It's awful. One of the worst of the year so far. They had a great set up for the story and it's just terrible. Production wise is great, but the story is so boring and so slow and Tom Hardy is so wasting his talents in here. I had great hopes for this movie, though. Very sad it turned out like this.
Obviously there's a certain amount of subjectivity, but I didn't like the movie. I went into it with high hopes but I lost patience with it very quickly. I found it very derivative - and worse, the movies that it borrows from did the same stuff so much better.
You just read my mind and many many more other Lewis Pott fans....like we all know , what we learn from Lewis Potts on the 9 minutes is more than what you'd have learnt in 4 years of film school.This.man is fabulous! I wish he was my teacher throughout my life.His clarity of expression and humor are top notch!
It’s nice that Jeff Nichols still shoots on film and he doesn’t hide that. You can tell from frame one The Bikeriders was shot on film. Which fascinates me because Twisters which also came out this summer was shot on film and you’d never know it.
nah I think you can definitively still see Twisters was shot on film, especially when they are in nature, the green looks very good; but indeed it could have looked "better" ig but Dan Mindel has that weird thing where he shoots film but for some reason very low contrasty
I went to the theater to see this movie and I thoroughly enjoyed it. As an audience member, just taking it in for the first time, I didn't think that the movie looked "lit" at all, which I said to myself, I'm sure it is, but they did a great job of hiding it and really immersing the viewer in the story. Great video breakdown, too, I really learned a lot from watching this.
In my head, that last scene of Austin Butler coming out of the bar is lit different from Jodie Comer's perspective, so it serves a story purpose as well. Her gaze on Austin is different compared to the rest of the group of riders. I know some of the shots in this movie are recreations from the photo book it was based off of/took inspiration from.
Nice breakdown mate, thank you. Although, the top lights aren't balanced to tungsten - they're daylight! The warmth is just coming from the timber bounce and the tungsten practical behind the bar.
There's something they did during the color grading process that makes it look digital (despite being shot on 35mm). I've seen movies shot on digital that feel more 35mm-ish than this film.
I love your Channel and your breakdowns! I was wondering if you could do a breakdown on the Superman and Lois show? I was pleasantly surprised by the cinematography in the show, and was interested how they achieve such a look on a television budget!
It's an awesome vid with proper knowledge tips in it. loved it. I have only one question. How did You get shots from almost the whole film scenes? Where from?
What about exposure? Do they film with that light and then pull down a few stops to have less grain? In that bar scene, what a lot of light... interesting result.
Wow, I found that really interesting. I wonder if the shots in the bar where you pointed out the back of the jacket being lit in one angle and complete darkness on the other, that it might have been better with some lighted added on the dark one, so the differences wasn't so stark. I don't know the correct answer, but as a colorist, I think that would bother me a little. Great video though- well thought and delivered - Thank you for this
Almost every scene in movies has some discrepancy in continuity similar to these, you would run out of time in the day trying to make everything match perfectly. And it probably wouldn’t look as good
not gonna lie, the lighting looks very ugly imo, the exterior night shots outside of the bar looks so awful and flat, why are movies looking like this nowadays?
HI, back again and I worked on this one as well. As always he's correct about the set ups!
the nanlux?
I need to give this movie a watch. I love how simple most of these Hollywood lighting setups can be
It's a great movie man i watched it yesterday
It's awful. One of the worst of the year so far. They had a great set up for the story and it's just terrible. Production wise is great, but the story is so boring and so slow and Tom Hardy is so wasting his talents in here. I had great hopes for this movie, though. Very sad it turned out like this.
Obviously there's a certain amount of subjectivity, but I didn't like the movie. I went into it with high hopes but I lost patience with it very quickly. I found it very derivative - and worse, the movies that it borrows from did the same stuff so much better.
I kid you not, the second I saw this video on my feed, I audibly said "YES, new Lewis Potts, let's gooo"
Haha, 100% me all the time
You just read my mind and many many more other Lewis Pott fans....like we all know , what we learn from Lewis Potts on the 9 minutes is more than what you'd have learnt in 4 years of film school.This.man is fabulous! I wish he was my teacher throughout my life.His clarity of expression and humor are top notch!
same lol
I get it, sometimes I don’t even watch it immediately, I want to save it for when I get home and have an optimal viewing setting.
Same
You're a legend mate, thank you for these videos/tutorials
Thanks!
It’s nice that Jeff Nichols still shoots on film and he doesn’t hide that. You can tell from frame one The Bikeriders was shot on film. Which fascinates me because Twisters which also came out this summer was shot on film and you’d never know it.
nah I think you can definitively still see Twisters was shot on film, especially when they are in nature, the green looks very good; but indeed it could have looked "better" ig but Dan Mindel has that weird thing where he shoots film but for some reason very low contrasty
I went to the theater to see this movie and I thoroughly enjoyed it. As an audience member, just taking it in for the first time, I didn't think that the movie looked "lit" at all, which I said to myself, I'm sure it is, but they did a great job of hiding it and really immersing the viewer in the story. Great video breakdown, too, I really learned a lot from watching this.
Thanks for sharing your insights/breakdown into this amazing piece of cinemaphotography, great stuff as always!
Nice breakdown!
Adam Stone and Jeff Nichols are one of my favorite DP/Director duos.
Yeah they’ve made some great stuff
Cincinnati and northern Kentucky !! love it
really liked how you broke down that last sequence with practical considerations in mind!
Excellent breakdown 👏
In my head, that last scene of Austin Butler coming out of the bar is lit different from Jodie Comer's perspective, so it serves a story purpose as well. Her gaze on Austin is different compared to the rest of the group of riders.
I know some of the shots in this movie are recreations from the photo book it was based off of/took inspiration from.
Great breakdown. I could watch this kind of content every day.
Great movie. Love all of Jeff Nichols's films. Very cool to see some behind the scenes lighting setups on Bikeriders.
Learned something here today ! Thanks !
Some really cool soft night lights they had :)
Excellent breakdown, thanks for this!
Fantastic content! Thanks for making this video
you always the best !
These are suoer helpful, please do more of these :)
Lighting is always a ton of fun :D
Thank you. I always learn so much from these lighting breakdowns.
Love these videos. Thank you!
Thanks Stefan!
Love this style video, thanks for the value bro!
Such a classy geared head
It is indeed!
Relatively certain the lights above the bar are ETC Parnels with snoots.
just discovered this channel. love it! great info. thank you
Nice breakdown mate, thank you. Although, the top lights aren't balanced to tungsten - they're daylight! The warmth is just coming from the timber bounce and the tungsten practical behind the bar.
Yeah correct👍
Please do more of these
Watched this movie last night. Glad I did !
There's something they did during the color grading process that makes it look digital (despite being shot on 35mm). I've seen movies shot on digital that feel more 35mm-ish than this film.
There’s a behind the Scenes doc for how they made the film tenet
please do a video on that
Excellent video
4:55 - It looks like Tuco rebuilt and improved his office
Good break down...thanks for sharing.
I love your Channel and your breakdowns! I was wondering if you could do a breakdown on the Superman and Lois show? I was pleasantly surprised by the cinematography in the show, and was interested how they achieve such a look on a television budget!
The art of break down
@1:20 those hard downlights look like Source4 PARs with a full snoot a.k.a. top hat.
HE'S BACK
Thank s for your tutorials!
It's an awesome vid with proper knowledge tips in it. loved it. I have only one question. How did You get shots from almost the whole film scenes? Where from?
I bought the movie online
@@lewispotts Damn, didn’t think about that😂
brilliant
"Hey babe wake up, Lewis Potts posted a new video."
Great Stuff!
thank you 🎉❤
can you break down the cinematography of salt burn please
The DP telling the director how to frame 🤣
What about exposure? Do they film with that light and then pull down a few stops to have less grain? In that bar scene, what a lot of light... interesting result.
This is incredible bro! Where did you get this BTS footage?
Thanks! It’s on RUclips
A 24 amzing look
You're Rainbolt but for movies
Super vidéo, ça aurait été cool de voir l’extrait sans explication dans un premier temps et ensuite l’explication lumière
Wow, I found that really interesting. I wonder if the shots in the bar where you pointed out the back of the jacket being lit in one angle and complete darkness on the other, that it might have been better with some lighted added on the dark one, so the differences wasn't so stark. I don't know the correct answer, but as a colorist, I think that would bother me a little.
Great video though- well thought and delivered - Thank you for this
Almost every scene in movies has some discrepancy in continuity similar to these, you would run out of time in the day trying to make everything match perfectly. And it probably wouldn’t look as good
Only thing I'd say is that the color of the sunlight would be more towards golden hour if it was truly coming through that window at that angle.
Yeah your right it would be, but you can also just do anything
@@lewispotts for sure. I like the style though…pretty slick
Is Austin keeping that cigarette burning when they're not rolling, or is it a prop that just keeps smoking?
What's the app you use for the lighting/camera diagrams?
A company called gumroad “lighting diagram toolkit”
And photoshop
you and Roger Deakins have the same face, job and mannerisms, did you notice that?)) same soft spoken laid back style too
Dad?
@@lewispotts a multiverse variant
✨✨✨
I love you 😂
can lights from above
They way you say here.. heer lol
Where?
Hhjeeereeh
Спасибо за обзор интересно
Bye!
Where can someone find bts from films like this?
RUclips
not gonna lie, the lighting looks very ugly imo, the exterior night shots outside of the bar looks so awful and flat, why are movies looking like this nowadays?
Great breakdown! thanks for doing this