Видео

That's a great question, one thing I recommend doing for a bit of regular practice is heading over to pose trainer or postmanacs and doing a few five to ten minutes studies with visible musculature to try and remember the basic muscle groups in context. Let me know how you go

@ Omg ty so much I will definitely try this!

That's wonderful, I'll look forward to seeing it posted in the homework section on the discord

Thank you that's wonderful to hear, great work on the improvement it sounds like you've really put in the hours in the effort, and are seeing that return.

I feel like that's an overly short summary of boardwalk empire.... I really need to rewatch boardwalk empire

@LinesSensei That's quality, for sure 🌟

So that is a great question, it really depends on the image, what they're doing and how you're showing it. Here's one that took an hour start to finish (and you can draw along) ruclips.net/video/9bBfY2XUBks/видео.html But it really depends, there's no upper limit on your ambition after all

Yes, sorry I'm aware of the pacing of my videos is something I need to work on. Thank you for the feedback

@@LinesSensei it's fine replaying a specific part of the video works

I did the same thing for years myself, what helped was starting on a kind of mid-tone warm Gray canvas when I worked digitally. It really is worth getting used to starting to finish and finishing on the tablet, just so you've got that all workflow which can help you get more works done.

Awesome, thank you! I really hope you enjoy them I've got a few videos built up to have a look through and see if there's anything else that might be useful. And of course there's usually homework, so if you do want to have a go at it and post it this chord I go through and Mark that usually a couple of days after I finish a video

Great to hear! It sounds like your hard work is really paying off, great job 👍

❤️

That's a great suggestion, and a few other people have asked for it as well . It's absolutely on the horizon

Prior to publishing this video I should probably admit that I referred to them as the "three spiral-ee one", and "the one from charmed"

Yes, you can, but it works slightly differently in Ibis paint. Gibbous paint software does have a reference layer functionality but it works differently than it does in clip studio paint or in paint tool sai, give it a good old Google to get the details on how to do it because I don't remember off the top of my head i'm sorry

Thank you, t hat's really cool to know, I can finally stop calling it the "swirly thingy"

That's to be expected, that format of brush is for clip studio paint. And as far as I'm aware there isn't an easy way to convert Photoshop or clip studio paint brushes into ones that are compatible with procreate.

@@LinesSensei Not to worry, I found a suitable alternative online. Thanks, Sensei

That's a great suggestion, I do actually have that on the horizon. Currently I'm just trying to build up my skill in that particular area, since I'm not typically an anthro artist my skills aren't as sharp as they are with other subjects so I'm not able to teach them as easily. But I am working on it so hopefully I'll have something near on the horizon, stay tuned

That's a really great way of saying that, I really like it

1) thank you, you are far too kind. 2) 🙇 3) honestly the vector tools in clip studio look great, it's just that I'm not accustomed to them so they haven't really found a place in my workflow. The other reason I don't really use them is that I'm trying to be where possible as software agnostic as I can with these videos so that whatever software people are using be It clip studio, Photoshop, paint tool sai, that the instructions will work for them. I do have a mate on the discord server who's mad keen on them though and they do get some pretty cool results, especially the ability to modify the ink after it's been laid down.

@LinesSensei Fair enough! And yes, the vector tools are super handy for line art. You can do the thin/thick thing, also select individual strokes and move them or adjust them as points. All kinds of things. My favorite aspect is the vector eraser, which lets you snip off any overlap flush with an adjacent line. Saves a ton of time erasing. The one drawback I've noticed is that vector lines don't seem to react to regular erasers/transparent brushes very well. They can leave little jagged bits sometimes. I think it's because they register every pen stroke as its own thing, so if you pile up three or four strokes or blobs of ink, you have to erase them one-at-a-time. Then again, maybe I'm doing something wrong. Always a possibility! I do recommend playing with them sometime, even if it's not for videos. Your clean line art style would probably work perfectly with it. Thanks for the reply!

I hope your patience is rewarded, a lot of people have been really patient waiting for certain things so I hope I live up to at least part of the expectation

@ I binged all ur vids for months, think I started watching ever since before the eye tut come out and ur vids r an addiction for me that actually helped me with a ton of crap

Steve buscemi is an excellent actor, he's always a pleasure to see, in any context

I do going to more challenging angles with the more in-depth looks at the pelvis and the upper body. I did just a straight on inside on views in this video to get people started with the construction shapes, and hopefully scaffold them into more challenging angles in the videos that come after it. My hope is, that it's all connected

That's very nice of you to say, I hope it's decent

@LinesSensei im a Beginner artist and its been a struggle

Yeah, some of them do feel a bit different even though on paper they should be the same. The Ibis paint eraser is like that for me, it just feels weird and I have a hard time explaining why

I mean, I feel that way. I just don't want to stuff people around too much when they want to watch the content. I think it's because that's how I watch videos so I might be projecting onto other people

I'm glad you like it, and I'm glad the secret brush reveal was at least an experience. You can also just download the brush if you want to have a go of it.

It's very helpful to use different tools in traditional to explore different ways of markmaking. Fine nibs will tear into the paper, brushes will squish down, crayons will break. Heavy or thick pen bodies will change how much tension you apply. And they can force you to draw at a different scale, too. If you examine drawing demos to look carefully at the hand motions, they're not all doing it the same way: Kim Jung Gi, Neal Adams, and Glenn Vilppu all demonstrate different grips and motion patterns, and some of their choices depend on the setup they're using. I still haven't found the way of doing digital that I'm happy with. I've tried different types of tablet/stylus, angles and modifications to add friction or lower tension, but the experience is full of compromises.

I have the same thing, when I use traditional media. Another thing that works for me when working traditionally, is a hold my pencil much further back than the tip of the pencil, it means I lose accuracy, but also helps me add tone and have more gestural line.

I'm really happy to hear that you've got something useful from it, that's what it's all about so it's wonderful to have that confirmed. I really appreciate it, thank you

I will yes, hopefully I'll be able to do some of them relatively soon since a lot of the basics have now been checked off we can get into more of the granular specifics

I hope it lives up to your expectations, let me know how you go

Excellent, from the sounds of it I also interrupted a couple of people's lunch with the surprise.

You're welcome, I hope you like it

So my sketching brush has no stabilization, and my inking brush has to have maximum stabilization because I have the hands stability of a Jack Russell in a spin dryer.

I hope it helps, and great work I'm getting commissions get that bag