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Any full frame (or pro cropped sensor) mirrorless from Canon, Nikon or Sony would be amazing :) What are you shooting with currently?

@@Twolovesstudio Samsung A3

You are welcome!

It is Manfrotto as well. The 131DB Overhead Arm. I have a tripod QUICK GUIDE: twolovesstudio.com/blog/quick-food-photography-tripod-guide/ with all of the things I am using.

Thanks Daniel! I am so glad you got something from it. Thanks for your feedback.

This was taken with a Nikon Z6 :)

@@Twolovesstudio waw the z6 has only 24Mp sensor and still delivers quite astonishing images!

I use an Area 51 Tether Cable :)

Hey Nicolas! I am assuming you're asking how they work in terms of being plugged into the camera? The Profoto remote for the light plugs into the hotshoe on the camera and the remote trigger for capture plug into another port on the side of the camera. Let me know if that isn't what you're asking. At the time I purchased the remote control for capture, Nikon remotes only plugged into the hotshoe which wasn't going to work for me since I shoot with artificial light.

@@Twolovesstudio Thank you for answering so fast ! My concern is the following : I have a remote flash trigger on the hotshoe of my (also Nikon) camera, so how can I mount the remote trigger from Miops ? I think you answered my question, the remote for capture is by cable and not on the hotshoe ? When going on the website though, I see only a bundle which includes : 1 x MIOPS Smart 1 x Battery 1 x Camera Cable 1 x Mini USB Cable 1 x PC Sync Flash Cable Is this all needeed or am I correct that only a cable could work ? Sorry for the long comment Have a lovely day, Nicolas

You're so welcome! Thanks for watching. When bouncing light, you can use multiple surfaces. Light will still bounce off white and I like this look better. You could absolutely try the silver if you'd like. You can also shoot through the diffuser, this is simple another lighting technique that helps photographers who need to shoot with artificial light in small spaces. Shooting through a diffuser requires more space than this setup. Hope that helps!

Glad it was helpful! Thanks for watching.

Great question! I think it depends on what you're shooting and where the image will end up. If it's client, editorial work or advertising, then I think you do need to have the most realistic interpretation, especially when it comes to colour. If it's for your creative exploration, do whatever your heart desires!

The one I use do because my two primary tripods are Manfrotto :)

It's designed function is to normalise between sets of images.

You're so welcome! I am glad you enjoyed it. This is solely artificial light. You'll see in the video where I 'cut out ambient light' and turn off the flash and the photo is completely black. That means the light in the photo is only coming from the flash. The reflector in the window is just to demonstrate how to utilise this large setup in a small space. You can use this setup in anyway, or even use a wall if you'd like! Hope that helps.

Glad it was helpful! Thanks for watching.

Yay! Thank you! So happy to have you in the community.

It's simply another technique to create soft light that really helps in small spaces. You can get similar results with placing a diffuser in between the food light and the food, but this does require more space and gear. This is a great option for those with small spaces. You can even bounce the light off a white wall for similar results too. Does this help?

Thanks for watching! Glad you enjoyed it. Absolutely, there are a lot on my Instagram, but these are the same setup with a different angle. instagram.com/p/CwAf34apyZW/ instagram.com/p/Cj8LLBepPbC/ Let me know what you think!

Thanks for the feedback! They were super fun, so I hope we can do more in the future.

You're welcome

Thank you so much! This means a lot to me. Sending it right back at ya.

Wow, thank you! Such a wonderful compliment. We had a lot of fun putting this together and looking forward to doing more.

Thanks for watching!

It's the Manfrotto 410 Junior Geared Head: amzn.to/3Wsp8BO. Hope that helps!

You're welcome!

You're welcome!

oh no! I am sorry to hear that. Which camera brand and model do you have?

Yes they are different tools with different purposes. What do you use them for? Do you see results that work for you?

Hard light is also a great choice for cocktail photography!

Glad it was helpful! Thanks for watching.

It's one of my favourites! I love that colour combo. It's so surprising. Thanks for the support Leslie.

I love mini tutorials too!! Thanks for watching.

Love those tips! Great options to keep in our back pockets. Thanks for sharing.

Welcome to C1! By default, C1 will save RAW files to the 'Capture' folder located within in Session folder.

Thanks for the feeding and thanks for wathcing!

You're welcome!

Thanks for watching! I'm so glad to hear you're enjoying the channel and this video. That's super cool you have a food tour company. A foodies dream! For me personally, ideally I would aim to get the photo 'right' in-camera rather than rely on fixing in post production. It would be useful to see an example of what you're experiencing to work out how to tackle it.

@@Twolovesstudio thanks for replying. I will send you a sample image.

Woohoo! Indeed. I like to think we make a good team. Thanks for watching.

@@Twolovesstudio you did indeed! I can’t wait for another combo course from you guys!!

Ah! That's so great. Thanks for the feedback. We had fun doing this one.

I agree!! He has so many wonderful thoughts and ideas to share with the photographic community. Thanks for watching.

I'm so glad you enjoyed it! Thanks for watching.

Glad you enjoyed it! Hopefully you'll be able to use some of these ideas and try natural light a bit more. Thanks for watching.

Yay! I am so pumped to hear that!

You too!! Thanks for watching!

It's such a handy tool! I will change your life, trust me hahaha. Let me know what you think when you next use it! Thanks for watching.