How To Sing High Notes - Light To Full Mix - Tyler Wysong
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- Опубликовано: 3 апр 2020
- #SingingLessons #VocalCoach #HowToSingBetter
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Best mixed voice teacher on the internet... Directly to the point!
That means so much! Thank you! I am humbled.
"There's not a problem he can't fix, 'cause he can do it ...in the mix" (buh dum tsss!)
my mixed voice always sound heady. :D lol but it become easy for me to reach 5th octave
You're the best mixed voice teacher. And I can also learn English from you. Thank you so much. I'm watching your videos from Japan.
Thank you! 😃
Great insight of mix voice! Beautiful voice!
Thanks man. Good stuff
Best explanation. Thanks.
This is literally everything I want to learn; the ultimate destination of my vocal journey
Very nice. Thank you for your Support. 😊👍
Keep doing great !
This is great! Now I finally know when I'm actually in mix and when not! You just saved me a lot of trouble and thinking my man, thank you so much!
thankyouuuuuu
Excellent
Been waiting for this video the whole time.Thank you Tyler. You're the best
Hope you enjoyed it!
Your room has a little reverb to it. I find singing in a lively room helps me relax as opposed to singing in a dead room.
Great job, Tyler. I'm really happy you pointed out the connection of one's emotional intention with the sound that comes out. It's really important and a facet that is often overlooked. Keep putting out this great content!
I've heard nothing but great things about you my friend! Thanks for the kind comment. Yes I totally agree, focusing on the emotional intention is such a game changer!!
You have great control over your voice. I'm still trying to get there. Nice lesson :)
You can do it!
Thank you coach
🌻🌻🌻
You are welcome!
Another great vid. The more you sing in them the better they are
Wow, thank you!
Thanks Tyler. Great lesson. Thankyou for sharing.
My pleasure!
Great video, really loved how you talk about the psychological relationship between posture and singing. A few things you might find interesting:
Regarding accelerating the air versus generating subglottic pressure, we may talk about two additional relevant variables, which are the source impedance (the resistance the vocal folds offer to the exiting air) and the pulmonary power (power generated by the expiratory muscles). The pulmonary power is the product of flow and pressure, so it is actually the same muscular actions of the expiratory muscles that create pressure and accelerate the air. The difference is not created from expanding the ribcage, but from glottal compression: Source impedance is the ratio of pressure to flow, so that for a given pulmonary power, greater glottal compression means more subglottic pressure and less flow. Why does the ribcage move outwards, then? It is partly the expansion from the inspiration and partly the intraabdominal pressure pushing the diaphragm upwards, raising the pressure and pushing the ribcage just a bit further outwards.
It seems unlikely that the tongue is pushing down the larynx, given that the muscle we use to depress the tongue is the hyoglossus which is actually situated above the hyoid bone and if anything would pull upwards on the larynx. Instead, it seems likely that the larynx is pulling the tongue downwards, so that to lower the larynx without getting a swallowed tongue position, you will need to contract the styloglossus and/or palatoglossus muscles. Great opera singers can be seen doing this: The back of the tongue widens and the tip retracts from the lower teeth. This is the action of the styloglossus.
You mention the neutral larynx and the importance of constricting the pharynx. You may be interested to know that these are connected. Not only is pharyngeal constriction a way of tuning the first formant which would be in competition with tuning by raising the larynx, the greater space in the oropharynx promotes thyroid tilting, which is associated with pharyngeal constriction and twang for clarity. Your puffy cheeks lip buzzing exercise is great for developing this - the puffing of the cheeks prevents nasal twang (since nasal airflow would prevent the intraoral pressure from rising sufficiently to puff out the cheeks), and it being an SOVTE means it doesn't lend itself to the styloglossus solution (styloid twang, if you will), so the only remaining option for getting proper twang is pharyngeal twang, which is great for mixed voice (as is nasal twang for a slightly heavier mixed voice, with styloid twang mostly being useful for high belting and for using a fuller chest voice in covered timbre.) You can keep the pharyngeal constriction with a higher larynx by raising the soft palate correspondingly, but combining a high larynx with a low soft palate will tend to remove the pharyngeal constriction and the thyroid tilt will not occur until higher.
wow i really will try this thank you😍😍
Most welcome 😊
Very nice explanation Tyler.
Thanks for this video a lot of interesting ideas
stay safe ! :)
My pleasure!
Totally wish you taught in the sf area…seriously
*Queen of Asia's Goddess Vocalist Sohyang*
*Queen of Mixed Voice in the World*
*Queen of Support in Most Range in the World*
*Queen of Healthy Technique in the World*
*Queen of Angelic Head Voice in Asia*
*Queen of Octave Jump in Asia*
*Queen of Key Change in Asia*
*Queen of Destroying 5th Octaves in Asia*
*Queen of 5th Octaves in Asia*
*Queen of Resonance in Asia*
*Queen of Fast Vibrato in Asia*
*Queen of Gospel in Asia*
*Queen of Consistency in the World*
*Queen of Vocal Bible in Asia*
*Vocal Goddess in Asia*
People may debate & question about her sound/tone before & during her prime (ugly,thin watsoever haters may say) but for me, Sohyang's voice is something to look forward because of the technique ,originality(in terms of arrangement & interpretation different from typical singers), and the surprise that she has under her sleeves ...🥰💞😍🥳😘☺️
God bless you, you really dont know how much difference this video has made on my voice. Finally!
I can slide to highs so easy, but only loud. Hope this helps, because when I work with dynamics I crack and losing control every time.
Yeey!
Now i can sing g#4 easily after practise puffy check and That how you get in mix video daily.. plus i also practise ragas of indian classical music , so that i can develop good agility. I practise lower notes daily to soften my voice and develop good compression.
Thanks for everything tyler❤❤❤ you made voice so great in terms of developing range.
Absolutely!
omg this lesson made my throat hurt so bad, i was told you shouldnt be so loud with your head voice, how can you sing so loud?!
How to boost the middle zone between 1 and 2 harmonic on "A" vowel? "Ee" [i] by itself boosts 1 harmonic with 1 formant, when i'm getting to C4. But "A" and "O" - 1 formant sometimes boosts zone between 2 and 3 harmonic). Should i try to bring "A" spectrogram closer to "Ee"?
Hi Tyler , can you a demo of Open Arms
The quality of this channel is outstanding have you learned singing with an opera teacher?
Thank you very much. I've had several amazing teachers along the way. i initially was trained by Brett Manning from the Singing Success method but I have taken a few lessons from Ken Bozeman somewhat recently who is a classical teacher.
I can get up pretty high on ee and oo sounds... but Oh and Ah and even eh... cuts off. If feels like a very different instrument on the open vowels. The tongue drops in the back to make that open sound... but that seems to kill the upper range. What issue does this point to and what do you do to fix? any ideas? Thanks for the GREAT vid. you are REALLY good and learning a lot.
once again you've provided critical information i had no idea i needed. thank you man.
would love to hear more about microphone singing techniques -- breathiness / low level mix voice / etc. from you.
also i bought that book -- any other essentials i should read?
also -- any exercise to help triage too much breath support?
Ok sounds good! I am a big fan of both of Ken Bozemans books, if you want to get your mind blown then check out Donald Miller's Resonance in Singing, that book has been a huge revelation for me, although it is quite a complex read at first, just FYI.
Hey!! I love your videos, they’re so informative and you have a good way to explain things. What do you recommend to light voices in general? Male voices to be exact. Any tips to gain weight in the voice? Are you planning to make a video on strengthening the chest voice and belting range for men? Thank you!
I'm not a fan of "belting" I teach mix voice, but thats just me personally. However I do think that the mix voice can be just as powerful as a "belt".
Thank you so much brother, i think my problem was that wasn't singling with my normal voice. My question is, why do female singers' mixed voice seem similar to their chest voice? Like amy lee from evanescence? Cuz whe she belts she still sounds in her chest voice or so seems, any tips ?
Hi Tyler. Can this technique work for singing in F5 or Higher Notes? I mean for male. I want to sing like Dimash-All by myself
King
Why thank you!
Keep doing this! I'm sure you'll be training the best singers around the world one day (if you are not doing so already xD)
Thank you for the kind words!
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Hey Tyler, I'd love to see a video on chest voice/cord closure. I know I'm in the minority as a male, but my super high range (B4 and above) has always been a breeze for me and I can sing like The Darkness with incredible ease and resonance but everything below has always been a huge struggle to connect my vocal cords. Singing songs even entirely in my chest voice which supposed to be my comfortable range has become such a chore and leaves me tense and struggling after only a few minutes.
same
How do I guarantee that I am using a balanced mix instead of say, dragging my chest voice up unhealthily? Is there a sign that what I am doing is 'wrong'?
I can't get the resonance right can you make a tutorial on how to resonate correctly in head/mix voice..
In order for you to resonate anything you first need your vocal cords coming together in the right way, So I would spend some time working on cord closure exercises and semi occluded exercise, both of which I have made many videos on this channel about.
I love your exercises...I discovered you about two weeks ago and for the first time in my life I think I understood what mix is and I'm almost sure I've felt the difference between my mix register and my falsetto one...My mix voice is still airy and powerless but I think it's right because I feel it connected with my chest one without breaking or yodeling...the only question is: Is it normal that my mixed voice is airy and powerless at this moment of my training, cause I never sang in mix register? Is it only about time to allow my vocal folds to become toned for that specific movement required for mixing voice? Am I right?
It is normal in the beginning for it to be weaker but as long as you are doing the right types of exercises and doing them properly then it will get stronger.
I’m always so impressed by your mix voice. It’s the mega goal for me to get that full sound. My voice wants to go into head voice constantly because it’s so damn easy and comfortable for me to sing that way and I tend to resort to a more classical style of singing. Definitely practising to mix with your exercises so I can get more power and “belty” quality in my upper range without technically belting.
Awesome keep at it!!
help i have a rare case my mix is very low to the point thta when i belt with my chest i just go higher than my mix i know it sounds impossible because mix is between the chest and the head but i am pretty sure that this is my mix and it's range is extremly small like about 3 notes so ican't use ut for high notes help please please 😢
I already watched it for ten times more since I can produce the mix and sometimes you will notice missing some important parts such as the high rib cage and stay tall. The sense of genuine expression and excitement needs to be held when doing that heavy mix voice and compression.
Singing is not just vocal cords movement, it takes the coordination of the whole body
Can you do an example of how ariana grande would mix in belt? Obviously she's a girl but the mechanics are the same
Yesssssss GREAT IDEA
If I can get her on here to talk about it then sure!
@@tylerwysong she should come😂🔥
I have a question about the "AH like in Happy Birthday" exercise. I noticed that most exercises for learning twang use the letter 'n' and feel very in-the-nose like "nah nah nah". But if I just sing "ah" like in Happy, it feels more like it's in the back of the throat. I've been able to make similar belty sounds both ways, but is there any difference?
Nasal isn't twang, but it can help take pressure off of the voice. Twang happens when the pharynx narrows. But in pop or musical theatre there are no rules only tools, so experiment with both. There are so many variations, I like to think of them as colors to paint with as opposed to which one is right or wrong. As long as it feels comfortable and sounds good then it is good!
@@tylerwysong I really appreciate the reply. There are a lot of warnings out there about damaging your voice if you do x or y, so sometimes I wonder if techniques that feel good are actually still bad.
What was your range before mix??? I can hit an A and A# rarely but crack all the time on them and want to go higher
My range was decent, I was hitting G#'s and A's but I would loose my voice constantly and my throat would hurt and the quality of my tone wasn't amazing.
@@tylerwysong Thanks for replying.. just one more if you don't mind does the 'soft' sound you start with in mix sound like a falsetto but feel a bit like the tension of chest voice?
@@user-iy3jt2oh5b I would say I think so! I don't feel tension per se, but I do feel a could type of pressure, down in my lungs and near my ribs, but not in the throat.
@@tylerwysong ok thank you very much for replies I'll try
@@tylerwysong Were these notes in 3rd or 4th octave?
the part when you talked about larynx being down all the time, thats when I remember Brendon Urie. Is it the same the way he he sing and can you explain some of the techniques because he has low range too and yet he still singing like a diva
P.s. Cu'z I hear some resemblance on your voice with his voice on a certain range
No Brendon Urie is great! I'm talking about the excessive low larynx dopey sounds. I did those for years and possibly there was some benefit from doing that but ultimately we need to move away from those unfinished sounds and start making our sounds, the sound the we are unaffected, unhindered, and purely authentically us. Yea I'm a big fan of the way Brendon Urie sings, he's fantastic.
Can we sing with our own voice up to C5 without any mixvoice , headvoice or falsetto ?
That is a terminology minefield right there. I don't disassociate my mix voice from my real voice, I think it's my real voice just being used in a balanced and efficient way. So it completely depends on what you believe to be your "real" voice.
@@tylerwysong thank you so much for your answer .
Hello Tyler..
Yadu this side
Got introduced to your channel through a friend of mine n I must say it super cool..
I'm from India n I have got a little bit of Indian classical training. This video talking about mix helped me a lot. But I'm stuck with a particular issue.. I'm finding it easy to use the proper mix at G4 n above..
But my voice isn't functioning properly in a chesty mix at the E and F region.. n it's really hindering my singing?
Could you share some insights on this?
I'm not sure whether what I'm doing is mixed voice but as you have said from your previous videos for males the mixed range starts from C4 to C5 right? And usually I strain when hitting the C4 thats why I tried to do it in a lesser volume and slowly adding a bit of a contraction to the vocal folds. But when I reached D4 or even E4 I always produce like a yoddle sound, it cracks and my mix gone. And I dont know how I can fix that. I tried like resisting the flow of air from going out but it cracks. And it kinda give me headache. Like I kinda feel dizzy after doing that but also it sounds throaty at the same time. Any thoughts or advice about my current situation? 😅
Yes corrent, so As I mentioned in this current video there are a few things that migrate, one of those being the vocal cords, so according to Dr Ingo Titze the mixed configuration of the vocal cords should take place starting at C4, however the sound of mix, or the resonance of mix has more to do with allowing the second formant to take the main boost of your sound and that will depend on two things, 1.) Where you are in the range and 2.) Which vowel you are singing. Not all vowels turn over on the same pitch. Probably going to be the theme of a new video coming soon.
PLANDEMIC!
Como me gustaría entender lo que dice!