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Love listening to these quick shootouts, always a fun time. Bus compressors next? :D

can't I have all the good think I like together? 😁 ,by the way I hate waves cos they are waves 😉

interesting and well shown, I liked Sweet Platy Metallic Long Tale of KC-1 , punchy and strong transient of 609, slappy and clicky and delayed transient of dbx is cool and interesting, I think my favorite is KC-1 for now, but I don't like low mids sound of some of them that sound like old funny cheap snares, am I heard right?

when advertising you should put them in places where your ideal customer is. not youtube shorts.

Best videos on you tube for learning immersive and related panning - automation techniques. No mumbo jumbo or arrovance.

I think the problem with atmos is that mixing become much more of an artistic process then in stereo and this is difficult to control from the artist prospective a lot is going on when you add a layer to the music…

Cool demo!!!

Amazing tool, but $500 for the lowest version that supports atmos. Oofff

I love Penteo too, so much fun! The danger is, that you easily end up having a big stereo mix, instead of having a well balanced atmos mix.

Hey, Dave! I've been learning a lot from your channel, bro! Thanks for the quality of your videos. One question: you are not able to monitor this automation that you made in Music Panner in real time, right? I wanted to use Dolby Atmos Music Panner, but I also want to use Internal Renderer. On top of that, I wanted to be able to monitor the automation in real time... cause I'm performing the x,y z automation through a MIDI controller. Is this possible? I mean, using Music Panner on a track but rendering it in real time through Internal Renderer?

Your videos may not be Cecile DeMille like but are Swiss Army knife useful for atmos noobs.

Thanks David for the info on the updates to ATMOS!!!

Thanks for the nice explanation. Can we record the music we created in this vst to listen to it on a home theater system (5.1)? Like mp4, mkv

Autopan and chase?? When was that added??

thank you for the video

Just about the most stupid intro I have ever heard. If a mic adjusted to proximity and radius completely it would take away a huge amount of the tools in the tool kit of a singer. Tests are useful BUT … misdirected

It's been two days I've been comparing it to the Arturia Diode. As much as I love AudioScape .... no. It lack a little underneath and for some reason it does this weird thing where it seems like the compressor is always in a less than 100% wet mode. It's a bit flat to be honest. Arturia's still my go to. I hope it's just a first release problem and maybe some updates will fix this feeling. I'm not able to compare it to a real 609, but I think it's most of us anyway

With my untrained ears, I can't really tell the difference, probably because the singer is so good with his voice already, do you think?

Yes, Please.

Very cool video David!!! The plugin and what you are doing with it sounds great!!! Have you tried the unFairchild plugin?

I need to compare it to Arturia's version, but Kiive tends to cool features to their versions

can your templates be used in Reaper? As I'm blind I use Reaper. especially as I'm on PC.

@goingto11 how do you actually listen in your studio to Atmos Mixes? Does your PT rig decode it? In my case, using standard RME interfaces, the only way to do this would be to stream the music via my AV receiver (Marantz SR6015) and then route the the Marantz preamp outs through my RME interface. I am really wondering.... Thank you for your work!

Very interesting. Lots of different ways of doing things.

Very cool concept! Obvious drawbacks as you outlined.

Atmos is an expensive waste of time

The Track ???

Im new to all this is sound flow free with avid subscriptions or will I have to pay the 9.99 to use the shortcuts?

Nobody cares about atmos mixes, except the people that have stake in atmos.

Hi Dave!!! That's quite of list of people you have as who have influenced the way you mix!!! All of them A-List engineers!!! You can definitely hear a difference when you were adjusting the level going into your bus compressor. I'm really hoping that ATMOS would be key into ending the loudness nonsense!!! What you played sounded great listening on headphones. Thanks Dave for sharing.

Dolby Atmos is a dead 🦜

Hi Dave, love your videos! I am learning to mix in Atmos on Cubase and use Hornet Samp across all channels. I use it very lightly and love it. Curious to know what you think :)

Awesome, dave! thanks a lot for your updated! I'm using 9.1.6, using sony MDR MV1 out the internal renderer for 2.0 Direct and Binaural, also sending the 3 re-renders (BRAM, BIN & Direct) vía binaural Link to the Audiomovers Standalone BRAM and to the Airpods Max. I also have the Assembler and the Renderer Open to load a bunch of reference atmos tracks. I change between Outputs on the renderer to go the speakers and MDR-MV1 or to the Airpods Max. I'm linking Neutron 4 at the end with a 3 band comp, a 3 band exciter and an EQ. Because of delivering some Gapless Atmos albums I had separate some things: Mix each track in Pro Tools; render ADM and import to the Assembler to check estimated Loudness; Import all ADMs to Pro Tools to intertwine those tracks that make the Gapless feature work; set the new track markers; master within the Pro Tools Assembly session; export each ADM once again to the Assembler to check final Loudness.

For all those little tweaks at the end of the chain I find the dynamic and EQ tools in the Dolby Atmos Album Assembler quite useful. Very basic but mostly all I need. Fiedler Audio recently released its Mastering Console which offers also very easy bus processing on Atmos mixes.

I wish youtube would let us hear the output as ATMOS

Thanks for the great video! I have a question regarding the difference between a bed and object-based audio in Dolby Atmos, especially when considering playback on AirPods and Apple Music’s Spatial Audio. While I understand that using a bed might be better for theaters because more energy is coming from the speakers - I’m curious about the potential impact on headphones. When panning between speakers or placing sound within the virtual space, does using a bed introduce more phase issues or «smearing» compared to using object-based audio? I imagine that objects, with their precise control over spatial placement, might reduce phase artifacts in a headphone environment, whereas a bed might lead to less accurate spatial imaging. What is your take on that?

very helpful

really good points. I use Object Beds For time based EFX. and when I want to pinpoint a sound/ EFX in space. An Example is I can set up a 4-point object bed and insert a quad reverb. Then place that 4-point bed anywhere in the space, Beds also Blead into other speakers, But like you said making them very important also.

A tools series sounds like a great idea, looking forward to it Dave!!! The Waves SSL EV2 is one of my go to plugins as well - great plugin. I also love the FabFilter Pro Q3 and I have their whole Pro bundle - great stuff. The snare sounded good to me and for whatever it's worth, I'm a drummer. I'm curious if the program you were mixing was broadcast only or is it available on RUclips or another stream? I wouldn't mind checking out your mix for the full program. Thanks for sharing!!!

Silencer looks like a game changer. I had an issue with the ghost notes being same level as kick drum. So i set up a side chain from the kick that ducked the snare on the kick hits. Worked well but only used it for a short section. Luckily the ghost notes didnt coincide with kick drum, it wont work as well if they do.

for the broadcast mix are you mixing live or is it post processing then post to stream? From the video it looks like your blending triggers with the live snare......and most likely the toms also......i run into the same problem as most of the arrangements of these songs are very cymbal happy and require isolation in order to get a clean mix

When you mention control surface and plugin mapping.... what control surface are you using?

How do these compare to the stock plugins. I rarely see any channels talking about the stocks. But I had seen one channel that works across Netflix shows only using the stocks in some of the shows they worked on.

How do you go about syncing and editing screen captures and camera footage? If it’s the long way I understand basic concepts, I’ve just been looking for a way to do these kinds of edits live, and while there are some great technologies available like OBS, Mimolive, etc, they really come to life with the use of a stream deck, but SoundFlow locks all connected stream deck functionality to itself which is frustrating haha

Great

Good stuff !! Can you make a video about mix bus in Atmos ? Keep the good work !!

Very cool plugin demo!!! It looks very versatile and it could be useful!!! Thanks for sharing!!!

Thanks a lot for this review and your nice words Dave! It’s nice to hear Move-it in action in a musical context. Simple and cool trick on a 5.1 reverb ;)

That’s really cool ! Thanks for the recommendation 🤌