@@sergeizuev6781 Perfect! Thank you very much. I have discovered however that Nathan Watts detuned his bass to E flat for this tune. That means he effectively did this in the key of C. Have you got the facility to transpose this up a semitone in your notation software at the touch of a button? It will be a LOT easier to play it in the position that Nathan Watts did. He detuned a semitone a lot. He definitely did it for "Master Blaster" & also for "Love To The End Of Time" by Paulinho Da Costa. I know the latter from personal experience as I had to recreate that track for a Carl Cox project. All the best!
@@stretchmorgan Wow! I didn't know that fact. Thank you! Well, you can find the link in description as well. But even in the key of C it remains a tough one. I mean that line in the chorus.
Any chance you'd be willing to re-upload the PDF for this and 'All I Do'? These are fantastic transcriptions!
What you think about the track without Bass? Is it good idea?
Way too much reverb.
I can't upload the PDF! This looks like a pretty good transcription to me. Would love to take a look.
The link is renewed. Try now.
@@sergeizuev6781 Perfect! Thank you very much. I have discovered however that Nathan Watts detuned his bass to E flat for this tune. That means he effectively did this in the key of C. Have you got the facility to transpose this up a semitone in your notation software at the touch of a button? It will be a LOT easier to play it in the position that Nathan Watts did. He detuned a semitone a lot. He definitely did it for "Master Blaster" & also for "Love To The End Of Time" by Paulinho Da Costa. I know the latter from personal experience as I had to recreate that track for a Carl Cox project. All the best!
@@stretchmorgan Wow! I didn't know that fact. Thank you!
Well, you can find the link in description as well. But even in the key of C it remains a tough one. I mean that line in the chorus.
@@sergeizuev6781 You are a superstar! He talks about it in an interview somewhere. I'll try & find it.