There are probably many - but many, many more who don't even know what Baroque; Romantic and Classical music are. Looks like a downhill journey from now on, as the young individual finds himself/herself to be the centre of the world - as it were.
I'm 22 and I liked classical music since I was a child. However, it wasn't until I was 14 that I started to listen classical music by my own initiative. I have listened the most famous pieces from the most famous composers of what we generically call "classical music". But now I am directing my attention to the lesser known composers and their works. I want to get well acquainted with the composers and music of all the different periods. Now I listen to Haydn's music - a well known composer - everyday. He has become one of the composers which music I like the most and I am going to keep listening his music for a while.
@@Gorbachew I know, it happens right, same with painters, it is time that gives the true judgement (altho I love them both a LOT) give the edge to Bach for the "Art of the Fugue" a work he made for his students so they could see the potential of the counterpoint, the version played by Glen Gould is fantastic.
@@oldbird4601 I tend to listen to music, going rurther back in time, through the year, or the reverse. Gong back is my favourite, It puts the feel of the Waltz era to pices like Waltz Of The Flowers or something mellow like Peer Gnynt, then earler, gentler (relitively)pieces by say, Mozart or thee Hyden brothers. Then Baroque. Baroque fanfares asside ( which I love) I can have this video playing for hours, before I need a break . 1812 Overture, ELO (apart from ther last albums, which as just vanilla electro pop) or the Alan Parsons project & I need to give my ears a rest petty soon. 1812 just about finishes me off, must be the cannons? So, I understand what you're saying & it's not overly complex music, Look, ther's no way I could have my fellow same Segei, Dance Of The Nights going as I'm writing, it would sound like noise pollution & put me right off, yet this gentle Baroque is fine. See, not too many typos (you don't know how many times I hit backspace?) Anyhow, I'm lucky I have ears left, 35 years ago, I used to shake concrete floors with my ELO & for entire albums before a break.
I listened to this music as a teenager, and loved it, along with JS Bach Organ works, Bob Dylan, Led Zeppellin, Jimi Hendrix and many other genres. Now as I head for my 70's I still like all the same music...Maybe it isn't age that decides what sort of music, but your personality, and ability to listen to music without prejudice.
love it. 28 here and if you asked me my top 10 favorite artists of all time, Bach, Zeppelin, and Bob Dylan are 3/10 of those. Music teaches me about the human experience. Nothing like hearing a Bach violin and understanding the dire pain so many people have felt through the ages.
Teleman was a genius. Phenomenally prolific, wonderfully varied, rich, imaginative, I could go on with many more adjectives. His music touches the heart.
Telemann for the recorder player is unique, is a musical dream that comes to reality! Is the king of musical phrasing!! One has to be deaf to do not like Telemann! He touchs our soul!
I'm 29 years old and I love Baroque and all the classical music. I'm a cello student, and I recomend every one to learn about musical theory (the level or age is not important), in the way to reach a higher apreciation of how difficult and marvelous is the great work of every classical composer!! How is it possible?. A lot of magistral works in a little period of life!!. Compared with actual rythm, quality and level of music creations is like... I'm not writting that "difficulty" is the only way to evaluate. But Classical composers are terryfic!!👏👏👏👏👏👏👏👏
Telemann was more famous in his own time than J S Bach. When the vacancy opened for the job of Choir Master at the Thomas Church in Leipzig they wanted Telemann to accept it but he declined to be appointed and so JS Bach, being only a second choice ,got the job. I have been enchanted with Telemann's music since I was a boy.
This history is very interesting. At the time, Telemann was the first option for the position of Thomaskantor, but he withdrew his candidature after receiving a pay rise from Hamburg. Christoph Graupner succeeded in obtaining the position after Telemann's introduction of Graupner (Graupner was a student of Telemann, quite prolific and innovative as well). The Leipzig city council wrote to Graupner's patron three days after Graupner played cantatas Aus der Tiefen rufen wir (GWV 1113/23a) and Lobet den Herrn alle Heiden (GWV 1113/23b) requesting that Graupner be allowed to work in Leipzig. But his patron, Langrave Ernst Ludwig of Hesse-Darmstadt). But his patron, Langrave in Darmstadt, refused to let him leave his job in Darmstadt. After knowing the next candidate to audition was Bach, Graupner wrote a letter to the Leipzig City Council assuring them of Bach's professionalism and dedication, paving the way for Bach to be offered a position in Leipzig.
@@fungyuncoi4818 And someone in the City County commented : "Since we could not have the best, let us be content with the mediocre" or something like that.
After much research, musicologists have finally concluded that George Phillip Teleman was truly the most prolific composer of all history. He produced even more music than Bach did---over 1,000 choral and 2,000 instrumental works---and all of it has the mark of a tireless genius.
Telemann and Bach were friends. Bach later sent his son to study under him in Hamburg. On his journey to university in Leipzig young Telemann met another friend in Halle. It was 16 y.o. Georg Friedrich Händel. They all knew, respected and most importantly learned from one another. Nonetheless in retrospective putting Telemann on the same level with Bach's unequalled harmonic complexity is over the top.
This guy was a beast! I once read that he wrote a piece in 90 minutes for a count who was about to arrive. He also wrote like 3 pieces a month for the curch in his teenage years. That's f*cking insane!
I agree! I always get the impression when I listen to Telemann (Mozart is the only other composer I could say this about) that I am engaged in a conversation with a very intelligent, and witty, individual. This is a nice place to be! You are not assaulted...but elevated...listening to this music!
When you listen to JS Bach, he recycled many of his keynote themes. Similar to Vivaldi. I don't find that with Telemann. Not as Technical as Bach's, but Telemann's music has greater variance and variety. Not so constrained.
That's what I like about Bach though. Highly technical, complex, quicker pace, very detailed and there's a theme, you can tell it when you hear a Bach tune. Bach is still my favorite. The guy was a badass.
This is an unnessessary discussion, cs both of them are great(est) composers w/ different plus points! I love the sensational organ concerts of Bach and GPT's Oboe arrangements are @ its best! Thx for both, history......
May not be precise but some places I've read use Classical in different context. Classical as the era and Classical as the genre. Considering it as a genre, then Baroque, Classical, Romantic, etc, would fit into this bigger category. Not trying to make any correction cause I'm not an expert or anything like it.
Telemann wrote far more music than any other recorded composer. One reason is that he had hundreds of fan clubs throughout Europe who continually importuned him with "We've got a super flute & 'cello, but not much else - can you write something for us..." and promptly got a repurposed composition for precisely that. All of the pieces featured here appeared in many other forms. Another thing to remember is that Germany was a culture of virtuoso gamba players, on bass gambas far larger than the effete French instruments. (The equally brilliant English divisiion bass playing tradition was pretty well gone by then.) His music is very often a trio between 2 or 3 solo instruments, one of which is the bass (continuo in other traditions). All of it is designed to make the musicians sound good. Wonderful to play.
+John Sankey "re-purposed" - lol that's a generous way of putting it!! Telemann was once accused of writing the same piece 10,000 times!! I disagree in this harsh assessment of course, but as you have pointed out there WAS a grain of truth in that witty remark..
+J. Ross Mayhew That's interesting about the comment on Telemann. I read a post stating the writer read somewhere, paraphrased, that Stravinsky mentioned Vivaldi did not create so many compositions but a very long one instead. My answer post to that was, "It's like Stravinsky telling Kandinsky that he did not create many canvas compositions but only a long one, then cut and stretched each piece over the back frames and framed each separately. Ha!
The main reason he wrote so many songs is his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann (wikipedia)
G.P. Teleman is one of the most underrated classical composer, I guess. So great music! His music leads me to love classicals when I was allready 40. Thank u very much for uploading.
I have always been struck by the similarity between Telemann and Haydn in their central position vis-à-vis other composers. To Telemann friend of Bach and Handel one can compare Haydn, friend of Mozart and Beethoven. Both produced more than their two friends and lived longer than them. Both find themselves unjustly erased by the genius of their two friends and still in our time... Both have had a more prosperous and less chaotic existence... Of them we often say to ourselves that our life would not be long enough to fully understand their works, and that we would do well to get down to it... But we refuse to do so, as the brilliance and evidence of the genius of their two friends pushes us to listen to them. And when we resolve to do so, we discover absolutely touching melodies, of unparalleled beauty and sweetness. It is then necessary to make a parenthesis with the others and to compel oneself to continue. But the extent of their works is such that we give up little by little and the genius in its pure state being a little less present there than with their glorious friends, but only here and there, we come back to Bach and the others out of laziness or convenience...It's absolutely a pity...To conclude, if the biographies of Mozart, Bach, Beethoven, Handel abound, few books have been devoted to Telemann...When to Haydn there is still the immense superbly supplied cobblestone from Marc Vignal...A sum! a monument!
I had discovered Tartini’s Devil’s Trills last week. I’m 54 yo. The way to it was so long. Depends of my soul I like from Metallica and Scorpions to Bach and Vivaldi, from ABBA to Marcello Benedetto, from Porpora to Handel … Endless
How great would be the world nowadays, if the leaders of Europe still felt this wonderful music, if they still had that superiority of spirit and not the procacity and vulgarity of those Borrels, Macrons, Zunats, P. Sánchez and many others, that are intending to decide about our lives and future.
Telemann...still the most undervalued composer of all time. He certainly ranks with the greats. I get angry when people hold his productivity against him. Don't they understand that being the most popular composer in Germany at the time meant producing for new performances? Of course not everything is going to be a work of maximum inspiration. By Beethoven's time artists, and composers in particular, had been elevated in stature to that previously only enjoyed by painters and sculptors. You were regarded a skilled craftsman 50 years earlier. Just imagine if LVB had been forced to produce a half-dozen symphonies a year like Haydn? Would they all be masterpieces? I rest my case!
Ads ruined it for me. Got 46 min in and gave up. Thanks, Google. Who needs Telemann when a perfectly timed and beautifully composed ad brings just as much joy and inspiration.
THANK BLOODY GOD! Just before this, Alan Parsons Project & I moved to get parts of 2 tracks & got the same 2 adds again, all in 2 minutes. The synth sounds in a stupid buscuit ad were very annoying when still focused on the music & I got it twice. "faaaarrrk" (raven sound).
I'm here because of Bach after reading they were good friends. Bach is amazing so I'm looking forward to what Telemann will bring. (Plus Telemann lived in Hamburg, meine Lieblingstadt)
The fact Telemann used scordatura in one or several works came as a total revelation to me. I was of the opinion this retuning disappeared after the demise of Biber and Schmelzer. It also implies you can learn something new every day?
I am only 9, but I think I have a great sense of music and I really like telemann’ song, do you agree with me? Thank you! now I have a new favourite composer/musician(before I really liked haydn and mozart)
J'ai toujours été frappé par la similitude entre Telemann et Haydn de par leur position centrale vis-à-vis d'autres compositeurs. A Telemann ami de Bach et Haendel l'on peut comparer Haydn, ami de Mozart et Beethoven. Tous deux ont eu une production en quantité supérieure à leurs deux amis et ont vécu plus longtemps qu'eux. Tous deux se trouvent injustement effacés par le génie de leurs deux amis et encore à notre époque... Tous deux ont eu une existence plus prospère et moins chaotique...D'eux deux on se dit bien souvent que notre vie ne serait pas assez longue pour connaître entièrement leurs oeuvres, et qu'on ferait bien de s'y atteler...Mais on s'y refuse tant l'éclat et l'évidence du génie de leurs deux amis nous pousse à écouter ceux-là. Et quand on s'y résout on découvre des mélodies absolument attendrissantes, d'une beauté et d'une suavité sans pareille. Il faut alors faire une parenthèse avec les autres et s'astreindre à poursuivre. Mais l'ampleur de leurs oeuvres est telle qu'on y renonce petit à petit et le génie à l'état pur y étant un peu moins présent que chez leurs glorieux amis, mais seulement de ci de là, on revient à Bach et aux autres par paresse ou commodité...C'est absolument dommage...Pour finir, si les biographies de Mozart, Bach, Beethoven, Haendel abondent peu de livres ont été consacrés à Telemann...Quand à Haydn il reste quand même l'immense pavé superbement fourni de Marc Vignal...Une somme! un monument!!
My daughter in Illinois is a trained flute player in Carnaatic and Western classical music. We exchange notes often. She sent me the link to this music composed by Telemann.
Playin this stuff is even more fun! just his duets are wonderful. I have a wind synth and I have overdubbed Bassoon and clarinet/oboe. A blast I must say!
Telemann underrated? Old JS Bach sent his son CPE all the way to Hamburg to study under him. CPE Bach would later become Mozart's teacher and father figure. Mozart without CPE Bach? Unthinkable! CPE Bach without Telemann? Unthinkable!
Ahhh, this is the stuff. Any bit of a savage beast I have inside is soothed by this. It is also a weirdly amazing counterpoint to the "Walking Dead" compendium I am reading right now.
The ads are a disgrace. They totally ruin the musical experience. Imagine being at a live concert and all of a sudden the conductor stops, faces the audience and tries to sell you a product. Absurd!
Of all the german composers of this period, Telemann and Händel are my prefered ones for their creativity. I do not despise Bach, but find his music a bit too extravagant, a bit too rigid when not lacking the italian touch that was a must at those times except for people like Lully, who composed their music exclusively for the glory of the rulling powerful one not for the needy or for everyone's soul...
do any young people under 40 like this type of music
There are probably many - but many, many more who don't even know what Baroque; Romantic and Classical music are. Looks like a downhill journey from now on, as the young individual finds himself/herself to be the centre of the world - as it were.
I'm 22 and I liked classical music since I was a child. However, it wasn't until I was 14 that I started to listen classical music by my own initiative.
I have listened the most famous pieces from the most famous composers of what we generically call "classical music". But now I am directing my attention to the lesser known composers and their works. I want to get well acquainted with the composers and music of all the different periods.
Now I listen to Haydn's music - a well known composer - everyday. He has become one of the composers which music I like the most and I am going to keep listening his music for a while.
Yep.
34 here... count it ;)
What about under 25?
Telemann is definitely one of the most underrated Baroque composers.
Actually then he was more sought after than Bach
@@Gorbachew If it wasn´t for Bach he would be the best.
@@armandogavilan1815 yes Jack the Ripper, but at his time Telemann was more famous than Bach
@@Gorbachew I know, it happens right, same with painters, it is time that gives the true judgement (altho I love them both a LOT) give the edge to Bach for the "Art of the Fugue" a work he made for his students so they could see the potential of the counterpoint, the version played by Glen Gould is fantastic.
Not if you ask Michael Nyman. I mean, he will rate him so high that GP's total rating will blow through the roof
Anyone who hasn't discovered Telemann's music hasn't lived a full life. The man was pure genius.
He sucks
Basic baroque
He plays baroque that is all that can be said about him that’s better than me but nothing special he doesn’t stand out at all it’s just baroque
@@oldbird4601 I tend to listen to music, going rurther back in time, through the year, or the reverse.
Gong back is my favourite, It puts the feel of the Waltz era to pices like Waltz Of The Flowers or something mellow like Peer Gnynt, then earler, gentler (relitively)pieces by say, Mozart or thee Hyden brothers. Then Baroque.
Baroque fanfares asside ( which I love) I can have this video playing for hours, before I need a break . 1812 Overture, ELO (apart from ther last albums, which as just vanilla electro pop) or the Alan Parsons project & I need to give my ears a rest petty soon. 1812 just about finishes me off, must be the cannons?
So, I understand what you're saying & it's not overly complex music, Look, ther's no way I could have my fellow same Segei, Dance Of The Nights going as I'm writing, it would sound like noise pollution & put me right off, yet this gentle Baroque is fine. See, not too many typos (you don't know how many times I hit backspace?)
Anyhow, I'm lucky I have ears left, 35 years ago, I used to shake concrete floors with my ELO & for entire albums before a break.
@@oldbird4601 I think "Telemann was better than you" might be understating it a little, you tiny, nothing peasant.
Nothing like Baroque music to cleanse and comfort the mind.
AGREE MR DICKENS
Yes
I listened to this music as a teenager, and loved it, along with JS Bach Organ works, Bob Dylan, Led Zeppellin, Jimi Hendrix and many other genres. Now as I head for my 70's I still like all the same music...Maybe it isn't age that decides what sort of music, but your personality, and ability to listen to music without prejudice.
Agree completely. Your choices were wise and many will follow.
love it. 28 here and if you asked me my top 10 favorite artists of all time, Bach, Zeppelin, and Bob Dylan are 3/10 of those. Music teaches me about the human experience. Nothing like hearing a Bach violin and understanding the dire pain so many people have felt through the ages.
Teleman was a genius. Phenomenally prolific, wonderfully varied, rich, imaginative, I could go on with many more adjectives. His music touches the heart.
When you are right, you are right. I could not agree with you more.
He sucks wdym
Also very enjoyable to play. You know you're in good hands, and everyone in the ensemble has something interesting to do.
He touches the soul...the emotions..the dark side...I Love him...
Telemann for the recorder player is unique, is a musical dream that comes to reality! Is the king of musical phrasing!!
One has to be deaf to do not like Telemann! He touchs our soul!
Telemann is so under-rated. One of the all time greats!
Dave Stonehill yes
I'm 29 years old and I love Baroque and all the classical music. I'm a cello student, and I recomend every one to learn about musical theory (the level or age is not important), in the way to reach a higher apreciation of how difficult and marvelous is the great work of every classical composer!! How is it possible?. A lot of magistral works in a little period of life!!. Compared with actual rythm, quality and level of music creations is like... I'm not writting that "difficulty" is the only way to evaluate. But Classical composers are terryfic!!👏👏👏👏👏👏👏👏
Telemann was more famous in his own time than J S Bach. When the vacancy opened for the job of Choir Master at the Thomas Church in Leipzig they wanted Telemann to accept it but he declined to be appointed and so JS Bach, being only a second choice ,got the job. I have been enchanted with Telemann's music since I was a boy.
This history is very interesting. At the time, Telemann was the first option for the position of Thomaskantor, but he withdrew his candidature after receiving a pay rise from Hamburg. Christoph Graupner succeeded in obtaining the position after Telemann's introduction of Graupner (Graupner was a student of Telemann, quite prolific and innovative as well). The Leipzig city council wrote to Graupner's patron three days after Graupner played cantatas Aus der Tiefen rufen wir (GWV 1113/23a) and Lobet den Herrn alle Heiden (GWV 1113/23b) requesting that Graupner be allowed to work in Leipzig. But his patron, Langrave Ernst Ludwig of Hesse-Darmstadt). But his patron, Langrave in Darmstadt, refused to let him leave his job in Darmstadt. After knowing the next candidate to audition was Bach, Graupner wrote a letter to the Leipzig City Council assuring them of Bach's professionalism and dedication, paving the way for Bach to be offered a position in Leipzig.
@@fungyuncoi4818 And someone in the City County commented : "Since we could not have the best, let us be content with the mediocre" or something like that.
After much research, musicologists have finally concluded that George Phillip Teleman was truly the most prolific composer of all history. He produced even more music than Bach did---over 1,000 choral and 2,000 instrumental works---and all of it has the mark of a tireless genius.
Stephen Lanford thought that title belonged to Haydn
He lived (1681-1767) about 20 years longer than Bach (1685-1750). Heard a concerto this evening I've never heard before - lovely stuff.
Telemann and Bach were friends. Bach later sent his son to study under him in Hamburg. On his journey to university in Leipzig young Telemann met another friend in Halle.
It was 16 y.o. Georg Friedrich Händel. They all knew, respected and most importantly learned from one another.
Nonetheless in retrospective putting Telemann on the same level with Bach's unequalled harmonic complexity is over the top.
where is your source for the numbers - I am curious about it
This guy was a beast! I once read that he wrote a piece in 90 minutes for a count who was about to arrive. He also wrote like 3 pieces a month for the curch in his teenage years. That's f*cking insane!
Telemann rocks. Wish he could teleport to the age of television and telephones. His music sells itself and needs no telemarketing.
This comment's so good I'm gonna telefriend about it
Nice Video. Telemann is the best composer.
Telemann makes my Soul feel balanced
Rachel Brown.. great Baroque flute player. She captures the essence of 19th century flute music. Authentic 💯👍🔥❤️
My favorite classical composer. I like the big guys too, Mozart, Bach, Beethoven, but Telemann is my absolute favorite.
Mozart was a little fella.
@@johnsergei What do you mean?
I agree! I always get the impression when I listen to Telemann (Mozart is the only other composer I could say this about) that I am engaged in a conversation with a very intelligent, and witty, individual. This is a nice place to be! You are not assaulted...but elevated...listening to this music!
My favorite Baroque composer : )
+Sledcat Noooooooo, Bach is UNBREAKABLE!
When you listen to JS Bach, he recycled many of his keynote themes.
Similar to Vivaldi. I don't find that with Telemann. Not as Technical as Bach's, but Telemann's music has greater variance and variety.
Not so constrained.
thank you : }
That's what I like about Bach though. Highly technical, complex, quicker pace, very detailed and there's a theme, you can tell it when you hear a Bach tune. Bach is still my favorite. The guy was a badass.
This is an unnessessary discussion, cs both of them are great(est) composers w/ different plus points! I love the sensational organ concerts of Bach and GPT's Oboe arrangements are @ its best! Thx for both, history......
Telemann was the most prolific classical music composer.
Wunderschöne Musik, bravourös. LG leif Dickfeld.
Besten Dank, Gott beschütze und behüte Sie alle. LG leif Dickfeld, wohne in einer wg Köppernerstr.96 in köppern für psychisch kranke.
Basta guardare lo sguardo Fiero di sé di Telemann per capire l'elevazione Spirituale e la Gioia che è capace di dare questa Musica 😇😊🌅🌌
When I was still professional oboe player I did enjoyed playing Telemann for 2 oboes with my dad, ever since I was a kid.
Baroque is my favorite classical music, particularly Telemann, Vivaldi, Bach and Handel.
Vivaldi... *mmnf*
+Matthew Chorney classical followed baroque, then romantic
May not be precise but some places I've read use Classical in different context. Classical as the era and Classical as the genre.
Considering it as a genre, then Baroque, Classical, Romantic, etc, would fit into this bigger category.
Not trying to make any correction cause I'm not an expert or anything like it.
Telemann wrote far more music than any other recorded composer. One reason is that he had hundreds of fan clubs throughout Europe who continually importuned him with "We've got a super flute & 'cello, but not much else - can you write something for us..." and promptly got a repurposed composition for precisely that. All of the pieces featured here appeared in many other forms.
Another thing to remember is that Germany was a culture of virtuoso gamba players, on bass gambas far larger than the effete French instruments. (The equally brilliant English divisiion bass playing tradition was pretty well gone by then.) His music is very often a trio between 2 or 3 solo instruments, one of which is the bass (continuo in other traditions).
All of it is designed to make the musicians sound good. Wonderful to play.
+John Sankey "re-purposed" - lol that's a generous way of putting it!! Telemann was once accused of writing the same piece 10,000 times!! I disagree in this harsh assessment of course, but as you have pointed out there WAS a grain of truth in that witty remark..
+J. Ross Mayhew
That's interesting about the comment on Telemann. I read a post stating the writer read somewhere, paraphrased, that Stravinsky mentioned Vivaldi did not create so many compositions but a very long one instead. My answer post to that was, "It's like Stravinsky telling Kandinsky that he did not create many canvas compositions but only a long one, then cut and stretched each piece over the back frames and framed each separately. Ha!
+John Sankey That was really interesting. Thank you for sharing.
The main reason he wrote so many songs is his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann (wikipedia)
Bach wrote more music and more complex music, but Teleman remains fantasiastic.
G.P. Teleman is one of the most underrated classical composer, I guess. So great music! His music leads me to love classicals when I was allready 40.
Thank u very much for uploading.
Quelle merveilleuse musique, qui aide à trouver la paix et l'harmonie intérieure. Merci du partage!
Wundervoll!
This is possibly heresy but Telemann's music is thee most soothing background music. Beats Musak by a country mile !
Hell yeah
I finally found one who ain't all up in his feelings with the music...
I have always been struck by the similarity between Telemann and Haydn in their central position vis-à-vis other composers. To Telemann friend of Bach and Handel one can compare Haydn, friend of Mozart and Beethoven. Both produced more than their two friends and lived longer than them. Both find themselves unjustly erased by the genius of their two friends and still in our time... Both have had a more prosperous and less chaotic existence... Of them we often say to ourselves that our life would not be long enough to fully understand their works, and that we would do well to get down to it... But we refuse to do so, as the brilliance and evidence of the genius of their two friends pushes us to listen to them. And when we resolve to do so, we discover absolutely touching melodies, of unparalleled beauty and sweetness. It is then necessary to make a parenthesis with the others and to compel oneself to continue. But the extent of their works is such that we give up little by little and the genius in its pure state being a little less present there than with their glorious friends, but only here and there, we come back to Bach and the others out of laziness or convenience...It's absolutely a pity...To conclude, if the biographies of Mozart, Bach, Beethoven, Handel abound, few books have been devoted to Telemann...When to Haydn there is still the immense superbly supplied cobblestone from Marc Vignal...A sum! a monument!
Copy this from another (same) video on RUclips, from Tobias Jansson's comment, so enjoy it here too;
1. Violin Sonata, TWV 41:F4
Andante (00:00) Allegro (01:55) Siciliana (04:05) Allegro (06:19)
2. Trio No.1 for Recorder, Oboe, Continuo, TWV 42:c2
Largo (10:18) Vivace (13:27) Andante (16:10) Allegro (18:31)
3. Flute Sonata, TWV 41:D9
Largo (21:52) Vivace (24:34) Dolce (27:53) Allegro (31:00)
4. Trio No.2 for Viola da gamba, Cembalo, Continuo, TWV 42:G6
Andante (33:36) Allegro (35:35) Largo (37:26) Presto (42:21)
5. Viola da Gamba Sonata, TWV 41:a6
Largo (43:39) Allegro (46:30) Soave (48:04) Allegro (50:40)
6. Trio No.3 for Violin, Oboe, Continuo, TWV 42:g5
Mesto (53:40) Allegro (56:16) Andante (59:25) Vivace (1:02:44)
7. Recorder Sonata, TWV 41:d4
Affettuoso (1:04:20) Presto (1:06:22) Grave (1:09:40) Allegro (1:10:26)
8. Trio No.4 for Flute, Cembalo, Continuo, TWV 42:A6
Largo (1:13:21) Allegro (1:15:25) Largo (1:18:49) Vivace (1:21:30)
9. Oboe Sonata, TWV 41:B6
Adagio (1:23:14) Allegro (1:25:34) Cantabile (1:29:15) Vivace (1:32:40)
10. Trio No.5 for Violin, Recorder, Continuo, TWV 42:a4
Largo (1:35:50) Vivace (1:38:21) Affettuoso (1:40:41) Allegro (1:43:37)
11. Suite in C major for solo Cembalo, TWV 32:3
Largo (1:46:32) Allemande (1:49:31) Lura (1:54:26) Courante (1:57:06) Menuet I/II (1:59:44) Gigue (2:02:22)
12. Trio No.6 for Flute, Viola da gamba, Continuo, TWV 42:h4
Largo (2:05:00) Vivace (2:06:47) Dolce (2:08:30) Vivace (2:10:22)
13. Violin Sonata, TWV 41:A6
Dolce (2:12:33) Allegro (2:14:30) Grave (2:17:32) Allegro (2:18:20)
14. Trio No.7 for Recorder, Viol, Continuo, TWV 42:F3
Vivace (2:21:46) Mesto (2:24:25) Allegro (2:26:19)
15. Flute Sonata, TWV 41:G9
Cantabile (2:28:49) Allegro (2:30:20) Affettuoso (2:32:09) Allegro (2:33:40)
16. Trio No.8 for Recorder, Cembalo, Continuo, TWV 42:B4
Dolce (2:35:31) Vivace (2:37:43) Siciliana (2:39:22) Vivace (2:41:40)
17. Viola da gamba Sonata, TWV 41:e5
Cantabile (2:43:23) Allegro (2:44:49) Recitativo/Arioso (2:47:40) Vivace (2:49:21)
18. Trio No.9 for Flute, Violin, Cello, Continuo, TWV 42:E4
Soave (2:51:46) Presto (2:53:32) Andante (2:55:10) Scherzando (2:57:30)
19. Recorder Sonata, TWV 41:C5
Adagio/Allegro (2:59:10) Larghetto (3:01:29) Vivace (3:03:15)
20. Trio No.10 for Violin, Viola da gamba, Continuo, TWV 42:D9
Dolce (3:06:02) Presto (3:09:13) Pastorale (3:10:44) Vivace (3:12:47)
21. Oboe Sonata, TWV 41:e6
Largo (3:14:53) Allegro (3:17:20) Grave (3:19:10) Vivace (3:20:41)
22. Trio No.11 for Flute, Oboe, Continuo, TWV 42:d4
Largo (3:22:26) Allegro (3:24:33) Affettuoso (3:26:31) Presto (3:28:49)
23. Suite in F major for solo Cembalo, TWV 32:4
Cantabile (3:30:29) Bourrée (3:35:43) Sarabande (3:37:19) Gavotte (3:39:28) Passepied (3:41:51) Gigue (3:42:41)
24. Trio No.12 for Oboe, Cembalo, Continuo, TWV 42:Es3
Largo (3:45:02) Vivace (3:47:44) Mesto (3:50:25) Vivace (3:52:45)
Ürkmez thanks
God bless you
Thank You...
It always amazes me how the original channel can't be bothered to post timings o.O
Thanks!!!!!!!!!
Una meraviglia! Lascia stupefatti.
E pensare che non molti musicisti conoscono Telemann
I discovered Telemann in my 20s... about 40 years ago..and he is one of my favorites
I had discovered Tartini’s Devil’s Trills last week. I’m 54 yo. The way to it was so long.
Depends of my soul I like from Metallica and Scorpions to Bach and Vivaldi, from ABBA to Marcello Benedetto, from Porpora to Handel …
Endless
BACH, VIVALDI, HAYDEN, TELEMANN 😍😍😍
ICH LIEBE BAROCK MUSIK 👍
How great would be the world nowadays, if the leaders of Europe still felt this wonderful music, if they still had that superiority of spirit and not the procacity and vulgarity of those Borrels, Macrons, Zunats, P. Sánchez and many others, that are intending to decide about our lives and future.
SUBLIMEEEE sounds as I wake up in the morning!!👏👏👏👏☕️☕️💪🌞
I started to appreciate classical music, living in a predominantly Mexican households at 7 yrs. old, and still love it at 72.
Telemann...still the most undervalued composer of all time. He certainly ranks with the greats. I get angry when people hold his productivity against him. Don't they understand that being the most popular composer in Germany at the time meant producing for new performances? Of course not everything is going to be a work of maximum inspiration. By Beethoven's time artists, and composers in particular, had been elevated in stature to that previously only enjoyed by painters and sculptors. You were regarded a skilled craftsman 50 years earlier. Just imagine if LVB had been forced to produce a half-dozen symphonies a year like Haydn? Would they all be masterpieces? I rest my case!
Ads ruined it for me. Got 46 min in and gave up. Thanks, Google. Who needs Telemann when a perfectly timed and beautifully composed ad brings just as much joy and inspiration.
You have to pay to get RUclips premium, to avoid commercials
One of the few and beautiful classical mixes without 15 advertisements.
THANK BLOODY GOD! Just before this, Alan Parsons Project & I moved to get parts of 2 tracks & got the same 2 adds again, all in 2 minutes. The synth sounds in a stupid buscuit ad were very annoying when still focused on the music & I got it twice. "faaaarrrk" (raven sound).
Telemann ha scritto della musica meravigliosa. Temo che sia ancora un po' sottovalutato.
Grazie per la possibilità di conoscerlo meglio e di amarlo.
Telemann veramente un genio
Una musica che si ascolterebbe all'infinito
This music is so relaxing for me, yesterday I was sleeping with this music and saw beautiful dreams
Bravo Маэстро!!!
Euterpe wispers, Telemann listens.
Telemann's compositions are the far sacred version of Bach's originality. Thanks for its sharing with all of us.
One of my two favorite georg/georges of the era.... Wow bless you both.
Telemann and Bach really like each other. same theme, similar harmony and contpuan etc.
+SzopenPan I agree. This was so great, I played it 2x in a row.
+SzopenPan That's was what I thought when I heard Telemann by first time.
I'm here because of Bach after reading they were good friends. Bach is amazing so I'm looking forward to what Telemann will bring. (Plus Telemann lived in Hamburg, meine Lieblingstadt)
CPE Bach was named after Telemann!
I think Telemann is more similar to Handel.
Copy this from another (same) video on RUclips, from Tobias Jansson's comment, so enjoy it here too;
1. Violin Sonata, TWV 41:F4
Andante (00:00) Allegro (01:55) Siciliana (04:05) Allegro (06:19)
2. Trio No.1 for Recorder, Oboe, Continuo, TWV 42:c2
Largo (10:18) Vivace (13:27) Andante (16:10) Allegro (18:31)
3. Flute Sonata, TWV 41:D9
Largo (21:52) Vivace (24:34) Dolce (27:53) Allegro (31:00)
4. Trio No.2 for Viola da gamba, Cembalo, Continuo, TWV 42:G6
Andante (33:36) Allegro (35:35) Largo (37:26) Presto (42:21)
5. Viola da Gamba Sonata, TWV 41:a6
Largo (43:39) Allegro (46:30) Soave (48:04) Allegro (50:40)
6. Trio No.3 for Violin, Oboe, Continuo, TWV 42:g5
Mesto (53:40) Allegro (56:16) Andante (59:25) Vivace (1:02:44)
7. Recorder Sonata, TWV 41:d4
Affettuoso (1:04:20) Presto (1:06:22) Grave (1:09:40) Allegro (1:10:26)
8. Trio No.4 for Flute, Cembalo, Continuo, TWV 42:A6
Largo (1:13:21) Allegro (1:15:25) Largo (1:18:49) Vivace (1:21:30)
9. Oboe Sonata, TWV 41:B6
Adagio (1:23:14) Allegro (1:25:34) Cantabile (1:29:15) Vivace (1:32:40)
10. Trio No.5 for Violin, Recorder, Continuo, TWV 42:a4
Largo (1:35:50) Vivace (1:38:21) Affettuoso (1:40:41) Allegro (1:43:37)
11. Suite in C major for solo Cembalo, TWV 32:3
Largo (1:46:32) Allemande (1:49:31) Lura (1:54:26) Courante (1:57:06) Menuet I/II (1:59:44) Gigue (2:02:22)
12. Trio No.6 for Flute, Viola da gamba, Continuo, TWV 42:h4
Largo (2:05:00) Vivace (2:06:47) Dolce (2:08:30) Vivace (2:10:22)
13. Violin Sonata, TWV 41:A6
Dolce (2:12:33) Allegro (2:14:30) Grave (2:17:32) Allegro (2:18:20)
14. Trio No.7 for Recorder, Viol, Continuo, TWV 42:F3
Vivace (2:21:46) Mesto (2:24:25) Allegro (2:26:19)
15. Flute Sonata, TWV 41:G9
Cantabile (2:28:49) Allegro (2:30:20) Affettuoso (2:32:09) Allegro (2:33:40)
16. Trio No.8 for Recorder, Cembalo, Continuo, TWV 42:B4
Dolce (2:35:31) Vivace (2:37:43) Siciliana (2:39:22) Vivace (2:41:40)
17. Viola da gamba Sonata, TWV 41:e5
Cantabile (2:43:23) Allegro (2:44:49) Recitativo/Arioso (2:47:40) Vivace (2:49:21)
18. Trio No.9 for Flute, Violin, Cello, Continuo, TWV 42:E4
Soave (2:51:46) Presto (2:53:32) Andante (2:55:10) Scherzando (2:57:30)
19. Recorder Sonata, TWV 41:C5
Adagio/Allegro (2:59:10) Larghetto (3:01:29) Vivace (3:03:15)
20. Trio No.10 for Violin, Viola da gamba, Continuo, TWV 42:D9
Dolce (3:06:02) Presto (3:09:13) Pastorale (3:10:44) Vivace (3:12:47)
21. Oboe Sonata, TWV 41:e6
Largo (3:14:53) Allegro (3:17:20) Grave (3:19:10) Vivace (3:20:41)
22. Trio No.11 for Flute, Oboe, Continuo, TWV 42:d4
Largo (3:22:26) Allegro (3:24:33) Affettuoso (3:26:31) Presto (3:28:49)
23. Suite in F major for solo Cembalo, TWV 32:4
Cantabile (3:30:29) Bourrée (3:35:43) Sarabande (3:37:19) Gavotte (3:39:28) Passepied (3:41:51) Gigue (3:42:41)
24. Trio No.12 for Oboe, Cembalo, Continuo, TWV 42:Es3
Largo (3:45:02) Vivace (3:47:44) Mesto (3:50:25) Vivace (3:52:45)
The fact Telemann used scordatura in one or several works came as a total revelation to me. I was of the opinion this retuning disappeared after the demise of Biber and Schmelzer. It also implies you can learn something new every day?
TELEMANN Bence Klasik müziğin gerçek yildizi
Telemann, Handel, Vivaldi, Bach, Monteverdi, and Schutz. The best of the Baroque era based on my own taste.
Almost agree..., but What about John Dowland?
QUE BELLEZA, SIMPLEMENTE.
Un profesor nos recomendó para poder relajarnos, que hermosa melodía, Muchas gracias profe por la recomendación:3
Telemann sigue siendo de mis favoritos.
nothing more...not less that.....TELEMANN¡¡¡¡
Great musician!
Gracias nuevamente !!!!
So much wonderful music from a single individual ...
Teleman contemporaneo de bach y de heandel exponentes maximos del barroco aleman
Listening to Baroque music to get the feel for my audition in a few months!
I just discovered this great artist! Glad I did.
The music of Telemann is always interesting and it is for me a great pleasure to listen to his compositions.
I am only 9, but I think I have a great sense of music and I really like telemann’ song, do you agree with me? Thank you! now I have a new favourite composer/musician(before I really liked haydn and mozart)
J'ai toujours été frappé par la similitude entre Telemann et Haydn de par leur position centrale vis-à-vis d'autres compositeurs. A Telemann ami de Bach et Haendel l'on peut comparer Haydn, ami de Mozart et Beethoven. Tous deux ont eu une production en quantité supérieure à leurs deux amis et ont vécu plus longtemps qu'eux. Tous deux se trouvent injustement effacés par le génie de leurs deux amis et encore à notre époque... Tous deux ont eu une existence plus prospère et moins chaotique...D'eux deux on se dit bien souvent que notre vie ne serait pas assez longue pour connaître entièrement leurs oeuvres, et qu'on ferait bien de s'y atteler...Mais on s'y refuse tant l'éclat et l'évidence du génie de leurs deux amis nous pousse à écouter ceux-là. Et quand on s'y résout on découvre des mélodies absolument attendrissantes, d'une beauté et d'une suavité sans pareille. Il faut alors faire une parenthèse avec les autres et s'astreindre à poursuivre. Mais l'ampleur de leurs oeuvres est telle qu'on y renonce petit à petit et le génie à l'état pur y étant un peu moins présent que chez leurs glorieux amis, mais seulement de ci de là, on revient à Bach et aux autres par paresse ou commodité...C'est absolument dommage...Pour finir, si les biographies de Mozart, Bach, Beethoven, Haendel abondent peu de livres ont été consacrés à Telemann...Quand à Haydn il reste quand même l'immense pavé superbement fourni de Marc Vignal...Une somme! un monument!!
My daughter in Illinois is a trained flute player in Carnaatic and Western classical music. We exchange notes often. She sent me the link to this music composed by Telemann.
Playin this stuff is even more fun! just his duets are wonderful. I have a wind synth and I have overdubbed Bassoon and clarinet/oboe. A blast I must say!
Fantastico
IL LEONARDO DA VINCI E IL MICHELANGELO DELLA MUSICA BAROCCA..AVERNE OGGI DI GENI COSI!!!!
Rocks!
Thanks for sharing. Lot of similarities in the music of Telemann and Bach. Good tempo and not harsh-sounding. Enjoyed listening to the music.
krishsoma Bach was a big fan of Telemann throughout his life-as he was of Vivaldi. Telemann also admired and liked Bach's music.
Mi favorito. Saludos a un peruano amante de la musica clásica. GRACIAS
Great stuff
thank you for posting such awesome music, it is wonderful to be able to hear this in the 21st century
... but so many people nowadays are not listening - they are 'otherwise engaged' - sad!
some exceptional recordings in this Telemann collection. Thank you. :)
Cette oeuvre pour clavecin (autour de 1 h 47 mn) est charmante, fraîche.
музыка эпохи барокко. Средневековье. Красивая и спокойная, которую можно слушать в любое время, совсем не раздражает.
Valeu!
thank you very much- this is beautiful-
Just the music to read a good book by.
Telemann underrated? Old JS Bach sent his son CPE all the way to Hamburg to study under him.
CPE Bach would later become Mozart's teacher and father figure.
Mozart without CPE Bach? Unthinkable! CPE Bach without Telemann? Unthinkable!
Piękne!!! Dziękuję bardzo!!!-:)))
unsung but well worth your ear
excelente! gracias!
bèèèlissimo...!!!
wonderful, thank you for uploading this beautiful music
the best of the best. modern technology helps eases life!
It eases and pleases and teases.
fantastico
Found Telemann on the Fallout 76 Classical Radio, very cool Bethesda.
Muito bom!
Telemann's style is very similar to Handel's. I really like both :)
Yes they were like pals. Both had mutual respect for each other ...evident from their letters to one another.
Handel borrowed from Telemann. A common practice during that time
musica maravillosa
Calmness is born in my heart .
Thank you for this.
Ahhh, this is the stuff. Any bit of a savage beast I have inside is soothed by this. It is also a weirdly amazing counterpoint to the "Walking Dead" compendium I am reading right now.
Elaine S ha
'Music hath charms to soothe a savage breast' !! I believe it can soothe some of the beasts too!
Even if he hadn't a piano, he had to know what was the piano.
great channel
NICE
İstanbul'dan Selamlar.
The ads are a disgrace. They totally ruin the musical experience. Imagine being at a live concert and all of a sudden the conductor stops, faces the audience and tries to sell you a product. Absurd!
If they do then they have a great foundation
Of all the german composers of this period, Telemann and Händel are my prefered ones for their creativity. I do not despise Bach, but find his music a bit too extravagant, a bit too rigid when not lacking the italian touch that was a must at those times except for people like Lully, who composed their music exclusively for the glory of the rulling powerful one not for the needy or for everyone's soul...