Видео

Daisy Bell is the earliest song sung using computer speech synthesis by the IBM 7094 in 1961, a feat that was referenced in the film 2001: A Space Odyssey (1968).

Regardless of what you think of facts, this is one of the best screenplays ever written.

You say it's not fun, but it does have fun moments. If you grew up in a small town in England like I did (not far from where this was filmed, actually) you knew so many people like that gang. There's a lot of laughs in the early part of the film just seeing young guys like that mucking about and joking with each other, the whole tone and all the performances in those scenes are spot on. Obviously as the film goes on the jokes dry up pretty quickly. I love the verite way it's all shot and the fact that in some scenes it really does look like a documentary, like someone just filmed a bunch of guys messing around in real life and put it onscreen.

To us, Down Under there is only one Mad Max film and that’s the first one.

There was a movie right before this one called Fail Safe starring Peter Fonda. It was a real drama and was tense the whole movie. This is a spoof of that movie. Of course you realize Peter Sellers played the British Officer, The President, and Dr. Strangelove.

It’s not a revenge movie, it’s a guilt movie!!! Hence the line about embarrass’s me

If you find the film hardcore, I would recommend you read the book..

One of the best British Gangster Films.

Great reaction! It is very interesting to see your joint detailed reaction to the film Robocop 1987. This is a cool classic movie 🦾🤖🔥 Do you have any plans to do it?

In the King universe (almost all King's books are interconnected) Tony is an echo of a future version of Danny that takes over to protect Danny from the things he must experience. It's revealed in the book: "'Danny ... you're in a place deep down in your own mind. The place where I am. I'm a part of you, Danny.'" More specifically, Tony is Danny from the future: "Tony was like looking into a magic mirror and seeing himself in ten years"; "Tony ... the Daniel Anthony Torrance that would someday be." This is also why redrum, because for Tony things are inverted. Another fun fact is the Jack used to be a Firefighter, so when they gave him the Axe to bust through a prop door he went through the door way too easily. They had to go get him a solid reinforced door so he could still show putting his full swing and power into it and not have it fall to bits.

One of the very subtle things in this is how much Ash is driving actions, directing information, etc from the start. Ash pushes the crew forward. Ash hides the analysis of the message that clearly even Ripley, the non-computer expert, can decode as a warning to stay away. Ash breaks all the ships quarantine protocols. As an android he has his directives from the company and he is physiologically manipulating them to recover the alien samples/technology (which we later learn they knew about existing decades earlier).

The big thing about Ridley is he is a detail nerd. He loves things like the designs of the fonts used, the look and feel of buttons, that suits, clothing, and tools have a logic to how everything functions. He would even go as far as having the instructions and written text on props make actual sense as if they were real. He loved the hidden story behind burn marks on a wall, or exhaust ports on a spaceship model. All of it had to fit into this universe, look to function, and have an explanation to why it was there.

Laurence Fishburne lied about his age to get this role. He was 14 years old when they started. When they finished the working on post production he had just turned 17. Some of his first drinks of alcohol and used of drugs were while hanging out with Dennis Hopper during production. Then of course all of them were doing coke all the time. Sheen had a heart attack. And Coppola tried to commit suicide 3 different times.

"You are not brought upon this world to get it!" At the start they were playing Pai Gow, or Chinese Dominoes.

One of the reasons it came together after all the disasters during shooting was because near the end of principal shooting Spielberg phoned up Hitchcock. Hitch basically talked Spielberg off the ledge and told him pretty much 'you don't even need a shark to make this movie. The shark is not the film, the FEAR of the shark is the film'. That moment shifted Spielberg from focusing on all the problems to focusing on what he had and what he could show. It got him out of that quicksand and refocused on a new goal.

The green effect in the water is because its all 'day for night' shooting. Spielberg couldn't really afford to equip for night shooting, and it would look incredibly grainy. So they were shooting in daylight but then not only stopped things down but then in post processing the changed the exposure on the transfer and wash it through some filters. However you have a problem because water in daylight has a lot of color variation and catches tons of highlights. So wherever there are disturbances in the water you get very high contrast highlights illuminating all the filters you used to try to make the sky and the water look very dark.

Great review. You should check out Tombstone.

Clarke explained the HAL Behavior in 2010 by indicating that it was really human behavior and our underhandedness that killed everyone. He posited that since the mission was so secret and hidden from the Russians they gave him the directives to get to Jupiter at all costs, and to ensure no matter what they report findings back. Then after the mission was mostly programmed the government gave him a second directive, that he must conceal the truth from Dave and Frank, and that if anything goes wrong he must continue collecting data for the US government on it's own. The politicians who changed added the directives didn't understand that HAL was incapable of misdirection and deceit, he was built to protect his crew and follow their instructions despite any self interest he had. They had created a logic problem that HAL could not solve, could not get clarification from anyone on, and could not discuss at all. HAL resolved that one threatened the only way to achieve his secret high priority directives was to eliminate everyone and do the mission by himself.

IBM originally sponsored the movie, but then pulled out after they figured out the full plot because of the bad light it cast on computers making errors. To get this movie made Kubrick very cleverly put Arthur C Clarke in charge of most of the relations between NASA, IBM, Pan Am, and generally sent him back and forth to the Studio a lot. Kubrick held the true evolution of HAL and the full story a very closely guarded secret, even from the cast/crew for a lot of the picture. He then sent a film crew to go with Clarke and do a lot of interview work. He then cut together studio previews of footage intercut with a lot of the expert interviews about technology and possibilities of future advancement. He basically used these to keep everyone convinced it was a great epic tracking man's progress and designed to inspire the great space frontier we were entering. It wasn't till everyone was fully invested and he had secured final cut agreements, distribution, etc that anyone knew it was a horror movie about losing control over the tools and technology we invented. And his final copy was finished so late in the schedule that the studio really had no time to do anything but send it off for processing and distribution; they were too committed and too late to send him any notes on things they wanted changed. Which was 100% Kubrick's plan from the start of production.

I wouldn't say Kubrick is about symmetry more than geometry. He's not afraid of wide shots because it allows him to use shapes, placement, eyelines to direct attention without forcing the viewer to only observe what he wants them to see (he even custom designed furniture and set pieces to fit the geometry of his shots) . It's what helps in the immersion of his worlds. And besides being a photographer, he also designed and built his own equipment sometimes.

Panavision built David Lean a custom 482 mm lens (19 inches across) for this film so he could capture those long rides out of the desert with infinite focus. They build only 1 and they still have it. They have named it "The David Lean lens". This was mostly shot in Jordan where highway 5 exists which runs along where one of the major ottoman rail lines used to exist. Lean's production actually discovered wrecked locomotives, bridges, and equipment sitting in the desert that was originally destroyed by T.E. Lawrence the 40+ years earlier sitting in near pristine condition preserved by the desert conditions. The production on the film actually took longer and cost more than the entire Arab Revolt it was depicting. And for extras on this King Hussain of Jordan lent the film a full army brigade to help fill out the production and also assist with logistics (so about 3,000 soldiers).

11:25. They used a long lens and put a flame between it and the camera The 2 disc DVD set with commentary by Scorcese and his long time editor is more than worth the price.

14:48 - He was also Tyrell from Blade Runner in 1982

Brian Mosley who played Cliff Brumby in this is more famous for his long stint as grocer Alf Roberts in Coronation Street, also in this Alun Armstrong as Keith in his first screen role, Albert Swift was played by Glynn Edwards who had his most famous role as bartender Dave Harris in 80s comedy drama Minder.

when a pissed off Clint Eastwood stares at you with those eyes your soul quivers

Youre taking the movie too literally the sniper scene is all about his aura and power to make everyone shit themselves and run away. It's like other worldy power. Insane aura

I had one more gut punch that I guess most people didn't have. That very last scene where the camera pans and you see all the cars coming; well having watched many reactions I realized that people see that and feel joy that people have come and the farm saved. But when all those cars/people were shown a profound sadness washed over me. I thought how deeply troubled America and it's people were. That thousands felt so sad, without purpose, whose lives were so grinding - so hard that from nowhere had an overwhelming need to go to a place they believed they needed - believed would give them hope. When I saw the miles of cars that's when I belly cried. And America has only become harsher, harder - empty. America has become a mean caretaker.

His character is a very pissed off ghost

you can find old newsreels of TE Lawrence online . He also wrote a good book.

you can find old newsreels of TE Lawrence online . He also wrote a good book.

Turn a light on boys!

In the chess scene, HAL lies to Frank about the outcome. Kubrick was a chess aficionado, and the position was based on a famous game. HAL is boundary testing, seeing if he can lie and fool the humans. It's a tidbit for .0001% of the audience. That it is included just delights me.

It’s interesting watching people who have not made films at the level of Guy Ritchie critiquing, Guy Ritchie. Perhaps this film doesn’t have the pace of snatch because it’s it’s not snatch?

Gary was superb. He should have carried on to a great acting career.

You idiots cut off one of the best lines of the movie at the very end, with zero commentary. Do better.

Where do you see the glorification exactly? Drugs are portrayed as they are, good at first and miserable in the long way

Get the movie cas about one of west hams top boys big black fella proper movie mate

While this is a good film, there’s so many better films about football violence out there. The Firm is probably the best one. Either version will do. They’re both on par with each other

A year late to the party, but I can at least answer the question: "Why aren't they returning fire?" The British infantry tactic developed during their own civil war was to get within ten to twenty paces of the enemy before firing a single mass volley. At that range, not many shots are going to miss. While the enemy is staggered, they would then charge through the smoke and scatter them. Hollywood notwithstanding, in hand-to-hand fighting one side will always break immediately. The tactic used by the British gave them an advantage, and it usually worked. On the defence it worked just as well. As the enemy drew closer to them, they would become unnerved because the British did not fire, knowing what would happen when they did, and so their ranks would become disorderly as men began to flinch away. Finally, at point blank range, the British would fire and charge through the smoke, driving the enemy away.

You two trying so hard to be cool by taking the piss is tiresome and just a bit creepy.

The deck is their block their hangout where they conduct business 🤦‍♂️

25:36 How can you say "it's not fun at all?" There's some genuine laugh out loud moments

"The enemies in this film after defeated the ottomans are what now call Turkey" . I am here . good classic movie . good review & reaction

i am sorry guys, but i cant watch this. The screenshot is elongated and the sound is like it was live miced from a TV.

Is that mr robot?

Pathetic 🤦‍♂

Great content, guys. Been watching a few of your videos today 👍🏽👍🏽

The people naive enough to think they are above committing the depraved acs of the addicts in the film are the most vulnerable to addiction. The only way you beat it is by never playing, so don't. It is Hell.

Clint, I think, has invented a whole new film genre: The violent anti-violence film. He plays the anti-hero often and in Outlaw you can sense his reluctance to use violence. Yet, I believe he shot 55 people in this movie. I have a pet theory that Josey shot and killed Granny's son with the Gatling gun. AT one point granny says her son Tom Turner was cut down by Missouri ruffians. Then there is a quick cut to Josey with a pained look on his face. Was he offended by Granny's remark? Or did he just realized he was responsible for his death. If this is true, there is some delicious irony in saving Tom's family from the Comancheros, forging a pact with 10 bears, defending the homestead and Toms mother and ...um...having relations with his daughter. I am the only one who thinks this?? If this irony was intentional, much kudos to Clint for not hitting us over the head with it. Josey fought hard to insure there was a future for this ragtag bunch of people will have a future even though he (might have) killed the builder and owner of the place.

Когда Россия и Америка будут воевать сколько американцев перейдут на сторону России? Коммунистической России, где все равны, где нет богатых и бедных.