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Appreciate the support my friend 😄

I love premiere 😉 but I know a lot of guys enjoying da Vinci. Honestly both are great and I’d recommend just choosing one and sticking with it for a while

This would be perfect for a product shoot 😉

Awesome my friend, thanks for the support! Really appreciate the kind words 😄

That will be an awesome setup 😉

Appreciate the positive feedback my friend 🙌🏻

Feel free to tell a grip that a c stand isn’t equipment 😉

So true

So glad you enjoyed!!

Zhiyun Crane m3 😉

@@VisionaryFilmStudios 👍

im a fan watching a lot of your vids learning a lot thanks

Awesome you’re getting a lot out of them!! Let me know if you have any questions I can answer or topics you’d like to see more of 😉

Yes it can! Not as advanced of a feature as in the more expensive cameras like the a7Siii but it definitely does have subject tracking.

I talk about my recommended tripod in this video: Top 3 ZVe10 Accessories to get CINEMATIC Footage ruclips.net/video/jKaJTQrTCQU/видео.html I’d go with the zhiyun crane m3 for a gimbal when it isn’t rigged out. When it is, depending on the rig, probably the DJI rs3 but honestly I’d just take it out of the rig if you’re going to put it on a gimbal. Coming from someone who doesn’t really use / like gimbals all that much

You got it my guy My recommendation is 100% the sigma 30mm f1.4 for you, the lens I demoed in this video. I did another video on how to get solid footage from the kit lens, I’ll drop a link for you bc the principles apply for either lens 😉 CINEMATIC Footage on a Budget - Sony ZV-e10 Kit Lens ruclips.net/video/H7yiEVhWF0o/видео.html

@@VisionaryFilmStudios wow, thank you! Didnt expect your answer to be so fast and useful, i will definitely subscribe to your channel and try to learn stuff. But, i do have few more questions. For my indoor guitar videos, camera is set up to 2m from me (thats the far as it can go without slamming the wall). Since there is no zoom in and out (actually zoom out might be issue), do you think that from this distance (up to 2mm) i would be able to fit into the vertical screen like i do nop with my kit lens in my videos so far? Sorry for having these questions, they might be funny for you, but yeah, im quite an amateur looking for improving my content.

This is definitely a great lens, I haven’t personally used it but I know a couple guys who have it and love it. Definitely a solid lens, but a lot more expensive. The 30mm is a solid way to get the pro look with one lens for cheap. And personally I’d rather have a set of primes like the 16, 30, 56 sigmas rather than a zoom for filmmaking. But if you’re just shooting travel films and things like that, an 18-35 could definitely make more sense.

Appreciate the kind words friend ☺️🙌🏻

Working on it 😉

Appreciate that my guy 💪🏻

Appreciate that my friend 🔥🔥

I would say that the Sony ZVe10 is THE place to start 😉 I think this camera will treat you very well a long ways into your career

@@VisionaryFilmStudios Alright then! My only issue is the size of it, from your perspective, is it that bad (too tiny)?

Really really appreciate the support my friend! We’ve got some really awesome stuff coming out in the next couple months so I’m excited you’ll be along for the ride 😄

Hey great question! First off, you can’t go wrong with any of these cameras, so there’s no wrong decision here. The big thing you wanna make sure you do get is a good lens like the sigma 30mm f1.4 or another something similar that’s f2.8 or lower. After that, you’re probably going to want some kind of microphone for the video shooting, and a good light or two as well. Lighting and sound go a LONG way in capturing really high quality photo and video. A tripod is definitely worth the investment too. So then it’s really about what can you afford right now. If you can swing a good mic (e.g. DJI Wireless Lavs) + a couple good lights (e.g. Godox TL30s) + a good tripod and lens along with the more expensive a6700, then go for it! Obviously from the specs side it’s a technically better camera. But if that’s more cash than you wanna drop right now (I get that!) then I’d grab the zve10 + a good lens and start building out the rest of your accessories as you can afford to. At the end of the day, all three of these options are going to give you some really high quality results and in the right hands, you wouldn’t be able to tell the quality apart between them. Hope this helps! Let me know if you have any more specific questions I can’t help out with!

If you purchase today it’s only $100, but I’m getting ready to raise the price quite a bit in the next 24 hours so definitely take a look soon if you’re interested 😉

I think this video will help you out a lot 😉 CINEMATIC Footage on a Budget - Sony ZV-e10 Kit Lens ruclips.net/video/H7yiEVhWF0o/видео.html In that video I’m using the kit lens, but since you’re using the 30mm you’re footage is only going to look even better 😄 And here’s a video I did about getting the cinematic look on any camera if you want to go deeper: The Five MUST KNOW Elements of Shooting a CINEMATIC Film ruclips.net/video/H13vyzONmE0/видео.htmlsi=9d7fxyCb1hZFpPM2

@@VisionaryFilmStudios perfect. Thank you very much🙏🙏

Glad to have you here my friend 🔥

The three I talk about in this video I think will treat you really well. The 30mm tends to be the best all-arounder. But the sigma 18-55mm f2.8 is another great option.

So they’re going to be very comparable. I haven’t used the Viltrox personally, but I can definitely put a good word in for the Sigma as I’ve used it to shoot both films and tv commercials, among other things, and it always gives a solid image.

My pick would be the zve10 😉 if you want something more in the price range of the a6400, I’d really recommend saving up an extra couple hundred and grabbing the a6700. The ibis could definitely help you out on the event side. But you honestly can’t go wrong with any of these options.

You’re gonna love it!!

It sure does 😉 we use it for demonstrations regularly in the program. We also offer a Sony ZVe10 Cinema Course, which dives into the zve10 specifically and how to get the cinematic look on that camera as well that you might be interested in. I’ll drop a link below 😄👇 Sony ZVe10 Cinema Course: bit.ly/Sony-ZVe10-Cinema-Course

Absolutely not thanks

Glad you enjoyed! Feel free to send me an email- contact@visionaryfilmstudios.net

For sure! If you rig the zve10 out with the cage and handles and all that like I do, it blocks the flip out screen when you’re in front of the camera, which means you’ll need an external monitor. The external monitor isn’t really necessary if you don’t have all the rigging on the camera. Besides that, the monitor is helpful if you wanted to display things like aspect ratio bars, false color, etc that aren’t available on the zve10 screen. Hope that helps! Let me know if you have other questions 😄

​@VisionaryFilmStudios ahh OK! Makes sense now :) my setup doesn't block that 👌🏼😊 thank you

You’re gonna love it!

You got it man 😉 let me know if you have any questions about the camera you’d like answered before you buy!

@@VisionaryFilmStudios Thanks!

Appreciate the support friend! Can’t go wrong with these

Hey that’s awesome! So glad to help you out! You’re gonna love them.

Do you think if I bought this combo for my teenager would take great photos and videos when taking photos for car enthusiasts? My son loves to take photos and video cars both inside and outside of showrooms.

What would you recommend for music videos? Sigma 18-35mm or Sigma 35mm for music videos?

@@crystalr.hribal4271 It will be a good start as that's exactly what I use my setup for, cars. Just remember that he wont have zoom with the 30mm. You don't necessarily need zoom when taking shots of cars when they're parked, at meets or a photoshoot for example. But if he starts doing events where he wants to catch cars in motion, going down a track or street, then he may want to pick up a second lens that can zoom.

@@yudhirgautam1645 18-35 seems more versatile. But I would try too search for cinematic video examples in different lighting conditions to see what both are capable of.

So glad you’re enjoying the videos! In this video I break down the color profile settings I use at 3:21: Cinematic Filmmaking on the Sony ZVe10 in 2024 ruclips.net/video/Zr91Tiw1qrM/видео.html Some other good info in that video too 😄 hope that helps! Let me know if you have other questions. I occasionally use slog3, but not often. I wouldn’t probably recommend it when you’re first getting started. Working on a video about it right now though actually, so stay tuned to the channel for it!

Thank you so much for the help ur videos help us a lot keep posting sir. Godbless You!​@@VisionaryFilmStudios

@@VisionaryFilmStudios goodday sir i watch all your video's and its amazing. I have another question. If you choose a beginner camera between Sigma 23 f1.2 vs Sigma 30mm f1.4 what will u choose and why?

I’d grab the Tamron 11-20 if it were me 😉

The brand of mic you use absolutely does NOT matter 😉 much better to focus on concepts and principles than gear and equipment if you want to make films that actually looks and feel professional. But I do have other videos recommending equipment if you need some recommendations 😄

Right so every website is going to have different terms, so I’d recommend looking at the license information on they’re website to see what you can and cannot do with the music. Generally speaking, those types of websites do allow for film festival use, but not VOD or theatrical distribution.

@@VisionaryFilmStudios thanks sir but musician name i have to mention or not