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What a great presentation that reinforces the value of critical thinking when assessing a product! A lot of reviewers should take note! 'SUBSCRIBED'!

Close your eyes and it’s like Nicholas Cage is giving a tripod review. Great info.

Does it take CFExpress type B cards?

Respectfully, your review is pointless. You did nothing but compare specs that you read online. You, again, respectfully made the same exact mistake that everyone else continues to make, and that is concluding that a certain camera is better simply because of its capabilities. I shot a 3-hour feature film on the Sony fs100 that you wouldn't believe it was shot on that. Lightning, sound, angles, editing, acting, etc. have to be on point. If you wish to see a sample of my work, I can provide it as evidence.

Your video saved me money. I’ve been shooting with my a1. It made me not buy the fx9. Your movie. I never need a variable ND. You also put that forward to me. Thank you. This a1 I have. Is the perfect camera. Full frame 8k. Thanks for the thoughtful message in your video. Gear. It’s a bunch of bullshit

Why i hear background noise when i record my music?

For all those fellow flute and woodwind players out there.. if you can not afford a Neumann KM 184, this is the best microphone you can get (provided you use correct positioning). Trust me, I have been there. After buying (and returning some) SM 57/58, Beta 57a, V7, V7x, NT1A, NT1, NT5, Oktava MK012, ... This sounds by far the best on a flute (and probably other woodwinds).

I was aghast when I saw the 4K 10bit has moiré artefacts, This is still a £4000 camera in the UK. The RX1ii had a variable OLPF around NINE years ago, and yet they're releasing top of the range cameras with no OLPF still. Madness...

I never thought of adding a power bank to my hub, I just thought it didnt work, thanks !

It's worth noting that the SE8's capsule is on the big side for a "small-diameter" mic. This comes with advantages and drawbacks, and it's important to understand both. On the plus side larger capsules tend to have lower self-noise, and that's reflected in the SE8's specs. The only small-diaphragm condensers (SDC) that I know of that bests it in that department is the Sennheiser 8000 series, but those cost 3-4x more. IMO this alone explains the 2 dB noise improvement relative to the Rode NT55. On the plus side larger diaphragm hurts pattern uniformity across frequencies. At high frequencies (8 kHz and above) the diaphragm diameter becomes significant relative to the audio signal's wavelength, and that causes the pattern to "collapse" with reduced off-axis response at high frequencies. The SE8's polar diagrams show that it does so more than smaller-diaphragm SDCs, but less than large-diaphragm mics. It's all a tradeoff. I think that like all SE products the SE8 is a very competently-executed mic, but I don't think that it offers better value than, say, the NT55. It just makes a different tradeoff between on-axis noise and performance and off-axis pattern uniformity. I think that it could be very useful for somebody who only has one cardioid mic, since it's something of a "split the difference" option.

Wow, that sE8 sounds fantastic. While I was planning to get an sE7, I might upgrade straight to sE8.

what is the difference with this and the PONS PT Motorized Pan Head?

Does it work with helios 442 lens?

Great review. Thanks.

Thanks for your video! FYI: I exactly NEED the pause function at each way poing (6:40 in your video).

what a beautiful review. thanks for putting the effort into this video! so helpful! :)))

The light no longer has a noise issue. The complaint was heard by Nanlite and corrected with a firmware update.

Great channel! The work you put into your videos, and your level of expertise is apparent.

It is so sad that you have no idea what you're talking about since you begin by saying there is no difference between a cine lens and your photo optic. WHEW... go work on your lighting since you look like you're in a cave...

Nothing better than a well-researched product. Thank you

Thanks, I really appreciated the real world unprocessed sound : thanks. 👍

sir very useful... more comparisons.... lot of info... thank u so much.... live long...

This is the best review ive ever seen. I wish i had teachers like you

At the end of this video, you mentioned "acquiring" (stealing? LOL) the 50 version, and that you you might do a review of it. I'm debating between the 40 and 50 and so, looked for your review. Didn't find it. Did it happen? If not, care to make any comments about the differences? Thank you. Len

Bravo! Well done. Thank you. Answered a number of my questions, as I'm contemplating purchase.

Many thanks, this is exactly the solution I was looking for as I don't own a laptop!

Excellent video. Thank you.

You didn't just say that Arri and RED only look better because they have specific LUTS did you? Sorry but you are wrong and colorist in Hollywood will tell you that when they have to match A1 vs Arri vs Komodo footage. Colorist don;t just throw a special LUT on their footage and that's they do. That would also mean that you are saying that only RED and Arri are getting the most out of their cameras because of the special LUT. If that was tru Sony would do the same-thing and Sony A1 would look as good as RED and Arri.

Man let's grade that footage correctly. Check the pipeline and use the Pro Res RAW in another program. Dynamic range data from each camera doesn't tell the whole story. Compare some grade footage. You can only tell what a cameras dynamic range is doing if you compare side by side footage.

how do you open up my iphone's storage app????? I don't see it.

The original control cable that came from Tilta got a short in it, do you know a cable that would work as a replacement anybody?

18:51 I haven't seen it in any of the documentation from Sony, but I see it again here. Sony A1 in Slog3 has dual native ISO - 800 and 4000. If you use Cinetone on the Sony A1 the dual gain ISOs demand a lot more light as they are 125 and 640.

Great video

This is the best review I've ever seen of any product.

You’re the best reviewer I’ve come across lately… wow, so much knowledge unpacked with such ease and clarity. You will one day have a million subscribers 🙏🏾💯 and well deserved 👏🏾

I love the A1! I'm still learning things about it. I will probably be using this camera for at least another 5 years.

Loved your video. Take a look at the Artcise Carbon Fiber Bowl Tripod 90C Ultra

What about the se8 vs rode nt5?

Great video! They do have omni capsules available :)

Thank you very much for the detailed and professional review. My respect

Waiting for the reveal at the end where you disclose that you used it through your whole video. I can hear some artifacting... There it is. :-) Still, seems like great tech.

It’s all about image circle. A 645 medium format lens has a larger image circle than dedicated TS lenses which has a bigger image circle than standard 35mm lens. The canon/Nikon TS lens have a 67mm image circle. The Pentax/Mamiya 645 lens has a 80mm image circle. A 6x7 lens even more. There really isnt much point in putting a 35mm lens on a TS adapter unless it has a smaller APS sensor. You can stitch x2 35mm medium format frames together which increases field of view to 17mm and turns a 24mp image to a 50mp image. Winner! If you use a medium format lens the Kipon TS adapter has 15mm shift as 10mm is not taking advantage of the entire lens

I feel like you made this review for me. I shoot nikon on a sony a7iii 😂. I too have a large collection of vintage lenses. I've recently found myself doing more and more architecture work and found i need a tiltshift lens. The de-click on apature is an absolute game changer. Currently a nice feature on the k&f adapters with canon fd lenses. But to be able to use any of my Nikon lenes as a tilt shift and then a de-click lens for video all for $200 is a steal.

Curious if anyone has this working on an iphone (ios)?

The SLR Magic Cine Rangefinder can work with the 1.33x - 40 Anamorphic Adapter?

Well , and articulately done. I too am a cinematographer. You did this right, thanks!

I think the camera you are talking about is pronounced "Air-EE", short for Arriflex. It's a small point but I thought you might want to know. Great video by the way, thanks.

Will work with an I phone 13?

Really appreciate how in depth you went in on this. Cheers

Fantastic video!! Thank you so much