Видео

Terrific explanation!

Wow great video 😊

It is NOT in traditional form! So much for your credibility!

Good sharing. Thanks. 😊

0:32 Divisi

Alex you are one OG freek!

When my template reached hundreds of tracks, I began splitting it up in single templates: One main template with the orchestra library I like most. The other templates with one instrument group each (different libraries). From them I import only, when I need more. Now it feels much lighter when I start.

The little transition music sounds really nice!

Heckelphone mentioned!

When this channel update new video again ?

Great video and channel!

Great tutorial!

great video. great production quality. although i'd change camera angles less. it gets distracting...

This is a sweet video! lol Seriously, tho. Thanks for putting this together. I have been trying to write more realistically and this was great information.

I'm not a Woodwind player. However, I love the tone. Curiosity question; when you displayed the range relitive to the piano, around the C3 area you have the words middle C. I was under the impression that the middle C, was C4. Can you explain please.

This makes sense to me now. Thanks.

Am I missing something? C3 isn't middle C, C4 is. Please don't confuse me! en.wikipedia.org/wiki/C_(musical_note)

Which MIDI controller do you use?

i like Moonlight 1st mov faster, defitnitely !

you make apporaching horror so simple, thank you!

Too loud and frisky turned it off as fast as I could

This videos are so good. I am writing down all the informations for future reference. Truely masterclasses. Thank you from the bottom of my heart. ❤

show the freaking libraries

The OT team is doing a wonderful job with these videos, and once again the graphics really help bring the topic to life. Adding another vote for more advanced follow up video!

Thank you for this very clear and well explained video, also kudos to the graphic designer, the animations really augmented the lesson and were immensely helpful.

Very clear concept. As a self taught musician this videos are super helpful. Thank you very much ❤

Really useful video, and I love her music. Best regards from Argentina!

She is amazing!

She is great

"level up your orchestration with these HACKS", and then we proceed to showcase some very common orchestration techniques. I mean isn't it required to have the basics of orchestration down before starting to "level them up" with "hacks"? Disappointed. I do appreciate the chapter markers, though. That way I didn't have to spend my precious, unique life watching through the whole video to come to my conclusions. Also kudos for at least abstaining from "hack number 5 is INSANE and WILL CHANGE YOUR LIFE and/or SURPRISE YOU!"

This is still one of my favorite videos you‘ve done. I did something similar recently on my channel if you‘re interested: How to transform a theme (scalar mapping demonstration) ruclips.net/video/Ve-ASqMnT6U/видео.html

Humanise feature works for programmed drums

excellent tips! thanks

You could not be more INCORRECT!!! Let me explain: Tempo is not based on "time". It is based ... ON TASTE!!! Hence, you're ALWAYS wrong with these type of videos.

Great and instructive video. It would also be interesting with live orchestral excerpts to demonstrate different techniques. Also, I met a harpist from Paraguay, who had a pretty wide metal ring with a flat surface on his right index finger. He used it to bend notes, close to a guitarist playing slide. It created a "bluesy" feel, but could it be used in a classical context?

Awesome!!!.Can someone tell me the name of the daw she is using?🙏.Thanks!!!.

Thanks for including a real cellist in there too!

A note on doubling: As a general rule, do not assume that someone proficient on the primary woodwind (flute, oboe. clarinet, bassoon) will also be proficient on the other members of that woodwind family (or that they even own those instruments). If you write parts for these other instruments and they involve important solos or are technically difficult, consider writing these as separate parts rather than asking someone to double. That said, most people proficient on these other instruments usually both own and are also proficient on the standard instrument of their family. So for example, you can usually trust that most English horn players own and are proficient on oboe and it is therefore OK to ask the English horn player to double oboe, but not necessarily OK to ask your 2nd oboist to play English horn. And please don't ask the bass clarinetist to double on Eb clarinet ever (I'm talking to you Mahler <1st Sym>).

Why you call C3 to the C4 (middle C)?

May I use in other cases woodwinds and brass instruments for Horror music?

This stuff is priceless.

I am curious to know how do you balance different publisher libraries together? :)

ah yes, contrabasson. Every composer's favorite instrument to forget

It's amazing what you know. However, as a harpist, at first I thought the glissando, by itself, had too many lower notes and needed to be cut by around 5 notes. It sounded a little muddy and something you may not know if you don't play. This glissando is only being played with the right hand. But then, when you played with the other instrumentation, it sounded fine.

ruclips.net/video/cRK8pCImdlc/видео.htmlfeature=shared

6:51 I see cc21 for Spitfire Vibrato hahaha

Great vid just wanted to say bassoons can only go down to a Bb1 not a Bb0, and contrabassoons can only go down to a Bb0 not a Bb-1

I didnt know Harry Potter was a musician.