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people who complain about behringer are the same people that never actually make any music ....stay over there in your crybaby shed and keeping turning those knobs

He's only got a face for radio, that's why it's blurred out. 🤣 (Of course, I'm joking)

you have a license to broadcast?

Logically, the difference of price between the two turntables is in things like the ambiental noise reduction to start to play the machine. To me, personally, It doesn't matter

What to buy today in 2014? 120 or 140?

Hi i wont start home radio station studio and broadcasting equipments lists place send me

why do you need so many racks for one mic though? i have a chance to pick up the 286s and the 528e both for 160...but i cant see why i would need to use both

Issue seems to be fixed on the 120x version.

Do you still use RadioDJ?

102.9 fly ride fm 📻

Had one of those QEI 691's years ago, that's a great pickup.

I worked at many stations that did not have half this amount of equipment. great report

What radio automation software do you prefer?

and where's the sound when using neither?

Beware Broadcasters Warehouse is a fake spin off company selling unlicensed products purporting to be Broadcast Warehouse and are scam artists, they were originally Transmitters 'r' us. BROADCAST Warehouse has taken back off again under new ownership, however I haven't been impressed with their customer service since. Was great with Brendan and Andy there before it was taken over.

Wubba wubba. I hear it

Can you listen italo disco on 140? At homme...? I think it would sounds great. Can you compare 140 with Tensai td 760qz? It's from 1979. I think. In the point of sound. Best wishes

Can you tell me please how much is a license for fm am transmitter 25 watts

Cual es m jor oara djs de eventos grandes??

I posted a video of my Wheatstone! New Console - 1998 Wheatstone A6000 ruclips.net/video/h12kKkFi0cw/видео.html

Cool setup

As someone who used the AT120's to DJ on that 'thud' sound became even mire apparent when back-cueing or spinning the record. You could actually feel it under the platter, it sounded like the motor was overloading and would skip the records all the time

They are both trash

I believe red indicates that it’s gating.

Sorry , couldn't get past the snap, crackle, pop of the dirty or misused records.

On the AT-LP120, there were no improvements made in the last decade. The same problems: none working AS mechanism and motor cogging. AT-LP140 was newly designed, so something very different. Still, for just a third price of AT-LP140, you can find a very decent japanese direct-drive turntable from 80`s and it will not spoil in terms of mechanical parts. You will have to replace some capacitors and that is it!

Nice console. Is there a way to contact you? I've got some questions about my station build and I'd like to run by you?.

I just got one of these. Pretty excited to get it.

Love it. I'd love to build me a studio like this. George from South Carolina

The sound of the Behringer is strange (comb-filtered, no transients, not enough top-end) and to me it sound like one or more settings problems. First check input/output levels, polarity and settings, if that's fine use very little compression and transient-friendly times. Use peak limiter only for 1-2db peak reduction. Killed transients and too fast release are what sucks life out of program material. It's hard to see but it looks like there is very low levels in the upper two bands which would explain part of the dull sound. The cheaper the processor, the more you need to know and the harder to work, which is why people get bad sound out of perfectly find equipment. But Behringer stuff isn't bad in general, they only need a low of knowledge about settings and the manuals are often giving misleading advice.

The DSPX is fine for the hobbyist, its clean but not particularly loud. The Arianes have also been surpassed. I have a TransLanTech Ariane (the original, analog one) and it is a great, transparent stereo matrix leveller. However, broadcasters are either barefooting the audioprocessors or are beginning to use Angry Audio C-Levels if their airchain is still analog. Plants that are modernizing are using Audio over IP (AES67/Dante, etc.) and are doing processing in the digital domain. Those without a big capital budget to buy an Omnia 11 or the Optimod counterpart, are doing all the processing and stereo generation in software with StereoTool or BreakawayOne/Omnia9.

That is a nice board. Well done on sorting the issues and bringing this great hardware back to life.

I love the wooden equipment racks. Nice touch

Red could be two things is clipping and the compressor has to work hard to pull back the sound so it not heard on air our stop playing the music watch the meter if it goes red its a noise gate function

Im so happy for you bw broadcast processior you have mulliband compressor and 15khz lpf for fm output you can use mpx out one cable to trasnmitter mpx imput make adjustments and pre emphasis 75 for usa 50 uk and have fun your the same as all commercial station ❤a😊

Do you have the old board from the old videos for sale?

Green means the audio in that band is within the set threshold and it’s either actively compressing (applying faint reduction) or red, meaning that the audio level for that given band, has fallen below a set threshold, and the gain change action has been paused or frozen for that moment. This helps to prevent unnecessary gain rush-up in low passages of audio, and helps keep things consistent, without making the processor go nuts trying to always chase the perfect loudness level. It knows when to act, and when to wait. It keeps the AGC and limiter from sounding too busy, also.

Is that an old radio station board? Looks real cool!

My station on 1620 am doesn't have such high tech equipment but still is blasting heavy metal .

💪 nice one!

Niiiiiiiiiiiiiiiiiice.... love them old boards

Very cool! Thanks for sharing 👍

Amazing! With every new video, I just get amazed how awesome this studio is! Highly functional while being very compact and clean

nice board.

All I heard were 2 scratchy LPs LMFAO

The QEI is way easier to calibrate than the Belar devices, and more stable as well. Also the sound quality is much better with less noise and lower effects of incidental AM. You picked up a great piece of gear.

Cheapest Aphex 720 I could find here in Norway was 500$, so I bought the Behringer one for 25$ The Aphex is probably miles better, but I'm on a budget so.. the Behringer will have to do the job.

May I ask how you got license from music and how you get to license to broadcast I would like to have a small radio station as well

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