SENIOR FOLEY ARTIST REVEALS: how to record impact sounds for AAA Video Games

WHO AM I: My name is Bastian Gerner aka The Foley Teacher. I am a Senior Foley Artist working in AAA game audio and for Film and TV for almost 15 years now!
This is the first part of my detailed workflow analysis about how I tackle impact oneshot sounds and slide loops for dynamic objects in video games. You will find this knowledge NO WHERE! ONLY here!
My Links:
📸 / the_foley_teacher
📱 / the_foley_teacher
🌍 / thefoleyteacher
For 1on1 Coaching Sessions go to my website: www.the-foley-teacher.com
For my email newsletter please write to: [e-mail]

[@Kopekemaster]

The sort of "growly" sounds you start getting around 23 minutes in were great! Sounds like it could make for a good layer in some creature design.

[@BrickBee]

Microphones used: Sennheiser 416, Sanken CUX-100K, Shure SM7B and a Brüel and Kjaer Accelerometer (unknow what model, probably a piezo?). Bastian can you explain a little bit more about the accelerometer?

[@kanal_kak_kanal]

Great tutorial, thank you! Looking forward to seeing how you work with footsteps

[@Jukkaranula]

Hey, nice tutorial, are you always summing all mics in one mono track and just record that?

[@TheREAPERBlog]

I am confused by this as well.

[@m.sopunova]

Extremly cool video with unfairly low number of views! Move on Bastian, hungry sound designerd need more! If you need a topic for your future videos here's one - how to record foley in non-studio spaces? E.g. footsteps outdoors, different props in garage or basement. Maybe you could give some suggestions)

[@leshalozhkin]

Thank you! It is very interesting

[@NGTVST]

Sehr informativ. Danke! :)

[@Kopekemaster]

Whoa, cool to see you here!

[@NGTVST]

@@Kopekemaster :)