do private lessons?
I have a question, I’m interested in the monthly membership but I want to know do you have to option to cancel after 6 months or 3 etc.. I didn’t see that on the site? P.s I appreciate all that you do & your teaching, you’re great! 👌🏾
Good morning Kim! When you sign up for the Academy there is a monthly option and an annual plan that you can sign up for. If you choose the monthly membership you can cancel at any time. Hope to see you in the academy soon!
Take it easy bro😂😂❤ 0:54
my man
💪💪💪
hi brother how can I get the software that displays the agreements I really need it
We use an app called chordie. Here's the link to purchase: gumroad.com/a/526346707/lmSkV (Mac Version)
gumroad.com/a/526346707/ZBQGv (Windows Version)
❤
Let us know what you want to see next!
Nice. What piano patch??
Thanks for watching! It's the bright piano patch from Keyscape
You're a great musician but you move to fast.😢
You don't explain the theory behind your chords.
Thank you sir for the teaching and lessons you give us here. Honestly speaking my playing have started sounding like urs 😂😅. I like the chromatic passing using diminish maj 7and dominant chords