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Nice!

Nice!

Makes me wish I was back in SoCal.

will the DM3 accept a keyboard as well? or a combo of keyboard and mouse?

Mediengestalter seid ihr gut drauf oder was

is there a way to globally turn on/off the duggan mixer? it seems to be muting the channels when I turn it off atm

Jumping from one support assignment to another, this video shows that the person giving instructions did not prepare at all for this video, but improvised. Instructional videos aren't "oh then this this and then that". They should be a methodical A-Z instructions and discussions, this video isn't that

Great job!

Saw your stuff and decided that we wanted to take this plunge. But we are having trouble getting it to operate with Qlab 5. Companion and stream deck are all set - we’ve got the connection set there, but it won’t interact with Qlab. Any advice for a small, passionate community theatre?

I remember when we unboxed our CL5 in 2014, no candy, no free licence keys 🥲

I would like to use the editor as the spill area and the compact bay as the DCA faders. I would love to run a second editor on the other side for outputs/ sends on faders. So far selecting sends on faders on the editor has no affect on the console. There doesn’t seem to be a way to link the editor to a phantom BAY.

Is this process any different for the Tio1608-D2?

Thank you

Hello! Question: what needs to be done so that the top bar on the iPad reacts with green misters of all channels like on the console itself? thanks in advance🤝

hi, its there a way to put a hotkey trigger?

funny to see A. Bannister in this... he don't need no training XD Anyways, cool to see this option for newbies

wouldn't recommend this, VERY hard to get support and if you lose your VST rack serial, or a computer dies with the software installed there is simply NO way to retrieve your license.

I have this interface. threw out the packaging not realizing the serial was in there. my computer with the software died. now there is NO way to contact Yamaha or use the VST rack on my new computer. have reached out to steainberg as well. would NOT purchase this or use VST rack because lets be honest shit happens in the live music world and they are impossible to contact and have ZERO customer service.

I did not see 1 link above 😭

Yamaha's routing is a little bit more complicated than other desks due to the utilization of Dante protocol - it's a networked protocol rather than a point-to-point one, so Dante channels on mixer don't necessarily correspond to the ones on stagebox. Since the mapping between the physical ports and Dante channels of the stagebox is fixed, the patching process has two steps: Step 1: Mapping Dante channels between the desk and the box - either through the desk's automatic config or via a laptop Step 2: Mapping input sources of processing channels and output destinations of mix buses to the desk's Dante channels. It can be like: "XLR In 6 of Stagebox No.2"->"Dante Output Channel 6 of Stagebox No.2"->"Dante Input Channel 14 of Mixer"->"Input of the Mixer's Processing Channel 38" "Output of the Mixer's Bus No.12"->"Dante Output Channel 18 of Mixer"->"Dante Input Channel 5 of Stagebox No.1"->"XLR Out 5 of Stagebox No.1" Technically you can also wire two stageboxes together and patch the inputs of one to the output of another so that they'll work like a snake cable. It's ridiculous but possible.

Super the post fader

Thanks, amigo. Always appreciate ya.

I hooked up my stream deck and configured companion according to the video, For some reason Qlab freezes up, when I unplug the stream deck Qlab unfreezes, sometimes I have to shut down the system and reboot, any solutions to this problem would be greatly appreciated, Thank you

Hey, John. I know it's been a couple of years since you made this video, but it's helping me become more confident in my work as an A-2. I work primarily as an A-1, but I'm getting more calls for A-2 work involving Clearcom equipment, and I just wanted to say thanks for making these videos. I find them very helpful.

That 169.254 address is an APIPA address that Windows randomly picks form a /16 net when DHCP fiails. It's a standrd. And the AVIO is likely defaulting to an APIPA address as well.

this is a great break down

Ok, the big question of all times is how to run VST effects prcessed on PC/mac and have it as an insert to a live mixing console. So far, the simplest option was to connect your console via USB to the PC/mac and route it back but this would introduce some latency (7 - 14 ms). Now, Yamaha says its RUIO16 can get the signal over Dante, send it to PC/mac over USB, run the VSTs, get it from the PC/mac and sent it back to a console over the Dante, AND have a decent amount of latency (<5 ms). My question is: If RUIO16 can talk to PC/mac with <5 ms latency, why not have the same technology on the mixing consoles and process the VSTs on the PC/mac all over the USB??? Why even go to Dante?

So if I wanted to keep and use the 16 inputs on the back of the TF-1 and use the remote box to add 17 -32 inputs on the second layer on TF-1. I could not use the easy patch of confige and set the box to box # 2. I would have to get a laptop, network switch and program the 17-32 inputs manually?

nice and concise thank you man!

Hi , And thanks for the project ! Do you think your software could allow to Remote a DAW with à QL/CL console ?

I’m disappointed about the interface values. My RME interfaces have values around 3ms round trip latency…

how do you factory reset a meyer galileo 408? it’s an older model.

Hey Jay, killer video. I have a question about the DM3 : does it have a built-in multimand compressor or dynamic EQ? Thanks for the vid ! :)

Obrigado!!

Thanks for this video! I have been dealing with a multiple subnet issue for several weeks and I couldn't find how to change that in any owners manuals so thanks again!

Is there a way to use stream deck with the cart function in QLab? So each button fires a cart slot?

Thank you 🙏🏾

nice shoulder vid

This video is super helpful to a beginner like me on the Galileo. Thank you!

If I had the money I would buy it.

I work for years with QL 5. never touched a CL. But the QL was always enough for the shows i do. But with more and more musicians using In Ear the QL can run out of Mixes very fast and i need at least 2 verbs 1 dly and 2 stereo mixbusses means only 8 Mixes left for just MONO In ear if you have 8 Musicians. If 4 musicians you can give em Stereo In ear. But i love th fact that the QL has all the onboard Mic Pre´s and 16 OMNI Outs. I would only use a CL because of 24 Mixes, just in case. Otherwise the QL is my go to desk for years.

Hey I know Yamahas are reliable. I’m thinking of getting an Allen and Heath avantis. How do you think they compare with reliability. I know they are different price points but not too far from each other.

Is the Dugan built in on the TF or did you have to install a Dugan card?

Don't be a one trick Pony !!! Boom LOL

Thanks for this great tutorial series! I am not in front of the units currently and have a question as I am prepping for an event. I need a 5th channel to be available on Freespeak that is programmed in my Helix base. Helix base has two four wire modules and an ehternet module, no 2 wire modules. Do I connect Line 1 of digital intercom on Helix to 2 wire A on Freespeak to resolve this? If so, how do I assign that 5th channel to the digital intercom line 1 within the CCM programming?

Hi! Could I patch stereo buses (like 17-18, 19-20 from TF5) to the 8 outs of the Tio?

The scrolling feature using the knobs is mint. Thanks!

Thank you for sharing your knowledge and problem solving experience. My basic set up is M2 Mac Air - Dante Controller - Caldigit TS4 - Managed Router - DM3-D . Where does RUIO 16 Go in my Chain ?? Cheers mozzie 😊

The thing that most people do not get. Is how much better it sounds compared to the TF series. This addition of a mouse ... well...two hands are faster than one.

Huge Mahalo! (thank you). Been trying for a couple days to figure why audio wasn't passing through. It always is something simple. select Slot 1 on the mixer Duh...found your vid just in time for a critical performance.