That's quite funny! But I think Fripp stated that Fracture was impossible because of the moto perpetuo, which starts at about 4 minutes into the song IIRC. This moto perpetuo is also in the whole tone scale, I believe.
Fracture is truly one of the best pieces of all time, in my eyes. Beyond being one of the hardest pieces written for guitar, it’s also just really good. The escalating climax never fails to give me chills
John Coltrane’s version of “Summertime” (on “My Favorite Things”) is full of whole tone harmony and is an excellent example of how to incorporate that sound into a modal composition.
I hadn’t made the connection between dream sequences and whole tones until this video. Thank you! For some reason I also make the connection with Mr Rogers’ Neighborhood. I think the opening piano riff when Rogers walks in the door is where it happens.
"The battle of who could care less" by Ben Folds Five is a great whole tone scale song. It isn't diatonically in the whole tone scale since every chord is major, but every chord is built on a note within the whole tone scale. It's possibly the best use of the whole tone scale that I've ever heard.
Oh, excellent. That's one of my favorite Ben Folds compositions, and I'm actually learning it to play live at some point. That's a good tidbit to know.
Yes, but that doesn't really count as the whole tone scale. It's just G lydian, which is just D major. The whole song is diatonic to D major except for that Bb chord at the end of the chorus. You would have to have the augmented fifth, D#, after G, A, B, C#, for it to really count as the whole tone scale.
i feel like lydian is the "almost" version of the whole tone scale. it still has a sense of wonder and space exploration. not quite the same center of gravity as ionian. "what is life" by george harrison or "atlantis" by donovan come to mind. not 100% dreamy, but still pretty ethereal!
Every mode of the diatonic scale contains four consecutive notes of the whole tone scale. The Lydian is not unique in this respect. It’s just more obvious because they happen to be the first four notes of the scale.
As illuminating as ever. The ability to draw examples from so many genres is a true education and an intellectual delight. For me one takeaway was that yet again Stevie Wonder lives up to his name by his creativity and uncanny ability to make the musical innovation accessible.
Once I heard the example of Debussy it suddenly hit me that some of Zelda BOTW’s Hyrule field music is based in the whole tone scale. I could be wrong but it really does have a similar feel and sound. I love hearing these examples and recognising the similarities between music I listen to and actually knowing what it is they share in common and that certain scales or keys are the reason why. I really must thank you David 🙏
I was just learning the solo from Dogs a couple of weeks ago and didn’t realize it was a whole tone scale until now, only Gilmour can come up with something like that and I love it
@@villehytonen7279 Besides the use of the whole tone scale, I think it is very ear catching because the guitar is doubled with another guitar playing on another octave.
The Simpsons Theme by Danny Elfman is full of whole tone scales played very fast. Also, Jazz Thieves by Depeche Mode features a xylophone that sounds like it's definitely using the whole tone scale.. I may be wrong but at least it sounds similar.
It's lydian dominant, (raised fourth and flatted seventh). It's a little different as it's got a natural fifth and sixth, and is heptatonic (seven note) as opposed to hexatonic (6-note, like the whole note scale.) The #4 and b7 do get it sounding a bit whole-tone-ish, but it's a little different as there are half-step movements in it (from the #4 to the 5, for example), while the smallest interval in whole tone is a whole step.
@@pulykamell nah, you are right but you are refering to the main theme, whereas l was talking particularly about these very rapid scales that appear every so often, and they are in the whole tone scale, check again
Kraftwerk's " Spacelab" was the 1st song that i thought of when I heard the scale. Got that LP in 1979 and listened to it a million times. Good memories.
Also, in addition to the dream sequences, the whole tone scale is often used in movies and TV as an audio cue when a character descends with a submarine into the depths of the ocean
OH MY GOD YOU DID IT! YOU MENTIONED KING CRIMSON! YES!!! FINALLY!!! Seriously, this makes me so happy. This doesn't fix the years of neglect you (and every other music theory youtuber) has shown them, but it's a step in the right direction.
I think David referenced “Red” in a previous video. But, to be fair, lots of viewers won’t know their work and I think it’s still very problematic to use their tracks here on RUclips. But, you’re right, it’s good to see reference to them given their influence and their use of atypical musical devices.
The entire outro of the song "The Breakfast Line" by Cardiacs is just the whole tone scale, but it changes keys between the two whole tone scales. It could be thought of as chromatic since it uses all 12 notes, but that's not how it sounds, so it wouldn't really make sense to think of it that way
whole tone is used in the following songs: "in the future" by Sparks "Elektrik", one more red nightmare" and "fracture" by King Crimson "Mrs O'leary's Cow" by Beach Boys "The Barbarian" and "The Three Fates" by Emerson Lake and Palmer "Dogs" by Pink Floyd "Octavarian" Dream theater "Deliverance" Opeth "i am the walrus" beatles (descending whole tone scale) ...and a million other openings to themes and songs opening to "astro boy" theme.
So happy to see "Dogs" included here! Always loved that part but never knew why it sounded so strange until a few months ago when I first learned about the whole tone scale.
Just based on my memory, I think that one of Holst's planets uses this scale, and perhaps also some of the music from Angry Birds Space. It does fit a very spacey atmosphere!
It's the planet (1st movement, Mars, Bringer of War) that also was cites heavily in the middle part of Leaving Home Ain't Easy by Queen off the great Jazz album, fittingly wirtten by astrophysicist Brian May.
Back in the late 90s I composed a song with dice for a college math class. I used Whole Tone since having 6 notes it matched 6 sides of standard dice. The professor liked it a bumped me up a letter grade. I later did a follow-up project for a statistics class using Excel, with goal of making a more melodic randomly generated song than the previous "Dice".
I think this list would be incomplete without 'the battle of who could care less' by Ben folds five. It's almost completely based upon the scale and has a really unique sound!
Jorge do Fusa, by Brazilian guitar composer Garoto uses a descendant Whole Tone Scale in a 32nd note (fusa in Portuguese) passage. The style of the piece is choro, a tradicional Brazilian genre.
Before I started watching I picked up my guitar to see what the whole tone scale sounded like and I immediately thought of King Crimson's Fracture. Glad to see that it made an appearance in the video too!
I've started my music production journey almost 2 years ago. At nearly 30, and making a career jump from aerospace engineering into music, finally got a position in sound design. I've been using your videos for reference and it's really elevated my musical choices. Thanks David, you a real one.
I'm glad you included Juju, I love that tune! One of my favorites is the Chamber of Sages music from LOZ: Ocarina of Time. There are also countless examples of the scale being used in Frank Zappa's catalogue.
One obscure example I have is a song called “Trippolette” by Andi Buch. It’s a hidden song from the 2005 PS2 game Guitar Hero that at certain points, uses the whole note scale.
In the Light, by Led Zeppelin. Just before Robert Plant sings "and if you feel....", there is a whole-tone walk-up, in thirds, ending on an A and C#. This walk-up occurs ten times between 1:40 and 2:45.
One thing I like about he whole-tone scale is, you can get it by playing one colour of keys in succession, and then when you get to a 1/2 tone, you swap to the other colour keys. It doesn't matter where you start.
I see a world where the norm is the whole tone scale and someone figures out the regular major and minor scales and is hailed as a genius for giving music interest and direction.
You have to do a video on Stevie Wonders "Too High" Right from the very start we have a vamp, then this floaty melody using the chromatic scale. A chorus that utilizes the whole scale for its melody, and a diatonic verse. It has everything!
The opening to "You Only Live Twice" feels to me like it's in a whole tone scale. Even though it doesn't use all the notes (only 4 in different octaves), I can't seem to find any other scale that would fit it.
From piano practice books for kids, there's "Storms on Saturn" (Faber Piano book 2, as I recall) in the whole tone scale. This is a 1-minute piece, not complicated, but does have the whole tone scale in the beginning and videos of people playing it available on RUclips.
I remember being used in videogame soundtracks too. In Super Mario World 2: Yoshi's Island, when you are transforming into one of the temporary stage vehicles (digger, helicopter, car, etc), this scale is used in the first half of the song.
In 1982 Tron's OST, Wendy Carlos uses the whole tone scale a lot. Like in "The light sailer" or "Tron scherzo". It helps bringing up the weirdness of the artificial "inside the computer" world
It's probably worth pointing out that at least in a Jazz context, whole-tone chords (as in Juju) and altered chords are very different things. Altered chords would be built from the 7th degree of melodic minor rather than from the whole-tone scale.
“Our Man Higgins” has a lot of whole tone harmony and melody going on, it switches from being a whole tone Bb blues to being a standard Bb blues, also thanks for the Kraftwerk inclusion, they’re one of my favourite bands of all time!
Thanks for the Dogs reference. I love all of David Gilmour's guitar work, but that little solo at the end of the song has always caught my attention. Now I know what he's using to get that ear twisting sound!
Freddie Hubbards solo on hat and beard by Eric Dolphy uses the whole tone scale eerily well.
Год назад+3
In video games there are some examples of music tracks based exclusively on the whole tone scale (DK, Ori, Zelda, and some more). There, harmony works in different an interesting ways. I have a video showing and talking about those examples ruclips.net/video/ZvWYpCgmf7w/видео.html (Spanish with English subtitles)
'Lost in the Misty Woods' by Gareth Coker (Ori and the Blind Forest soundtrack) is in the while tone scale. This is the song where I heard this mystical sound for the first time. I discovered the pattern of the notes they used on the piano and was amazed
OK, the thing that always gets me is halfway through the 2nd movement of the Berg violin concerto where he quotes from the Bach chorale with the opening notes of the whole-tone scale. Which is also a callback to the original tone row from the start of the piece. You would have to have a heart of stone not to be moved by that
For the first half of the video, I was like "This sounds so familiar, I just can't quite remember the song that uses it." And then you played "You Are the Sunshine of my Life",. and it all fell into place...
One great use of the Whole Tone scale I can think of is the Mt. Moon track from the Pokémon R/G/B game. It uses it to create this mysterious and uneasy feel for when you're traversing the caves hoping to not run into any more Zubats.
Nice video! I was so hoping "You Are the Sunshine of My Life" was here as the song was actually playing in my head this morning as I was taking in the summer sun.
I was watching mid-way through and just thinking, Fracture. then an ad, then Mr Fripp is right in my face. nice. you could have spent much longer on this track, as it's the most extreme use of the whole tone scale possibly ever, even including Debussy. it's relentlessly whole-tone. (not completely... there are non-whole-tone elements in there too.) ehh... they went for it. works for me. nice coverage overall.
Did anyone mention Brian Auger's Total Eclipse from 1971? I really liked Auger and when this track came out I tried to play it on the piano. Then I discovered that both the theme and the guitar solo are based on whole notes. I still love it today. It is no coincidence that this recording is also space music, setting a solar eclipse to music. Check it out, am I not wrong?
Thank you for this video on RUclips of the "Whole tone scale" and how they are used. The only "whole tone scale" that I remember listening is in the key of E as played as the E Whole tone scale.
Please may you do a video on Todd Rundgren's music? A harmonic analysis of his works to be specific, he barely gets any recognition online as a composer by other music channels.
Another brilliant exposé on something I know - for instance in 'Sunshine of Your Love' - but never really thought about. I think the Debussy piece is pronounced / vwal / (I teach languages!) Many thanks, informative, educational and thought-provoking as ever,
Very interesting David! I really appreciate your discussion of altered chords and why the whole tone scale fits over them. I’ve never really understood either of these concepts and you provided great insight into both. Thanks!
An interesting scale related to the whole tone scale is Neapolitan Major. In fact, the scale is basically a whole tone scale sandwiched between the root. The modes you get out of it are all whole tone scales, but with a note in between two tones.
Immediately reminded me of the ascending notes in The Shinra Tower sequence of final fantasy 7- it had a very dreamy and intriguing sound against a descending background pattern- lovely
Very cool. The dreaminess was instantly recognisable. This scale is very distinctive. I do wish you’d looked up how to pronounce ‘voiles’ on Wikipedia, though. /vwal/ not voylz.
This particular scale is so limited in its usage, offering no real flexibility or musical "payoff." And so I didn't think you'd have much to add to the conversation - who would? Still, you've made it clear this scale IS worth some discussion, even if only for those "special effects" kind of moments you find in Impressionism and dream sequences. Excellent work with superb examples from different genres of music.
In the game Final Fantasy VII, Nobuo Uematsu uses it in the Shinra Corporation theme, although he cheats it a little bit. Great video on the whole tone scale!
Try Pianote FREE for 30-Days: www.pianote.com/affiliate/davidbennett 🎹
Voiles, plural, is pronounced as Voilà without the final open [A] sound [ VwAl ] and it means veils or sails.
As a huge pink floyd fan with an interest in music theory, that example from "Dogs" really hit the sweet spot.
As soon as I saw the video's title, I knew Pink Floyd's _Dogs_ would be in there. It's too classic an example not to include given the topic!
Not a whole-tone scale, but Pink Floyd's The Nile Song goes up a whole tone for each verse
The opening four-chord progression of _Dogs_ is one of my favourite-ever things to play. Such a tonally bonkers song that absolutely works.
@@davidf2281 I play it on piano. It always sounds amazing.
@@Churro_Flaminguez thats funny because i saw david gilmour and was wondering what song it would be...i learned something new today!
Fun fact: Robert Fripp wrote that opening riff of “Fracture” as a challenge for himself, and he openly admitted to it being impossible to play
That's quite funny! But I think Fripp stated that Fracture was impossible because of the moto perpetuo, which starts at about 4 minutes into the song IIRC. This moto perpetuo is also in the whole tone scale, I believe.
I thought it was the middle portion that was "impossible."
Interestingly, “Fracture” is also quite difficult to listen to.
Well done Mr Fripp! 🎉
@@HoraceMash How so? I find it very enjoyable
Fracture is truly one of the best pieces of all time, in my eyes. Beyond being one of the hardest pieces written for guitar, it’s also just really good. The escalating climax never fails to give me chills
John Coltrane’s version of “Summertime” (on “My Favorite Things”) is full of whole tone harmony and is an excellent example of how to incorporate that sound into a modal composition.
That's my favorite jazz album
Mccoy tyner !
Great shout!
@@lehipster5450 Yeah, McCoy goes fucking nuclear on that track.
@@UkuleleAversionAnd Elvin Jones' solo is amazing
I hadn’t made the connection between dream sequences and whole tones until this video. Thank you! For some reason I also make the connection with Mr Rogers’ Neighborhood. I think the opening piano riff when Rogers walks in the door is where it happens.
Actually it’s more likely to sound when they go into the neighborhood of make believe
"The battle of who could care less" by Ben Folds Five is a great whole tone scale song. It isn't diatonically in the whole tone scale since every chord is major, but every chord is built on a note within the whole tone scale. It's possibly the best use of the whole tone scale that I've ever heard.
I was gonna mention that. great song.
Oh, excellent. That's one of my favorite Ben Folds compositions, and I'm actually learning it to play live at some point. That's a good tidbit to know.
Thank you for this recommendation. I checked that song out and now I'm upset I didn't know about Ben Folds earlier but so glad I know about him now
Love that song!
@@tswizz4268 Glad to hear that :)
He is certainly underrated and very talented.
Every Little Thing She Does Is Magic! The bass in verses climbs in whole tones
And it's in lydian
Yes, but that doesn't really count as the whole tone scale. It's just G lydian, which is just D major. The whole song is diatonic to D major except for that Bb chord at the end of the chorus. You would have to have the augmented fifth, D#, after G, A, B, C#, for it to really count as the whole tone scale.
i feel like lydian is the "almost" version of the whole tone scale. it still has a sense of wonder and space exploration. not quite the same center of gravity as ionian. "what is life" by george harrison or "atlantis" by donovan come to mind. not 100% dreamy, but still pretty ethereal!
@@PaulSchwarz Yeah lydian is whimsical and wondrous. The E.T. soundtrack is full of lydian and it works... uh, wonders.
Every mode of the diatonic scale contains four consecutive notes of the whole tone scale. The Lydian is not unique in this respect. It’s just more obvious because they happen to be the first four notes of the scale.
As illuminating as ever. The ability to draw examples from so many genres is a true education and an intellectual delight.
For me one takeaway was that yet again Stevie Wonder lives up to his name by his creativity and uncanny ability to make the musical innovation accessible.
The creepy mid-section of Rime of the Ancient Mariner by Iron Maiden is based around the Whole Tone scale 👍
I lack the skills to determine if that's also true of the David Bedford version which also has a creepy middle section
with augmented chords on bass! i love that part
Once I heard the example of Debussy it suddenly hit me that some of Zelda BOTW’s Hyrule field music is based in the whole tone scale. I could be wrong but it really does have a similar feel and sound. I love hearing these examples and recognising the similarities between music I listen to and actually knowing what it is they share in common and that certain scales or keys are the reason why. I really must thank you David 🙏
I was just learning the solo from Dogs a couple of weeks ago and didn’t realize it was a whole tone scale until now, only Gilmour can come up with something like that and I love it
And now I finally know why that part sounds do special.
@@villehytonen7279 Besides the use of the whole tone scale, I think it is very ear catching because the guitar is doubled with another guitar playing on another octave.
The Simpsons Theme by Danny Elfman is full of whole tone scales played very fast. Also, Jazz Thieves by Depeche Mode features a xylophone that sounds like it's definitely using the whole tone scale.. I may be wrong but at least it sounds similar.
It's lydian dominant, (raised fourth and flatted seventh). It's a little different as it's got a natural fifth and sixth, and is heptatonic (seven note) as opposed to hexatonic (6-note, like the whole note scale.) The #4 and b7 do get it sounding a bit whole-tone-ish, but it's a little different as there are half-step movements in it (from the #4 to the 5, for example), while the smallest interval in whole tone is a whole step.
@@pulykamell nah, you are right but you are refering to the main theme, whereas l was talking particularly about these very rapid scales that appear every so often, and they are in the whole tone scale, check again
David, I've been a subscriber for a long time and must say your clear presentation and knowledge is great, have a great day!
Kraftwerk's " Spacelab" was the 1st song that i thought of when I heard the scale.
Got that LP in 1979 and listened to it a million times. Good memories.
Also, in addition to the dream sequences, the whole tone scale is often used in movies and TV as an audio cue when a character descends with a submarine into the depths of the ocean
Never really thought about the dream/flashback/wholetone scale before but now i would recognize it instantly, good choice of subject :)
OH MY GOD YOU DID IT! YOU MENTIONED KING CRIMSON! YES!!! FINALLY!!! Seriously, this makes me so happy. This doesn't fix the years of neglect you (and every other music theory youtuber) has shown them, but it's a step in the right direction.
I think David referenced “Red” in a previous video. But, to be fair, lots of viewers won’t know their work and I think it’s still very problematic to use their tracks here on RUclips. But, you’re right, it’s good to see reference to them given their influence and their use of atypical musical devices.
@@mikedonoghues4018 Do you know which video?
@@eduardus4e I’m sorry, I can’t remember. Pretty sure it was one about modes. Not much help, I’m afraid.
@@mikedonoghues4018 i've watched all the modes ones and I didn't see it :(
Such an underrated channel! You deserve more views!
In «Histoire sans paroles» from the French Canadian band Harmonium, the whole tone scale is used.
Harmonium is one of the greatest bands ever but never get mentioned
Cardiacs song 'The Obvious Identity' is a great punk song entirely constructed with the whole tone scale!
The entire outro of the song "The Breakfast Line" by Cardiacs is just the whole tone scale, but it changes keys between the two whole tone scales. It could be thought of as chromatic since it uses all 12 notes, but that's not how it sounds, so it wouldn't really make sense to think of it that way
whole tone is used in the following songs:
"in the future" by Sparks
"Elektrik", one more red nightmare" and "fracture" by King Crimson
"Mrs O'leary's Cow" by Beach Boys
"The Barbarian" and "The Three Fates" by Emerson Lake and Palmer
"Dogs" by Pink Floyd
"Octavarian" Dream theater
"Deliverance" Opeth
"i am the walrus" beatles (descending whole tone scale)
...and a million other openings to themes and songs
opening to "astro boy" theme.
So happy to see "Dogs" included here! Always loved that part but never knew why it sounded so strange until a few months ago when I first learned about the whole tone scale.
Just based on my memory, I think that one of Holst's planets uses this scale, and perhaps also some of the music from Angry Birds Space. It does fit a very spacey atmosphere!
It's the planet (1st movement, Mars, Bringer of War) that also was cites heavily in the middle part of Leaving Home Ain't Easy by Queen off the great Jazz album, fittingly wirtten by astrophysicist Brian May.
Back in the late 90s I composed a song with dice for a college math class. I used Whole Tone since having 6 notes it matched 6 sides of standard dice. The professor liked it a bumped me up a letter grade. I later did a follow-up project for a statistics class using Excel, with goal of making a more melodic randomly generated song than the previous "Dice".
Cardiacs music is a very good example of whole tone melodies
100%, this scale is one of my go tos when i want to sound like them(the other one being: play random chords until something sounds not wrong lol)
You have no idea how happy I am to see Robert Fripp get mentioned on this list! Fracture is so difficult to play on the guitar.
This channel seriously helps my ear as a musician. Thank you for what you do
I think this list would be incomplete without 'the battle of who could care less' by Ben folds five. It's almost completely based upon the scale and has a really unique sound!
Jorge do Fusa, by Brazilian guitar composer Garoto uses a descendant Whole Tone Scale in a 32nd note (fusa in Portuguese) passage. The style of the piece is choro, a tradicional Brazilian genre.
Good catch with the Floyd example. Completely forgot about that moment.
Before I started watching I picked up my guitar to see what the whole tone scale sounded like and I immediately thought of King Crimson's Fracture. Glad to see that it made an appearance in the video too!
Gilmour! My man!
The intro to "I Can Help" by Billy Swan uses little aug triads that descend a tone at a time, spelling a whole tone scale.
Mark Snow used both Whole Tone scales in some of the background music for episodes of The X-Files.
The theme song for Astro Boy begins with a whole tone scale as introduction. Great video as always, David!
The middle section of Gentle Giant’s The House, The Street, The Room is a chord sequence in the whole tone scale
At 1:32 when the scale is the fastest, it sounds like Pac Man moving right ? Maybe I’m wrong…
I've started my music production journey almost 2 years ago. At nearly 30, and making a career jump from aerospace engineering into music, finally got a position in sound design. I've been using your videos for reference and it's really elevated my musical choices. Thanks David, you a real one.
Rest in power Wayne Shorter, one of the best to ever do it
I'm glad you included Juju, I love that tune! One of my favorites is the Chamber of Sages music from LOZ: Ocarina of Time. There are also countless examples of the scale being used in Frank Zappa's catalogue.
Also from OOT is the treasure chest open theme, I believe that may also use this scale
One obscure example I have is a song called “Trippolette” by Andi Buch. It’s a hidden song from the 2005 PS2 game Guitar Hero that at certain points, uses the whole note scale.
In the Light, by Led Zeppelin. Just before Robert Plant sings "and if you feel....", there is a whole-tone walk-up, in thirds, ending on an A and C#. This walk-up occurs ten times between 1:40 and 2:45.
One thing I like about he whole-tone scale is, you can get it by playing one colour of keys in succession, and then when you get to a 1/2 tone, you swap to the other colour keys. It doesn't matter where you start.
Ben Folds Five and Battle of Who Could Care Less. Perfect example of how to make a great pop song with whole tone scale.
The part before the outro from Dance of Eternity by Cream Theater uses the whole tone scale
I see a world where the norm is the whole tone scale and someone figures out the regular major and minor scales and is hailed as a genius for giving music interest and direction.
You have to do a video on Stevie Wonders "Too High" Right from the very start we have a vamp, then this floaty melody using the chromatic scale. A chorus that utilizes the whole scale for its melody, and a diatonic verse. It has everything!
Jazz since the bebop days has altered chords galore. Usually played with the altered scale.
Your ability to explain things has steadily gotten much much better, great work
The opening to "You Only Live Twice" feels to me like it's in a whole tone scale. Even though it doesn't use all the notes (only 4 in different octaves), I can't seem to find any other scale that would fit it.
Speaking of King Crimson, I think the intro and hook of "Elephant Talk" use the whole tone scale
From piano practice books for kids, there's "Storms on Saturn" (Faber Piano book 2, as I recall) in the whole tone scale. This is a 1-minute piece, not complicated, but does have the whole tone scale in the beginning and videos of people playing it available on RUclips.
Excellent lesson! I will use this in my guitar lessons. I'm sure it will interest a few of my students.
I remember being used in videogame soundtracks too.
In Super Mario World 2: Yoshi's Island, when you are transforming into one of the temporary stage vehicles (digger, helicopter, car, etc), this scale is used in the first half of the song.
In 1982 Tron's OST, Wendy Carlos uses the whole tone scale a lot. Like in "The light sailer" or "Tron scherzo". It helps bringing up the weirdness of the artificial "inside the computer" world
It's probably worth pointing out that at least in a Jazz context, whole-tone chords (as in Juju) and altered chords are very different things. Altered chords would be built from the 7th degree of melodic minor rather than from the whole-tone scale.
“Our Man Higgins” has a lot of whole tone harmony and melody going on, it switches from being a whole tone Bb blues to being a standard Bb blues, also thanks for the Kraftwerk inclusion, they’re one of my favourite bands of all time!
Thanks for the Dogs reference. I love all of David Gilmour's guitar work, but that little solo at the end of the song has always caught my attention. Now I know what he's using to get that ear twisting sound!
There’s an ascending whole tone scale at the end of improvisation no.2 which I just love 😊
Freddie Hubbards solo on hat and beard by Eric Dolphy uses the whole tone scale eerily well.
In video games there are some examples of music tracks based exclusively on the whole tone scale (DK, Ori, Zelda, and some more). There, harmony works in different an interesting ways. I have a video showing and talking about those examples
ruclips.net/video/ZvWYpCgmf7w/видео.html
(Spanish with English subtitles)
The soundtrack from "Ori and the blind forest" by Gareth Coker has one track named "Lost in the misty woods" that uses the whole tone scale.
Final Fantasy 12 has lot of whole tone.
Great stuff. You always give me ideas and inspire me to explore. Good to see both Kraftwerk and King Crimson feature.
'Lost in the Misty Woods' by Gareth Coker (Ori and the Blind Forest soundtrack) is in the while tone scale. This is the song where I heard this mystical sound for the first time. I discovered the pattern of the notes they used on the piano and was amazed
Very interesting and well planned lesson. Congratulations!
Beautiful scale
Great vid David. It's gold when learning something new and you then get the "oh, that's why that sounds that way."
You played the scale at the beginning, and I was like, "I feel a dream sequence coming on!"
Hearing the whole tone scale reminds me of the golden escalator of heaven scene from Tom And Jerry "Heavenly Puss" episode.
i was always fascinated with the whole tone scale. im glad you made a full video about it .
Andrew Lloyd Weber's "Don Juan Triumphant' from "The Phantom of the Opera" uses the whole tone scale in the orchestra.
OK, the thing that always gets me is halfway through the 2nd movement of the Berg violin concerto where he quotes from the Bach chorale with the opening notes of the whole-tone scale. Which is also a callback to the original tone row from the start of the piece. You would have to have a heart of stone not to be moved by that
For the first half of the video, I was like "This sounds so familiar, I just can't quite remember the song that uses it." And then you played "You Are the Sunshine of my Life",. and it all fell into place...
One great use of the Whole Tone scale I can think of is the Mt. Moon track from the Pokémon R/G/B game. It uses it to create this mysterious and uneasy feel for when you're traversing the caves hoping to not run into any more Zubats.
Nice video! I was so hoping "You Are the Sunshine of My Life" was here as the song was actually playing in my head this morning as I was taking in the summer sun.
The start of the solo in Radiohead’s Banana Co is a whole tone scale. Never noticed until I went to transcribe it recently
I was watching mid-way through and just thinking, Fracture. then an ad, then Mr Fripp is right in my face. nice. you could have spent much longer on this track, as it's the most extreme use of the whole tone scale possibly ever, even including Debussy. it's relentlessly whole-tone. (not completely... there are non-whole-tone elements in there too.) ehh... they went for it. works for me. nice coverage overall.
Wonderful explanation of the whole tome scale and how it is used. Thank you, David!
Thanks David! That is the most useful description of the wholetone scale I have seen.
I never fail to learn something from these videos. Well done!
Whole tone scale common in Ellington, Monk and Bud Powell’s music. Also Wes Montgomery
Did anyone mention Brian Auger's Total Eclipse from 1971? I really liked Auger and when this track came out I tried to play it on the piano. Then I discovered that both the theme and the guitar solo are based on whole notes. I still love it today. It is no coincidence that this recording is also space music, setting a solar eclipse to music.
Check it out, am I not wrong?
Not surprised you used Stevie Wonder's Sunshine as an example. It was the first thing that popped into my head when you played the scale.
great video as usual, especially your clarification of an alt chord being just the 5th raised or lowered by a semitone.
Thank you for this video on RUclips of the "Whole tone scale" and how they are used. The only "whole tone scale" that I remember listening is in the key of E as played as the E Whole tone scale.
Please may you do a video on Todd Rundgren's music? A harmonic analysis of his works to be specific, he barely gets any recognition online as a composer by other music channels.
Another brilliant exposé on something I know - for instance in 'Sunshine of Your Love' - but never really thought about. I think the Debussy piece is pronounced / vwal / (I teach languages!) Many thanks, informative, educational and thought-provoking as ever,
Very interesting David!
I really appreciate your discussion of altered chords and why the whole tone scale fits over them. I’ve never really understood either of these concepts and you provided great insight into both.
Thanks!
An interesting scale related to the whole tone scale is Neapolitan Major. In fact, the scale is basically a whole tone scale sandwiched between the root. The modes you get out of it are all whole tone scales, but with a note in between two tones.
Immediately reminded me of the ascending notes in The Shinra Tower sequence of final fantasy 7- it had a very dreamy and intriguing sound against a descending background pattern- lovely
Very cool. The dreaminess was instantly recognisable. This scale is very distinctive. I do wish you’d looked up how to pronounce ‘voiles’ on Wikipedia, though. /vwal/ not voylz.
Genius!!! You are a TEACHER! Love!
There are a ton of Helmet songs that use the whole tone scale in their riffs.
Queen uses whole tone scales now and then. The one that immediately comes to mind is Miracles.
This particular scale is so limited in its usage, offering no real flexibility or musical "payoff." And so I didn't think you'd have much to add to the conversation - who would? Still, you've made it clear this scale IS worth some discussion, even if only for those "special effects" kind of moments you find in Impressionism and dream sequences. Excellent work with superb examples from different genres of music.
damn you! now whenever I hear the whole tone scale being used all I can hear is a dream sequence coming on!
7:22 reminds me of heart of the sunrise by yes and almost anything by les claypool.
As a professional Organ tuner I have to listen to this scale for hours every day.
Covering "Fly Like an Eagle" was my first encounter with this scale.
In the game Final Fantasy VII, Nobuo Uematsu uses it in the Shinra Corporation theme, although he cheats it a little bit. Great video on the whole tone scale!