Hey, just a note to you, you didn't have to isolate the lead vocal. The multitrack to the song has leaked forever ago, which features the dry lead vocal.
I wonder if you correctly state about what the comments section has been provided for by RUclips (in for some "meta" ...;-) ) - -- P.S. As a foreign speaker, I wonder about the usage of "just" (more seriously: in my language, German, there is "einfach" and "gerade" which are not interchangeable if you refer to time or easiness. Sorry for getting bubbly: referring to results, I must consider myself a slow thinker and speaker too. I take time, hopefully not yours, which was not my intention. Hence: Thank you for letting me speak up at your place.
Never mind! Thanks for your feedback. Just let me know if I shall delete my comment for being too long or in case the "irony" is too cumbersome. Thank you for letting me mutter at your space, being polite I hereby wish you the best!! @@charliezard64
@@peterbernhard7415The word "just" is redundant in this sentence. We modern English speakers tend to add unnecessary words purely to sound friendly or polite.
how is nobody commenting about the amazing software? I am impressed by the accuracy and precision of the isolated tracks, and how natural the tracks sounds even when pitch shifted, great video
Yeah it's mind blowing when you stop to think about it, digital magic. The kind of thing that would've utterly astonished producers/recording engineers if it had suddenly appeared in say the late 80s and 90s, when a lot of older music was being remastered for CD release.
It's crazy. Separating stems is like automatically removing the background from a video, but the video frist went through a blender and was spit as a single one dimensional line.
Man, I wish you'd have been my music teacher (I'm 62, so I accept there are some inherent difficulties with that). I only ever learned this stuff theoretically, and it was a grind. Listening to your explanation makes it so clear. Well played sir.
now i understand what this shit is all about! no teacher ever explained it to me, much less the practicality of it. mindlessly practicing scales had no explanation on why it even matters.
harmonic minor versions of any minor scale will immediately make it more spooky especially if the scale in question is d or a minor imo, the sharpened 7th in either of these scales just makes them even more... haunting (in a good way)
Brilliant! I was hoping you would do another one of these! Here are some scale suggestions for a potential third instalment: - Lydian Dominant - Mixolydian b6 - Dorian b2 - Double Harmonic - Harmonic Minor Inverse (Mixolydian b2) - Ultraphrygian - Pentatonic (would be fun to hear a song fully pentatonic in both melody and harmony) - Octatonic/Diminished - Whole Tone These are some of my favourite videos of yours, keep up the quality content!
Octatonic and whole tone would be hard as they have different number of notes, but I'd be interested to see how he did it. Pentatonic would be easier as you could just move them to the note a half step away.
The key of B-flat having a flattened 6 just sounds so good in bohemian rhapsody. That two note G-flat octave into the two note F octave being played is just... beautiful.
Minor seconds in octaves sound so heartbreaking. It fits the tone I think- reminds me of Schubert’s Gute Nacht, which does the same thing. I completely agree with you ❤
Brilliant! I was hoping you were going to make another one of these! Here’s some more scale suggestions for a potential next instalment: - Lydian Dominant - Mixolydian b6 - Dorian b2 - Harmonic Minor Inverse (Mixolydian b2) - Double Harmonic - Phrygian b4 - Pentatonic (would be interesting to hear a fully pentatonic melody and harmony) - Octatonic/Diminished - Whole Tone As for a potential song, I feel using one with the axis progression would be a nice “canvas”, such as Don’t Stop Believing. Keep on making quality content!
It's crazy to me as someone with almost no music theory knowledge how much of a change it was by going from major to Lydian. As you showed, it's only one change, but it made a huge difference. To me, the sound of the passage was almost nails on a chalkboard bad when moved to Lydian. The Harmonic Major also did something similar.
Each of the different scales give whole new meanings to those lyrics and I absolutely love it, the music just got more and more haunting as it went on and it was awesome
Wow David, what an ingenious idea to put these scales through the paces of such a well known melody! It made me realise how much can be done by changing modes. Thank you!
Harmonic and Melodic minor scale versions are amazing. The tension built due to the F7 chord coinciding with the lyrics "... now he's DEAD" brings the song to whole new level .... Great Job bro.
Then check out _Yesterday_ - the scale is D melodic minor; although the chords are loosely grouped around F tonic which makes the scale harder to identify.
great video as always ! i’d love to see a video where you go over the chord functions and what the functions actually **are**, like why does V chord feel the way it does.
The simple answer is voice leading, three formulas in particular: The VII - I (Leading tone function), II - I, and V - I (especially in the bass.) These all tend to have a cadential effect and cadences (expected or realized) tend to be what creates a feeling of function. That's why modern music often sounds less functional because there tends to be relatively loose (or sometimes non-existent) voice leading. It's also why strange non-triads can sound functional (like augmented sixths for instance that have always managed to elude any sort of chord or scale labeling)
The natural minor version is really interesting, it sounds more suitable to the lyrics, or so I feel. I wonder how the entire song would sound in that scale.
Actually there is a lot more scales ! Instead of thinking about them individually, think about them in Families. Here are all the families: - Major - Harmonic Minor - Melodic Minor - Harmonic Major - Double Harmonic - Augmented (1 scale) - Diminished (2 scales) They all have 7 scales except for the Augmented and Diminished. Double Harmonics is the family with these notes: C Db E F G Ab B To know how to name the scales correctly, you just have to know what is the strongest identity of a scale. All scales with a major 3rd, major 7th and a perfect 4th are Ionians (with alterations). All scales with a minor third and a major sixth are Dorians. All scales with a minor second and a perfect fifth are Phrigians. All scales with an augmented fourth are Lydians. All scales with a major third and a minor seventh are Mixolidians. All scales with a minor third and a minor sixth are Aeolians. All scales with a minor second and a diminished fifth are Locrians. And with that, you can name your new scales from all families. Exemple: - The second degree (II) from the Melodic Minor is called Locrian #6 - Harmonic Major first degree is Ionian b6 - Double Harmonic IV = Aeolian #4#7 This is how scales are called in Jazz theory. And so, for the minor scales usually used in classical music, you can call them: - Minor Melodic (First degree from his own family): Dorian #7 (or Ionian b3) - Minor Harmonic (First degree from his own family): Aeolian #7 Now i'm in hope for a 1h long video with all those scales used for Bohemian Rhapsody haha
That's the best explanation I've ever been given as to why the melodic scale is different going up compared to going down. Thankyou. Explain more stuff to me, I love it!!!!!
Amazing video! I'm from South America and our default minor scale, in our folkloric music, is the melodic minor. So, the natural minor sounds a little "unfinished" or "unpolished" to my (but I like it anyway).
This might actually be my favorite video of all time, I have watched this video 15 or more times over the past 4 months already because of how good it is.
What a great bit of music to pick for an exercise like this--one where everyone knows the melody and chords backwards. Makes it very easy to hear the main differences between modes. Great video!
As a huge Queen fan this is like Christmas!!! Great video as always! (And also please put Queen in more examples of future videos if you find they apply!)
I agree. But while it was very smooth and pleasant sounding here I usually like the harmonic minor more. Harmonic major is also a cool sounding scale which I'm going to use more in the future (so far have done only one track using it).
David, Thank you for suggesting RipX. I've been arranging Gonna Make You Sweat (Everybody Dance Now) and the software made it so much easier to isolate the parts. You're doing great work! Keep at it.
I love this video. I've been asking myself for years why the ascending harmonic minor scale differs from when it's descending. And this is the first time i got the explanation. But apart from that , everything else has also been wonderfully explained. Excellent video !!!! Many thanks , David 👍🏼👍🏼
I thought the melodic minor and the Mixolydian worked the best. The rest were pretty awkward, even for scales I normally love like Lydian and Phrygian dominant.
Love it soooo much. I was hoping you would do some similar things to say, Taylor Swift or Ed Sheeran. Basically: make current pop songs sound more interesting with modes
Absolutely loved this video. Amazing stuff. Thank you! I've never seen or heard anyone do this to a time so always assumed it was impossible. All versions sound great but I do have my favourites. Thanks again.
This seems both ambitious, and potentially very fruitful and enlightening. Looking forward to it. My mind is willing, but my ear is spongy and weak... I was so interested and hopeful when the illusion of modes broke, and I understood how simple the concept is. But I just can't really hear them, except in extreme cases like Phrygian and Lydian.
Phrygian sounds cosmic. Locrian is utterly devastating-- something terrible is in progress and it sounds amazing. These are my favs-- I would love to hear the full Bohemian Rhapsody rendered in both versions.
This was awesome. I really liked the Locrian version. Next time, my requests are Hungarian Minor and Double Harmonic (or miss Phrygian Major if you're nasty). And/or the two Locrian variants in Harmonic Minor that produce full diminished I chords: Locrian major 6th and Locrian double-flat 7th.
I generally don’t understand why Lydian is always being associated with bright and cheerful. When in reality the tritone gives it a really unsettling eerie feeling.
@@CommanderGinyu It's highly dependent on context. When writing a song in Lydian you have to be aware not to hit certain notes and avoiding certain chords. When done well it can be absolute magic.
![How To Play "Piano Man" [Piano Tutorial + Chord Chart] ALL PARTS](http://i.ytimg.com/vi/7IVHDjQ3-Uw/mqdefault.jpg)
Download your FREE, 21-day RipX trial: hitnmix.com 🎤🎤🎶🎶
Hey, just a note to you, you didn't have to isolate the lead vocal. The multitrack to the song has leaked forever ago, which features the dry lead vocal.
@@ITAC85 The point was to introduce people to the app.
The black leg miner😂😂😂😂😂😂😂😂😂🎉🎉🎉🎉not really a scale but funny nonetheless less😂😂😂😂😂
Fuck me, this is amazing. I actually choked up there for a bit... good work ;)
@@ITAC85 he cant use the "leaked" audio, there are copyright issues
The melodic minor one actually sounded very beautiful and haunting.
Very James Bond!
Not extensively, the 4th measure has still flaws...
It was so much better than the other minors
Because of the Melodic Minor scale the Bohemian Rhapsody became a song for the halloween
sounds like a scene from a musical about a cop
I had never understood that harmonic and melodic minor were complimentary. That version sounded so awesome!
Melodic minor can certainly be confusing! 😊
Especially the G♭ and first Cdim sounded great, but the second Cdim didn't really work together. Almost too haunting.
@DavidBennetPiano Yet it emphasizes a ray of hope.
I wasn't expecting it, but the Locrian is deliciously haunting and menacing in its tone.
It sounded more pleasant than some of the others
I came to the comments to say, it actually fits the song well
Very sad there was no mention of super Locrian/altered scale
Locrian is awesome. A lot of my music is in C Locrian. It's what I default to when noodling on the keyboard.
@@colbytaylor9805 your feelings are irrational
00:56 Major scale (original)
01:26 Natural minor
02:38 Lydian
04:00 Mixolydian
05:33 Harmonic minor
07:14 Melodic minor
08:57 Harmonic Major
10:49 Phrygian Dominant
12:11 Locrian
❤❤❤❤❤❤❤❤❤❤❤❤❤❤
I would double like this if I could
The lydian note on the word " gun " sounds so bright that I am getting psychopathic vibes from it.
Almost orgasmic wasn’t it?😂
it was really unsettling
@@ΝεβαζζνοΚτοΠριβατwhile it sounds cool, it doesn't fit with the song
Lydian sounds like he's happy about killing the guy
Can we just appreciate the work that David put into making this video. What a awesome man
I wonder if you correctly state about what the comments section has been provided for by RUclips (in for some "meta" ...;-) ) - -- P.S. As a foreign speaker, I wonder about the usage of "just" (more seriously: in my language, German, there is "einfach" and "gerade" which are not interchangeable if you refer to time or easiness. Sorry for getting bubbly: referring to results, I must consider myself a slow thinker and speaker too. I take time, hopefully not yours, which was not my intention. Hence: Thank you for letting me speak up at your place.
@@peterbernhard7415huh?
Never mind! Thanks for your feedback. Just let me know if I shall delete my comment for being too long or in case the "irony" is too cumbersome. Thank you for letting me mutter at your space, being polite I hereby wish you the best!! @@charliezard64
@@peterbernhard7415The word "just" is redundant in this sentence. We modern English speakers tend to add unnecessary words purely to sound friendly or polite.
@@peterbernhard7415Englischsprachige haben weitaus weniger Interesse an ihrer eigenen Sprache als andere
how is nobody commenting about the amazing software? I am impressed by the accuracy and precision of the isolated tracks, and how natural the tracks sounds even when pitch shifted, great video
agreed it is super cool
Yeah it's mind blowing when you stop to think about it, digital magic. The kind of thing that would've utterly astonished producers/recording engineers if it had suddenly appeared in say the late 80s and 90s, when a lot of older music was being remastered for CD release.
I'm not commenting because it's expensive
I have no need for it.
It's crazy. Separating stems is like automatically removing the background from a video, but the video frist went through a blender and was spit as a single one dimensional line.
Afterwards, I had to listen to the original version again to ‘reset’ my scrambled brain.
Man, I wish you'd have been my music teacher (I'm 62, so I accept there are some inherent difficulties with that). I only ever learned this stuff theoretically, and it was a grind. Listening to your explanation makes it so clear. Well played sir.
Yes. I would love a music theory course from David!
now i understand what this shit is all about! no teacher ever explained it to me, much less the practicality of it. mindlessly practicing scales had no explanation on why it even matters.
That harmonic/melodic minor pair has some really great chords.
agreed
working with harmonic/melodic minor chords is honestly a lot more fun than with natural minor chords
I would actually pay for a harmonic minor version of this song. The scale is simply the best
it has vampire in castle theme vibe
Sounds more cinematic and darker
Yes I loved it and would pay for that version too! Sounds better than the original song for me.
harmonic minor versions of any minor scale will immediately make it more spooky
especially if the scale in question is d or a minor imo, the sharpened 7th in either of these scales just makes them even more... haunting (in a good way)
Well, guess Freddy's estate should get right on that, using this software.
That was a brilliant demonstration of the purposes of the melodic minor scale
This is SUPER trippy…In a good way. I love different chord feelings
This blew my mind apart
😍
Hope you’re okay
just like the man
Brilliant! I was hoping you would do another one of these! Here are some scale suggestions for a potential third instalment:
- Lydian Dominant
- Mixolydian b6
- Dorian b2
- Double Harmonic
- Harmonic Minor Inverse (Mixolydian b2)
- Ultraphrygian
- Pentatonic (would be fun to hear a song fully pentatonic in both melody and harmony)
- Octatonic/Diminished
- Whole Tone
These are some of my favourite videos of yours, keep up the quality content!
Octatonic and whole tone would be hard as they have different number of notes, but I'd be interested to see how he did it. Pentatonic would be easier as you could just move them to the note a half step away.
Most of those don't have harmony unless you use notes outside the scale for chords
@@Ruigi01 makes me wonder how Phygian/Locrian Mixed could sound like
I fell in love with double harmonic after Hans Zimmer's Dune ost so I'm all for it
Naturale minor with rased 4th, the lydian mode.
Harmonic minor chords with melodic mintor melody was gorgeous :D
I do not know why, but it sounds like it would be the Muse of it to me.
This has potential to be a great series. We want more!
Lydian sounded so hilarious with the lyrics 🤣
The key of B-flat having a flattened 6 just sounds so good in bohemian rhapsody. That two note G-flat octave into the two note F octave being played is just... beautiful.
Minor seconds in octaves sound so heartbreaking. It fits the tone I think- reminds me of Schubert’s Gute Nacht, which does the same thing. I completely agree with you ❤
I was looking forward to the Locrian version, and it didn't disappoint. What an intriguing sound!
Melodic minor sounds great
This was my favourite too!
Yeah I think I like it better than the original 😂
@@benkendall5562 steady on! 😂
Came to the comment section to write the same
The “b3” nope all the ones with minor 3rd do not work…
The melody is screaming for a major 3rd…
I would love to see a full version for each mode
Brilliant! I was hoping you were going to make another one of these! Here’s some more scale suggestions for a potential next instalment:
- Lydian Dominant
- Mixolydian b6
- Dorian b2
- Harmonic Minor Inverse (Mixolydian b2)
- Double Harmonic
- Phrygian b4
- Pentatonic (would be interesting to hear a fully pentatonic melody and harmony)
- Octatonic/Diminished
- Whole Tone
As for a potential song, I feel using one with the axis progression would be a nice “canvas”, such as Don’t Stop Believing.
Keep on making quality content!
Lydian always has that ethereal sound that fits almost everywhere.
It's crazy to me as someone with almost no music theory knowledge how much of a change it was by going from major to Lydian. As you showed, it's only one change, but it made a huge difference. To me, the sound of the passage was almost nails on a chalkboard bad when moved to Lydian. The Harmonic Major also did something similar.
Each of the different scales give whole new meanings to those lyrics and I absolutely love it, the music just got more and more haunting as it went on and it was awesome
mystical musical tour
I absolutely understand how much work it would be, but I’d love to hear all of these as the full track.
Locrian Is BoRiNg, David. Use *SUPER LOCRIAN*
This was thoroughly entertaining and informative, thank you!
Mixolydian is a beautiful mode. I used it extensively when I was studying music theory, many years ago
Wow David, what an ingenious idea to put these scales through the paces of such a well known melody! It made me realise how much can be done by changing modes. Thank you!
Glad you like it!
Melodic minor scale @ 7:22
I love dark and twisted music so I actually really loved that Locrian version!
I haven't gotten to it yet but now I'm imagining a Marilyn Manson cover
I really enjoy the videos where you change the mode/scale of a song. Very fascinating.
Phrygian Dominant has always been my favorite. It has such a . . . hidden oasis in the desert sound :D
I absolutely LOVE these RIP X treatments of classic rock hits. VERY hands-on instructional. Very educational.
3:00 Now I want to write something in Lydian.
Harmonic minor is by far my favorite. That "awkward" note drop I actually just flat out love
I gotta say my favorite is the Melodic Minor out of these but these are always fun listening to
1:47... Ooh, DAVID... That was not the place to cut!!
Thank you! This is beyond a lesson in music theory. This is solving problems in creating good compositions.
That was brilliant! Locrian was so sinister, and I appreciate what you did to make that work.
Love hearing the different scales, and your descriptions of the scales compared to the Major Scale are much easier to remember :-)
Now I want to hear the whole song in melodic minor
Harmonic and Melodic minor scale versions are amazing. The tension built due to the F7 chord coinciding with the lyrics "... now he's DEAD" brings the song to whole new level .... Great Job bro.
Another brilliant video. I learn more about music theory from David's videos than from playing guitar for 25 years.
Thank you for what seems like quite hard work to illuminate the sound of these scales. Locrian really has a horror-film vibe in this context!
The Locrian made it sound like it belonged in a horror movie.
The best demonstration of modes. Thank you.
Locrian is the scale of suffering.
Typically
Your videos are pure gold! Thanks!
Thank you!!
Phyrgian dominant & melodic minor sounded the best to me. I was surprised how dissonant Lydian sounded to my ears.
Same!!
That’s very interesting, it was the complete opposite for me!😮
It sounded dissonant for me, but it was wonderfully beautiful.
I feel like Lydian sounded genuinely so bad, idk why it's liked
This is one of those rare cases where the sponsor/ad element of a video is 100% relevant to the remainder of the content.
Brilliant transpositions! Hearing new versions of Queen is close enough to hearing new Queen songs that it gave me chills! Love it!
Loved the background on the Phrygian dominant.
😊
I loved the melodic minor one and id love to try to use it in a song
Then check out _Yesterday_ - the scale is D melodic minor; although the chords are loosely grouped around F tonic which makes the scale harder to identify.
@jcarty123 ik yesterday its a great song I tried to make a song in F melodic minor but it didn't really go anywhere
your feelings are irrational
Very nice. It takes you through a whole bouquet of musical colours. 🎹
great video as always ! i’d love to see a video where you go over the chord functions and what the functions actually **are**, like why does V chord feel the way it does.
The simple answer is voice leading, three formulas in particular: The VII - I (Leading tone function), II - I, and V - I (especially in the bass.) These all tend to have a cadential effect and cadences (expected or realized) tend to be what creates a feeling of function.
That's why modern music often sounds less functional because there tends to be relatively loose (or sometimes non-existent) voice leading. It's also why strange non-triads can sound functional (like augmented sixths for instance that have always managed to elude any sort of chord or scale labeling)
The melodic minor sounded amazing! It would be so cool to hear the whole entire piece like that. I really enjoyed this video.
The natural minor version is really interesting, it sounds more suitable to the lyrics, or so I feel. I wonder how the entire song would sound in that scale.
Actually there is a lot more scales ! Instead of thinking about them individually, think about them in Families.
Here are all the families:
- Major
- Harmonic Minor
- Melodic Minor
- Harmonic Major
- Double Harmonic
- Augmented (1 scale)
- Diminished (2 scales)
They all have 7 scales except for the Augmented and Diminished. Double Harmonics is the family with these notes: C Db E F G Ab B
To know how to name the scales correctly, you just have to know what is the strongest identity of a scale.
All scales with a major 3rd, major 7th and a perfect 4th are Ionians (with alterations).
All scales with a minor third and a major sixth are Dorians.
All scales with a minor second and a perfect fifth are Phrigians.
All scales with an augmented fourth are Lydians.
All scales with a major third and a minor seventh are Mixolidians.
All scales with a minor third and a minor sixth are Aeolians.
All scales with a minor second and a diminished fifth are Locrians.
And with that, you can name your new scales from all families. Exemple:
- The second degree (II) from the Melodic Minor is called Locrian #6
- Harmonic Major first degree is Ionian b6
- Double Harmonic IV = Aeolian #4#7
This is how scales are called in Jazz theory. And so, for the minor scales usually used in classical music, you can call them:
- Minor Melodic (First degree from his own family): Dorian #7 (or Ionian b3)
- Minor Harmonic (First degree from his own family): Aeolian #7
Now i'm in hope for a 1h long video with all those scales used for Bohemian Rhapsody haha
I really enjoyed the Melodic Minor and the Harmonic Minor, but why weren't the regular Dorian and Phrygian modes used/shown in the video??
That's the best explanation I've ever been given as to why the melodic scale is different going up compared to going down. Thankyou. Explain more stuff to me, I love it!!!!!
Amazing video! I'm from South America and our default minor scale, in our folkloric music, is the melodic minor. So, the natural minor sounds a little "unfinished" or "unpolished" to my (but I like it anyway).
This might actually be my favorite video of all time, I have watched this video 15 or more times over the past 4 months already because of how good it is.
I actually didn't mind the natural minor and the melodic minor versions! In the other cases... it sounded really weird
What a great bit of music to pick for an exercise like this--one where everyone knows the melody and chords backwards. Makes it very easy to hear the main differences between modes. Great video!
Melodic minor worked very well.
I just can’t get enough of David’s great videos. He always expands my musical mind.
Lydian was my favorite. I always learn a lot about music theory from these videos 👍
As a huge Queen fan this is like Christmas!!! Great video as always! (And also please put Queen in more examples of future videos if you find they apply!)
I really liked the melodic minor, it worked very well for this excerpt of the song.
I agree. But while it was very smooth and pleasant sounding here I usually like the harmonic minor more. Harmonic major is also a cool sounding scale which I'm going to use more in the future (so far have done only one track using it).
An immensely interesting video. Thx!
Fascinating, but I missed Dorian and straight Phrygian.
David, Thank you for suggesting RipX. I've been arranging Gonna Make You Sweat (Everybody Dance Now) and the software made it so much easier to isolate the parts.
You're doing great work! Keep at it.
The Natural Minor version left me wanting more! Thank you David for putting this together!
I love this video. I've been asking myself for years why the ascending harmonic minor scale differs from when it's descending. And this is the first time i got the explanation. But apart from that , everything else has also been wonderfully explained. Excellent video !!!! Many thanks , David 👍🏼👍🏼
I thought the melodic minor and the Mixolydian worked the best. The rest were pretty awkward, even for scales I normally love like Lydian and Phrygian dominant.
This was so helpful! Thank you for your fantastic work as always!
Love it soooo much.
I was hoping you would do some similar things to say, Taylor Swift or Ed Sheeran. Basically: make current pop songs sound more interesting with modes
I sure wish I had actually studied music. Thanks for posting these samples as they open up the understanding and creating more unique progressions.
That minor scale version sounded incredibly dark and awesome
Would be nice to see a cover version in a dark tv show or movie
Yes I enjoyed that as well 👍
Alexander Källström made a minor cover of it!
@@jokerwashere1656 ruclips.net/video/xcYJGBXRTjA/видео.htmlsi=aZHoYuY6x2ULEbaT
This explanation about how harmonic and melodic scales came about is billiant and enlightening!
Please do it again including the Dorian Scale!
Also would have loved to hear the Dorian and the Phrygian
Absolutely loved this video. Amazing stuff. Thank you!
I've never seen or heard anyone do this to a time so always assumed it was impossible.
All versions sound great but I do have my favourites.
Thanks again.
Very interesting - btw any reason why Dorian wasn't used?
Loved it! Left me wanting to hear the rest of the song in each of those alterations.
Maravilha de didática! Muito obrigado!
Brilliant! Thank you for making this video!
This seems both ambitious, and potentially very fruitful and enlightening. Looking forward to it. My mind is willing, but my ear is spongy and weak...
I was so interested and hopeful when the illusion of modes broke, and I understood how simple the concept is. But I just can't really hear them, except in extreme cases like Phrygian and Lydian.
Really interesting video, indeed. And very instructive. Congratulations and thanks
Thank you 😊
Phrygian sounds cosmic. Locrian is utterly devastating-- something terrible is in progress and it sounds amazing. These are my favs-- I would love to hear the full Bohemian Rhapsody rendered in both versions.
The natural minor will haunt my dreams.
This was awesome. I really liked the Locrian version. Next time, my requests are Hungarian Minor and Double Harmonic (or miss Phrygian Major if you're nasty). And/or the two Locrian variants in Harmonic Minor that produce full diminished I chords: Locrian major 6th and Locrian double-flat 7th.
This was really insightful and interesting. Thank you!
Glad you enjoyed it!
Lydian hurt my ears. :(
Yeah that is NOTICEABLY bad
I generally don’t understand why Lydian is always being associated with bright and cheerful. When in reality the tritone gives it a really unsettling eerie feeling.
@@colinbanning9416I dont think it bad I think is pretty bright
@@CommanderGinyu It's highly dependent on context. When writing a song in Lydian you have to be aware not to hit certain notes and avoiding certain chords. When done well it can be absolute magic.
I loved the outro music !!
Thank you 😊
An extended version of this music using each mode to intensify each phase of this music would be very cool