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I suppose the literal definition of the word crooner doesn’t matter now. Words changed in meetings overtime sometime when we hear the word crooner today we associated with Sinatra Crosby and I would even put in that King Cole and Johnny Mathis. We know what you mean when you say crooner It’s usually a romantic singer. I would even put Luther Vandross in that category.

I suppose the literal definition of the word crooner doesn’t matter now. Words changed in meetings overtime sometime when we hear the word crooner today we associated with Sinatra Crosby and I would even put in that King Cole and Johnny Mathis. We know what you mean when you say crooner It’s usually a romantic singer. I would even put Luther Vandross in that category.

Yeah, he doesn’t do that. MMMMM sound at all. He just goes right in cleanly with his vocal attack.

@@KCDise I would say listen to your voice and body. I would practice for many hours a day in a row and it could be fine and other times if my voice felt tired at all I would rest. I think your range decreasing in any way could just be your voice adjusting to training and it could be getting fatigued slightly…. Just like if you haven’t really lifted weights in your life you might be weak after a hard first few sessions/it takes time for your body to adjust to something new. As long as you aren’t pushing or straining your voice or feel and discomfort or hoarseness afterwards, I think you can practice as much as you’d like….technique comes first always though and takes time to develop the absolute to sing and be very relaxed.

@@lemandoeslogic2261 I'm a baritone and I've been singing for 10+ years, doing punk rock gigs. But it's only been a year since I've been taking lessons, using warm ups, breathing and the technique. When I go into mixed voice to reach A4# on songs like No Excuses from Alice In Chains, my throat gets tensed the more I practice. So I stop any singing for 2 or 4 days even 2 weeks. I record myself and it's not really getting better. I like to compress my vocals using my diaphragm. I also like to use my false chords on some phrases. I guess I'll give it a little more time and keep practicing lighter stuff in between harder stuff.

@@KCDise it’s hard to know exactly what’s going on from just reading your text but to me that sounds like some pushing is happening and you may need to strengthen your upper register more. Every time I warmup, I go above C5 in mix very easily and quickly but very thinly after I have warmed up my falsetto, and then I slowly add chest to those notes for power no try at all until I’m decently warmed up. We want to be able to hit high notes with very little effort in the mix before we add any chest power or distortion/compression.

@@lemandoeslogic2261 I also do a basic easy 10 min warm up, then 2 min nasal (mask) warm up with my falsetto (headvoice) range, then 10 min gentle mix voice warm up with sirens stuff (more open throat, tongue tension release, more nasal singing etc). Then I go hard with the diaphragm and warm up my screams with false chords. I usualy go up to B4 with my mix (can't go up clean to C5 for the moment). Then I know I'm on a good day to go sing up to A4#. But it all get tensed and fatigue appears after like 3 takes of the song. I might try so cortisol.

​@@lemandoeslogic2261 I can only go up to G5 in falsetto so I might need to work more on my head voice with flageolets and stuff like that to unlock my mix voice

@@zevio4277 I guess you could say all the above lol. I don’t think it’s helpful to put your voice in a box or range. I can also sing soprano parts.

@@lemandoeslogic2261 brilliant.

yes! an important part of learning to sing on youtube is learning to stay away from ken tamplin

@@nikolanikolic5180 ?

@@robynrox that’s awesome!

@@fenderfox5080 honestly I would have to hear exactly what the issue is to figure out what you mean.

@lemandoeslogic2261 if I do a short video on my You Tube channel can a share the link?

@@fenderfox5080 sure!

I haven’t taken students in quite awhile but I would be open to discussing it!

@@lemandoeslogic2261 you have instagram or fb ? whatsapp ?>

@@henryarthon yes this is where control really comes into place because I couldn’t have any chest resonance in that range for quite some time. If you really focus and train your mask and nasal resonance with control and without pushing then you can start to blend over time without pushing your voice. This is easier said than done, but much better for your voice and will not result in fatigue or pitchyness

Watching your video I realized that when I was trying to hit a D5 for an specific song, I did the same technique you taught on “landing on the note right away”. I’m gonna keep on trying to achieve a good mixed sound, tired to hear people saying that my C5’s / C#5’s are too loud and “chest pulled”. Thank you for the video! 💙

@@jimmyhensley2511 glad it helped!

Can you say what notes you could sing before in chest voice compared to now? And what can you sing now? I wish I was a tenor but I don't think I am. I'm 17 years old and I can only sing from e2-4 comfortably and above that gets strained. But my head voice can go up to e6 so I really don't know. I'm untrained so that probably plays a part.

@@Vesper2424 this was years ago so I have no idea tbh it could have just been a visual aid in my head, but I doubt it was intentional. Sometimes when changing resonances I envision different shapes in my mind which also could transfer to bodily movement….may sound strange but that actually does help me.

@@Vesper2424 this was years ago so I have no idea tbh it could have just been a visual aid in my head, but I doubt it was intentional. Sometimes when changing resonances I envision different shapes in my mind which also could transfer to bodily movement….may sound strange but that actually does help me.

@@rono.9157 I don’t really use the term passagio, do you mean where your voice naturally wants to break into falsetto?

@@lemandoeslogic2261 yep, that's it

@@rono.9157 I don’t think I have a video of the vocal break but how I virtually erased mine was by doing these exercises, the falsetto exercise video I have, and experimenting as these parts of my voice got stronger.

@@lemandoeslogic2261 Bro, that video helped me like you have no idea, thank you very much!

@@rono.9157 of course!

@@ThepursuitofHappiness-fb8iy what do you mean by this?

@@Da.swaggermaista keep going!! But yes develop mask, learn to fry, add chest resonance over time.

@@SkyViølet95 fucking right!!! That’s gains

@@billybaldwin8918 you clearly are not educated in technique take your comments elsewhere

@@lemandoeslogic2261 LOL

@@lemandoeslogic2261this guy looks like he’s just trolling you across multiple videos. So sorry you have to deal with bs like this. I’m a female singer, really appreciate this video, helped me a ton!!

@ thanks so much!!

@@lemandoeslogic2261 Come on, this really is a spoof video, right?

@@billybaldwin8918 funny how you are literally the only one with something negative to say out of hundreds of people.

@@lemandoeslogic2261 This is so much misinformation in your videos, it surprises me!

@@billybaldwin8918 dude talk to me when you can even touch a 4th octave no one cares about your terrible opinions

I started singing when I was 19 years old. Anyone can develop their voice and become a strong vocalist it just takes dedication and time. Don’t give up keep going!

Dude go troll somewhere else

@@lemandoeslogic2261 I'm not trolling, I'm trying to save people from ruining their voices.

Always lifting the soft palate, but placing the air and resonance in the mask and nose to have a thinner tone instead of trying to be full and dark in chest, this takes more time and power

@@lemandoeslogic2261 Thanks for the clue!

There should never be discomfort and if there is stop. However, it takes time to figure out how much air pressure to use throughout the different ranges of your voice and sometimes when we apply too much pressure we can start to get itchy throats or feel discomfort, just take a break and come back if you feel this. I definitely had some discomfort as I was finding my voice, expanding my range, and figuring out how to use my diaphragm and the amount of pressure but I would just stop if it became uncomfortable or hoarse in any way.

@@lemandoeslogic2261 Thank you so much. I sometimes notice that there should be different air pressure in dif ranges indeed, but I'm glad you're pointing it out because I will remember it more now. Ok! So interesting

@@quwane Generally, we use less air pressure in our lower range but more air flow to hit notes way down in our lower chest but more air pressure as we go up in range but this can easily be confused as much strain/unnecessary tension. We do need to increase air pressure in the diaphragm as we go up in range while remaining relaxed in our throat and face. We also begin to thin the voice and use a thinner part of our vocal cords as we go up in range.

@@lemandoeslogic2261 OOOOH I got it. So, the higher the notes, the more air pressure but the airflow should stay the same as on low notes. That point to remain with the same posture and not tense up when going up I really experienced too. Anyhow even if my conclusion is wrong I will try it all out by myself as well. Normally I don't even speak much which sucks but that's the reason why I couldn't figure out the right balance between air pressure and airflow to find good resonance. Usually my voice fries out a lot when just talking because I don't use much airflow. And you can't say I have a deep voice when talking at all but I can go very deep without increasing airflow but vice versa increasing air pressure and adding vocal fry with compression

I noticed that my mask goes away because i add too much support ruining the right airflow-support balance, even though I try to make the sound thin