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Part 2 - The CAGED System (E Shape) - Combining the E & C shapes to make music - Guitar Lesson EP557
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- Опубликовано: 14 авг 2024
- This week's guitar lesson is a continuation of last week's CAGED System deep dive in which we'll be exploring the E shape and learning how to play major and minor chords, scales and arpeggios. We'll also connect the C and E shapes to create a standalone blues composition
To view the Part 2 video, download the TAB and the PDF cheat sheet for this lesson, visit: www.activemelo...
Here's a link to the first video in this CAGED System series: The C Shape: • The CAGED System: C Sh...
0:00 - Song we'll be learning (Intro)
02:26 - A Major Chord (E Shape)
04:04 - A Major Scale (E Shape)
05:07 - A Major Pentatonic Scale (E Shape)
07:00 - A Major Arpeggio (E Shape)
08:28 - A Major 7 Chord (E Shape)
10:06 - A Major 7 Arpeggio (E Shape)
10:52 - A7 Chord (E Shape)
11:34 - A Mixolydian Scale (E Shape)
12:20 - A7 Arpeggio (E Shape)
12:50 - A Minor Chord (E Shape)
13:24 - A Natural Minor Scale (E Shape)
14:14 - A Minor Pentatonic Scale (E Shape)
15:02 - A Minor Arpeggio (E Shape)
15:50 - Learning the song
Been premium member for a while and this series is one of my favourite lessons I’ve seen from Brian because there’s deep learning but also it’s super practical and accessible. Bravo
Just finished the "C" onto the "E"...luving these buckets!! Great little series...can't wait for the next 1. These lessons have given me so much to practice as we put all the knowledge all together. Awesome, awesome, awesome!!❤🥰🥰🥰
Brian ... It's so valuable to know that you read comments and you take CARE of them !! Thaaaaaanks so much for your work it helps me a lot !!
Thank you so much for these CAGED lessons. Totally awesome
Love this series. "It's Gold Jerry!...Gold!"
Thanks Sir! I really enjoyed the "C" shape vid you just did. Such an eye opener, and fabulous instruction easy to follow. Now I have more to digest and work to do! Bravo sir. Please bring more, and Thanks.
Look Brian,
This is fantastic. As I’ve mentioned before I have completed your “foundations course” which has warped me light years from where I’ve been stuck for over a decade.
This video was a great way for me to test my knowledge and make sure I could play all the various ideas without having to reference.
I think when you’re done with these they would make a great “capstone” course to your foundation courses!
Thanks again!!!
Were can i find the foundations course?
Absolutely brilliant, as always. Great teaching, and beautiful playing and composition.
... and another vote for a playlist (or even an mp3 or cd) of just your recorded tunes that you do at the start of every lesson. I could just listen to your 1 minute songs all day.
I could and would as well!!!!
Fantastic lessons. Helps to give a clear and practical path to learning the fretboard. Thank you!
It’s pretty amazing how much information you share and how well it’s instructed. Tons of light bulb moments! I have yet to see anyone else on you tube do what you do! Thank you Sir!!
This is GREAT STUFF, Brian!
Lovin' it!
At the end you'll need to make up a song using all 5 shapes!
👍 👌
Love the continuity between lessons. The chord melody connections here are a good tool for finger-style players.
Thanks for adding the Arpeggios into the buckets! It is a very helpful addition.
I’m figuering out all triad chords in all 6 CAGED shapes
Major aswell minor chords
And I extend the triads to 4 tone chords because I play jazz and jazz is more than I IV V three tone chords .
So now am busy with G shape chords Cmaj7 Dmin7 E min7 Fmaj7 G7. Ami7 Bmin7b5 and Cmaj7 again one octave up.
And I try to get all chords close to each other within 4 frets.
So after this I will study the E shape and will try to mix the chordforms of the C A G and E shapes together Still the E and D shape to go .
I pick up the good and interesting things out of your lessons .
I am not so interested in the different popmusic blues styles
Looking forward to a more challenging songs of you with different keys and II V I progressions which change within one song.
Thank you Brian! Great lesson series! The best compact explanation of the benefits of the CAGED system I’ve ever found!
Just a slight correction: As you explained the Major 7 Arpeggio, you said „flat 7“ instead of „7“ - please make a correction note to avoid confusion!
Thank you, and keep up the great work!
Thanks for catching - i have edited that out of the video now to prevent any future confusion.
Brian, these lessons are helping me tremendously. I love this style of playing and have been stuck at the far end of the guitar waaay too long. Thank you for turning on the the light:)
Another great lesson!!! You have so many stellar guitars - I am a member of "Active Melody" and my knowledge and playing have improved tremendously since joining six months ago - keep up the great work - love your style and your lesson - great stuff to be sure! Cheers from Canada.... - Drew
Thank you ! Great lesson you did on the C shape too !
Man this is worth more than gold. Awesome video
Waiting for this, great!..Greetings from Istanbul
This is solid gold stuff! Thanks
Sweet part 2! Thank you!🎸
New to your channel. The last two Caged System videos covering the C and E shape chords are truly awesome. Looking forward to more videos on the remaining A, G and D letter chords in the Caged System. I'm learning a lot. Thanks.🎸👍
These last couple have been really good.
One last comment: for anyone who knows maybe only the major and minor chords and maybe the pentatonics and are feeling overwhelmed. PLEASE go learn the major scale. Knowing the major scale out of this E position unlocks the arpeggios, the mixolydian scale, the natural minor scale(it’s just the C major scale starting on A) etc etc
Doing Brian’s videos on the major scale really allowed me to progress through everything else.
Wow, lot of stuffs to learn… great lesson as usual, thank u Brian 👌🏼🫶🏻
This is so good! Thank you for sharing this! Great teaching.
Great lesson. More lightbulbs going on. Thanks.
Fabulous ‼️
Brain. Thanks for your work on putting this lesson together. I started playing some years ago. I could never connect the scales, modes. Thanks for the umbrella visual.
Great and critical lesson! Thanks. Also… super cool guitar!
I was looking forward to this follow up, Brian! My homework for tonight. And this lovely resonator blues is a sweet bonus! 🎶💕💯
Hi Jola, I'm enjoying this series too. Have you ever played a resonater before? They look so cool.
@@douglaschristine8387 not as cool one as the one Brian has 😊
@@GuitarJoLa That's because Brian can afford a cool one plus look at all the guitars he owns. I think he's got the guitar bug. How many do you own. Myself, a Yamaha revstar, a Squire classic vibe strat and an Epiphone Les Paul. Priorities first, fun second. Happy strumming.. Jola.
I definitely have too many 🙄 but it’s hard to thin the herd.
@@GuitarJoLa haha
That intro was nice
Be patient
I think you were right about leaving the arpeggios out and showing the 6 and the 9 chords instead like you did in the C video.
Loving that resonator, Brian.
Which reminds me - whatever happened to the Dobro course you were thinking of doing?
dobro course? never heard of it
Thanks!
Thanks
Hi, how about doing, doing only crying by Keith Marshall, love your channel.
Even though I guess it technically isn't CAGED because it leaves the box....
3 string chord scales are what made it click for me what CAGED is and how it works.
Might be worth a video. Or multiple. Could also demonstrate how modes work with those.
what are 3 string chords scales?
@@jeffdubuque3755 I will attempt to explain in text.
In my example you will use the shapes of cowboy chords D Major, D Minor, and D Diminished. Those are the shapes. If I say Minor you use the shape of D Minor. On these strings with those shapes the G string is always the 5th. The B string is always the Root. The E string is always the 3rd.
Your in the key of D Major. You're going to play a D chord scale on those bottom 3 strings. You're in D so don't worry if you accidentally hit the Open D along the way. Your middle finger is the Root when you play a D Major cowboy cord. Run the D Major scale down the B string. You will move your ring finger down the neck in the step intervals of a major scale. Ring finger runs the scale. In a Major scale the chord types are Major (1), Minor (2), Minor (3), Major (4), Major (5), Minor (6), Diminished (7), and you're back to 1 which is D Major. You will play a Major Chord Scale. You will hear the D Major scale in the chords. They will be the chords of the key of D Major.
The bit that will help everything click is this.
Slide your D Major Cowboy chord shape back 1 fret. Now it is an C# Major. Make sure not to accidentally hit the Open D string this time. And everything works exactly the same as before as you run a major scale with major scale chord type intervals. Everything is just transposed to C# instead of D. Works exactly how a Capo works.
Now the MODES bit that hopefully will click. Go back to normal D Major. So....if you didn't know.....modes of a scale are all the same notes. Your Root is what changes. I'm going to KEEP YOU IN D MAJOR, because it may help things click. The first mode is the Major scale. You I assume know that already. The SECOND Mode is Dorian. Here's what to do. Instead of D Major, start with D Minor. Your starting with what was SHAPE 2 of D Major. But now it is Shape 1. Your 7 used to be Diminished. But now your 6 is Diminished. The way to think about this is you have transposed they sequence of chord Types. What was first is now last. And that is the only difference. Start on D Minor. Ring Finger runs the Major Scale (Dorian Mode. See edit below) on the B String again. But now it's Minor (1), Minor (2), Major (3), Major (4), Minor (5), Diminished (6), Major (7), and then you're back to the 1 which in this case is D Diminished. You just played a D Dorian chord scale.
( EDIT! THIS SECTION IS AN EDIT TO CORRECT A MISTAKE. When you do the Mode shift of the chord type pattern, you also shift the major scale intervals by 1 as well. So it is WHWWWHW. That is Dorian)
If instead of D Dorian you wanted to play E Dorian.....it would be exactly like my original example of D Major. Except now the 2 chord (E Minor) is Root. You're starting on the E Minor. So now it will be E Dorian. It works the same with just running a single note scale on the B String. Run a D Major scale on the B String. Then do it again but start on the 2nd note. It will be E Dorian mode of the D Major scale.
Way way way back in some Rob Chapman video, a really really old one, he taught that chord scale. I learned it. I kept on for years using it and wondering how to use it on other ways. Many years later I figured out how to use that knowledge. One day I started the pattern on a different fret. Then some other day I started on the 2 shape instead of the 1 shape. Then later I thought.....well.....I can do this with other Triad shapes on other strings too!
You can do the same with your A shapes or your E shapes. You can do it with any shapes as long as your fingers will reach the changes.
On the G, B, and A strings, the SHAPE of a D Major Chord will ALWAYS make a Major chord. No matter what finger your put your Ring Finger on along the B string, if you make the shape of a D Major you will be making a Major chord. If you put your Ring Finger on F and make the shape of a D Major it will be an F Major.
If you take your Cowboy Chord A shape and slide it up 2 frets it's a B now. If you use the A Minor shape it will be a B Minor.
Etc.
You can make a Major Triad on any 3 consecutive strings. As long as you know which string is the root, 3rd, and 5th on those strings with that shape, you know how to make any Major Minor or Diminished chord in any position.
Cowboy Shapes
D Major is a 2nd inversion.
A Major is a 2nd inversion.
E Major is a 2nd inversion.
C Major....if you play the G on the E string is 2nd inversion.
2nd inversions are 5th, Root, 3rd.
So I just told you how to use all consecutive groupings of 3 strings. And they work the same because they are all 2nd inversions. The 5th is always your top finger. The Root is always your middle finger. The 3rd is always your bottom finger.
Now you know how to make 2nd inversion triads everywhere on the neck 😉. Here's where it gets cooler......
Slide the 3rd up to the 4th. That's a Sus4.
Slide the 3rd back to the 2. That's a Sus2.
Slide the 5th back 1 fret. That's a Flat 5.
Etc.
You can do a lot with all that stuff.
A Major chord shape is always a Major Chord Shape. The major scale pattern is always the same combination of whole and half steps. The pattern of the major scale contains every mode of the major scale. The Minor scale contains every mode of the minor scale.
Hopefully this was understandable 😅.
wow, thank you very much for breaking this down i do understand this stuff the major scale modes i v read a few books on triads etc agan thanks jeff d Ontario Canada.@@CrazyLazyDave
@@jeffdubuque3755 more than welcome!
I made an edit. Maybe re read. Gimme a few more minutes to check again for anything else stated wrong.
i found the rob chappers videos from 15 years ago i check them out thanks.@@CrazyLazyDave
top!!!
DITTO !!! All the comments below. Thank you !!
Brilliant - I just found a cheat to find the mixolydian easily: A mixolydian = the 5th mode of D ionian and D is the 4th degree of A ionian. Just move your finger 1 fret vertically below in the same fret and play that major scale. Took me 20 years to figure this out.
at 10:25 about the A Major 7 arpeggio you said "flat 7" on the 4th string 6th fret. Did you mean "major 7th"?
Yes, sorry I should have said 7, not flat 7
Geez, i don't know if i saw the last season of "Stranger Things!"
I better check...
Not now, but later! 🤪
Man… good stuff. Sorry for my inability to grasp basic info, but are you saying part two of the song is for full members only or that you’re going to post another video covering the second half of the tune? Thanks.
It's in the 2nd video available for Premium members, which btw is the best bargain worldwide.
@@GuitarJoLacool. I figured the song out though. Took me a minute to recognize that he stepped it down to the F# in the second part. So it’s basically 1-4-1 2-5-1 progression. Good song.
Hey Brian. Tangential question: What model resonator? I don't collect guitars and very happy with my one Martin D35. But if I could add only one new guitar it would be a resonator. Just collecting data. Thanks for the great lessons.
That’s a National style 1.5
Thanks Brian. Of any of the lower priced used round necked resonators I see on Reverb et al (National, Dobro, Gretsch, etc) which is a decent one. I'm open to wood top like EC plays or all metal. What I'm looking for is a resonator I can set up and leave in open tuning to practice both open tuning and slide on. A dedicated guitar for just that without breaking the bank ($400-600)@@activemelody
@@capitansandro228 I would say those recording king resonators would be your best bet in that price range - they’re great. Gretsch is good too
@@activemelodyThank you to Brian for answering this persons question since they didn’t. That was very considerate and prompt I might add, especially since it was off topic!
Ok, so we started at the C. I thought we were working with the caged system. So you start with the C shape, which was awesome. Then you go and jump to the E shape. Caged Ain't Spelled that way. I am so confused.
Each of the 5 shapes are independent of one another. There is no "do this one, then do that one" - I will cover all 5 positions.
that's not the BB Box... u should know that, sensei.
Awesome!!!