Cosi Lunatico Remaster c2024 Paul Santa Maria

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  • Опубликовано: 19 окт 2024
  • I released this in 2021 on my "PSM Sextet Vol.1 cd, before I had new mastering software. I gave it a new intro and remastered it. I also made the mistake of trying for a famous internet personality's attention, because he's always saying there's no good music on the net. Really? I beg to differ!
    PaulSantaMaria.com/music-catalogue

Комментарии • 4

  • @kencutter1094
    @kencutter1094 2 месяца назад +1

    Well to my ears I enjoyed the the different texture on each of the guitar parts even had a little bit of the Robert fripps League of gentlemen multiple guitar sound
    Kool
    Peace ✌️ n Serenity
    N Harmony

    • @paulsantamaria2605
      @paulsantamaria2605  2 месяца назад +1

      Mr. Fripp is one of my guitar heroes - people I have chosen to inspire certain performance aspects (articulation, time, harmonic structure, off-the-wall idealizing, etc.) of my own playing. Beatles overall, and McCartney specifically over Beatles as a group. Although I have enjoyed Fripp's career (and have a cd coming out later in the year that will be titled "Beatles, Crimson, Coryell and Me", after Larry C.'s "Monk, 'Trane, Miles and Me" cd (on which I worked post, ) I have never listened to these men note-for-note past my teenage infatuation with Clapton (who lost me when he changed to Fenders) Joe Walsh, Ritchie Blackmore. I have heard of the League, but never listened to them, so any comparison is a welcome one as it was "parallel thinking" and that means under certain circumstances I may enjoy a level of musicianship that is at least in the REALM of the Master Fripp. Even throughout the many years of my association with Larry C., I never learned his works other than the amazing intro to "Low-Lee-Tah" because I was fascinated by the use of of that F#/C#/F# chord allowing the use of E@LE0 for a leading tone (just like Tracey Chapman did in "Gimme One Reason"). The reason being that, while one learns from the methods of other masters of one's craft, inventing new ones sometimes requires blinders and is therefore more original / dangerous and when one is not famous (as I am not) then one is not required to wear the yoke of expectation thudded upon those whose chosen a path that REQUIRES the participation of financial / social "angels". For example - I hear "Oh, you're that Jazz guitarist" all the time - NO I AM NOT a JAZZ GUITARIST - JOE PASS was a Jazz guitarist! I cannot do what Joe Pass did without more years of work than I already did in the fingertstyle medium, which resulted in a group of very excellent compositions "("His Funny Ways" comes to mid) only to be summarily ignored by the torrent of musical inventions of much more famous performers like Taylor Swift, who, however unintentionally, blinds millions to the discovery of other music by the not-famous (again, me in that large group). God Bless her for making a good living, but I am not Ted Greene and I am not about to use up my time working out impossible-to-play pieces that no one ever hears - "Cosi Lunatico" a case in point - and dying alone in some shitty apartment in dingy NYC. I like to eat and maintain a high FICO score (even though I have no money/use for big-ticket items like houses anyway, haha) and I only try to create pieces like "Cosi" now and then. When I tried to get Rick Beato's attention to this because I thought he'd champion a cat not using software to augment / cheat the performances in any way other than mastering I failed miserably, as usual, because I have no connections to these people - it's just me and my many guitars, my Tascam DP-24SD, the EH Mel 9, my Spector / MusicMan basses, my KORG Pandora PX-3 and SoundForge 17. Thanks Ken (I'm sure no one else will read my response as they only listen to about 24% of any tune I post - really! No joke. I can post a long piece like my licensed "Starless" (KC) cover, or a 35 second piece and the average listen is 24%!!!!!! Oh well, as long as my brain>finger connection is still working, I'm good. Thanks to hell and back for comparing my to Mr. Fripp! Peace.

    • @kencutter1094
      @kencutter1094 2 месяца назад

      @@paulsantamaria2605 well unlike you I have no ear for doing covers I cannot copy to save my life I tried once to learn radar Love did a pretty good job of it but they told me I learned it in the wrong key then I realized the keyboard player only played in the key of C I did do Gloria mostly the rhythm animated my own for the heck of it also the song stepping stone made it my own I listen to enjoy what they're doing to be amazed at what the masters of guitar are doing in hope in some way it comes out I was once told by a fan back in the day that I was sounding like Jeff Beck the early Jeff Beck I thought was a great compliment but through jamming with so many really good players I just developed my own sound and it sounded a lot like all the guitar players I really liked at one time or another and Mr fripp the little Jimmy a little McLaughlin and me still trying to find the ultimate me you keep on doing what you're doing I always say it's not for the money but it was nice to make some once in awhile LoL always glad to see yourself in a couple other RUclipsrs pop up on the phone pulling out some gems to listen to maybe even a guitar lesson or two till the next time you pop up
      Peace ✌️ n Serenity n
      Harmony

  • @paulsantamaria2605
    @paulsantamaria2605  2 месяца назад

    The artwork is a higly photographic reproduction of "Ascending and Descending" by M C Escher. It is part of another drawing I did called "Remember Me" from 1982. You can see the master drawing at me site: PaulSantaMaria.com