This is by far my favorite Red session of all time, his playing has a special energy and creative spark, much less repetitive than his playing with Miles in my opinion
I been listing to Kenny Barron transcriptions and it’s interesting now hearing Red Garland, he has more of a swing feel, less straight, but still a lot of interesting post-bop ideas. It’s interesting seeing post bop players like this, how bebop has gone from hot and aggressive, to smoother and more lyrical lines. Perhaps influence of the cool school, but his lines also searching for new ways
@@Mikkokukko it's kinda semantic, and I think different critics may say different things. I use "post-bop" as a very broad term. Anything in the "straight ahead" jazz tradition, that is using the advancements of bebop improvisation, but in a more developed, refined, way. I.e. I wouldn't call this bebop. "Bebop" is quite a specific era and genre, and I would say that post bop is anything that follows in its wake.. like "post modern". I've also heard 60s Miles referred to as "free-bop", as his ensemble went even further than the artists of the 50s, by at times abandoning form, and other conventions, until finally abandoning acoustic instruments.
Hey! I have a similar copy of the same solo if you are still interested in learning it. You can find my email on my about section in my channel so that I can send you a pdf.
![VENEZUELA vs. ARGENTINA [1-1] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 9](http://i.ytimg.com/vi/SJfoPdeOPCQ/mqdefault.jpg)
This is by far my favorite Red session of all time, his playing has a special energy and creative spark, much less repetitive than his playing with Miles in my opinion
it's with Specs Wright, one of my favorite drummers
amazing, beautiful solo
Nice work! I love this album
I been listing to Kenny Barron transcriptions and it’s interesting now hearing Red Garland, he has more of a swing feel, less straight, but still a lot of interesting post-bop ideas. It’s interesting seeing post bop players like this, how bebop has gone from hot and aggressive, to smoother and more lyrical lines. Perhaps influence of the cool school, but his lines also searching for new ways
how does this have anything to do with post-bop? isn't post-bop more like a 60's sound (for example the album miles smiles)?
@@Mikkokukko it's kinda semantic, and I think different critics may say different things. I use "post-bop" as a very broad term. Anything in the "straight ahead" jazz tradition, that is using the advancements of bebop improvisation, but in a more developed, refined, way. I.e. I wouldn't call this bebop. "Bebop" is quite a specific era and genre, and I would say that post bop is anything that follows in its wake.. like "post modern". I've also heard 60s Miles referred to as "free-bop", as his ensemble went even further than the artists of the 50s, by at times abandoning form, and other conventions, until finally abandoning acoustic instruments.
@@DeepCrossing1 i see! not that it's that important really, but nice to hear your thoughts.
WOW ❤❤❤❤
Great transcription. Would you mind sharing a link to the transcription? I'm interested in playing it. Ty!
Hey! I have a similar copy of the same solo if you are still interested in learning it. You can find my email on my about section in my channel so that I can send you a pdf.