The jawline and cheekbones paired with those beautiful hands and passion when playing the cello.... oh my heart... it melts.... and my soul.... lifted away!
PS Loved the final movement, when Elgar recapitulates the cello opening from the first movement (with minor changes) and Stefano follows the B7/D# chord by going up the G string, and then across to the octave C on the C string. Never seen that in a concert performance before. It worked beautifully.
This is really close to Jacqueline, extraordinary hardwork,u just need a little bit,just a little bit more and i think you can achieve it,more maturity,musicality in the interpretation of this wonderful piece
This is Elgar, and Stefano, as it should be. A most musical performance, and to be honest the orchestra neither has the calibre of players Jacqueline got to play with, nor their maturity.
He has the same problem that every cello player has in attempting this piece of Elgar, no one comes close to Jacqueline du Pre's performance. Everyone is anaemic in comparison.
Well, of course! It goes without saying... Nobody can possibly come close to du Pre. But we also cannot retire the Elgar. So enjoy an angle on it, if not as great as the one and only we all will cherish as long as any one of us is alive to do so.
The last movement is too difficult for him because he doesn’t understand the meaning of rubato. Also it’s very out of tune. Sounds like a conservatory student.
Doesn't understand the meaning of rubato? Seriously? I enjoyed his phrasing, especially in the last two movements when I felt Mr Bruno was a little more relaxed and less rushed. His spiccato was nice and clear, and well contrasted by his long, legato bow strokes that had great sustain right out to the tip. This was, by no means very out of tune. What I did notice-and very much liked-was that this was not another du Pré-style sempre ma troppo molto vibrato performance. Stefano had really nice touches of still/senza vibrato, and the pitch is so much more exposed thus. Years ago I attended a Ms. du Pré masterclass in Scotland. I humbly begged to differ with her on the intensity and depth (pitch range) of the vibrato she wished the cellist to employ when playing Kol Nidre. If Stefano were a student in my conservatory days, then he would be a post-grad, and sweep up most of the string prizes! YMMV :)
The jawline and cheekbones paired with those beautiful hands and passion when playing the cello.... oh my heart... it melts.... and my soul.... lifted away!
my guy is fine AND extremely talented at the cello 👏🏼👏🏼👏🏼
bro is absolutely stunning and the piece he played is so beautiful
21:32 the girls face says it all LOL my face would be the same XD
its a beautiful concerto, piece was finished and he BOLTED
PS Loved the final movement, when Elgar recapitulates the cello opening from the first movement (with minor changes) and Stefano follows the B7/D# chord by going up the G string, and then across to the octave C on the C string. Never seen that in a concert performance before. It worked beautifully.
you know you're at the top when you have haters. nothing but a fantastic performance!
It is so beautiful. It’s incredibly fulfilling just to listen all of you players Thank you.
Well done dude, this piece is bloody difficult and I don’t even play the cello myself.
That's flawlessss
He is so gooooodddddd
This is beautiful, ive never subscribed faster, you did great with this piece.
Amazing performance and production!
So Wonderful
Thank you for sharing 😍
Beautiful performance!
You should model bro. You have amazing jaw structure, are incredibly lean, & have a great sense of fashion. What glasses are you wearing?
You mean his hair is unorganized and looks careless, his clothes are cheap and casual and he needs a sandwich. Not exactly modelling material.
@@joelhamilton9677 totally agree
@@stefanobruno5053 mate what glasses are they
@@lego46143 Armani
@@stefanobruno5053 Shit up youre fucking handsome
😍👏🏽👏🏽👏🏽 Gracias por compartir!
NOT EVERYONE HAS TO BE A COPY OF JAQUELINE AND YALL DONT HAVE TO CRITIQUE IT AS IF SOMEONE HIRED YOU TO JUDGE 😁😁😁😁😁😁😁😁
This is phenomenal bro
Очень красиво!! Прекрасное выступление. У вас чудесная игра!! ❤
So good ❤️keep going 👏👏
Felt rushed in some moments but overall amazing performance
Really engaging performance
Bravissimo Stefano
Elgar was awe inspiring.
Maravillosoooooo!!!!!
bro mogged me in both looks and cello skills, should i ropemaxx?
Its over for you bro 😭😭🙏🙏
dude you’re so handsome
Meraviglioso
this is honestly phenomenal
😍😍😍👌
this may be the greatast perfomance that I have ever seen
Thank you for the RUclips algorithm....
bro has every ingredient possible to steal yo girl. you have no chance
Do you have the score for violin?
This is really close to Jacqueline, extraordinary hardwork,u just need a little bit,just a little bit more and i think you can achieve it,more maturity,musicality in the interpretation of this wonderful piece
This is Elgar, and Stefano, as it should be. A most musical performance, and to be honest the orchestra neither has the calibre of players Jacqueline got to play with, nor their maturity.
Madonna, come stai messo
@@brhbrh6326 I agree with you
He has the same problem that every cello player has in attempting this piece of Elgar, no one comes close to Jacqueline du Pre's performance. Everyone is anaemic in comparison.
And what problem is that?
I agree. This piece was created for Jacqueline.
Yes. No one comes up to that standard. No one has to this day. Sol Gabetta, nearly, but not quite.
Well, of course! It goes without saying... Nobody can possibly come close to du Pre. But we also cannot retire the Elgar. So enjoy an angle on it, if not as great as the one and only we all will cherish as long as any one of us is alive to do so.
Consider Sheku Kanneh-Mason!
Toca muito bem....mas prefiro a Jacqueline Du Pré
Por que?
@@brhbrh6326 pois ainda não vi alguém executar essa peça tão bem quanto ela, expressando o sentimento enquanto toca.
Suum cuique pulchrum est! Gracias :) @@helenpaixao
Gracias por tu respuesta la cual respeto.@@helenpaixao
Prefer Sol Gabetta's version
Fair
The last movement is too difficult for him because he doesn’t understand the meaning of rubato. Also it’s very out of tune. Sounds like a conservatory student.
Literally am one
Doesn't understand the meaning of rubato? Seriously? I enjoyed his phrasing, especially in the last two movements when I felt Mr Bruno was a little more relaxed and less rushed. His spiccato was nice and clear, and well contrasted by his long, legato bow strokes that had great sustain right out to the tip. This was, by no means very out of tune. What I did notice-and very much liked-was that this was not another du Pré-style sempre ma troppo molto vibrato performance. Stefano had really nice touches of still/senza vibrato, and the pitch is so much more exposed thus.
Years ago I attended a Ms. du Pré masterclass in Scotland. I humbly begged to differ with her on the intensity and depth (pitch range) of the vibrato she wished the cellist to employ when playing Kol Nidre. If Stefano were a student in my conservatory days, then he would be a post-grad, and sweep up most of the string prizes! YMMV :)