Heinrich Ignaz Franz von Biber Sonate Nr 10 für Violine und Basso continuo in g moll
HTML-код
- Опубликовано: 18 янв 2025
- Heinrich Ignaz Franz von Biber (1644 - 1704)
Aus den Rosenkranz-Sonaten:
Sonate Nr. 10 für Violine und Basso continuo in g-moll
"Die Kreuzigung Jesu" Praeludium, Aria - Variatio - Adagio.
Anna Morozkina, Violine
Matsumoto Naoko, Orgel
Alex Jellici, Violoncello
Johannes Bachmann, Film
Joël Cormier, Kamera
Max Molling, Ton
Joël Cormier / Zürcher Hochschule der Künste, Produzent
Produktion am 6. September 2017 in der Johanneskirche Zürich
©zhdk records 2018
records.zhdk.ch
Das ist wahre Kunst! Das ist wahres Können! Beeindruckende Virtuosität der Geigerin, Feinemotionale Darbietung des Continuos!
Traumhaft schöne Musik - traumhaft schön gespielt !
Never was music so Pure! ❤
The musicality is breathtaking!
Exquisite ! Buber’s music is divine !
Marvellous. Very responsive dialogue between the violin and cello. Reminds me to listen to Biber again!
Esecuzione semplicemente magnifica. The way you play Biber is simply outstanding
Lovely Performance!
That was truly touching and beautiful. Thank You so much, You are wonderful musicians and artists!
❤wunderbar musiziert.
Splendore, puro splendore!
thank you!
Wow que chica 💯‼️‼️‼️
❤
La musique est d essence religieuse, seule la foi compte l ecriture vient apres , Biber l a ecrit, Dieu existe...
😌
Very modern, less baroque, too much gesture and agogic. Simpler, keeping the tactus and less ego makes it more authentic. Practicing Kreuzter and such etudes is the opposite of the real quality we need in baroque music.