I once used this technique with two other guitarists. I was playing with no capo, one guy was capo on the second fret. and the third guy was capo on the fifth fret. They called it 'cross capoing' The sound was huge.
Spot on! Great advice! And demonstrates how voicings matter and how not doubling up on that G chord can really open up everything. Great lesson. Thanks! Nothin' like two or three guys on acoustic hittin: that bass G in unison when running through a big system. Eeek! Just a muddy boom. These ideas fix that.
I once used this technique with two other guitarists.
I was playing with no capo, one guy was capo on the second fret. and the third guy was capo on the fifth fret.
They called it 'cross capoing'
The sound was huge.
Great advice. I've often played barre chords as an acoustic two along with the acoustic one for a kind of layered effect but this is much better.
Love the lesson. Gonna try it out!
Spot on! Great advice! And demonstrates how voicings matter and how not doubling up on that G chord can really open up everything. Great lesson. Thanks!
Nothin' like two or three guys on acoustic hittin: that bass G in unison when running through a big system. Eeek! Just a muddy boom. These ideas fix that.
Sweet
Great lesson! I was already familiar with some of this, since as a ukulele player I am always "capo'd on 5" but this pushes way beyond that!